{"info": {"total": 1, "parameters": {"skip": 0, "limit": 1000, "accession_number": "1937.577", "select": "accession_number,accession_number_sortable,cover_accession_number,department,gallery,classification_type,department,collection"}}, "data": [{"id": 117032, "accession_number": "1937.577", "share_license_status": "CC0", "tombstone": "The Sacrifice of Isaac, c. 1527. Andrea del Sarto (Italian, 1486\u20131530). Oil on wood; framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1937.577", "current_location": "217 Italian Baroque", "title": "The Sacrifice of Isaac", "creation_date": "c. 1527", "creation_date_earliest": 1522, "creation_date_latest": 1532, "artists_tags": ["male"], "culture": ["Italy, Florence"], "technique": "oil on wood", "support_materials": [], "department": "European Painting and Sculpture", "collection": "P - Italian 16th & 17th Century", "type": "Painting", "measurements": "Framed: 208 x 171 x 12.5 cm (81 7/8 x 67 5/16 x 4 15/16 in.); Unframed: 178 x 138 cm (70 1/16 x 54 5/16 in.)", "dimensions": {"framed": {"height": 2.08, "height_inch": 81, "height_inch_fraction": 0.875, "width": 1.71, "width_inch": 67, "width_inch_fraction": 0.3125, "depth": 0.125, "depth_inch": 4, "depth_inch_fraction": 0.9375}, "unframed": {"height": 1.78, "height_inch": 70, "height_inch_fraction": 0.0625, "width": 1.38, "width_inch": 54, "width_inch_fraction": 0.3125}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 312517, "title": "The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition", "description": "<i>The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).", "opening_date": "1936-06-26T04:00:00"}, {"id": 312341, "title": "The Silver Jubilee Exhibition", "description": "<i>The Silver Jubilee Exhibition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).", "opening_date": "1941-06-23T04:00:00"}, {"id": 302205, "title": "Art and Humanism in the Renaissance", "description": "<i>Art and Humanism in the Renaissance</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).", "opening_date": "1962-01-23T05:00:00"}, {"id": 211386, "title": "Leonardo, Michelangelo and the Renaissance in Florence", "description": "<i>Leonardo, Michelangelo and the Renaissance in Florence</i>. National Gallery of Canada, Ottawa, Ont.,, Canada (organizer) (May 27-September 5, 2005).", "opening_date": "2005-05-27T00:00:00"}, {"id": 222394, "title": "Masterpieces of European Painting from The Cleveland Museum of Art", "description": "<i>Masterpieces of European Painting from The Cleveland Museum of Art</i>. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007).", "opening_date": "2006-11-08T00:00:00"}, {"id": 179662, "title": "Masterpieces of European Painting from the Cleveland Museum of Art", "description": "<i>Masterpieces of European Painting from the Cleveland Museum of Art</i>. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007).", "opening_date": "2007-03-29T00:00:00"}, {"id": 217133, "title": "Andrea del Sarto: The Renaissance Workshop in Action", "description": "<i>Andrea del Sarto: The Renaissance Workshop in Action</i>. J. Paul Getty Museum, Los Angeles, CA (organizer) (June 23-September 13, 2015).", "opening_date": "2015-06-23T00:00:00"}, {"id": 523600, "title": "Pier Francesco Foschi (1502-1567) Florentine Painter", "description": "<i>Pier Francesco Foschi (1502-1567) Florentine Painter</i>. Galleria dell\u2019Accademia di Firenze, Florence, Italy (organizer) (November 27, 2023-March 10, 2024) https://www.galleriaaccademiafirenze.it/en/expositions/pier-francesco-foschi-1502-1567-pittore-fiorentino/.", "opening_date": "2023-11-27T05:00:00"}], "legacy": [{"description": "<em>Winter Exhibition</em>. Burlington House, Royal Academy, London, United Kingdom (1882).", "opening_date": "1882-01-01T04:56:02Z"}, {"description": "<em>Florence and the Arts: Five Centuries of Patronage</em>. The Cleveland Museum of Art, Cleveland, OH (1971).", "opening_date": "1971-01-01T05:00:00Z"}]}, "provenance": [{"description": "Cardinal Carlo de' Medici, Florence", "citations": [], "footnotes": [], "date": "By 1649", "sortorder": 1}, {"description": "Possibly the Montalvi Collection, Florence", "citations": [], "footnotes": [""], "date": null, "sortorder": 2}, {"description": "Possibly the Peruzzi Collection, Florence", "citations": [], "footnotes": [""], "date": null, "sortorder": 3}, {"description": "Zondadari Collection, Florence", "citations": [], "footnotes": ["<div><!