{"info": {"total": 2978, "parameters": {"skip": 0, "limit": 1000, "created_after": 2000, "select": "accession_number,accession_number_sortable,cover_accession_number,department,collection,gallery,classification_type,department"}}, "data": [{"id": 369885, "accession_number": "2019.175", "share_license_status": "Copyrighted", "tombstone": "Las Meninas, 2019. Simone Leigh (American, b. 1967). Terracotta, steel, raffia, porcelain; overall: 182.9 x 213.4 x 152.4 cm (72 x 84 x 60 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2019.175. \u00a9 2019 Simone Leigh. All rights reserved.", "current_location": "229A Contemporary", "title": "Las Meninas", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "Terracotta, steel, raffia, porcelain", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 182.9 x 213.4 x 152.4 cm (72 x 84 x 60 in.)", "dimensions": {"overall": {"height": 1.829, "width": 2.134, "depth": 1.524}, "No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2019 Simone Leigh. All rights reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 393229, "title": "Contemporary Installation", "description": "<i>Contemporary Installation</i>. The Cleveland Museum of Art (organizer).", "opening_date": "2021-04-12T04:00:00"}], "legacy": [{"description": "<em>TEFAF New York Spring 2019</em>. Luhring Augustine Gallery, New York (March 3-7, 2019)", "opening_date": "2019-03-03T00:00:00"}]}, "provenance": [{"description": "(Luhring Augustine Gallery, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The hollow face is surrounded by dozens of small porcelain flowers.", "description": "<em>Las Meninas</em> draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work\u2019s skirted form conjures figures from the Spanish Golden Age painting <em>Las Meninas</em> (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candombl\u00e9, and Mousgoum buildings in Cameroon. The white-glazed terracotta torso, alluding to sacred and secular traditions of body painting, leads to a faceless head, incorporating both figuration and abstraction.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79878319"], "internet_archive": []}, "citations": [{"citation": "<em>Simone Leigh</em>. New York, N.Y.: Luhring Augustine, 2019.", "page_number": null, "url": null}, {"citation": "Rhodes-Pitts, Sharife. \"Simone Leigh: For Her Own Pleasure and Edification.\" In <em>The Hugo Boss Prize 2018. New York: </em>Solomon R. Guggenheim Museum, 2018.", "page_number": null, "url": null}, {"citation": "Leigh, Simone. \"Portfolio: Simone Leigh.\" In <em>Public Servants: Art and the Crises of the Common Good, e</em>dited by Johanna Burton, Shannon Jackson, and Dominic Willsdon, 222-227. Cambridge, MA: MIT Press, 2016.", "page_number": "", "url": null}, {"citation": "Conde, Maryse, Jota Mombaca, and Peggy Piesche. <em>We Don't Need Another Hero:10th Berlin Biennale for Contemporary Art.</em> Berlin: Distanz, 2018.", "page_number": "Mentioned p. 138", "url": null}, {"citation": "<em>Trigger: Gender As a Tool and a Weapon</em>. Edited by Johanna Burton and Natalie Bell. New York: New Museum, 2017.", "page_number": "Mentioned pp. 108-111", "url": null}, {"citation": "Elderton, Louisa, and Rebecca Morrill, eds. <em>Vitamin C: Clay + Ceramic in Contemporary Art</em>. London: Phaidon Press Limited, 2017.", "page_number": "Mentioned pp. 160-63", "url": null}, {"citation": "Cafritz, Peggy Cooper, Njideka Akunyili Crosby, and Charmaine Picard. Fired Up! Ready to Go!: Finding Beauty, Demanding Equity : an African American Life in Art : the Collections of Peggy Cooper Cafritz. 2018.", "page_number": "Referenced p. 169", "url": ""}, {"citation": "Fellah, Nadiah Rivera. \u201cSimone Leigh: The artist's <em>Las Meninas</em>, acquired last year, invites examination of the relationship between artist, subject, and viewer.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>60, no. 4 (Fall 2020): 14-15.", "page_number": "Reproduced and Mentioned: P. 14-15.", "url": ""}, {"citation": "\"New Take on the New: A comprehensive reinstallation of the galleries of contemporary art offers fresh viewpoints on the art of our time.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 2 (Spring 2021): Cover, 4-9.", "page_number": "Reproduced: P. 9; Mentioned: P. 4, 8.", "url": ""}, {"citation": "Lee, Key Jo, and William Griswold. Perceptual Drift: Black Art and an Ethics of Looking. Cleveland, OH : Cleveland Museum of Art, 2022.", "page_number": "Mentioned: pp. 63-78; reproduced: p. 62, fig. 31", "url": ""}, {"citation": "\"Supporter Story: Remembering Toby Lewis.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 64, no. 1 (2024): 33-34.", "page_number": "Reproduced: P. 34", "url": "https://archive.org/details/CMAMM-2024-01/page/32/mode/2up"}], "url": "https://clevelandart.org/art/2019.175", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Toby's Gallery for Contemporary Art", "athena_id": 369885, "creators": [{"id": 369887, "description": "Simone Leigh (American, b. 1967)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2019-09-09T00:00:00-04:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:59.467000"}, {"id": 378931, "accession_number": "2020.64", "share_license_status": "Copyrighted", "tombstone": "El manto negro / The black shroud, 2020. Teresa Margolles (Mexican, b. 1963). 1,600 burnished ceramic pieces; each approximately: 10.5 x 11 x 3.5 cm (4 1/8 x 4 5/16 x 1 3/8 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2020.64. \u00a9 Teresa Margolles", "current_location": "229B Contemporary", "title": "El manto negro / The black shroud", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["female", "Latine and Hispanic Artists"], "culture": ["Mexico"], "technique": "1,600 burnished ceramic pieces", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Ceramic", "measurements": "Each approximately: 10.5 x 11 x 3.5 cm (4 1/8 x 4 5/16 x 1 3/8 in.)", "dimensions": {"each approximately": {"height": 0.105, "width": 0.11, "depth": 0.035}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 3", "copyright": "\u00a9 Teresa Margolles", "inscriptions": [], "exhibitions": {"current": [{"id": 393229, "title": "Contemporary Installation", "description": "<i>Contemporary Installation</i>. The Cleveland Museum of Art (organizer).", "opening_date": "2021-04-12T04:00:00"}], "legacy": []}, "provenance": [{"description": "(James Cohan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2020", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Each clay piece in <em>El Manto Negro</em> was hand-burnished with a stone to an almost glass-like finish and then darkened with a traditional firing technique using smoke from burning cow manure.", "description": "To create <em>El Manto Negro</em>, Margolles collaborated with artisans in Mata Ortiz, Mexico, a region known for its ceramic work. The artisans produced thousands of square-shaped ceramic tiles, sourced from deposits at the base of Mata Ortiz\u2019s mountainous zone. Each tile represents a victim of the drug wars that are now rampant in the region; as a grid, they speak to a collective history. <em>El Manto Negro</em> presents Mata Ortiz not only as a site that has fallen prey to violence, but also as a site of artistic productivity that prevails alongside hardship.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q115755067"], "internet_archive": []}, "citations": [{"citation": "Yablonsky, Linda, \u201cThe art world is reborn in Tribeca,\u201d <em>The Art Newspaper</em>, January 20, 2020.", "page_number": "", "url": "https://www.theartnewspaper.com/2020/01/20/the-art-world-is-reborn-in-tribeca"}, {"citation": "Fateman, Johanna, \u201cTeresa Margolles,\u201d <em>4Columns</em>, January 24, 2020.", "page_number": "", "url": "https://www.4columns.org/fateman-johanna/teresa-margolles"}, {"citation": "Garc\u00eda, Beatriz, \u201cLas muertes violentas de Teresa Margolles, una artista mexicana en la escena del crimen,\u201d <em>Al D\u00eda</em>, February 7, 2020.", "page_number": "", "url": "https://www.aldianews.com/es/culture/patrimonio-e-historia/en-la-escena-del-crimen#:~:text=Las%20muertes%20violentas%20de%20Teresa%20Margolles%2C%20una%20artista,problema%20no%20son%20los%20muertos%2C%20sino%20los%20vivos."}, {"citation": "\"New Take on the New: A comprehensive reinstallation of the galleries of contemporary art offers fresh viewpoints on the art of our time.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 2 (Spring 2021): Cover, 4-9.", "page_number": "Reproduced: P. 6-7; Mentioned: P. 4, 6", "url": "https://archive.org/details/CMAMM2021-02/page/n3/mode/2up"}, {"citation": "\"Meet Your Membership Team.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>65, no. 1 (2025): 36-37.", "page_number": "Reproduced: p. 37", "url": "https://archive.org/details/CMAMM-2025-01"}], "url": "https://clevelandart.org/art/2020.64", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Paula and Eugene Stevens Gallery", "athena_id": 378931, "creators": [{"id": 378929, "description": "Teresa Margolles (Mexican, b. 1963)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": "<em>El Manto Negro</em> is an example of a variable artwork; the artist provided 1600 individual tiles, but the museum is permitted to determine the overall size and relative dimensions of the grid as installed. The artist provided 100 additional tiles to replace any that are damaged over time. Conservation staff worked to create customized archival storage for each of the 1600 tiles. The CMA's Collections Management and Production staff devised an innovative mounting system that allows each tile to be securely placed and adjusted to create the perfect grid pattern. This installation took the team a full week, and the artist's representatives have since adopted this mounting system for similar works in other collections.", "has_conservation_images": true, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:26.454000"}, {"id": 378677, "accession_number": "2021.102", "share_license_status": "Copyrighted", "tombstone": "Person, early 2000s. Suh Se Ok (Korean, 1929\u20132020). Ink on mulberry paper; paper: 130.5 x 139 cm (51 3/8 x 54 3/4 in.); framed: 146.3 x 155.5 x 6 cm (57 5/8 x 61 1/4 x 2 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2021.102. \u00a9 the Estate of Suh Se Ok. Courtesy Lehmann Maupin, New York, Hong Kong, and London", "current_location": "236 Korean", "title": "Person", "creation_date": "early 2000s", "creation_date_earliest": 2000, "creation_date_latest": 2004, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "Ink on mulberry paper", "support_materials": [], "department": "Korean Art", "collection": "Korean Art", "type": "Drawing", "measurements": "Paper: 130.5 x 139 cm (51 3/8 x 54 3/4 in.); Framed: 146.3 x 155.5 x 6 cm (57 5/8 x 61 1/4 x 2 3/8 in.)", "dimensions": {"framed": {"height": 1.463, "width": 1.555, "depth": 0.06}, "paper": {"height": 1.305, "width": 1.39}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 the Estate of Suh Se Ok. Courtesy Lehmann Maupin, New York, Hong Kong, and London", "inscriptions": [], "exhibitions": {"current": [{"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Lehmann Maupin Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132021", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist's son, Do Ho Suh (\uc11c\ub3c4\ud638, b. 1962), is also an artist, who reinterprets Korea\u2019s traditional house or <em>hanok</em>, exploring the concept of home and space.", "description": "Starting in the 1960s, Suh Se Ok focused on dismantling the boundary between the abstract and the figurative, and calligraphy and drawing, as a way to reimagine the Korean ink-painting tradition, which often stresses figurative realism. To visualize the strong gestural movement delivered by a massive amount of ink, the artist dashed a large brush over a sheet of thick and fibrous Korean mulberry paper. Here, he transformed the ink into a colossal abstract symbol, which evokes two classical Chinese characters: big (\u5927) and person (\u4eba). Perhaps, the artist wanted to remind the viewer of monumental historical events achieved by everyday heroes.