{"data": {"id": 143152, "accession_number": "1967.134", "share_license_status": "CC0", "tombstone": "Descent from the Cross, 1653. Adam Lenckhardt (German, 1610\u20131661). Ivory; overall: 44.8 x 16.5 x 12.1 cm (17 5/8 x 6 1/2 x 4 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1967.134", "current_location": "215 French, German, and Dutch", "title": "Descent from the Cross", "creation_date": "1653", "creation_date_earliest": 1653, "creation_date_latest": 1653, "artists_tags": ["male"], "culture": ["Austria"], "technique": "ivory", "support_materials": [], "department": "European Painting and Sculpture", "collection": "Sculpture", "type": "Sculpture", "measurements": "Overall: 44.8 x 16.5 x 12.1 cm (17 5/8 x 6 1/2 x 4 3/4 in.)", "dimensions": {"overall": {"height": 0.448, "height_inch": 17, "height_inch_fraction": 0.625, "width": 0.165, "width_inch": 6, "width_inch_fraction": 0.5, "depth": 0.121, "depth_inch": 4, "depth_inch_fraction": 0.75}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "inscribed with monogram \"AL\" conjoined and dated 1653.", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 301129, "title": "Year in Review: 1967", "description": "<i>Year in Review: 1967</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).", "opening_date": "1967-11-29T05:00:00"}], "legacy": [{"description": "<em>Art Treasurers of the United Kingdom.</em> Manchester (1857).", "opening_date": null}]}, "provenance": [{"description": "Prince Karl Eusebius von Liechtenstein, Vienna (1611-1684), 1653 - after 1678", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Robert Napier, England, by 1857 - 1865", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Fazackerley Collection, England", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Sold by Cyril Humphris, Ltd., London, to the Cleveland Museum of Art, 1967", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Carved from a single elephant tusk, the artist took special care to ensure the ivory did not crack or break as he meticulously crafted each figure in this visually exciting sculpture. Look closely to find tools and small objects included near its base.", "early_education_description": null, "artlens_description": null, "description": "Carved from a single piece of ivory for Prince Karl Eusebius von Liechtenstein of Vienna, this work is a true tour-de-force. It took Lenckhardt seven years to complete; it is his last known sculpture and the pinnacle of his career. The biblical accounts of the descent from the cross found in the gospels are not consistent, which may contribute to the difficulty in precisely identifying the figures. The Virgin Mary, Saint John, Mary Magdalene, and others were said to be present, but undoubtedly there are other disciples here mourning Christ\u2019s death. The intense emotion registers on the faces of the figures in the scrupulous and exquisitely detailed work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781010"], "internet_archive": ["https://archive.org/details/clevelandart-1967.134-descent-from-the-cro"]}, "citations": [{"citation": "Napier, Robert, and J. C. Robinson. <em>Catalogue of the Works of Art Forming the Collection of Robert Napier</em>. London, United Kingdom: Priv. Print, 1865.", "page_number": "Reproduced: no. 1085 (as Algardi)", "url": null}, {"citation": "Fleischer, Victor. <em>Fu\u0308rst Karl Eusebius von Liechtenstein als Bauherr und Kunstsammler (1611-1684)</em>. Vienna, Austria and Leipzig,Germany: C.W. Stern, 1910.", "page_number": "Reproduced: p. 36-37, p. 225-226", "url": null}, {"citation": "Braun-Troppau, E. W. \"Der Wiener Elfenbeinbildhauer Adam Lenckhardt.\" <em>Kunst und Kunsthandwerk </em>XVI (1913): 318-320.", "page_number": "Mentioned: p. 318", "url": null}, {"citation": "Born, Wolfgang. \"A Newly Discovered Masterpiece of Adam Lenckhardt.