--block-->See Biadi, 1829</div>"], "date": "By 1829", "sortorder": 4}, {"description": "William Cave, died 1858 (Brentry House, near Bristol, bought in Florence in 1846), by inheritance to his wife.", "citations": [], "footnotes": ["<div><!--block-->Unsold, Christie's, London, June 29, 1854, lot 77</div>"], "date": "1846 - 1858", "sortorder": 5}, {"description": "Mrs. William Cave", "citations": [], "footnotes": [], "date": "1858", "sortorder": 6}, {"description": "Sold, Christie's, London, June 22, 1858, lot 102", "citations": [], "footnotes": null, "date": "1858", "sortorder": 7}, {"description": "Possibly Peters", "citations": [], "footnotes": [], "date": "1858 - 1882", "sortorder": 8}, {"description": "George Cornwall Legh, High Legh, Co. Chester", "citations": [], "footnotes": ["<div><!--block-->According to Royal Academy exhibition catalogue, Winter 1882, no. 206, \"purchased by George Cornwall Legh in 1862 at Florence; in the Tordanari collection\"</div>"], "date": "1882 - ?", "sortorder": 9}, {"description": "Lieutenant Colonel Henry Cornwall Legh, High Legh, Co. Chester", "citations": [], "footnotes": null, "date": "? - 1935", "sortorder": 10}, {"description": "Sold at Sotheby's, London, May 21, 1935, to Spencer Samuels", "citations": [], "footnotes": null, "date": "1935", "sortorder": 11}, {"description": "Spencer Samuels, T. Harris, London, and Durlacher Brothers, New York", "citations": [], "footnotes": [], "date": "1935 - 1937", "sortorder": 12}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "1937 -", "sortorder": 13}], "find_spot": null, "related_works": [], "former_accession_numbers": ["2787.36"], "did_you_know": "The angel has two visible sets of legs, showing the artist\u2019s revision of the composition.", "early_education_description": null, "artlens_description": null, "description": "In this dramatic test of faith from the Old Testament book of Genesis, Abraham agrees to slay his son Isaac on God\u2019s command. As Abraham raises the knife, an angel suddenly appears to halt the sacrifice. This work gains its power from the complex expressions of father and son, combining grief, strength, resignation, fear, and realization in their faces and bodies, the latter inspired by ancient sculpture and Michelangelo. Andrea del Sarto never finished this painting, and it lays bare his working methods. He transferred the design to the panel from a drawing, reinforcing the chalk with painted lines\u2014best seen in the donkey at the far right. He then worked over the whole panel at once with thin, brushy veils of color, letting him alter the composition while painting\u2014especially evident in the angel, Isaac\u2019s body, and Abraham\u2019s head.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q59115342"], "internet_archive": ["https://archive.org/details/clevelandart-1937.577-the-sacrifice-of-isa"]}, "citations": [{"citation": "Biadi, Luigi. <em>Notizie inedite della vita dA\u0315ndrea del Sarto, raccolte da manoscritti</em>. Firenze, Italy: Tip. Bonducciana, 1831.", "page_number": "Reproduced: p. 163, no. 2", "url": null}, {"citation": "Reumont, Alfred von. <em>Andrea del Sarto</em>. Leipzig: F.A. Brockhaus, 1835.", "page_number": "Mentioned: P.183", "url": null}, {"citation": "Venturi, Adolfo. <em>La R. Galleria Estense in Modena.