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244528"], "internet_archive": []}, "citations": [{"citation": "\u201cInstallation. Creating Urgency: Modern and Contemporary Korean Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 2 (2022): back cover.", "page_number": "Reproduced and Mentioned: Back cover.", "url": ""}], "url": "https://clevelandart.org/art/2021.102", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 378677, "creators": [{"id": 378678, "description": "Suh Se Ok (Korean, 1929\u20132020)", "extent": null, "qualifier": null, "role": "artist", "biography": "Korean painter and professor of art, who pioneered contemporary abstract ink painting on the basis of literati painting.", "name_in_original_language": "\uc11c\uc138\uc625", "birth_year": "1929", "death_year": "2020", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "early 2000s", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:17.512000"}, {"id": 168516, "accession_number": "2010.263", "share_license_status": "Copyrighted", "tombstone": "A Rock That Was Taught It Was a Bird, 2010. Kim Beom (Korean, b. 1963). Stone, wood, wooden table, single channel video on 12-inch flat monitor (1 hr, 27 min, 30 sec; edition 1/3); overall: 146.8 x 220.5 x 127.7 cm (57 13/16 x 86 13/16 x 50 1/4 in.). The Cleveland Museum of Art, Louis D. Kacalieff, M.D. Fund, 2010.263. \u00a9 Kim Beom", "current_location": "236 Korean", "title": "A Rock That Was Taught It Was a Bird", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "Stone, wood, wooden table, single channel video on 12-inch flat monitor (1 hr, 27 min, 30 sec; edition 1/3)", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Mixed Media", "measurements": "Overall: 146.8 x 220.5 x 127.7 cm (57 13/16 x 86 13/16 x 50 1/4 in.)", "dimensions": {"overall": {"height": 1.468, "width": 2.205, "depth": 1.277}, "base": {"height": 0.45, "width": 0.47}, "part 1": {}, "table": {"height": 0.73, "width": 1.09, "depth": 0.81}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kim Beom", "inscriptions": [], "exhibitions": {"current": [{"id": 232110, "title": "Kim Beom: Objects Being Taught They Are Nothing But Tools", "description": "<i>Kim Beom: Objects Being Taught They Are Nothing But Tools</i>. The Cleveland Museum of Art, Cleveland, OH (November 14, 2010-March 6, 2011); REDCAT (Roy and Edna Disney/Cal Arts Theatre), Los Angeles, CA (organizer) (April 21-June 19, 2011).", "opening_date": "2011-04-21T00:00:00"}, {"id": 306109, "title": "Korean Gallery 236 Rotation", "description": "<i>Korean Gallery 236 Rotation</i>. The Cleveland Museum of Art (organizer) (January 29-July 16, 2018).", "opening_date": "2018-01-29T05:00:00"}, {"id": 383281, "title": "Stories from Storage", "description": "<i>Stories from Storage</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).", "opening_date": "2021-02-06T05:00:00"}, {"id": 524190, "title": "Kim Beom: How to Become a Rock", "description": "<i>Kim Beom: How to Become a Rock</i>. Leeum Museum of Art, Seoul, Korea (Republic of) (organizer) (July 18-November 26, 2023) https://www.leeum.org/exhibition/exhibition01_detail.asp?seq=61.", "opening_date": "2023-07-27T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": [{"description": "<em>Kim Beom</em>. Artsonje Center, Seoul, South Korea (2010).", "opening_date": "2010-01-01T05:00:00Z"}]}, "provenance": [{"description": "Artist's studio, Seoul, South Korea", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u2013", "sortorder": 2}], "find_spot": null, "related_works": [{"id": 168781, "description": "Study for \"A Rock That Was Taught it Was a Bird\", 2009. Kim Beom (Korean, b. 1963). Graphite; sheet: 18 x 24 cm (7 1/16 x 9 7/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2010.473. \u00a9 Kim Beom", "relationship": null}], "former_accession_numbers": [], "did_you_know": "This sculptural assemblage is a commentary on authoritarian regimes.", "description": "The man in the video repeats \u201cYou are a bird!\u201d to a rock, while a sculptural assemblage to the left features a rock posed like a bird on a bough. <em>A Rock That Was Taught It Was a Bird</em> is one of Kim Beom\u2019s satirical artworks. It comments on authoritarian regimes\u2014South Korea during the 1970s and 1980s\u2014where education was frequently used as a tool to influence people\u2019s view of the world and themselves. <br><br>Kim is a Seoul-based artist whose mixed-media works are internationally well known. His art explores the intersection of various artistic genres and media, including poetry, drawing, video, painting, and installation. In this work, Kim uses a touch of humor to turn unrelated objects into one minimalistic sculpture packed with strong social critiques.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074505"], "internet_archive": []}, "citations": [{"citation": "McCormick, Sooa Im. \u201cPlaybook for Solitude.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 1 (Winter 2021): 12.", "page_number": "Reproduced and Mentioned: P. 12.", "url": ""}, {"citation": "\uae40 \ubc94 ; [\uc804\uc2dc \uc8fc\ucd5c] \ub9ac\uc6c0 \ubbf8\uc220\uad00 ; \uae30\ud68d: \uae40 \uc131\uc6d0, \uc720 \uc9c0\uc6d0 ; [\ub3c4\ub85d \ud3b8\uc9d1] \uae40 \ubc94, \uae40 \uc131\uc6d0, \uc720 \uc9c0\uc6d0 ; \uae00: \uad8c \uc900\ubaa8, \uae40 \uc131\uc6d0 [and 12 others] ; \uc0ac\uc9c4: \uc774 \uc758\ub85d, \ucd5c \uc694\ud55c, \ucd5c \uc2b9\ud638., \uc774 \uc758\ub85d, \ucd5c \uc694\ud55c, \ucd5c \uc2b9\ud638, \uad8c \uc900\ubaa8, \ub9ac\uc6c0, \uc0bc\uc131 \ubbf8\uc220\uad00, Kim Po\u0306m ; [cho\u0306nsi chuch\u2019oe] Leeum Misulgwan ; kihoek: Kim So\u0306ng-won, Yu Chi-wo\u0306n ; [torok p\u2019yo\u0306njip] Kim Po\u0306m, Kim So\u0306ng-won, Yu Chi-wo\u0306n ; ku\u0306l: Kwo\u0306n, Chun-mo, Kim So\u0306ng-won [and many others] ; sajin: Yi U\u0306i-rok, Ch\u2019oi Yo-han, Ch\u2019oi Su\u0306ng-ho, et al. <em>\ubc14\uc704 \uac00 \ub418\ub294 \ubc95 = How to Become a Rock. </em>Edited by \uae40 \ubc94, 1963- September 19- artist, editor, \uae40 \uc131\uc6d0, \uc720 \uc9c0\uc6d0, Po\u0306m Kim, So\u0306ng-won Kim, and Chi-wo\u0306n Yu. [Ch\u2019op\u2019an]. So\u0306ul T\u2019u\u0306kpyo\u0306lsi: \ub9ac\uc6c0 \ubbf8\uc220\uad00, 2025.", "page_number": "Reproduced: p. 391, 545; Mentioned: p. 569, 585", "url": ""}], "url": "https://clevelandart.org/art/2010.263", "images": {}, "alternate_images": [], "creditline": "Louis D. Kacalieff, M.D. Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168516, "creators": [{"id": 60679, "description": "Kim Beom (Korean, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": "1986 - Seoul National University<br>1991 - M.F.A. School of Visual Arts, New York", "name_in_original_language": "\uae40\ubc94", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:11.840000"}, {"id": 168517, "accession_number": "2010.263.a", "share_license_status": "Copyrighted", "tombstone": "A Rock That Was Taught It Was a Bird, 2010. Kim Beom (Korean, b. 1963). Stone; overall: 146.8 x 220.5 x 127.7 cm (57 13/16 x 86 13/16 x 50 1/4 in.). The Cleveland Museum of Art, Louis D. 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Artsonje Center, Seoul, South Korea (2010).", "opening_date": "2010-01-01T05:00:00Z"}]}, "provenance": [{"description": "Artist's studio, Seoul, South Korea", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>A Rock That Was Taught It Was a Bird </em>rejects the separation between the animate and the inanimate prescribed by modern-day rationalism.", "description": "The man in the video repeats \u201cYou are a bird!\u201d to a rock, while a sculptural assemblage to the left features a rock posed like a bird on a bough. <em>A Rock That Was Taught It Was a Bird</em> is one of Kim Beom\u2019s satirical artworks. 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Artsonje Center, Seoul, South Korea (2010).", "opening_date": "2010-01-01T05:00:00Z"}]}, "provenance": [{"description": "Artist's studio, Seoul, South Korea", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The video documents several lessons are imparted to the stone on the physics of flying (in Korean, subtitled in English).", "description": "The man in the video repeats \u201cYou are a bird!\u201d to a rock, while a sculptural assemblage to the left features a rock posed like a bird on a bough. <em>A Rock That Was Taught It Was a Bird</em> is one of Kim Beom\u2019s satirical artworks. 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School of Visual Arts, New York", "name_in_original_language": "\uae40\ubc94", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2010.263", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:58.883000"}, {"id": 293323, "accession_number": "2020.146", "share_license_status": "Copyrighted", "tombstone": "Poetic Pattern of Song Ware (\u5b8b\u4eba\u8a5e\u610f), 2016. Zeng Xiaojun (Chinese, b. 1954). Ink and color on paper; 164.3 x 163.8 cm (64 11/16 x 64 1/2 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.146. \u00a9 Zeng Xiaojun", "current_location": null, "title": "Poetic Pattern of Song Ware", "title_in_original_language": "\u5b8b\u4eba\u8a5e\u610f", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["male"], "culture": ["China, Beijing"], "technique": "ink and color on paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "164.3 x 163.8 cm (64 11/16 x 64 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 1.643, "width": 1.638}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Zeng Xiaojun", "inscriptions": [], "exhibitions": {"current": [{"id": 367949, "title": "Spotlight on a New Generation: Contemporary Chinese Artists", "description": "<i>Spotlight on a New Generation: Contemporary Chinese Artists</i>. The Cleveland Museum of Art (organizer) (February 6-November 1, 2020).", "opening_date": "2020-02-06T05:00:00"}, {"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}], "legacy": [{"description": "<em>Recent Paintings by Zeng Xiaojun</em> \u66fe\u5c0f\u4fca\u65b0\u4f5c. Eskenazi Ltd., London, UK (October 5-November 25, 2016).", "opening_date": "2016-10-05T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2016", "sortorder": 1}, {"description": "(Eskenazi Ltd., London, United Kingdom, sold to Mr. and Mrs. Joseph P. Keithley)", "citations": [], "footnotes": [], "date": "2016", "sortorder": 2}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2016\u20132020", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "March 2, 2020\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Zeng Xiaojun graduated from the Central Academy of Arts and Design in Beijing in 1981, specializing in mural painting.", "description": "Contemporary artist Zeng Xiaojun is known for depicting tree trunks and rocks in draftsman-like fashion in the traditional Chinese medium of ink and paper. Inspired by a small, 11th-century Song dynasty dish in the artist\u2019s own collection, <em>Poetic Pattern of Song Ware</em> is unusual in subject matter. Fascinated by the dish\u2019s contrasting black and beige clay marbling, Zeng made an ink drawing of a graphic, abstract design on a monumental scale. The rendering of the marbling in lobed sections creates a unique three-dimensional effect and rhythm, not seen in the small dish <a href=\"https://www.clevelandart.org/art/2020.187\">CMA 2020.187</a>.