{"info": {"total": 29, "parameters": {"skip": 0, "limit": 1000, "q": "inkwell", "select": "accession_number,accession_number_sortable,cover_accession_number,department,collection,classification_type,department,gallery", "search": "inkwell"}}, "data": [{"id": 93173, "accession_number": "2018.289", "share_license_status": "CC0", "tombstone": "Poppy Inkwell, c. 1898\u20131906. Attributed to Clara Wolcott Driscoll (American, 1861\u20131944), Tiffany Glass & Decorating Company (America, New York, 1892\u20131902), Tiffany Studios (United States, New York, 1902\u201332). Favrile glass mosaic, bronze; overall: 8 x 10.5 cm (3 1/8 x 4 1/8 in.). The Cleveland Museum of Art, Bequest of Charles Maurer, 2018.289", "current_location": null, "title": "Poppy Inkwell", "creation_date": "c. 1898\u20131906", "creation_date_earliest": 1898, "creation_date_latest": 1906, "artists_tags": ["female", "Cleveland Institute of Art (alumni)", "gender unknown"], "culture": ["America, New York"], "technique": "favrile glass mosaic, bronze", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Glass", "measurements": "Overall: 8 x 10.5 cm (3 1/8 x 4 1/8 in.)", "dimensions": {"overall": {"height": 0.08, "height_inch": 3, "height_inch_fraction": 0.125, "width": 0.105, "width_inch": 4, "width_inch_fraction": 0.125}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "stamped on underside: 28289/Tiffany Studios/New York/TGDCo", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "engraved on underside of insert: L.C.T. 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Along with the array of artistic glass designs from his factory in Corona, Queens, works in ceramic, bronze, other metals, and even jewelry abounded. These smaller, more affordable luxury items were designed with as much thought to artistry as the great stained glass windows and lamps through which the firm enjoyed unrivaled success.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780005"], "internet_archive": ["https://archive.org/details/clevelandart-2018.289-poppy-inkwell"]}, "citations": [{"citation": "Bifano, Wayne Thomas, and Timothy Lachina. <em>The Wade Chapel: A Story of Art, Spirit, and Family. </em>Cleveland, Ohio: Lake View Cemetery Association, 2019.", "page_number": "Reproduced: P. 95", "url": null}, {"citation": "\"Cleveland Arts Prize Celebrates Greatness in the Garden.\" <em>CAN Journal </em>(Summer 2021): 44-45.", "page_number": "Mentioned and reproduced: p. 44", "url": ""}], "url": "https://clevelandart.org/art/2018.289", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_web.jpg", "width": "900", "height": "689", "filesize": "131403", "filename": "2018.289_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_print.jpg", "width": "3400", "height": "2601", "filesize": "1431858", "filename": "2018.289_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_full.tif", "width": "7534", "height": "5764", "filesize": "130306424", "filename": "2018.289_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt0_web.jpg", "width": "742", "height": "900", "filesize": "242910"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt0_print.jpg", "width": "2804", "height": "3400", "filesize": "1819953"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt0_full.tif", "width": "3896", "height": "4724", "filesize": "55239744"}, "date_created": "2007-12-14T19:10:53", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt1_web.jpg", "width": "739", "height": "900", "filesize": "288281"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt1_print.jpg", "width": "2793", "height": "3400", "filesize": "2161420"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt1_full.tif", "width": "3189", "height": "3882", "filesize": "37165192"}, "date_created": "2007-12-14T19:38:22", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt2_web.jpg", "width": "900", "height": "640", "filesize": "214591"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt2_print.jpg", "width": "3400", "height": "2418", "filesize": "1491160"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2018.289/2018.289_alt2_full.tif", "width": "5484", "height": "3900", "filesize": "64187500"}, "date_created": "2007-12-14T20:10:16", "annotation": ""}], "creditline": "Bequest of Charles Maurer", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 93173, "creators": [{"id": 356976, "description": "Clara Wolcott Driscoll (American, 1861\u20131944)", "extent": null, "qualifier": "attributed to", "role": "designer", "biography": "Cleveland Institute of Art alumni.", "name_in_original_language": null, "birth_year": "1861", "death_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 