</em> Modena: P. Toschi, 1882.", "page_number": "Mentioned: P. 257", "url": null}, {"citation": "Redford, George. <em>Art Sales. A History of Sales of Pictures and Other Works of Art. With Notices of the Collections Sold, Names of Owners, Titles of Pictures, Prices and Purchasers, Arranged Under the Artists of the Different Schools in Order of Date. Including the Purchases and Prices of Pictures for the National Gallery.</em> London: [Bradbury, Agnew, &amp; Co., Printers, the \"Whitefriars\" Press], 1888.", "page_number": "Mentioned: V. II, P. 251", "url": null}, {"citation": "Vasari, Giorgio. <em>Le opere di Giorgio Vasari.</em> Firenze: G.C. Sansoni, 1906.", "page_number": "Mentioned: Vol. V, P. 52", "url": null}, {"citation": "Guinness, H. <em>Andrea Del Sarto</em>. London, United Kingdom: G. Bell, 1907.", "page_number": "Mentioned: p. 74-75", "url": null}, {"citation": "Graves, Algernon. <em>Century of Loan Exhibitions 1813-1912</em>. London: Graves, 1913.", "page_number": "Mentioned: Vol. III, p. 1198", "url": null}, {"citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries</em>. Cleveland, OH: The Cleveland Museum of Art, 1982.", "page_number": "Reproduced: p. 406; Mentioned: p. 407-409", "url": null}, {"citation": "Francis, Henry S. \"An Unfinished Version of the 'Sacrifice of Abraham' by Andrea del Sarto.\" <em>The Bulletin of The Cleveland Museum of Art XXV</em>, no. 3 (March, 1938):39-42.", "page_number": "Reproduced: p. 37; Detail: p.38", "url": null}, {"citation": "\"Au Cleveland Museum of Art.\" <em>Mouseion. </em>(Avril 1938) 13-14.", "page_number": "Mentioned: p. 13", "url": null}, {"citation": "Gibson, Katharine. <em>Pictures to Grow Up With</em>. New York, NY: Studio Publications, 1942.", "page_number": "Reproduced: p. 90", "url": null}, {"citation": "<em>Paintings in the Cleveland Museum of Art.</em> [Cleveland]: The Cleveland Museum of Art, 1945.", "page_number": "Reproduced: p. 52", "url": "https://archive.org/details/CMAPaintings1945/page/n60"}, {"citation": "Coe, Nancy. <em>The History of the Collecting of European Paintings and Drawings in the City of Cleveland.</em> Thesis M.A. Oberlin College, 1956.", "page_number": "Reproduced: Vol. II, P. 216, no. 21", "url": null}, {"citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.", "page_number": "Mentioned and Reproduced: cat. no. 407", "url": "https://archive.org/details/CMAHandbook1958/page/n75"}, {"citation": "H\u00e4rth, Isolde. \"Zu Andrea Del Sartos \"Opfer Abrahams\".\" <em>Mitteilungen Des Kunsthistorischen Institutes in Florenz</em> 8, no. 3 (1959): 167-73.", "page_number": "Mentioned: P. 167, n. 2", "url": "http://www.jstor.org/stable/27652062."}, {"citation": "Wescher, Paul. <em>La prima idea: die Entwicklung der O\u0308lskizze von Tintoretto bis Picasso</em>. Mu\u0308nchen, Germany: F. Bruckmann, 1960.", "page_number": "Reproduced: p. 19, pl. 3, fig. 2", "url": null}, {"citation": "Berenson, Bernard. <em>Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places : Florentine School</em>. London, United Kingdom: Phaidon Press, 1963.", "page_number": "Mentioned: p. 1, 7", "url": null}, {"citation": "Freedberg, S. J. <em>Andrea Del Sarto</em>. Cambridge, MA: Belknap Press of Harvard University Press, 1963.", "page_number": "Reproduced: vol. I, p. 77-70, figs. 179-184;", "url": null}, {"citation": "Jaffe, Michael. \"The Figurative Arts of the West, ca. 1400-1800.\" A<em>pollo: The International Magazine for Collectors</em> 75, no. 22 (1963):", "page_number": "Mentioned: p. 458; Reproduced: fig. 4, p. 460", "url": null}, {"citation": "Shearman, John K. G. <em>Andrea Del Sarto</em>. Oxford, United Kingdom: Clarendon Press, 1965.", "page_number": "Reproduced: p. 110-111, pl. 146, 148 a and b, vol. I; p. 216, no. 79. vol. II", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.", "page_number": "Reproduced: p. 92", "url": "https://archive.org/details/CMAHandbook1966/page/n116"}, {"citation": "Hillyer, V. M., and E. G. Huey. <em>Fine Art; [the Last Two Hundred Years]</em>. New York, NY: Meredith Press, 1966.", "page_number": "Reproduced: p. 78", "url": null}, {"citation": "Coe, Ralph T. \"Rubens in 1614: 'The Sacrifice of Abraham.'