{"data": {"id": 687583, "accession_number": "2025.18", "share_license_status": "CC0", "tombstone": "Fata Morgana, c. 1572. Giambologna (Flemish, active Italy, 1529\u20131608). Marble; overall: 99 x 68 cm (39 x 26 3/4 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2025.18", "current_location": "117B Italian Renaissance", "title": "Fata Morgana", "creation_date": "c. 1572", "creation_date_earliest": 1529, "creation_date_latest": 1608, "artists_tags": ["male"], "culture": ["Italy"], "technique": "Marble", "support_materials": [], "department": "European Painting and Sculpture", "collection": "Sculpture", "type": "Sculpture", "measurements": "Overall: 99 x 68 cm (39 x 26 3/4 in.)", "dimensions": {"overall": {"height": 0.99, "height_inch": 39, "height_inch_fraction": 0.0, "width": 0.68, "width_inch": 26, "width_inch_fraction": 0.75, "length": 0.45, "length_inch": 17, "length_inch_fraction": 0.6875}, "No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Magnificenza alla corte dei Medici: Arte a Firenze alla fine del Cinquecento</em>, Palazzo Pitti, Florence, Italy (September 24, 1997\u2013January 6, 1998).", "opening_date": "1997-09-24T04:00:00Z"}, {"description": "<em>L'ombra del genio: Michelagelo e l'arte a Firenze, 1537 - 1631,</em> Palazzo Strozzi, Florence (June 6 - September 29, 2002), <em>The Medici, Michelangelo, and the Art of Late Renaissance Florence</em>, Art Institute of Chicago (November 9, 2002\u2013February 2, 2003), &amp; Institute of Arts, Detroit (March 16 - June 8, 2003).", "opening_date": "2002-11-09T05:00:00Z"}, {"description": "<em>Giambologna: Triumph des K\u00f6rpers, </em>Kunsthistorisches Museum, Vienna, Austria (June 27\u2013September 7, 2006).", "opening_date": "2006-06-27T04:00:00Z"}, {"description": "<em>The Cinquecento in Florence: Modern Manner and Counter-Reformation</em>, Palazzo Strozzi, Florence, Italy (September 22, 2017\u2013January 21, 2018).", "opening_date": "2017-09-22T04:00:00Z"}]}, "provenance": [{"description": "Commissioned by Bernardo Vecchietti for the Grotto of the Fata Morgana at Villa Il Riposo, Bagno a Ripoli, Italy", "citations": [], "footnotes": null, "date": "1571\u201372", "sortorder": 1}, {"description": "In the Grotto of the Fata Morgana and Villa of Il Riposo", "citations": [], "footnotes": null, "date": "1571\u201372\u2013c. 1773", "sortorder": 2}, {"description": "Thomas Patch is noted as possessing the sculpture, in Florence", "citations": [], "footnotes": null, "date": "1773", "sortorder": 3}, {"description": "October 14: Thomas Patch requests permission to export the sculpture to \"an old English gentleman\"", "citations": [], "footnotes": null, "date": "1775", "sortorder": 4}, {"description": "November 20: Thomas Patch is granted permission to export the sculpture", "citations": [], "footnotes": null, "date": "1775", "sortorder": 5}, {"description": "Purchased by Mr. Hoda of Hurst House, Essex", "citations": [], "footnotes": null, "date": "c. 1950", "sortorder": 6}, {"description": "Purchased by Charles Worel, London", "citations": [], "footnotes": null, "date": "c. 1962/67", "sortorder": 7}, {"description": "Consigned for sale by Charles Worel in the September 13 Christie's at Wrotham Park, Hertfordshire \"Garden Furniture and Architectural Fittings\" sale, lot 232", "citations": [], "footnotes": null, "date": "1989", "sortorder": 8}, {"description": "Sept. 13: Patricia Wengraf (then trading as Alex Wengraf Ltd.), purchased at Christie's South Kensington at Wrotham Park, Hertfordshire, lot 232", "citations": [], "footnotes": null, "date": "1989", "sortorder": 9}, {"description": "Private Collector, acquired from Alex Wengraf Ltd.", "citations": [], "footnotes": null, "date": "1998", "sortorder": 10}, {"description": "The Cleveland Museum of Art, purchased through Patricia Wengraf Ltd., from the above private collection", "citations": [], "footnotes": null, "date": "2025", "sortorder": 11}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The