55726, "description": "Tiffany Glass & Decorating Company (America, New York, 1892\u20131902)", "extent": null, "qualifier": null, "role": "maker", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 292194, "description": "Tiffany Studios (United States, New York, 1902\u201332)", "extent": null, "qualifier": null, "role": "retailer", "biography": "American jewelry and glass manufactory, 1902-1932", "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 1898, "date_added_to_oa": null, "date_text": "c. 1898\u20131906", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-05-29 04:59:04.714000"}, {"id": 132329, "accession_number": "1954.798", "share_license_status": "CC0", "tombstone": "Inkwell and Candlestick with the Infant Hercules Killing the Serpents, c. 1510\u201320. 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The Cleveland Museum of Art, Cleveland, OH (organizer) (July 7-August 30, 1987).", "opening_date": "1987-07-07T04:00:00"}], "legacy": [{"description": "<em>15th and 16th century Sculpture in Bronze and Wood</em> <em>lent by Dr. Ernst Wittman</em>, Art Institute of Chicago, Chicago, IL, (fall, 1943-1944).", "opening_date": "1943-01-01T00:00:00"}]}, "provenance": [{"description": "Henry Joseph Pfungst, lived 1844\u20131917 (Britain).", "citations": [], "footnotes": null, "date": "", "sortorder": null}, {"description": "John Pierpont Morgan, lived 1837\u20131915, (New York, New York).", "citations": [], "footnotes": null, "date": "", "sortorder": null}, {"description": "Ern\u00f6 Wittmann (Budapest, Hungary), died 1963, sold through R. Stora & Co. 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Though medieval artists had occasionally used seashells to hold paints, the shell inkwell, whose small size makes it rather impractical to use, was a motif particular to Padua. Perched upon the shell is most likely Hercules, the son of Zeus. Perhaps aided by a staff (now missing) he is poised to strike a serpent, which according to myth was sent by Hera, the jealous wife of Zeus, to kill him. 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Henry Norweb, Cleveland, Ohio.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": "The faience factory at Sinceny was an offshoot of that at Rouen. In style, Sinceny closely resembles later Rouen wares with polychrome decoration. The stylized flowers and insects which decorate this writing stand are entirely typical of Sinceny faience.", "external_resources": {"wikidata": [], "internet_archive": ["https://archive.org/details/clevelandart-1963.516.d-inkwell-from-writing"]}, "citations": [], "url": "https://clevelandart.org/art/1963.516.d", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1963.516.d/1963.516.d_web.jpg", "width": "829", "height": "900", "filesize": "187251", "filename": "1963.516.d_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1963.516.d/1963.516.d_print.jpg", "width": "2208", "height": "2396", "filesize": "867079", "filename": "1963.516.d_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1963.516.d/1963.516.d_full.tif", "width": "2208", "height": "2396", "filesize": "15902644", "filename": "1963.516.d_full.tif"}}, "alternate_images": [], "creditline": "The Norweb Collection", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 680042, "creators": [{"id": 12611, "description": "Sinceny Factory (French)", "extent": null, "qualifier": null, "role": "manufacturer", "biography": "Established c. 1734", "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "1963-09-16T00:00:00", "sortable_date": 1746, "date_added_to_oa": null, "date_text": "1746", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "1963.516", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-05-29 09:16:57.102000"}, {"id": 166775, "accession_number": "2008.64", "share_license_status": "CC0", "tombstone": "Inkwell, c. 1899 . House of Faberg\u00e9 (Russian, 1842\u20131918). Cut glass and silver; overall: 13 x 9 cm (5 1/8 x 3 9/16 in.). The Cleveland Museum of Art, In loving memory of Donald M. Robiner, 2008.64", "current_location": "211 Faberg\u00e9", "title": "Inkwell", "creation_date": "c. 1899 ", "creation_date_earliest": 1894, "creation_date_latest": 1904, "artists_tags": ["gender unknown"], "culture": ["Russia"], "technique": "cut glass and silver", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Glass", "measurements": "Overall: 13 x 9 cm (5 1/8 x 3 9/16 in.)", "dimensions": {"overall": {"height": 0.13, "height_inch": 5, "height_inch_fraction": 0.125, "width": 0.09, "width_inch": 3, "width_inch_fraction": 0.5625}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "mark on cover: initials for Carl Faberg\u00e9 (in Cyrillic)", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Mrs. Phyllis Goodman-Robiner, Cleveland, OH, given to the Cleveland Museum of Art in memory of her husband, Donald M. Robiner [1964-2007].", "citations": [], "footnotes": null, "date": "?