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q87481253"], "internet_archive": []}, "citations": [{"citation": "Von Spee, Clarissa. \"Chinese Ceramics and Works on Paper.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 194-229. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and reproduced: p. 228-229; Mentioned: p. 275", "url": ""}], "url": "https://clevelandart.org/art/2020.146", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. 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Zeng Xiaojun continues the tradition of Chinese ink paintings but reinvigorates and reinterprets it for contemporary society.", "name_in_original_language": "\u66fe\u5c0f\u4fca", "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:21.263000"}, {"id": 168520, "accession_number": "2010.263.d", "share_license_status": "Copyrighted", "tombstone": "A Rock That Was Taught It Was a Bird, 2010. Kim Beom (Korean, b. 1963). Wooden table; table: 73 x 109 x 81 cm (28 3/4 x 42 15/16 x 31 7/8 in.). 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The Cleveland Museum of Art, Cleveland, OH (November 14, 2010-March 6, 2011); REDCAT (Roy and Edna Disney/Cal Arts Theatre), Los Angeles, CA (organizer) (April 21-June 19, 2011).", "opening_date": "2011-04-21T00:00:00"}, {"id": 306109, "title": "Korean Gallery 236 Rotation", "description": "<i>Korean Gallery 236 Rotation</i>. The Cleveland Museum of Art (organizer) (January 29-July 16, 2018).", "opening_date": "2018-01-29T05:00:00"}, {"id": 383281, "title": "Stories from Storage", "description": "<i>Stories from Storage</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).", "opening_date": "2021-02-06T05:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": [{"description": "<em>Kim Beom</em>. Artsonje Center, Seoul, South Korea (2010).", "opening_date": "2010-01-01T05:00:00Z"}]}, "provenance": [{"description": "Artist's studio, Seoul, South Korea", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Kim often uses readymade objects\u2014here a wooden table, a stone, and a tree bough\u2014and turns them into a sculptural assemblage.", "description": "The man in the video repeats \u201cYou are a bird!\u201d to a rock, while a sculptural assemblage to the left features a rock posed like a bird on a bough. <em>A Rock That Was Taught It Was a Bird</em> is one of Kim Beom\u2019s satirical artworks. It comments on authoritarian regimes\u2014South Korea during the 1970s and 1980s\u2014where education was frequently used as a tool to influence people\u2019s view of the world and themselves. <br><br>Kim is a Seoul-based artist whose mixed-media works are internationally well known. His art explores the intersection of various artistic genres and media, including poetry, drawing, video, painting, and installation. In this work, Kim uses a touch of humor to turn unrelated objects into one minimalistic sculpture packed with strong social critiques.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074515"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.263.d", "images": {}, "alternate_images": [], "creditline": "Louis D. Kacalieff, M.D. Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168520, "creators": [{"id": 60679, "description": "Kim Beom (Korean, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": "1986 - Seoul National University<br>1991 - M.F.A. School of Visual Arts, New York", "name_in_original_language": "\uae40\ubc94", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2010.263", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:59.458000"}, {"id": 169862, "accession_number": "2012.115", "share_license_status": "Copyrighted", "tombstone": "To Die upon a Kiss, 2011. Fred Wilson (American, b. 1954). Murano glass; overall: 177.8 x 174 x 174 cm (70 x 68 1/2 x 68 1/2 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.115. \u00a9 Fred Wilson", "current_location": null, "title": "To Die upon a Kiss", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["Black American Artists", "male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "Murano glass", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Sculpture", "measurements": "Overall: 177.8 x 174 x 174 cm (70 x 68 1/2 x 68 1/2 in.)", "dimensions": {"overall": {"height": 1.778, "width": 1.74, "depth": 1.74}, "weight": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Fred Wilson", "inscriptions": [], "exhibitions": {"current": [{"id": 441481, "title": "Gallery One 2012", "description": "<i>Gallery One 2012</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).", "opening_date": "2012-12-12T05:00:00"}, {"id": 200636, "title": "Fred Wilson: Works 2004\u20132011", "description": "<i>Fred Wilson: Works 2004\u20132011</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 22, 2012-May 5, 2013).", "opening_date": "2012-12-22T00:00:00"}], "legacy": []}, "provenance": [{"description": "(Pace Gallery, New York, NY), sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2012", "sortorder": null}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Wilson\u2019s chandeliers are the first black chandeliers ever to be created in the history of Venetian glassmaking.", "description": "\u201cTo die upon a kiss\u201d are the dying words of Othello, the Black general in William Shakespeare\u2019s play <em>Othello</em>, set in the 1500s in Venice, Italy. Long interested in the overlooked histories of the African diaspora and, in this work, people from Africa living in Venice, Fred Wilson began his series of sculptural chandeliers in 2003 when he represented the United States at the Venice Biennale (the premiere international survey of contemporary art occurring every two years). Like the complex histories they reference, these works are embedded with seeming contradiction: they are heavy yet fragile, dark yet luminous. Wilson describes his chandelier series, which he creates from Italian glass made on the island of Murano, as \u201ca meditation on death, on Blackness, on beauty.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077688"], "internet_archive": []}, "citations": [{"citation": "Erickson, Peter. \"Mining Shakespeare: Fred Wilson's Visual Translations of Othello\". Nka: Journal of Contemporary African Art. no. 33 (2013): 8-19.", "page_number": "Reproduced and mentioned: 14-15", "url": null}, {"citation": "Wilson, Fred.<em> Fred Wilson: Venice Suite : Sala Longhi and Related Works</em>. New York: The Pace Gallery, 2012. Exhibition Catalogue.", "page_number": "Reproduced on cover", "url": null}], "url": "https://clevelandart.org/art/2012.115", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169862, "creators": [{"id": 63040, "description": "Fred Wilson (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:41.564000"}, {"id": 380092, "accession_number": "2020.190", "share_license_status": "Copyrighted", "tombstone": "Listening to the Waves (\u8074\u6d9b), 2007. Sakiyama Takayuki (Japanese, b. 1958). Glazed stoneware; overall: 57.1 x 58.4 x 44.1 cm (22 1/2 x 23 x 17 3/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.190. \u00a9 Sakiyama Takayuki", "current_location": null, "title": "Listening to the Waves", "title_in_original_language": "\u8074\u6d9b", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "glazed stoneware", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "Overall: 57.1 x 58.4 x 44.1 cm (22 1/2 x 23 x 17 3/8 in.)", "dimensions": {"overall": {"height": 0.571, "width": 0.584, "depth": 0.441}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Sakiyama Takayuki", "inscriptions": [], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Joan B. Mirviss Ltd., New York, NY, sold to Mr. and Mrs. Joseph P. Keithley)", "citations": [], "footnotes": null, "date": "2007\u20132008", "sortorder": 1}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2008\u20132020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "After graduating from the Osaka University of Arts, Sakiyama spent three years traveling Japan in search of the perfect seaside village in which to build his studio.", "description": "Sakiyama Takayuki creates works in stoneware with a specially developed glaze incorporating sand. He established his kiln in 1987 on Japan\u2019s Izu Peninsula in Shizuoka Prefecture, an area known for its dramatic ocean views and beaches. His preoccupation with the sound and rhythm of the ocean tides informs his pieces. While this work is sculptural, featuring linear textures on both exteriors and interiors, it is also functional as a vase.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q87481591"], "internet_archive": []}, "citations": [{"citation": "Rousmaniere, Nicole Coolidge. \"Japanese Ceramics.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 230\u2013251. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and Reproduced: pp. 244\u2013245; Mentioned: p. 271", "url": ""}, {"citation": "Brown, Heather Lemonedes. \u201cColor, Sensation, and Memory: Themes in the Keithleys\u2019 gift and promised gift.