\" <em>The Nelson Gallery and Atkins Museum Bulletin </em>IV, no. 7 (December 1966): 1-22.", "page_number": "Mentioned: P. 2; reproduced: P.3, fig. 1", "url": null}, {"citation": "Cleveland Museum of Art. <em>Selected Works: Cleveland Museum of Art</em>. Cleveland, OH: The Museum, 1967.", "page_number": "Reproduced: no. 140", "url": null}, {"citation": "Murray, Linda. <em>The High Renaissance.</em> New York: F.A. Praeger, 1967.", "page_number": "Reproduced: P. 160, fig. 118", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.", "page_number": "Reproduced: p. 92", "url": "https://archive.org/details/CMAHandbook1969/page/n116"}, {"citation": "Cleveland Museum of Art, and Berthold Fricke. <em>The Cleveland Museum of Art.</em> Hannover: Knorr &amp; Hirth, 1970.", "page_number": "Mentioned and reproduced: P. 44-45", "url": null}, {"citation": "Avery, Catherine B., ed. <em>The New Century Italian Renaissance Encyclopedia. </em>New York: Appleton-Century-Crofts, 1972.", "page_number": "Mentioned: P. 42", "url": null}, {"citation": "Fredericksen, Burton B., and Federico Zeri. <em>Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. </em>Cambridge: Harvard University Press, 1972.", "page_number": "Mentioned: P. 8, 255, 573", "url": null}, {"citation": "Lurie, Ann Tzeutschler. \"Agnolo Bronzino: Portrait of a Young Lady.\" <em>The Bulletin of The Cleveland Museum of Art LXI</em>, no. 1 (January, 1975):3-13.", "page_number": "Detail Reproduced: p. 6", "url": null}, {"citation": "Fader, Martha Alice Agnew. <em>Sculpture in the Piazza Della Signoria: As Emblem of the Florentine Republic</em>. Thesis Ph.D. Ann Anbor, MI: University of Michigan, 1977.", "page_number": "Reproduced: p. 339, fig. 27", "url": null}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.", "page_number": "Reproduced: p. 107", "url": "https://archive.org/details/CMAHandbook1978/page/n127"}, {"citation": "Vos, Rik. <em>Lucas van Leyden</em>. Bentveld, Netherlands: Landshoff, 1978.", "page_number": "Mentioned: p. 56-57; Reproduced: fig. 80", "url": null}, {"citation": "Hall, Marcia B. <em>Color and Meaning: Practice and Theory in Renaissance Painting</em>. Cambridge, MA: Cambridge University Press, 1992.", "page_number": "Reproduced: p. 147, fig. 47", "url": null}, {"citation": "<em>Masterpieces from East and West</em>. New York, NY: Rizzoli International, 1992.", "page_number": "Reproduced: p. 109", "url": null}, {"citation": "Natali, Antonio. <em>Andrea Del Sarto</em>. New York, NY: Abbeville Press Publishers, 1999.", "page_number": "Reproduced: p. 183, no. 179", "url": null}, {"citation": "May, Sally Ruth, Jane Takac, and Barbara J. Bradley. <em>Knockouts: A Pocket Guide</em>. Cleveland, OH: Cleveland Museum of Art, 2001.", "page_number": "Mentioned: p. 50; Reproduced: p. 50, 51", "url": null}, {"citation": "Keiith, Larry. \"Andrea del Sarto's 'The Virgin and Child with Saint Elizabeth and Saint John the Baptist': Technique and Critical Reception.\" <em>National Gallery Technical Bulletin </em>22 (2001): 42-53.", "page_number": "Mentioned: P. 50; Reproduced: P. 50-51, pl. 7 & 9", "url": null}, {"citation": "Franklin, David, Louis Alexander Waldman, and Andrew Butterfield. <em>Leonardo Da Vinci, Michelangelo, and the Renaissance in Florence</em>. Ottawa, Ontario: National Gallery of Canada, 2005.", "page_number": "Mentioned: p. 150; Reproduced: fig. 40", "url": null}, {"citation": "Iacono, Margaret. <em>Masterpieces of European Painting from the Cleveland Museum of Art</em>. New York, NY: The Frick Collection, 2006.", "page_number": "Mentioned: p. 24-27; Reproduced: no. 3", "url": null}, {"citation": "Channing, Laurence, \"Personal and Professional\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 46 no. 10, December 2006", "page_number": "Mentioned & reproduced: p. 4", "url": "https://archive.org/details/CMAMM2006-10/page/4/"}, {"citation": "Boskovits, Miklo\u0301s, ed. <em>Italian Paintings from the 13th to 15th Century.