-2008", "sortorder": 1}, {"description": "The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2008-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60779445"], "internet_archive": ["https://archive.org/details/clevelandart-2008.64-inkwell"]}, "citations": [{"citation": null, "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2008.64", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/2008.64/2008.64_web.jpg", "width": "690", "height": "893", "filesize": "265656", "filename": "2008.64_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2008.64/2008.64_print.jpg", "width": "2627", "height": "3400", "filesize": "4174230", "filename": "2008.64_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2008.64/2008.64_full.tif", "width": "4250", "height": "5500", "filesize": "70156388", "filename": "2008.64_full.tif"}}, "alternate_images": [], "creditline": "In loving memory of Donald M. Robiner", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166775, "creators": [{"id": 55332, "description": "House of Faberg\u00e9 (Russian, 1842\u20131918)", "extent": null, "qualifier": null, "role": "artist", "biography": "Peter Carl Faberge (1846-1920) took over the House of Faberge in 1870 from his father Carl Gustav Faberge who had founded the firm in 1842. Until 1881, the firm manufactured primarily jewelry for Saint Petersburg's aristocrats and wealthy elite. In 1885 the firm was awarded the coveted imperial warrant as goldsmith to the tsar and began to produce elaborate presentation Easter eggs as a gift for the tsarina from her husband every year. They also produced luxurious accessories, jewelry, and hardstone sculptures. At one point, Faberge employed over 300 workers including 22 workmasters who oversaw the production of the firm's jewelry and precious objects. A branch of the firm opened in Moscow in 1887, specializing in neo-Russian and pan-Slavic motifs in jewelry, silver, and enamel. Other branches followed in Kiev, London, and Odessa as well as new premises in Saint Petersburg. At the onset of the Russian Revolution, Peter Carl Faberge fled the country to Paris then Switzerland, where he died in 1920. His firm was nationalized by the Bolsheviks in 1918.", "name_in_original_language": null, "birth_year": "1842", "death_year": "1918", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 1894, "date_added_to_oa": null, "date_text": "c. 1899 ", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-05-29 08:36:54.673000"}, {"id": 166778, "accession_number": "2008.67", "share_license_status": "CC0", "tombstone": "Inkwell, c. 1899. Pallme-K\u00f6nig & Habel (Czech). Glass with bronze mount; overall: 6.1 x 9.9 cm (2 3/8 x 3 7/8 in.). The Cleveland Museum of Art, In loving memory of Donald M. Robiner, 2008.67", "current_location": "221 19th Century Decorative Arts", "title": "Inkwell", "creation_date": "c. 1899", "creation_date_earliest": 1894, "creation_date_latest": 1904, "artists_tags": ["male"], "culture": ["Czechoslovakia, late 19th century"], "technique": "glass with bronze mount", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Glass", "measurements": "Overall: 6.1 x 9.9 cm (2 3/8 x 3 7/8 in.)", "dimensions": {"overall": {"height": 0.061, "height_inch": 2, "height_inch_fraction": 0.375, "width": 0.099, "width_inch": 3, "width_inch_fraction": 0.875}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Collection of Donald M. Robiner", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60751499"], "internet_archive": ["https://archive.org/details/clevelandart-2008.67-inkwell"]}, "citations": [], "url": "https://clevelandart.org/art/2008.67", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_web.jpg", "width": "1190", "height": "893", "filesize": "594182", "filename": "2008.67_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_print.jpg", "width": "3173", "height": "2382", "filesize": "4703868", "filename": "2008.67_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_full.tif", "width": "3173", "height": "2382", "filesize": "22704328", "filename": "2008.67_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt0_web.jpg", "width": "1100", "height": "893", "filesize": "554583"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt0_print.jpg", "width": "3400", "height": "2761", "filesize": "5473185"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt0_full.tif", "width": "3758", "height": "3052", "filesize": "34438548"}, "date_created": "2009-01-30T14:52:46", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt1_web.jpg", "width": "1263", "height": "888", "filesize": "663990"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt1_print.jpg", "width": "3188", "height": "2241", "filesize": "4742759"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2008.67/2008.67_alt1_full.tif", "width": "3188", "height": "2241", "filesize": "21463128"}, "date_created": "2009-01-30T14:36:39", "annotation": ""}], "creditline": "In