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 3, 2022: Cover, 4\u20137.", "page_number": "Reproduced and Mentioned: P. 7", "url": "https://archive.org/details/CMAMM2022-03/page/6/mode/2up"}], "url": "https://clevelandart.org/art/2020.190", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 380092, "creators": [{"id": 380091, "description": "Sakiyama Takayuki (Japanese, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5d0e\u5c71\u9686\u4e4b", "birth_year": "1958", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:39.747000"}, {"id": 312739, "accession_number": "2018.205", "share_license_status": "Copyrighted", "tombstone": " (\u5927\u5e2b): Master Series, Four Portraits of Masters of Modern Art: Yan Wenliang (1893-1988), Pan Tianshou (1897-1971), Shi Lu (1919-1982) and Qi Baishi (1864-1954), 2017. Liu Jing (Chinese, b. 1983). Set of four woodblock prints and digital lithographic images; image: 90 x 60 cm (35 7/16 x 23 5/8 in.); paper: 120 x 60 cm (47 1/4 x 23 5/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2018.205. \u00a9 Liu Jing", "current_location": null, "title": "Master Series, Four Portraits of Masters of Modern Art: Yan Wenliang (1893-1988), Pan Tianshou (1897-1971), Shi Lu (1919-1982) and Qi Baishi (1864-1954)", "series_in_original_language": "\u5927\u5e2b", "creation_date": "2017", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China, Hunan province, Changsha"], "technique": "Set of four woodblock prints and digital lithographic images", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "Image: 90 x 60 cm (35 7/16 x 23 5/8 in.); Paper: 120 x 60 cm (47 1/4 x 23 5/8 in.)", "dimensions": {"paper": {"height": 1.2, "width": 0.6}, "image": {"height": 0.9, "width": 0.6}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Liu Jing", "inscriptions": [{"inscription": "signed in pencil on paper", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 336424, "title": "Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c", "description": "<i>Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c</i>. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).", "opening_date": "2019-08-12T04:00:00"}, {"id": 367949, "title": "Spotlight on a New Generation: Contemporary Chinese Artists", "description": "<i>Spotlight on a New Generation: Contemporary Chinese Artists</i>. The Cleveland Museum of Art (organizer) (February 6-November 1, 2020).", "opening_date": "2020-02-06T05:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist, Changsha, China, 2017-18", "citations": [], "footnotes": null, "date": "2017-18", "sortorder": 1}, {"description": "(The Muban Educational Trust, London, UK, 2018, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH, 2018-present", "citations": [], "footnotes": [], "date": "2018-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "While the prints resemble black-and-white photography, the haunting, jet-black pupils of the figures do not show any reflection of light.", "description": "<em>Master Series</em> features leading men of culture in modern China. Depicted are ink artist Qi Baishi with hat, National Art Academy director Pan Tianshou with glasses, the eccentric artist Shi Lu, and oil painter Yan Wenliang with black eyes. They each contributed to China\u2019s reformation and modernization during the Republican period (1912\u201349) and the Mao era (1949\u201376); all came under attack during the Cultural Revolution (1966\u201376). The award-winning prints combine digital design and woodblock printing with oil-based inks.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873811"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.205", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312739, "creators": [{"id": 312732, "description": "Liu Jing (Chinese, b. 1983)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5218\u4eac", "birth_year": "1983", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-09-04T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Master Series, Four Portraits of Modern Ink Painting Masters: Lin Fengmian, Pan Tianshou, Qi Baishi, and Shi Lu"], "is_highlight": false, "updated_at": "2026-03-27 00:04:44.201000"}, {"id": 170683, "accession_number": "2013.22.1", "share_license_status": "Copyrighted", "tombstone": "Dance, Dance, Dance. #1, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.3 x 39 cm (21 3/8 x 15 3/8 in.); platemark: 14.8 x 25.6 cm (5 13/16 x 10 1/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.1. \u00a9 Kakyoung Lee", "current_location": "236 Korean", "title": "Dance, Dance, Dance. #1", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.3 x 39 cm (21 3/8 x 15 3/8 in.); Platemark: 14.8 x 25.6 cm (5 13/16 x 10 1/16 in.)", "dimensions": {"sheet": {"height": 0.543, "width": 0.39}, "platemark": {"height": 0.148, "width": 0.256}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #1; verso in graphite, lower right: K. L. '11", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This drypoint print is done on a single plexiglass plate, not a traditional copper plate.", "description": "Created by the Seoul- and New York-based artist Kakyung Lee, <em>Dance, Dance, Dance</em> is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. Rather than using the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079725"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.1", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170683, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:08.804000"}, {"id": 169335, "accession_number": "2011.203", "share_license_status": "Copyrighted", "tombstone": "Smoke, 2011. Pae White (American, b. 1963). Computerized loom fabric. cotton, and polyester; overall: 430 x 850 cm (169 5/16 x 334 5/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2011.203", "current_location": null, "title": "Smoke", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female"], "culture": ["America, California, 21st century"], "technique": "computerized loom fabric. cotton, and polyester", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 430 x 850 cm (169 5/16 x 334 5/8 in.)", "dimensions": {"overall": {"height": 4.3, "width": 8.5}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 292699, "title": "Artlens Exhibition 2017", "description": "<i>Artlens Exhibition 2017</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24, 2017-May 29, 2019).", "opening_date": "2017-06-24T04:00:00"}], "legacy": [{"description": "<em>Gallery 229 textile rotation</em>. The Cleveland Museum of Art, Cleveland, OH (July 20, 2012-March 26, 2014).", "opening_date": "2012-07-20T00:00:00"}]}, "provenance": [{"description": "(1301 PE, Los Angeles, CA, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2011", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2011\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Smoke has been a recurring motif in Pae White\u2019s work, and she has been exploring ways to capture its genuine qualities in various media. This monumental tapestry transforms the elusive motif into a physical image as if the clouds of smoke have been caught in the digitally woven structure. What White describes as the cotton\u2019s \"dream of becoming something other than itself\" is a sensual play of questioning boundaries between different media, between the applied and fine arts, and between different physical conditions.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780932"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 373", "url": ""}, {"citation": "Lauf, Cornelia, Megan Lykins Reich, Germano Celant, and Ken Lum. <em>Wall to Wall: Carpets by Artists.</em> Ko\u0308ln: Verlag der Buchhandlung Walther Ko\u0308nig, 2016.", "page_number": "Reproduced: p. 128; mentioned: p. 140.", "url": null}], "url": "https://clevelandart.org/art/2011.203", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169335, "creators": [{"id": 61115, "description": "Pae White (American, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:10.258000"}, {"id": 161789, "accession_number": "2001.126", "share_license_status": "Copyrighted", "tombstone": "\u00c7atal H\u00fcy\u00fck (level VI B) Shrine VI B.1, 2001. Frank Stella (American, 1936\u20132024). Aluminum pipe and cast aluminum; overall: 246.3 x 322.4 x 231 cm (96 15/16 x 126 15/16 x 90 15/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro and John L. Severance Fund, 2001.126. \u00a9 Frank Stella / Artists Rights Society (ARS), New York", "current_location": null, "title": "\u00c7atal H\u00fcy\u00fck (level VI B) Shrine VI B.1", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male"], "culture": ["America"], "technique": "aluminum pipe and cast aluminum", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 246.3 x 322.4 x 231 cm (96 15/16 x 126 15/16 x 90 15/16 in.)", "dimensions": {"overall": {"height": 2.463, "width": 3.224, "depth": 2.31}, "crated": {"height": 1.245, "width": 2.515, "depth": 1.905}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Frank Stella / Artists Rights Society (ARS), New York", "inscriptions": [], "exhibitions": {"current": [{"id": 292699, "title": "Artlens Exhibition 2017", "description": "<i>Artlens Exhibition 2017</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24, 2017-May 29, 2019).", "opening_date": "2017-06-24T04:00:00"}, {"id": 441598, "title": "Artlens Exhibition 2019", "description": "<i>Artlens Exhibition 2019</i>. The Cleveland Museum of Art, Cleveland, OH (organizer).", "opening_date": "2019-06-11T04:00:00"}], "legacy": [{"description": "New York, Paul Kasmin Gallery:  Frank Stella, Recent Work (November 17-December 22, 2001), no catalogue (this sculpture removed from exhibiiton on December 3rd).", "opening_date": "2001-11-17T00:00:00"}]}, "provenance": [{"description": "the artist", "citations": [], "footnotes": [], "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This object weighs 1,750 pounds and projects eight feet from the wall.", "description": "This work derives its title from the religious shrines uncovered at the excavation site of the neolithic town of \u00c7atal H\u00fcy\u00fck (around 6000 BC) in modern-day Turkey. The paintings on plaster discovered in these shrines are considered to be the earliest on man-made surfaces. Indeed, Frank Stella's abstract sculpture evokes the animal and hunting scenes found there. Constructed of cast, welded, and bolted aluminum, it also evokes modern industrial imagery. Although it explodes with energy, <em>\u00c7atal H\u00fcy\u00fck</em> contains its power within a unified composition. The swirling aluminum pipe at its core recalls the Golden Spiral, a unit of measure in nature and mathematics that visually resembles the cross section of a snail's shell. Since the late 1950s, Stella has renewed and challenged the contemporary art world by investigating opposites\u2014flatness and depth, simplicity and complexity, painting and sculpture\u2014in his art. In the 1970s and 1980s, he introduced three-dimensional paintings on shaped canvases and then wall constructions on painted metal (see 1991.29). This work represents the latest stage in his explorations\u2014huge, multipart compositions that hang on the wall but project ever further into the viewer's space.