\" <em>Apollo</em> XXIII, no. 133 (January 1936): 41-45,", "page_number": "Mentioned: p. 42", "url": null}, {"citation": "Schikola, Gertraut. \"Wiener Plastik der Renaissance und des Barocks.\"  In <em>Geschichte der Bildenden Kunst in Wien, </em>Verein fu\u0308r Geschichte der Stadt Wien, 85-162. Wien: Der Verein, 1955.", "page_number": "Mentioned: vol. 1, p. 99", "url": null}, {"citation": "Spaeth, Eloise. <em>American Art Museums and Galleries: An Introduction to Looking</em>. New York, NY: Harper &amp; Brothers, 1960.", "page_number": "Reproduced: p. 19", "url": null}, {"citation": "Theuerkauff, Christian. \"Der Elfenbeinbildhauer Adam Lenckhardt.\" <em>Jahrbuch der Hamburger Kunstsammlungen</em> X (1965): 27-70.", "page_number": "Mentioned: p. 30-31, 56-58, 62, 65, 68, 69, 70; reproduced: p. 59, figure 27.", "url": null}, {"citation": "Sch\u00e4dler, Alfred. \"Der Ulmer Bildhauer und Elfenbein-schnitzer David Heschler (1611-1667).\" . In <em>Studien zur Geschichte der europa\u0308ischen Plastik; Festschrift, Theodor Mu\u0308ller, zum 19, April 1965. </em>Kurt Martin, and Theodor Mu\u0308ller, 293-302. Mu\u0308nchen: Hirmer Verlag, 1965.", "page_number": "Mentioned: p. 99", "url": null}, {"citation": "\"Year in Review.\" <em>The Bulletin of the Cleveland Museum of Art</em> 54, no. 10 (1967): 302-46.", "page_number": "Referenced: no. 13, p. 341, Reproduced: p. 311", "url": "http://www.jstor.org/stable/25152183"}, {"citation": "Hawley, Henry. \"An Ivory Deposition.\" <em>The Bulletin of The Cleveland Museum of Art LV</em>, no. 11 (November, 1968): 290-293.", "page_number": "Reproduced: p. 290, p. 292, p. 293", "url": null}, {"citation": "\"La Chronique des Arts.\" <em>Gazette des Beaux-Arts</em> LXXI, no. 1189 (February 1968): 1-140.", "page_number": "Reproduced: p. 61, no. 236", "url": null}, {"citation": "\"Accessions of American and Canadian Museums.\" <em>Art Quarterly</em> XXXI, no. 2 (Summer 1968): 205-232.", "page_number": "Mentioned: p. 214", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.", "page_number": "Reproduced: p. 129", "url": "https://archive.org/details/CMAHandbook1969/page/n153"}, {"citation": "Theurerkauff, Christian. \"Scultura Barocca in Avorio: Nuove Attribuzioni ad Adam Lenckhardt e a Dominicus Stainhart.\"<em> Antichit\u00e0 Viva </em>X, no. 2 (February 1971): 33-51.", "page_number": "Mentioned:  p. 34, 35, 37-38, 46; reproduced: p. 42, figs. 15, 16", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.", "page_number": "Reproduced: p. 164", "url": "https://archive.org/details/CMAHandbook1978/page/n184"}, {"citation": "Ditner, David Charles. <em>Seventeenth and Eighteenth Century European Sculpture in the Cleveland Museum of Art</em>. Dissertation, Cleveland, OH: Cast Western Reserve University, 1986.", "page_number": "Reproduced: p. 372", "url": null}, {"citation": "Baumstark, Reinhold, and Peter Volk. <em>Apoll schindet Marsyas: u\u0308ber das Schreckliche in der Kunst ; Adam Lenckhardts Elfenbeingruppe ; </em>[Katalog zur Ausstellung des Bayerischen Nationalmuseums, Mu\u0308nchen, 15. Ma\u0308rz bis 18. Juni 1995]. 1995.", "page_number": "Reproduced: p. 138", "url": null}, {"citation": "Theurerkauff, Christian. \"Baroque Ivories from the Collection of Anselm Salomon van Rothschild in Vienna.\" <em>Apollo</em> 157 (February 2003): 15-25.", "page_number": "Reproduced: p. 16, no. 492", "url": null}, {"citation": "<em>Treasures of the Cleveland Museum of Art</em>. London, United Kingdom: Scala Books, 2012.", "page_number": "Reproduced: p. 202-203", "url": null}, {"citation": "\u201cA Walking Tour: The entire new museum wing by wing, with curators calling out a few favorite works in the collection.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 1 (January/February 2014): 8-33.", "page_number": "Reproduced and Mentioned: p. 17", "url": "https://archive.org/details/CMAMM2014-01"}, {"citation": "\"Collections. 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