loving memory of Donald M. Robiner", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166778, "creators": [{"id": 56788, "description": "Pallme-K\u00f6nig & Habel (Czech)", "extent": null, "qualifier": null, "role": "artist", "biography": "Of the glass produced during the Czechoslovakian Jugendstil period, perhaps the most distinctive, most frequently imitated by others, and most misunderstood, is that of Pallme-K\u00f6nig und Habel. From the 60\u2019s to the 80\u2019s many pieces in catalogues and art glass history books were mistakenly attributed to it (See Internationales Jugendstil Glass, item 130). On the other hand, pieces were attributed to Loetz that were later to be classified as Pallme-K\u00f6nig (see Sembach, III: 9). This trend has been reversed, except on E-Bay, where everything is still classified as Loetz. The Passau Museum Catalogue (PMC) classifies under \"unknown Bohemian\" pieces which might have be considered Pallme-K\u00f6nig (see IV.394-98, IV:410-12; IV 415-16).\r\n\r\nEven the name of the company itself seems to have undergone revision. In Robert Truitt\u2019s long and detailed genealogy, the name Pallm\u00e9 is traced all the way back to 1680, the second name, K\u00f6nig being added around 1778 (102). Palme means \"palm-tree\" which, together with \"K\u00f6nig,\" refers to a particular variety called \"palma real\"or \"royal-palm\" in Spanish (making a convenient visual reference for any glass house).\r\n\r\nIn 1888, Josef and Theodor Pallme-K\u00f6nig named a new glasshouse after their mother: Elizabethh\u00fctte (103), name which is currently used by the Passau Museum in its glass catalogue to identify Pallme-K\u00f6nig production. I asked Eddy Scheepers to illuminate this change; he corroborated Truitt\u2019s account, adding that \"Elizabethh\u00fctte\" (or, as called in the catalogue, Glasfabrik Elizabeth) should be used as part of the scientifically-substantiated nomenclature, and \"Pallme-K\u00f6nig\" as its popular translation, since both names cover the same production. In this article, I shall be using the latter. \r\n\r\nIn or around 1900, Wilhelm Habel, co-owner of the glassworks, obtained \"a patent for a process to produce surface-decorated glass, a special type of decoration with glass threads encircling the vase\" (Nedblake 11). After a review of Pallm\u00e9-K\u00f6nig pieces illustrated in different European catalogues from collections and reference books, one comes to differentiate between merely threaded and \"veined\" glass. The first rests lightly on the vessel\u2019s surface, usually having been applied in a concentric, regular fashion, and can easily break off. The second is applied in more of a free-form, irregular style, fused deeply into the surface and is more resistant to breakage. \r\n\r\nThreaded glass was common to practically all Bohemian manufacturers-Loetz, Kralik, Rindskopf and Poschinger among them-, so its presence alone cannot be used to determine provenance. Other structural factors must be accounted for such as shape, the treatment of glass mass, and the way threading is applied. Just as the presence of metallic spotting does not constitute evidence of Loetz manufacture (see Rindskopf article), the presence of threading alone does not constitute evidence of Pallme-K\u00f6nig. As to threading, the manner it is applied constitutes, more than anything, the signature of a given manufacturer. \r\n\r\nWritten by Alfredo Villanueva-Collado, Ph.D.", "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 1894, "date_added_to_oa": null, "date_text": "c. 1899", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-08-03 14:25:18.194000"}, {"id": 169198, "accession_number": "2011.119", "share_license_status": "CC0", "tombstone": "Deer Inkwell (Encrier biches), c. 1913. Ren\u00e9 Lalique (French, 1860\u20131945). Clear glass with brown patina; overall: 11 x 15 x 15 cm (4 5/16 x 5 7/8 x 5 7/8 in.); base: 15 x 15 cm (5 7/8 x 5 7/8 in.). The Cleveland Museum of Art, Museum