{"data": {"id": 143775, "accession_number": "1968.212", "share_license_status": "CC0", "tombstone": "Terpsichore Lyran (Muse of Lyric Poetry), 1816. Antonio Canova (Italian, 1757\u20131822). Marble; overall: 177.5 x 78.1 x 61 cm (69 7/8 x 30 3/4 x 24 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1968.212", "current_location": "200 Rotunda", "title": "Terpsichore Lyran (Muse of Lyric Poetry)", "creation_date": "1816", "creation_date_earliest": 1816, "creation_date_latest": 1816, "artists_tags": ["male"], "culture": ["Italy, 19th century"], "technique": "marble", "support_materials": [], "department": "Modern European Painting and Sculpture", "collection": "Mod Euro - Sculpture 1800-1960", "type": "Sculpture", "measurements": "Overall: 177.5 x 78.1 x 61 cm (69 7/8 x 30 3/4 x 24 in.)", "dimensions": {"overall": {"height": 1.775, "height_inch": 69, "height_inch_fraction": 0.875, "width": 0.781, "width_inch": 30, "width_inch_fraction": 0.75, "depth": 0.61, "depth_inch": 24, "depth_inch_fraction": 0.0}, "No Extent Specified": {"height": 1.781, "height_inch": 70, "height_inch_fraction": 0.125, "width": 0.784, "width_inch": 30, "width_inch_fraction": 0.875, "depth": 0.613, "depth_inch": 24, "depth_inch_fraction": 0.125}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "inscribed on front of column:  \"Terpsichore Lyran\" [Terpsichore as the Muse of lyric poetry]; inscribed at base of column:  \"Canova Fact: 1816\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 301285, "title": "Year in Review for 1968", "description": "<i>Year in Review for 1968</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).", "opening_date": "1969-01-29T05:00:00"}, {"id": 450409, "title": "Canova: Sketching in Clay", "description": "<i>Canova: Sketching in Clay</i>. National Gallery of Art, Washington, DC (organizer) (June 11-October 9, 2023) https://www.nga.gov/exhibitions/2023/canova-sketching-in-clay.html.", "opening_date": "2023-06-11T04:00:00"}], "legacy": [{"description": "Royal Academy, London, United Kingdom (1817).", "opening_date": null}]}, "provenance": [{"description": "Simon H. Clarke, 9th Bt., 1764-1832 (Oak Hill, East Barnet, England);", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Alfred de Rothschild, 1842-1918 (Halton, Buckinghamshire, England), by inheritance to his nephew, Lionel de Rothschild, 1918;", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Lionel Nathan de Rothschild, 1882-1942 (Exbury, Hampshire, England), 1918-1942, by inheritance to his first son, Edmund Leopold de Rothschild, 1942;", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Edmund Leopold de Rothschild, born 1916 (Exbury, Hampshire, England), sold to Wildenstein & Co., 1963;", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Wildenstein & Co. (New York, New York), sold to the Cleveland Museum of Art, 1968.", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "1968-", "sortorder": 6}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Trained by his grandfather, an Italian stonemason, Canova began modeling clay and carving marble sculptures before age ten.", "early_education_description": null, "artlens_description": null, "description": "In Greek mythology, Terpsichore was one of the nine Muses, or goddesses of creative inspiration. The lyre, the Greek inscription on the short column, and the caduceus (entwined snakes) on the side identify the figure as Terpsichore Lyran, muse of lyric poetry. This sculpture began with a commission from Napoleon's brother, Lucien, for an idealized portrait of his wife, Alexandrine. Antonio Canova made this version for a British aristocrat and exhibited it in 1817 at the Royal Academy in London to great acclaim.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780833"], "internet_archive": ["https://archive.org/details/clevelandart-1968.212-terpsichore-lyran-mu"]}, "citations": [{"citation": "Teotochi Albrizzi, Isabella, Leopoldo Cicognara, and Henry Moses. <em>The Works of Antonio Canova: In Sculpture and Modelling</em>. London: S. Prowett, 1824.", "page_number": null, "url": null}, {"citation": "Lee, Sherman E. \"The Year in Review for 1968.