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780945"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art, \u201cGift of Major New Stella Sculpture, Purchases of 6th-Century Jeweled Buckle, Ancient Indian Bronze Ancient Mexican Stone Head Among CMA\u2019s Autumn Acquisitions,\u201d December 26, 2001, Cleveland Museum of Art Archives.", "page_number": null, "url": "https://archive.org/details/cmapr4424"}, {"citation": "Donley, Gregory M., \"Mapping New Train \", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 42 no. 03, March 2002", "page_number": "Mentioned & reproduced: p. 4-5", "url": "https://archive.org/details/CMAMM2002-03/page/n3"}], "url": "https://clevelandart.org/art/2001.126", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro and John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 161789, "creators": [{"id": 9589, "description": "Frank Stella (American, 1936\u20132024)", "extent": null, "qualifier": null, "role": "artist", "biography": "Frank Stella was born in Malden, Massachusetts in 1936 and studied at Princeton University. Stella's auspicious start in New York, only a year after his graduation from Princeton, was an exhibit of the Black Paintings of 1959-60. Viewed as a precursor to Minimalism, these pivotal works led to his inclusion in Sixteen Americans at the Museum of Modern Art and the notice of its director, Alfred Barr, who purchased a painting, The Marriage of Squalor and Reason. With their emphasis on control and rationalism, the Black Paintings opened genuinely new paths for abstraction and exerted a profound influence on the art of the 1960s. A major shift from this work began to develop in 1966 with his Irregular Polygons, canvases in the shapes of irregular geometric forms and characterized by large unbroken areas of color. As this new vocabulary developed into a more open and color-oriented pictorial language, the works underwent a metamorphosis in size, expressing an affinity with architecture in their monumentality. Stella also introduced curves into his works, marking the beginning of the Protractor series. Harran II evinces the great vaulting compositions and lyrically decorative patterns that are the leitmotif of the series, which is based on the semicircular drafting instrument used for measuring and constructing angles. In the 1970s, Stella's work moved toward three-dimensional paintings on shaped canvases and later toward wall constructions with multiple components, ever projecting further from their supports. Stella's second retrospective at MOMA in 1987 concluded with a series of daring reliefs based on Melville's Moby Dick. These works further blurred any boundary between paintings and sculpture. In 1983-84 Stella gave the Charles Eliot Norton lectures at Harvard University. These lectures, later published under the title Working Space, marked a critical juncture for the artist. A spirited defense of abstraction, they could well sum up Stella's approach to painting and have acted as a manifesto for his work since. Since the 1980s, the artist has completed a number of large-scale works for public spaces, confirming Stella's abiding interest in architecture. A vast commission during the early 90s, involving the Princess of Wales Theater in Toronto, has led to a series of architectural proposals and commissions over the past eight years, including his Bandshell for the City of Miami.", "name_in_original_language": null, "birth_year": "1936", "death_year": "2024", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2001-12-03T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:18.255000"}, {"id": 384223, "accession_number": "2020.220", "share_license_status": "Copyrighted", "tombstone": "Set 3, from the series Les Septs Stations\nC\u00e9lestes (The Seven Heavenly Stations), 2018. Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49 x 49 x 2.9 cm (19 5/16 x 19 5/16 x 1 1/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.220. \u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "current_location": "108A African", "title": "Set 3, from the series Les Septs Stations\nC\u00e9lestes (The Seven Heavenly Stations)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49 x 49 x 2.9 cm (19 5/16 x 19 5/16 x 1 1/8 in.)", "dimensions": {"overall": {"height": 0.49, "width": 0.49, "depth": 0.029}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "inscriptions": [], "exhibitions": {"current": [{"id": 446033, "title": "Arts of Africa", "description": "<i>Arts of Africa</i>. The Cleveland Museum of Art (organizer) (December 10, 2021-July 2, 2023).", "opening_date": "2021-12-09T05:00:00"}], "legacy": [{"description": "<em>Rachid Kora\u00efchi:  Les Sept Stations C\u00e9lestes/The Seven Heavenly Stations</em>, Aicon Gallery, New York, NY ( September 20 \u2013 October 20, 2018).", "opening_date": "2018-10-20T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018", "sortorder": 1}, {"description": "(Aicon Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "by 2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Blending historical and high-tech art-making techniques, these tablets\u2019 designs were first drawn, then carved with a digital router.", "description": "The paired alabaster tablets of <em>Les Septs Stations C\u00e9lestes </em>contrast Arabic calligraphy (right) with Rachid Kora\u00efchi\u2019s unique visual language and drawings (left). Over many decades, Kora\u00efchi has developed a personal \u201calphabet of memory,\u201d blending Chinese, Sumerian, Hebrew, Tamazight (Amazigh), Tifinagh (Tuareg), and Arabic letterforms or symbols with numbers, codes, and drawings. These digitally sculpted tablets evoke historical Islamic architecture, especially Egypt\u2019s gleaming \u201cAlabaster Mosque\u201d in Cairo, made from the same semiopaque stone. This set features excerpts from Lebanese-American writer and painter Kahlil Gibran (1883\u20131931) on the subject of love. The word <em>love </em>repeats throughout, emphasizing its centrality.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106600539"], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. New York, NY: Aicon Gallery, 2020.", "page_number": "Reproduced:  pp. 14-15.", "url": ""}], "url": "https://clevelandart.org/art/2020.220", "images": {}, "alternate_images": [], "creditline": "Dudley P. Allen Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 384223, "creators": [{"id": 383228, "description": "Rachid Kora\u00efchi (Algerian, b. 1947)", "extent": null, "qualifier": null, "role": "maker", "biography": null, "name_in_original_language": null, "birth_year": "1947", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2020-09-14T00:00:00-04:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Set 3 from the series Les Septs Stations C\u00e9lestes"], "is_highlight": false, "updated_at": "2026-03-27 00:07:26.116000"}, {"id": 685348, "accession_number": "2024.170.1", "share_license_status": "Copyrighted", "tombstone": "Bishkisch\u00e9: Among the Willows, 2023. Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981). Acrylic, graphite, kitakata paper, coated pastel paper; image: 47.4 x 67.5 cm (18 11/16 x 26 9/16 in.); sheet: 50 x 70.1 cm (19 11/16 x 27 5/8 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.170.1. \u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "current_location": "101A Prints & Drawings", "title": "Among the Willows", "series": "Bishkisch\u00e9", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "acrylic, graphite, kitakata paper, coated pastel paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Image: 47.4 x 67.5 cm (18 11/16 x 26 9/16 in.); Sheet: 50 x 70.1 cm (19 11/16 x 27 5/8 in.)", "dimensions": {"sheet": {"height": 0.5, "width": 0.701}, "image": {"height": 0.474, "width": 0.675}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "inscriptions": [{"inscription": "Inscribed, lower left margin, in graphite: #8; inscribed, lower right margin, in graphite: AMONG THE WILLOWS; signed, lower right margin, in graphite: WRS", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": [{"description": "<em>Wendy Red Star</em>, <em>Bi\u0301ikkua (The Hide Scraper</em>). Robert Projects, Los Angeles, CA (July 13-August 24, 2024)", "opening_date": "2024-07-13T04:00:00Z"}]}, "provenance": [{"description": "The artist, Portland, OR", "citations": [], "footnotes": null, "date": "2023-2024", "sortorder": 1}, {"description": "(Robert Projects, Los Angeles, CA, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Cleveland Museum of Art holds one such Parfleche in our collection: <a href=\"https://www.clevelandart.org/art/1937.848\">1937.848</a>", "description": "For her <em>Bishkisch\u00e9</em> series, Red Star studies and then paints 226 rawhide cases, containers used to transport meat or grain, each isolated against colorful backgrounds. Traditionally fabricated and decorated by the women in her (Aps\u00e1alooke / Crow) tribe, they bear unique designs. Each one in the series is named after an Aps\u00e1alooke woman that the artist has collected from archival research, resuscitating her name from marginalized histories. This series is emblematic of Red Star\u2019s ongoing research-based practice and conceptual project of honoring the rich legacy of both Aps\u00e1alooke women who contributed to her tribe\u2019s aesthetic tradition.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Wendy Red Star, <em>Bi\u0301ikkua (The Hide Scraper</em>). Los Angeles: Projects Gallery, 2024. [exhibition brochure]", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2024.170.1", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 685348, "creators": [{"id": 380416, "description": "Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.170", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:35.456000"}, {"id": 685349, "accession_number": "2024.170.2", "share_license_status": "Copyrighted", "tombstone": "Bishkisch\u00e9: Blue Chin, 2023. Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981). Acrylic, graphite, kitakata paper, coated pastel paper; image: 47.3 x 67.5 cm (18 5/8 x 26 9/16 in.); sheet: 50 x 70 cm (19 11/16 x 27 9/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.170.2. \u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "current_location": "101A Prints & Drawings", "title": "Blue Chin", "series": "Bishkisch\u00e9", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "acrylic, graphite, kitakata paper, coated pastel paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Image: 47.3 x 67.5 cm (18 5/8 x 26 9/16 in.); Sheet: 50 x 70 cm (19 11/16 x 27 9/16 in.)", "dimensions": {"sheet": {"height": 0.5, "width": 0.7}, "image": {"height": 0.473, "width": 0.675}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "inscriptions": [{"inscription": "Inscribed, lower left margin, in graphite: #62; inscribed, lower right margin, in graphite: BLUE CHIN; signed, lower right margin, in graphite: WRS", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": [{"description": "<em>Wendy Red Star</em>, <em>Bi\u0301ikkua (The Hide Scraper</em>). Robert Projects, Los Angeles, CA (July 13-August 24, 2024)", "opening_date": "2024-07-13T04:00:00Z"}]}, "provenance": [{"description": "The artist, Portland, OR", "citations": [], "footnotes": null, "date": "2023-2024", "sortorder": 1}, {"description": "(Robert Projects, Los Angeles, CA, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Cleveland Museum of Art holds one such Parfleche in our collection: <a href=\"https://www.clevelandart.org/art/1937.848\">1937.848</a>", "description": "For her <em>Bishkisch\u00e9</em> series, Red Star studies and then paints 226 rawhide cases, containers used to transport meat or grain, each isolated against colorful backgrounds. Traditionally fabricated and decorated by the women in her (Aps\u00e1alooke / Crow) tribe, they bear unique designs. Each one in the series is named after an Aps\u00e1alooke woman that the artist has collected from archival research, resuscitating her name from marginalized histories. This series is emblematic of Red Star\u2019s ongoing research-based practice and conceptual project of honoring the rich legacy of both Aps\u00e1alooke women who contributed to her tribe\u2019s aesthetic tradition.