purchase from various donors by exchange, 2011.119", "current_location": "221 19th Century Decorative Arts", "title": "Deer Inkwell (Encrier biches)", "creation_date": "c. 1913", "creation_date_earliest": 1908, "creation_date_latest": 1918, "artists_tags": ["male"], "culture": ["France, 20th century"], "technique": "clear glass with brown patina", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Glass", "measurements": "Overall: 11 x 15 x 15 cm (4 5/16 x 5 7/8 x 5 7/8 in.); Base: 15 x 15 cm (5 7/8 x 5 7/8 in.)", "dimensions": {"overall": {"height": 0.11, "height_inch": 4, "height_inch_fraction": 0.3125, "width": 0.15, "width_inch": 5, "width_inch_fraction": 0.875, "depth": 0.15, "depth_inch": 5, "depth_inch_fraction": 0.875}, "base": {"height": 0.15, "height_inch": 5, "height_inch_fraction": 0.875, "width": 0.15, "width_inch": 5, "width_inch_fraction": 0.875}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 194450, "title": "Artistic Luxury: Faberg\u00e9 Tiffany Lalique ", "description": "<i>Artistic Luxury: Faberg\u00e9 Tiffany Lalique </i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19, 2008-January 18, 2009); Fine Arts Museums of San Francisco, San Francisco, CA (February 7-May 31, 2009).", "opening_date": "2008-10-19T04:00:00"}], "legacy": []}, "provenance": [{"description": "Craig Castilla", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": ["22.2011", "I-2008-005439/2"], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60755906"], "internet_archive": []}, "citations": [{"citation": "Harrison, Stephen, Emmanuel Ducamp, and Jeannine J. Falino. <em>Artistic Luxury: Faberge\u0301 Tiffany Lalique.</em> [Cleveland, Ohio]: Cleveland Museum of art in association with, 2008.", "page_number": "Reproduced: P. 41; Mentioned: P. 334, no. 160", "url": null}], "url": "https://clevelandart.org/art/2011.119", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_web.jpg", "width": "1193", "height": "893", "filesize": "424430", "filename": "2011.119_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_print.jpg", "width": "3400", "height": "2545", "filesize": "3427836", "filename": "2011.119_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_full.tif", "width": "5000", "height": "3743", "filesize": "56175808", "filename": "2011.119_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_alt0_web.jpg", "width": "1193", "height": "893", "filesize": "419189"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_alt0_print.jpg", "width": "3400", "height": "2545", "filesize": "3392797"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/2011.119/2011.119_alt0_full.tif", "width": "5000", "height": "3743", "filesize": "56175456"}, "date_created": "2008-03-27T15:57:58", "annotation": ""}], "creditline": "Museum purchase from various donors by exchange", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169198, "creators": [{"id": 8607, "description": "Ren\u00e9 Lalique (French, 1860\u20131945)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1860", "death_year": "1945", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-09-06T00:00:00", "sortable_date": 1908, "date_added_to_oa": null, "date_text": "c. 1913", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-05-29 08:41:31.856000"}, {"id": 139747, "accession_number": "1963.516", "share_license_status": "CC0", "tombstone": "Writing Stand with Inkwells, 1746. Sinceny Factory (French). Tin-glazed earthenware (faience) with enamel decoration; overall: 17.2 x 26.9 x 17.8 cm (6 3/4 x 10 9/16 x 7 in.). The Cleveland Museum of Art, The Norweb Collection, 1963.516", "current_location": "216A French and German", "title": "Writing Stand with Inkwells", "creation_date": "1746", "creation_date_earliest": 1746, "creation_date_latest": 1746, "artists_tags": ["gender unknown"], "culture": ["France, Sinceny, 18th century"], "technique": "Tin-glazed earthenware (faience) with enamel decoration", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Ceramic", "measurements": "Overall: 17.2 x 26.9 x 17.8 cm (6 3/4 x 10 9/16 x 7 in.)", "dimensions": {"overall": {"height": 0.172, "height_inch": 6, "height_inch_fraction": 0.75, "width": 0.269, "width_inch": 10, "width_inch_fraction": 0.5625, "depth": 0.178, "depth_inch": 7, "depth_inch_fraction": 0.0}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 304258, "title": "Year in Review (1963)", "description": "<i>Year in Review (1963)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964).", "opening_date": "1963-11-27T05:00:00"}], "legacy": []}, "provenance": [{"description": "R. Henry Norweb, Cleveland, Ohio.