\" <em>The Bulletin of the Cleveland Museum of Art</em> 56, no. 1 (1969): 3-50.", "page_number": null, "url": "http://www.jstor.org/stable/25152250."}, {"citation": "Honour, Hugh. \"Canova's Statue of a Dancer.\" <em>The National Gallery of Canada Bulletin</em> Vol. 6, no. 1 (November 1968): 4-31.", "page_number": "Reproduced: p. 7, fig. 4", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.", "page_number": "Reproduced: p. 164", "url": "https://archive.org/details/CMAHandbook1969/page/n188"}, {"citation": "Hawley, Henry. \u201cAntonio Canova: Terpsichore.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 56, no. 8 (October 1969): 287\u2013304.", "page_number": "Reproduced: p. 288-290, 292, 295", "url": "http://www.jstor.org/stable/25152289"}, {"citation": "<em>L'opera completa del Canova</em>. Milano, Italy: Rizzoli, 1976.", "page_number": "Reproduced: p.119, no. 212", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.", "page_number": "Reproduced: p. 203", "url": "https://archive.org/details/CMAHandbook1978/page/n223"}, {"citation": "Borowitz, Helen O. \u201cTwo Nineteenth-Century Muse Portraits.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 66, no. 6 (September 1979): 246\u2013267.", "page_number": "Mentioned and reproduced: p. 246-247, fig. 1", "url": "http://www.jstor.org/stable/25159636"}, {"citation": "Licht, Fred, and David Finn. <em>Canova</em>. New York, New York: Abbeville Press, 1983.", "page_number": "Mentioned and reproduced: pp. 210-213", "url": null}, {"citation": "Borowitz, Helen O. <em>The Impact of Art on French Literature: From De Scude\u0301ry to Proust</em>. Newark, Delaware: University of Delaware Press, 1985.", "page_number": "Mentioned: p. 57; Reproduced: p. 58", "url": null}, {"citation": "Donley, Gregory M, \"A Discerning Eye\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 39 no. 05, May 1999", "page_number": "Mentioned & reproduced: p. 6", "url": "https://archive.org/details/CMAMM1999-05/page/n5"}, {"citation": "Weisser, Silja Mareke. <em>Der Tanz als Darstellungsproblem der Skulptur im 19. Jahrhundert: unter besonderer Beru\u0308cksichtigung der Interdependenz zwischen Ballett und Skulptur</em>. Frankfurt am Main: P. Lang, 2000.", "page_number": "Mentioned: p. 281; Reproduced: p. 301", "url": null}, {"citation": "May, Sally Ruth, Jane Takac, and Barbara J. Bradley. <em>Knockouts: A Pocket Guide</em>. Cleveland, Ohio: Cleveland Museum of Art, 2001.", "page_number": "Reproduced: p. 56; Mentioned: p. 117", "url": null}, {"citation": "Franklin, David. <em>Director's Choice: The Cleveland Museum of Art</em>. Cleveland, Ohio: Cleveland Museum of Art, 2012.", "page_number": "Reproduced and mentioned: pp. 50-51", "url": null}, {"citation": "<em>Treasures of the Cleveland Museum of Art</em>. London, United Kingdom: Scala Books, 2012.", "page_number": "Mentioned and reproduced: pp. 224-225", "url": null}, {"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 286", "url": ""}, {"citation": "Dickerson, C. D., Antonio Canova, Emerson Bowyer, Anthony Sigel, and Elyse Nelson. Canova: Sketching in Clay. Washington : National Gallery of Art ; [Chicago, Illinois] : The Art Institute of Chicago, 2023.", "page_number": "Mentioned; pp. 46-47; Reproduced; p. 46, Fig. 26; pl. 41", "url": ""}], "url": "https://clevelandart.org/art/1968.212", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1968.212/1968.212_web.jpg", "width": "601", "height": "900", "filesize": "169070", "filename": "1968.212_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1968.212/1968.212_print.jpg", "width": "2269", "height": "3400", "filesize": "800191", "filename": "1968.212_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1968.212/1968.212_full.tif", "width": "8581", "height": "12860", "filesize": "331083676", "filename": "1968.212_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/1968.212/1968.212_alt0_web.jpg", "width": "581", "height": "900", "filesize": "166950"}, "print": {"url": 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