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Wendy Red Star, <em>Bi\u0301ikkua (The Hide Scraper</em>). Los Angeles: Projects Gallery, 2024. [exhibition brochure]", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2024.170.2", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 685349, "creators": [{"id": 380416, "description": "Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.170", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:07.478000"}, {"id": 685350, "accession_number": "2024.170.3", "share_license_status": "Copyrighted", "tombstone": "Bishkisch\u00e9: Comes from Digging Roots, 2023. Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981). Acrylic, graphite, kitakata paper, coated pastel paper; image: 47.2 x 67.5 cm (18 9/16 x 26 9/16 in.); sheet: 49.8 x 71.2 cm (19 5/8 x 28 1/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.170.3. \u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "current_location": "101A Prints & Drawings", "title": "Comes from Digging Roots", "series": "Bishkisch\u00e9", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "acrylic, graphite, kitakata paper, coated pastel paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Image: 47.2 x 67.5 cm (18 9/16 x 26 9/16 in.); Sheet: 49.8 x 71.2 cm (19 5/8 x 28 1/16 in.)", "dimensions": {"sheet": {"height": 0.498, "width": 0.712}, "image": {"height": 0.472, "width": 0.675}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "inscriptions": [{"inscription": "Inscribed, lower left margin, in graphite: #106; inscribed, lower right margin, in graphite: COMES FROM DIGGING ROOTS; signed, lower right margin, in graphite: WRS", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. 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Robert Projects, Los Angeles, CA (July 13-August 24, 2024)", "opening_date": "2024-07-13T04:00:00Z"}]}, "provenance": [{"description": "The artist, Portland, OR", "citations": [], "footnotes": null, "date": "2023-2024", "sortorder": 1}, {"description": "(Robert Projects, Los Angeles, CA, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Cleveland Museum of Art holds one such Parfleche in our collection: <a href=\"https://www.clevelandart.org/art/1937.848\">1937.848</a>", "description": "For her <em>Bishkisch\u00e9</em> series, Red Star studies and then paints 226 rawhide cases, containers used to transport meat or grain, each isolated against colorful backgrounds. Traditionally fabricated and decorated by the women in her (Aps\u00e1alooke / Crow) tribe, they bear unique designs. Each one in the series is named after an Aps\u00e1alooke woman that the artist has collected from archival research, resuscitating her name from marginalized histories. This series is emblematic of Red Star\u2019s ongoing research-based practice and conceptual project of honoring the rich legacy of both Aps\u00e1alooke women who contributed to her tribe\u2019s aesthetic tradition.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Wendy Red Star, <em>Bi\u0301ikkua (The Hide Scraper</em>). Los Angeles: Projects Gallery, 2024. [exhibition brochure]", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2024.170.3", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 685350, "creators": [{"id": 380416, "description": "Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.170", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:13.734000"}, {"id": 685351, "accession_number": "2024.170.4", "share_license_status": "Copyrighted", "tombstone": "Bishkisch\u00e9: Crazy, 2023. Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981). Acrylic, graphite, kitakata paper, coated pastel paper; image: 47.8 x 67.6 cm (18 13/16 x 26 5/8 in.); sheet: 49.8 x 70 cm (19 5/8 x 27 9/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.170.4. \u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "current_location": "101A Prints & Drawings", "title": "Crazy", "series": "Bishkisch\u00e9", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "acrylic, graphite, kitakata paper, coated pastel paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Image: 47.8 x 67.6 cm (18 13/16 x 26 5/8 in.); Sheet: 49.8 x 70 cm (19 5/8 x 27 9/16 in.)", "dimensions": {"sheet": {"height": 0.498, "width": 0.7}, "image": {"height": 0.478, "width": 0.676}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "inscriptions": [{"inscription": "Inscribed, lower left margin, in graphite: #121; inscribed, lower right margin, in graphite: CRAZY; signed, lower right margin, in graphite: WRS", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. 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Robert Projects, Los Angeles, CA (July 13-August 24, 2024)", "opening_date": "2024-07-13T04:00:00Z"}]}, "provenance": [{"description": "The artist, Portland, OR", "citations": [], "footnotes": null, "date": "2023-2024", "sortorder": 1}, {"description": "(Robert Projects, Los Angeles, CA, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Cleveland Museum of Art holds one such Parfleche in our collection: <a href=\"https://www.clevelandart.org/art/1937.848\">1937.848</a>", "description": "For her <em>Bishkisch\u00e9</em> series, Red Star studies and then paints 226 rawhide cases, containers used to transport meat or grain, each isolated against colorful backgrounds. Traditionally fabricated and decorated by the women in her (Aps\u00e1alooke / Crow) tribe, they bear unique designs. Each one in the series is named after an Aps\u00e1alooke woman that the artist has collected from archival research, resuscitating her name from marginalized histories. This series is emblematic of Red Star\u2019s ongoing research-based practice and conceptual project of honoring the rich legacy of both Aps\u00e1alooke women who contributed to her tribe\u2019s aesthetic tradition.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Wendy Red Star, <em>Bi\u0301ikkua (The Hide Scraper</em>). Los Angeles: Projects Gallery, 2024. [exhibition brochure]", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2024.170.4", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 685351, "creators": [{"id": 380416, "description": "Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.170", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:49.288000"}, {"id": 543567, "accession_number": "2024.43", "share_license_status": "Copyrighted", "tombstone": "Simultaneity 21-117, 2021. Suh Seung-Won (Korean, b. 1941). Acrylic on canvas; 162 x 130.3 cm (63 3/4 x 51 5/16 in.). The Cleveland Museum of Art, Gift of Stephen E. Myers, 2024.43. \u00a9 Suh Seung-Won", "current_location": "236 Korean", "title": "Simultaneity 21-117", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "Acrylic on canvas", "support_materials": [], "department": "Korean Art", "collection": "Korean Art", "type": "Painting", "measurements": "162 x 130.3 cm (63 3/4 x 51 5/16 in.)", "dimensions": {"No Extent Specified": {"height": 1.62, "width": 1.303}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Suh Seung-Won", "inscriptions": [], "exhibitions": {"current": [{"id": 517759, "title": "Material and Immaterial in Korean Modern and Contemporary Art", "description": "<i>Material and Immaterial in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 28, 2023-February 25, 2024).", "opening_date": "2023-04-28T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "(PKM Gallery, Seoul, South Korea, sold to Steve Myers)", "citations": [], "footnotes": null, "date": "?\u20132023", "sortorder": 1}, {"description": "Steve E. Myers, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, Ohio", "citations": [], "footnotes": null, "date": "2024\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": ["7.2023"], "did_you_know": "The artist Suh Seung-won was one of the founding members of the Korean Avant-Garde Association in the late 1960s.", "description": "As one of the founding members of the Korean Avant-Garde Association in the late 1960s, Suh Seung-Won is known for his poetic style that explores subtle geometric forms geometric with large, gently layered brush strokes, blurring and melding edges. According to Suh, this image came from his childhood memory of seeing a silvery beam of moonlight touch the mulberry paper pasted on the windows of a traditional Korean house. This work expresses the artist\u2019s ongoing interest in creating a field in which three-dimensional forms and linear planes appear to float in the middle of the canvas, making a space of wonder where the material of acrylic and immateriality of light lose their distinction.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q127274660"], "internet_archive": []}, "citations": [{"citation": "\"Permanent Collection Installations.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>65, no. 1 (2025): 14\u201315.", "page_number": "Reproduced: p. 14; Mentioned: p. 15", "url": "https://archive.org/details/CMAMM-2025-01"}], "url": "https://clevelandart.org/art/2024.43", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen E. Myers", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 543567, "creators": [{"id": 543566, "description": "Suh Seung-Won (Korean, b. 1941)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc11c\uc2b9\uc6d0", "birth_year": "1941", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T04:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:33.033000"}, {"id": 380104, "accession_number": "2020.201", "share_license_status": "Copyrighted", "tombstone": "Belt, 2007. Deborah Butterfield (American, b. 1949). Cast bronze with patina; overall: 231.1 x 299.7 x 76.2 cm (91 x 118 x 30 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.201. \u00a9 Deborah Butterfield / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": "WL West Lawn", "title": "Belt", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["America"], "technique": "cast bronze with patina", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 231.1 x 299.7 x 76.2 cm (91 x 118 x 30 in.)", "dimensions": {"overall": {"height": 2.311, "width": 2.997, "depth": 0.762}, "No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Deborah Butterfield / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}], "legacy": []}, "provenance": [{"description": "Cast at Walla Walla Foundry, Walla Walla, WA, consigned to Zolla/Lieberman Gallery, Inc., Chicago, IL", "citations": [], "footnotes": null, "date": "2007", "sortorder": 1}, {"description": "(Zolla/Lieberman Gallery, Inc., Chicago, IL, sold to Nancy F. and Joseph P. Keithley)", "citations": [], "footnotes": null, "date": "2007", "sortorder": 2}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, gifted to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2007\u20132020", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Interested in horses from a young age, Butterfield initially felt conflicted about whether to pursue art or veterinary medicine while studying at the University of California, Davis.", "description": "To create her life-size horses, American sculptor Deborah Butterfield casts found pieces of wood into bronze, a process that translates the wood\u2019s porous texture into metal. The artist then builds the structure of her sculptures, using her extensive knowledge of the animals to achieve their lifelike postures. Butterfield accomplishes this effect through the placement of the necks and heads of her horses, which she does last. In <em>Belt,</em> the abstract animal is integrated with the surrounding landscape to evoke the artist\u2019s expansive Montana ranch where she has lived, worked, and kept horses for over 30 years.