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": "The faience factory at Sinceny was an offshoot of that at Rouen. In style, Sinceny closely resembles later Rouen wares with polychrome decoration. 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The Cleveland Museum of Art, Bequest of James Parmelee, 1940.689.c", "current_location": null, "title": "Pen and Ink Box (inkwell)", "creation_date": "1667\u201398", "creation_date_earliest": 1690, "creation_date_latest": 1698, "artists_tags": [], "culture": ["Iran, probably Isfahan, Safavid period (1501\u20131722)"], "technique": "brass", "support_materials": [], "department": "Islamic Art", "collection": "Islamic Art", "type": "Metalwork", "measurements": "Overall: 3.6 x 22.3 x 4.2 cm (1 7/16 x 8 3/4 x 1 5/8 in.)", "dimensions": {"overall": {"height": 0.036, "height_inch": 1, "height_inch_fraction": 0.4375, "width": 0.223, "width_inch": 8, "width_inch_fraction": 0.75, "depth": 0.042, "depth_inch": 1, "depth_inch_fraction": 0.625}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 294015, "title": "Arts of Iran (Islamic art rotation)", "description": "<i>Arts of Iran (Islamic art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 2018-October 28, 2019).", "opening_date": "2018-10-30T04:00:00"}], "legacy": []}, "provenance": [{"description": "James Parmelee [1855\u20131931], Cleveland, OH and Washington, DC, bequest to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "?\u20131940", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "1940\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80015155"], "internet_archive": ["https://archive.org/details/clevelandart-1940.689.c-pen-and-ink-box-inkw"]}, "citations": [], "url": "https://clevelandart.org/art/1940.689.c", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_web.jpg", "width": "900", "height": "587", "filesize": "167316", "filename": "1940.689.c_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_print.jpg", "width": "2954", "height": "1928", "filesize": "1285351", "filename": "1940.689.c_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_full.tif", "width": "2954", "height": "1928", "filesize": "17110328", "filename": "1940.689.c_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_alt0_web.jpg", "width": "900", "height": "624", "filesize": "197229"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_alt0_print.jpg", "width": "2892", "height": "2006", "filesize": "1493106"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1940.689.c/1940.689.c_alt0_full.tif", "width": "2892", "height": "2006", "filesize": "17428824"}, "date_created": "2020-10-07T17:19:27", "annotation": ""}], "creditline": "Bequest of James Parmelee", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 119877, "creators": [], "legal_status": "accessioned", "accession_date": "1940-10-30T00:00:00", "sortable_date": 1690, "date_added_to_oa": null, "date_text": "1667\u201398", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "1940.689", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Pen and Ink Box (ink box)"], "is_highlight": false, "updated_at": "2026-08-03 14:11:29.263000"}, {"id": 136790, "accession_number": "1961.29", "share_license_status": "CC0", "tombstone": "Adam and Eve, c. 1520. Workshop of Peter Vischer (German, 1487\u20131528). Bronze; overall: 14.6 x 12 x 12.7 cm (5 3/4 x 4 3/4 x 5 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 1961.29", "current_location": null, "title": "Adam and Eve", "creation_date": "c. 1520", "creation_date_earliest": 1515, "creation_date_latest": 1525, "artists_tags": ["male"], "culture": ["Germany, Nuremberg"], "technique": "bronze", "support_materials": [], "department": "European Painting and Sculpture", "collection": "Sculpture", "type": "Sculpture", "measurements": "Overall: 14.6 x 12 x 12.7 cm (5 3/4 x 4 3/4 x 5 in.)", "dimensions": {"overall": {"height": 0.146, "height_inch": 5, "height_inch_fraction": 0.75, "width": 0.12, "width_inch": 4, "width_inch_fraction": 0.75, "depth": 0.127, "depth_inch": 5, "depth_inch_fraction": 0.0}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 302039, "title": "Year in Review (1961)", "description": "<i>Year in Review (1961)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).", "opening_date": "1961-11-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "Duke of Arenberg", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Herbert N. Bier (London, England), sold to the Cleveland Museum of Art, 1961.