</em> Firenze, Italy: Polistampa, 2009.", "page_number": "Mentioned: p. 20", "url": null}, {"citation": "Wetering, Ernst van de. <em>Rembrandt: The Painter at Work</em>. Amsterdam, Netherlands: Amsterdam University Press, 2009.", "page_number": "Reproduced: p. 32, fig. 35", "url": null}, {"citation": "Hilaire, Michel, and Axel He\u0301mery. <em>Corps et ombres: Caravage et le caravagisme europe\u0301en</em>. Milan, Italy: 5 continents, 2012.", "page_number": "Reproduced: p. 72, fig. 1", "url": null}, {"citation": "Hout, Nico van, and Ted Alkins. <em>The unfinished painting</em>. 2012. Ghent, Belgium: Ludion, 2012.", "page_number": "Mentioned: p. 4, p. 82-84; Reproduced: Fig. 82", "url": null}, {"citation": "Pontormo, Jacopo da, Bastian Eclercy, and Ralf Bormann. <em>Pontormo: Meisterwerke des Manierismus in Florenz</em>. Hannover, Germany: Landesmuseum Hannover, 2013.", "page_number": "Reproduced: p. 73, fig. 52; Mentioned: p. 207", "url": null}, {"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 176", "url": ""}, {"citation": "Bomford, David. <em>Unfinished Paintings: Narratives of the Non Finito</em>. Edinburgh: National Galleries of Scotland: in association with the University of Edinburgh, 2015.", "page_number": "Mentioned p. 17; Reproduced: p. 18", "url": null}, {"citation": "Carmen C. Bambach, exhibition review of Andrea del Sarto, <em>The Burlington Magazine</em> 158, no. 1354 (January 2016).", "page_number": "Mentioned: p. 70-72; Reproduced: p. 70, fig. 95", "url": null}, {"citation": "Jenison, Tim, Jonathan Janson, and David Walsh. <em>Hound in the Hunt: Optical Aids in Art.</em> Berriedale, Tas.: Museum of Old and New Art, 2016.", "page_number": "Reproduced: p. 96, fig. 2.4", "url": null}, {"citation": "Steele, Marcia. \"The Three Versions of <em>The Sacrifice of Isaac</em>.\" <em>Kermes: La Rivista del Restauro </em>29/30, no. 104/105 (October 2016- March 2017): 123-142.", "page_number": "Mentioned and reproduced: p. 123-142", "url": ""}, {"citation": "Schumacher, Andreas, et. al. <em>Florentiner Malerei: Alte Pinakothek : die Gema\u0308lde des 14. bis 16. Jahrhunderts.</em> [M\u00fcnchen]: Alte Pinakothek; Berlin: Deutscher Kunstverlag, 2017.", "page_number": "Reproduced: p. 535, Abb. 37.10; P.536, Abb. 37.12", "url": null}, {"citation": "Bayer, A., et. al. \"Andrea del Sarto's <em>Borgherini Holy Family</em> and <em>Charity</em>: Two Intertwined Late Works.\" <em>Metropolitan Museum of Art </em>52 (2017).", "page_number": "Mentioned: p. [34]-55; Reproduced: p. 46, fig. 15", "url": null}, {"citation": "Hall, Marcia B. <em>The Power of Color: Five Centuries of European Painting</em>. New Haven: Yale University Press, 2019.", "page_number": "Reproduced: p. 127, fig. 3.21", "url": null}, {"citation": "Foschi, Pier Francesco, and Galleria dell\u2019Accademia (Florence, Italy). <em>Pier Francesco Foschi (1502-1567) : Pittore Fiorentino</em>. Cinisello Balsamo, Milano: Silvana editoriale, 2023.", "page_number": "Mentioned and published: pp. 120-121, no. 10", "url": ""}, {"citation": "Symposium for the Study of Underdrawing and Technology in Painting, and Anne Dubois. Alla Maniera: Technical Art History and the Meaning of Style in 15th to 17th Century Painting. Paris ; Leuven : Peeters, 2024.", "page_number": "Mentioned and reproduced: pp. 110-121, Ill. 9.1-9.8.", "url": ""}, {"citation": "Brock, Maurice, and Raphael. Le Laocoon, Entre Michel-Ange et Raphae\u0308L : Un Ressort de L\u2019e\u0301Mulation. Tours: Presses