sculpture originally appeared to emerge mysteriously from a cave within a constructed grotto.", "early_education_description": null, "artlens_description": null, "description": "Commissioned by prominent banker Bernardo Vecchietti, whose surname means \u201cold,\u201d <em>Fata Morgana</em> took the name both of the nearby spring that fed the fountain she surmounted, and the legendary fairy who restored King Arthur\u2019s youth. The <em>Fata Morgana</em> is one of only around a dozen sculptures in marble by Giambologna. The artist\u2019s favorite subject was the female nude because of its capacity to showcase his extraordinary ability to model softness in hard stone and to convey dynamic movement. Her twisting pose invites the viewer to appreciate the <em>Fata Morgana</em> from every angle.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Borghini, R. <em>Il Riposo di Rafaello Borghini. </em>Florence: 1584. Florence, 1730. pp. xvi, 199, 549.", "page_number": "", "url": "https://archive.org/details/ilriposodiraffae00borg_1/page/n7/mode/2up"}, {"citation": "<em>Serie degli uomini i pi\u00f9 illustri nella pittura, scultura, e architettura, </em>VII. Florence, 1773. p. 22.", "page_number": "", "url": "https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t80k4225h&seq=44&q1=borghini"}, {"citation": "Borghini, Raffaello. <em>Il riposo di Rafaello Borghini. </em>Florence, 1584. Milan: 1807. pp. 8\u20139.", "page_number": "", "url": "https://babel.hathitrust.org/cgi/pt?id=uc1.a0004519989&seq=11&q1=fata+morgana"}, {"citation": "Desjardins, Abel. <em>La Vie et L'\u0152uvre de Jean Bologne d'apre\u0300s les manuscrits ine\u0301dits recueillis par M. Foucques de Vagnonville, </em>f. p. 1883 this edition Paris, 1901. p. 154, no. 9.", "page_number": "", "url": ""}, {"citation": "Dhanens, Elisabeth. <em>Jean Boulogne, Giovanni Bologna Fiammingo, Douai 1529 - Florence 1608. Bijdrage tot de studie van de kunstbetrekkingen tussen het graafschap Vlaanderen en Itali\u00eb (Verhandelingen. Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgi\u00eb. Klasse der Shone Kunsten II</em>). Brussels: Paleis der Academi\u00ebn, 1956. p. 104.", "page_number": "", "url": ""}, {"citation": "Benevento, M. I. and G. Fanelli. \"Un'architettura del Giambologna in abbandono, Il ninfeo della villa <em>Il riposo.\" Ingegneri-Architetti</em> XI-XII (1961): pp. 11\u201324.", "page_number": "", "url": ""}, {"citation": "Pope-Hennessy, Sir John Wyndham. <em>Catalogue of Italian sculpture in the Victoria and Albert Museum. </em>London: H.M. Stationery Off., 1964.", "page_number": "", "url": ""}, {"citation": "de Francqueville, Robert. <em>Pierre de Francqueville, Sculpteur des M\u00e9dicis et du roi Henri IV (1548\u20131615)</em>. Paris: Picard, 1968.", "page_number": "", "url": ""}, {"citation": "Gurrieri, Francesco and Judith Chatfield. <em>Boboli Gardens</em>. 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Firenze: Mandragora, 2017. pp. 284\u20135.", "page_number": "", "url": ""}, {"citation": "Korkow, Cory. \"Giambologna Joins the Collection: The Rare and Renowned <em>Fata Morgana</em>.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>65, no. 3 (2025): 26-27.", "page_number": "Reproduced: p. 27; Mentioned: p. 26", "url": "https://archive.org/details/CMAMM-2025-03"}, {"citation": "\"Permanent Collection Installations.\u201d  <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>66, no. 3 (2026): 14-15.", "page_number": "Reproduced and Mentioned: p. 15", "url": "https://archive.org/details/cmamm-2026-03"}, {"citation": "\"Permanent Collection Installations.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>66, no. 3 (2026): 14-15.", "page_number": "Reproduced and Mentioned: p. 15", "url": "https://archive.org/details/cmamm-2026-03"}], "url": "https://clevelandart.org/art/2025.18", "images": {"annotation": null, "web": {"url": 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