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": "The figures of Adam and Eve embrace on a bench. Together, the figures straddle an upright cornucopia that is meant to serve as an inkwell. The drapery strewn across the figures' laps\u2014and thus covering their genitals\u2014suggests that the scene takes place after the Fall. One can see a remnant of the Tree of Life to the right of Eve. Numerous bronze inkwells of the period survive, though they usually feature a single figure, usually allegorical, and not such an elaborate composition as seen here. This inkwell was formerly in the collection of the Duke of Arenberg, a noble house of the Habsburg Netherlands. The Vischers (Hermann I, Peter the elder, Hermann II, Peter the younger, Hans, Jakob, Paulus, and Georg) were the most renowned bronze casters of Renaissance Nuremberg, and had drawn patrons from across Europe. Because of certain ambiguities in its style, in the past the inkwell had been attributed to Georg Vischer. Stylistically, it resembles some of the miniature figures in Peter Vischer the younger's Shrine of St. Sebald (Church of St. Sebald, Nuremberg), portions of which had been cast at approximately the same time. South German bronze foundries in the sixteenth century would often adapt stylistic elements of Venetian bronzes to suit local tastes, and this inkwell is a product of this phenomenon.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80030915"], "internet_archive": ["https://archive.org/details/clevelandart-1961.29-adam-and-eve"]}, "citations": [{"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.", "page_number": "Reproduced: p. 106", "url": "https://archive.org/details/CMAHandbook1966/page/n130"}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.", "page_number": "Reproduced: p. 106", "url": "https://archive.org/details/CMAHandbook1969/page/n130"}, {"citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.", "page_number": "Reproduced: p. 126", "url": "https://archive.org/details/CMAHandbook1978/page/n146"}], "url": "https://clevelandart.org/art/1961.29", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_web.jpg", "width": "785", "height": "893", "filesize": "425892", "filename": "1961.29_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_print.jpg", "width": "2990", "height": "3400", "filesize": "6337730", "filename": "1961.29_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_full.tif", "width": "3474", "height": "3950", "filesize": "41198656", "filename": "1961.29_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt0_web.jpg", "width": "949", "height": "893", "filesize": "464045"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt0_print.jpg", "width": "3400", "height": "3201", "filesize": "6551524"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt0_full.tif", "width": "5163", "height": "4862", "filesize": "75335384"}, "date_created": "2010-01-20T14:33:09", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt1_web.jpg", "width": "912", "height": "893", "filesize": "443647"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt1_print.jpg", "width": "3400", "height": "3328", "filesize": "6483069"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt1_full.tif", "width": "4156", "height": "4068", "filesize": "50751520"}, "date_created": "2009-02-05T18:05:06", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt2_web.jpg", "width": "963", "height": "893", "filesize": "439065"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt2_print.jpg", "width": "3400", "height": "3154", "filesize": "5697842"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt2_full.tif", "width": "4534", "height": "4206", "filesize": "57241016"}, "date_created": "2009-02-05T18:17:08", "annotation": ""}, {"web": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt3_web.jpg", "width": "806", "height": "893", "filesize": "439755"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt3_print.jpg", "width": "3070", "height": "3400", "filesize": "6522441"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1961.29/1961.29_alt3_full.tif", "width": "3610", "height": "3998", "filesize": "43330156"}, "date_created": "2009-02-05T18:26:22", "annotation": ""}], "creditline": "Norman O. Stone and Ella A. 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Alexandre Sandier (French, 1843\u20131916), S\u00e8vres Porcelain Factory (French, est. 1756). Stoneware; overall: 7.6 x 13.6 cm (3 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Henry H. 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The preceding page includes the calendar\u2019s end, December, with a cluster of gold days for the Christmas season.