universitaires Franc\u0327ois Rabelais, 2024.", "page_number": "Mentioned: p. 179, n. 22; reproduced: p. 177, fig. 93", "url": ""}], "url": "https://clevelandart.org/art/1937.577", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_web.jpg", "width": "697", "height": "900", "filesize": "306442", "filename": "1937.577_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_print.jpg", "width": "2633", "height": "3400", "filesize": "2768419", "filename": "1937.577_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_full.tif", "width": "9939", "height": "12836", "filesize": "382761404", "filename": "1937.577_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt0_web.jpg", "width": "741", "height": "900", "filesize": "364519"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt0_print.jpg", "width": "2798", "height": "3400", "filesize": "3913512"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt0_full.tif", "width": "10236", "height": "12438", "filesize": "381976928"}, "date_created": "2024-04-29T14:20:17", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt1_web.jpg", "width": "738", "height": "900", "filesize": "328870"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt1_print.jpg", "width": "2789", "height": "3400", "filesize": "2890901"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt1_full.tif", "width": "9742", "height": "11877", "filesize": "347148912"}, "date_created": "2024-04-29T15:07:03", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt2_web.jpg", "width": "697", "height": "893", "filesize": "485315"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt2_print.jpg", "width": "2654", "height": "3400", "filesize": "6669637"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt2_full.tif", "width": "7318", "height": "9374", "filesize": "205817976"}, "date_created": "2009-12-08T21:49:24", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt3_web.jpg", "width": "689", "height": "893", "filesize": "535894"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt3_print.jpg", "width": "2624", "height": "3400", "filesize": "7687969"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1937.577/1937.577_alt3_full.tif", "width": "3505", "height": "4542", "filesize": "47780196"}, "date_created": "2009-11-13T16:28:45", "annotation": ""}], "creditline": "Delia E. Holden and L. E. Holden Funds", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Donna and James Reid Gallery", "athena_id": 117032, "creators": [{"id": 2291, "description": "Andrea del Sarto (Italian, 1486\u20131530)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1486", "death_year": "1530", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "1937-12-20T00:00:00", "sortable_date": 1522, "date_added_to_oa": null, "date_text": "c. 1527", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": "Overall, the painting is in stable condition. The panel is composed of four members, vertically grained, each member tangentially cut and coming from near the center of the tree. Three cross braces were at some point slid into grooves cut into the back of the support and transverse the entire width of the painting, tapering from one side to the other. The wood of the panel was analyzed as poplar and the center cross brace as European chestnut. The ground was analyzed and contains calcium sulphate (gypsum). Underdrawing is present and appears to be with the calco method (comprised of charcoal black, gypsum, and brown ochre). It appears that once the underdrawing was set onto the ground layer, and the painting stage started, del Sarto and/or his studio assistants made both major and minor alterations. The minor alterations seem to be corrections and adjustments for more successful placement of figures and overall composition.", "has_conservation_images": true, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-07-04 11:16:27.497000"}]}