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q115785606"], "internet_archive": []}, "citations": [{"citation": "Gordon, Robert. <em>Deborah Butterfield</em>. New York: Abrams, 2010.", "page_number": "Reproduced: pp. 182-183, cover", "url": "https://ingallslibrary.on.worldcat.org/oclc/495597481"}, {"citation": "Czajkowski, Alexandra. \u201cExploring the Fine Arts Garden.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 3 (Summer 2021): 38-39.", "page_number": "Reproduced and Mentioned: P. 38", "url": "https://archive.org/details/cmamm2021-03_202304/page/n37/mode/2up"}, {"citation": "Liebert, Emily. \"Deborah Butterfield.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 192-193. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and reproduced: p. 192-193; Mentioned: p. 258", "url": ""}, {"citation": "Arzuaga, Rachel and Edelstein, Beth. \u201cBuilding and Grounds. Encounter the Grounds Anew: Interpretation and Conservation's Updated Outdoor Map.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 65, no. 1 (2025): 22-23.", "page_number": "Reproduced and Mentioned: p. 22", "url": "https://archive.org/details/CMAMM-2025-01"}], "url": "https://clevelandart.org/art/2020.201", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 380104, "creators": [{"id": 56637, "description": "Deborah Butterfield (American, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:27.646000"}, {"id": 536464, "accession_number": "2023.5", "share_license_status": "Copyrighted", "tombstone": "He Was Meant for All Things to Meet, 2022. Amy Sherald (American, b. 1973). Oil on linen; 137.2 x 109.2 x 6.4 cm (54 x 43 x 2 1/2 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 2023.5. \u00a9 Amy Sherald. Courtesy the artist and Hauser & Wirth", "current_location": "229A Contemporary", "title": "He Was Meant for All Things to Meet", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "Oil on linen", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "137.2 x 109.2 x 6.4 cm (54 x 43 x 2 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 1.372, "width": 1.092, "depth": 0.064}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Amy Sherald. Courtesy the artist and Hauser & Wirth", "inscriptions": [], "exhibitions": {"current": [{"id": 536086, "title": "Contemporary Art Rotation - Spring 2023", "description": "<i>Contemporary Art Rotation - Spring 2023</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-September 24, 2023).", "opening_date": "2023-04-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist via Hauser & Wirth Gallery, London", "citations": [], "footnotes": null, "date": "2022", "sortorder": 1}, {"description": "(Hauser & Wirth Gallery, London, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2023", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Amy Sherald considers photography to be the starting point for her painted portraits.", "description": "Amy Sherald\u2019s subjects often fill canvases with a presence that is heightened by frontal stances and direct gazes. While Sherald\u2019s subjects display contemporary qualities, the artist typically places them against flat, solid-colored backgrounds that lack markers of time or place and renders their black skin in shades of gray. She has explained this as a technique to draw viewers\u2019 attention toward the inner life of her subjects. In 2018, Sherald\u2019s distinctive style captured the attention of Michelle Obama. She became the first Black artist to paint the first Black first lady\u2019s official portrait for the National Portrait Gallery in Washington, DC.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117447737"], "internet_archive": []}, "citations": [{"citation": "<em>Amy Sherald: The World We Make</em>. Exhibition catalogue. (New York: Hauser &amp; Wirth Publishers, 2022), pp. 90-97, 99.", "page_number": "", "url": ""}, {"citation": "Liebert, Emily. \"Adding a Work by Amy Sherald: The museum welcomes <em>He was meant for all things to meet</em>.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 2 (2023): 36-37.", "page_number": "Reproduced: Cover, P. 37; Mentioned: P. 36", "url": "https://archive.org/details/CMAMM2023-02/page/36/mode/2up"}, {"citation": "\"Supporter Story: Remembering Toby Lewis.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 64, no. 1 (2024): 33-34.", "page_number": "Reproduced and Mentioned: P. 34", "url": "https://archive.org/details/CMAMM-2024-01/page/32/mode/2up"}], "url": "https://clevelandart.org/art/2023.5", "images": {}, "alternate_images": [], "creditline": "Leonard C. Hanna Jr. Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Toby's Gallery for Contemporary Art", "athena_id": 536464, "creators": [{"id": 401138, "description": "Amy Sherald (American, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T05:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["He was meant for all things to meet"], "is_highlight": false, "updated_at": "2026-03-27 00:00:20.484000"}, {"id": 168324, "accession_number": "2010.156", "share_license_status": "Copyrighted", "tombstone": "Matrix Series: Catenary Ellipsoid...Bi, 2010. Brent Kee Young (American, b. 1946). Lampwork glass; overall: 88.9 x 55.9 x 28 cm (35 x 22 x 11 in.). The Cleveland Museum of Art, Gift of Linda Burwasser Schneider, 2010.156", "current_location": "228A Cleveland Artists", "title": "Matrix Series: Catenary Ellipsoid...Bi", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["Asian American", "May Show", "male", "Cleveland Institute of Art (faculty)"], "culture": ["America"], "technique": "lampwork glass", "support_materials": [], "department": "Decorative Art and Design", "collection": "Sculpture", "type": "Glass", "measurements": "Overall: 88.9 x 55.9 x 28 cm (35 x 22 x 11 in.)", "dimensions": {"overall": {"height": 0.889, "width": 0.559, "depth": 0.28}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 198152, "title": "In Honor of The Cleveland Arts Prize", "description": "<i>In Honor of The Cleveland Arts Prize</i>. The Cleveland Museum of Art (organizer) (June 13, 2010-March 13, 2011).", "opening_date": "2010-06-13T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/13/2010 - 03/13/2011): \"In Honor of the Cleveland Arts Prize\"", "opening_date": "2010-06-13T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist defined form using only light and line in this sculpture.", "description": "Young's latest work consists of thin rods of Pyrex glass that are heated and assembled with great facility into web-like sculptures that, in his words, address the question, \"Can form be defined using only light and line?\"Many of the resulting pieces reveal the artist's keen interests in calculus and geometry. In this example, two catenary curves have been \"rotated\" into a three-dimensional form that is suspended amid a rectilinear compositional base, which, in turn, is bisected down its middle.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780769"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.156", "images": {}, "alternate_images": [], "creditline": "Gift of Linda Burwasser Schneider", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168324, "creators": [{"id": 16755, "description": "Brent Kee Young (American, b. 1946)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1946", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-06-07T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:13.659000"}, {"id": 540627, "accession_number": "2023.95", "share_license_status": "Copyrighted", "tombstone": "Blanket Stories: Continuum (Book I), 2007. Marie Watt (American, enrolled Seneca Nation, b. 1967), printed by Aaron Shipps (American, active 21st century), published by Tamarind Institute. Color lithograph with chine coll\u00e9; image: 38.6 x 56.3 cm (15 3/16 x 22 3/16 in.); sheet: 56.3 x 76 cm (22 3/16 x 29 15/16 in.). The Cleveland Museum of Art, Gift of Linda and Jack Lissauer, M.D., 2023.95", "current_location": "101A Prints & Drawings", "title": "Blanket Stories: Continuum (Book I)", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["Indigenous", "female", "male", "gender unknown"], "culture": ["America"], "technique": "Color lithograph with chine coll\u00e9", "support_materials": [], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Image: 38.6 x 56.3 cm (15 3/16 x 22 3/16 in.); Sheet: 56.3 x 76 cm (22 3/16 x 29 15/16 in.)", "dimensions": {"image": {"height": 0.386, "width": 0.563}, "sheet": {"height": 0.563, "width": 0.76}}, "state_of_the_work": null, "edition_of_the_work": "12/16", "copyright": null, "inscriptions": [{"inscription": "Inscribed, lower left margin, in graphite: 12/16; signed, lower right margin, in graphite: MK Watt 2007", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Publisher chop mark: [Tamarind]", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Printer chop mark: [Aaron Shipps]", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}, {"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Marie Watt considers blankets to be markers of one\u2019s life, since they frame many of life\u2019s moments from sleep, birth, and love to sickness and death.", "description": "Seneca artist Marie Watt\u2019s sculptural practice often incorporates blankets she has gathered from her community, which hold the memories and stories of those who owned them, as well as Iroquois creation stories. <em>Blanket Stories Continuum (Book 1) </em>consists of texts comprising the poignant stories she gathered from community members who donated blankets to her projects. Watt composed the texts in a crossed pattern to mimic the weave of a blanket.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q122828780"], "internet_archive": []}, "citations": [], "catalogue_raisonne": "Tamarind 07-301", "url": "https://clevelandart.org/art/2023.95", "images": {}, "alternate_images": [], "creditline": "Gift of Linda and Jack Lissauer, M.D.