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79910567"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/1952.227.12.a", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.12.a/1952.227.12.a_web.jpg", "width": "575", "height": "893", "filesize": "458211", "filename": "1952.227.12.a_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.12.a/1952.227.12.a_print.jpg", "width": "2188", "height": "3400", "filesize": "6459543", "filename": "1952.227.12.a_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.12.a/1952.227.12.a_full.tif", "width": "3517", "height": "5465", "filesize": "57696408", "filename": "1952.227.12.a_full.tif"}}, "alternate_images": [], "creditline": "Gift of the Feiss family in memory of Mr. and Mrs. Paul L. 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Master of the Geneva Latini (French, active Rouen, 1460\u201380). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.13.a", "current_location": null, "title": "Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists", "creation_date": "c. 1470", "creation_date_earliest": 1465, "creation_date_latest": 1475, "artists_tags": ["male"], "culture": ["France, Rouen"], "technique": "ink, tempera, and gold on vellum", "support_materials": [], "department": "Medieval Art", "collection": "MED - Manuscript Illuminations", "type": "Bound Volume", "measurements": "Codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.)", "dimensions": {"codex": {"height": 0.195, "height_inch": 7, "height_inch_fraction": 0.6875, "width": 0.131, "width_inch": 5, "width_inch_fraction": 0.1875}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Secundm iohanne\nIn principio erat Verbum et Verbu\u2026", "inscription_translation": "Gospel of John\nIn the Beginning was the Word, and the Word\u2026", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "W. Loring Andrews, NY", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "Paul Louis Feiss, Cleveland", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "W. Loring Andrews, NY; Paul Louis Feiss, Cleveland", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "early_education_description": null, "artlens_description": null, "description": "A regular feature in books of hours after the 1400s is gospel lessons. These texts come from the Bible and are what make a book of hours sacred. In lavish editions, images of the evangelists believed to have written the Gospels\u2014Mathew, Mark, Luke, and John\u2014introduce the texts. The gospel lessons describe God\u2019s divine plan beginning with the Annunciation, or announcement to the Virgin Mary that she would conceive a son by the power of the Holy Spirit. They continue with the story of Christ\u2019s birth and the visitation of the three magi, or kings. The lessons end with the resurrection of Christ after the Crucifixion and his ascension into heaven. At the time of use, households did not own Bibles, making the inclusion of these texts, which had once been solely the provision of the ordained, precious.<br><br>The rubric, or red text, of the recto (right) page says Secundum Iohanne, or Gospel of John, indicating the gospel lessons\u2019 beginning. The page is enhanced with an image of the four evangelists writing the Gospels. At top left is John, with an eagle, writing while the devil tries to thwart him by stealing his inkwell. Beside this is Matthew, at a traditional desk, an angel kneeling nearby. In the text row are Mark with a lion and Luke with an ox.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79910612"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/1952.227.13.a", "images": {"annotation": null, "web": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_web.jpg", "width": "582", "height": "893", "filesize": "513112", "filename": "1952.227.13.a_web.jpg"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_print.jpg", "width": "2215", "height": "3400", "filesize": "6534337", "filename": "1952.227.13.a_print.jpg"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_full.tif", "width": "3440", "height": "5280", "filesize": "54526284", "filename": "1952.227.13.a_full.tif"}}, "alternate_images": [{"web": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_alt0_web.jpg", "width": "900", "height": "594", "filesize": "351822"}, "print": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_alt0_print.jpg", "width": "3400", "height": "2243", "filesize": "3533163"}, "full": {"url": "https://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_alt0_full.tif", "width": "12772", "height": "8427", "filesize": "322922277"}, "date_created": "2022-05-05T16:37:54", "annotation": ""}], "creditline": "Gift of the Feiss family in memory of Mr. and Mrs. Paul L. 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