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 540627, "creators": [{"id": 540625, "description": "Marie Watt (American, enrolled Seneca Nation, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 695425, "description": "Aaron Shipps (American, active 21st century)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 5646, "description": "Tamarind Institute", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2023-06-05T00:00:00-04:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "12", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:51.445000"}, {"id": 671570, "accession_number": "2024.44", "share_license_status": "Copyrighted", "tombstone": "Sonic Cosmic Rope\u2014Gold Dodecagon Straight Weave, 2022. Haegue Yang (Korean, b. 1971). Stainless-steel bells, PVD-coated stainless-steel bells, stainless-steel chains, split rings; 400 x 11 x 11 cm (157 1/2 x 4 5/16 x 4 5/16 in.). The Cleveland Museum of Art, Gift of Kukje Art and Culture Foundation, Seoul, 2024.44. \u00a9 Haegue Yang", "current_location": "236 Korean", "title": "Sonic Cosmic Rope\u2014Gold Dodecagon Straight Weave", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "Stainless-steel bells, PVD-coated stainless-steel bells, stainless-steel chains, split rings", "support_materials": [], "department": "Korean Art", "collection": "Korean Art", "type": "Sculpture", "measurements": "400 x 11 x 11 cm (157 1/2 x 4 5/16 x 4 5/16 in.)", "dimensions": {"No Extent Specified": {"height": 4.0, "width": 0.11, "depth": 0.11}}, "state_of_the_work": null, "edition_of_the_work": "Ed. 1/3, 1AP", "copyright": "\u00a9 Haegue Yang", "inscriptions": [], "exhibitions": {"current": [{"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": [{"description": "<em>Do we dream under the same sky</em>. Okayama Art Summit 2022, Okayama City, Japan (2022).", "opening_date": "2022-01-01T05:00:00Z"}]}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2022\u2013?", "sortorder": 1}, {"description": "Mrs. Hyun-Sook Lee, Kukje Gallery, Seoul, South Korea, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "?\u20132024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The inspirational story behind the <em>Sonic Cosmic Rope</em> series is a traditional Korean folktale about two siblings escaping a wild tiger by climbing a rope appearing from the sky.", "description": "Made solely of tiny bells connected with rings, <em>Sonic Cosmic Rope</em> is designed to be hung vertically from a ceiling and to be activated by shaking or hitting manually to create sounds of metallic rattle and jingling. In this sense, this piece can be regarded as performative, requiring activation.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q127514763"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.44", "images": {}, "alternate_images": [], "creditline": "Gift of Kukje Art and Culture Foundation, Seoul", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 671570, "creators": [{"id": 312722, "description": "Haegue Yang (Korean, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": "Korean installation and video artist, born 1971, active in Berlin and Seoul", "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T04:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:06.055000"}, {"id": 367984, "accession_number": "2024.69", "share_license_status": "Copyrighted", "tombstone": "Secluded Valley in the Cold Mountains (\u5bd2\u5c71\u5e7d\u8c37), 2008. Arnold Chang (American, b. 1954). Handscroll; ink on paper; painting section: 60 x 347 cm (23 5/8 x 136 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 2024.69. \u00a9 Arnold Chang", "current_location": null, "title": "Secluded Valley in the Cold Mountains", "title_in_original_language": "\u5bd2\u5c71\u5e7d\u8c37", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "Handscroll; ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Handscroll", "type": "Painting", "measurements": "Painting section: 60 x 347 cm (23 5/8 x 136 5/8 in.)", "dimensions": {"No Extent Specified": {"height": 0.61, "width": 3.496}, "painting section": {"height": 0.6, "width": 3.47}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Arnold Chang", "inscriptions": [{"inscription": "Frontispiece by calligrapher and seal carver Xu Yunshu \u5f90\u96f2\u53d4 (b. 1947): \u5bd2\u5c71\u5e7d\u8c37", "inscription_translation": "\"Secluded Valley in the Cold Mountains\"", "inscription_remark": "Xu Yunshu (b. 1947) was a leading pupil of seal-engraver Chen Julai \u9673\u5de8\u4f86 from Shanghai. He is considered one of the leading seal carvers and calligraphers and is a member of the prestigious Xiling Seal Society \u897f\u6ce0\u5370\u793e.", "sortorder": 1}], "exhibitions": {"current": [{"id": 367949, "title": "Spotlight on a New Generation: Contemporary Chinese Artists", "description": "<i>Spotlight on a New Generation: Contemporary Chinese Artists</i>. The Cleveland Museum of Art (organizer) (February 6-November 1, 2020).", "opening_date": "2020-02-06T05:00:00"}, {"id": 677076, "title": "Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions \u5f35\u6d2a\u5c71\u6c34\u756b\u56de\u9867\u5c55", "description": "<i>Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions \u5f35\u6d2a\u5c71\u6c34\u756b\u56de\u9867\u5c55</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-November 9, 2025).", "opening_date": "2025-03-08T05:00:00"}], "legacy": [{"description": "<em>Fresh Ink: Ten Takes on Chinese Tradition</em>. Museum of Fine Arts, Boston, MA (November 20, 2010-February 13, 2011).", "opening_date": "2010-11-20T05:00:00Z"}, {"description": "<em>Landscape Relativities: The Collaborative Works of Arnold Chang and Michael Cherney</em>. Crow Collection of Asian Art, Dallas, Texas (February 25-June 25, 2017).", "opening_date": "2017-02-25T05:00:00Z"}, {"description": "<em>From 2 Arises 3: The Collaborative Works of Arnold Chang and Michael Cherney</em>. University Museum and Art Gallery, The University of Hong Kong, Hong Kong (March 2-May 6, 2018).", "opening_date": "2018-03-02T05:00:00Z"}, {"description": "<em>Chinese Ink: Conceptual Art Exhibition</em>. China Art Gallery, Shanghai, China (November-December 2018).", "opening_date": "2018-11-01T04:00:00Z"}]}, "provenance": [{"description": "Collection of the Artist, sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2008\u20132024", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This monumental handscroll by an Asian American artist expands age-old definitions of Chinese ink painting and blurs the boundaries between traditional and contemporary, East and West.", "description": "<em>Secluded Valley in the Cold Mountains</em> highlights Arnold Chang\u2019s mature style and accomplishment as an artist. Painted in 2008 when Chang was 54, it demonstrates his virtuosity in brushwork and mastery in composition. The monumental handscroll, more than 11 feet in length, is filled with a landscape panorama rendered with vibrant brushwork built up in layers of ink. The scroll is an artistic response to a work by the Abstract Expressionist painter Jackson Pollock. This painting marks Chang\u2019s breakthrough as an internationally recognized contemporary ink artist inspired by both Eastern and Western art.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Silbergeld, Jerome, and Dora C. Y. Ching. <em>ARTiculations: Undefining Chinese Contemporary Art</em>. Princeton, NJ: P.Y. and Kinmay W. Tang Center for East Asian Art, Dept. of Art and Archaeology, Princeton University: Distributed by Princeton University Press, 2010.", "page_number": "Mentioned and Reproduced: fig. 9, pp. 44-45", "url": ""}, {"citation": "Pollock, Barbara. \u201cThe New Landscape of Chinese Ink Painting,\u201c in <em>ARTnews</em>, September 2010, pp. 90\u201395.", "page_number": "", "url": ""}, {"citation": "Sheng, Hao. \u201cKeeping Company With the Past,\u201d in <em>Orientations</em>, Vol. 41, No. 7, October 2010, pp. 38\u201339.", "page_number": "", "url": ""}, {"citation": "Scheier-Dolberg, Joseph. \u201cArnold Chang,\u201d in <em>Orientations</em>, Vol. 41, No. 7, October 2010.", "page_number": "", "url": ""}, {"citation": "Sheng, Hao, Joseph Scheier-Dolberg, and Yan Yang. <em>Fresh Ink: Ten Takes on Chinese Tradition</em>. Boston, MA: MFA Publications; New York, NY: Distributed Art Publishers, 2010.", "page_number": "Mentioned and Reproduced: pp. 60\u201361, p. 20", "url": ""}, {"citation": "Xu, Jay, Arnold Chang, Michael Cherney, and Asian Art Museum of San Francisco. <em>From 2 Arises 3: The Collaborative Works of Arnold Chang and Michael Cherney 2009-2014</em>. New York: Early Spring Press, 2014.", "page_number": "", "url": ""}, {"citation": "McCausland, Shane. <em>The Art of the Chinese Picture-Scroll</em>. London: Reaktion Books, 2023.", "page_number": "pp. 234\u2013235", "url": ""}, {"citation": "Wang, Peggy. \u201cConstituting CONTEMPORARY and CHINESE through Exhibitions,\u201d in <em>Exhibiting East Asian Art in Global Context</em>. edited by Chelsea Foxwell and Wei-Cheng Lin. Chicago, IL: Center for the Art of East Asia, University of Chicago and Art Media Resources, Inc. 2024.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2024.69", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 367984, "creators": [{"id": 66162, "description": "Arnold Chang (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5f35\u6d2a", "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:18.617000"}, {"id": 370521, "accession_number": "2019.175.a", "share_license_status": "Copyrighted", "tombstone": "Las Meninas, 2019. Simone Leigh (American, b. 1967). Terracotta, porcelain; overall: 61.6 x 74.9 x 23.4 cm (24 1/4 x 29 1/2 x 9 3/16 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2019.175.a. \u00a9 2019 Simone Leigh. All rights reserved.", "current_location": "229A Contemporary", "title": "Las Meninas", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "Terracotta, porcelain", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 61.6 x 74.9 x 23.4 cm (24 1/4 x 29 1/2 x 9 3/16 in.)", "dimensions": {"overall": {"height": 0.616, "width": 0.749, "depth": 0.234}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2019 Simone Leigh. All rights reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 393229, "title": "Contemporary Installation", "description": "<i>Contemporary Installation</i>. The Cleveland Museum of Art (organizer).", "opening_date": "2021-04-12T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Luhring Augustine Gallery, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The hollow face is surrounded by dozens of small porcelain flowers.", "description": "<em>Las Meninas</em> draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work\u2019s skirted form conjures figures from the Spanish Golden Age painting <em>Las Meninas</em> (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candombl\u00e9, and Mousgoum buildings in Cameroon. The white-glazed terracotta torso, alluding to sacred and secular traditions of body painting, leads to a faceless head, incorporating both figuration and abstraction.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79878359"], "internet_archive": []}, "citations": [{"citation": "Liebert, Emily and Fellah, Nadiah. \u201cAcquisitions 2019: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>60, no. 2 (March/April 2020): 18-19.", "page_number": "Reproduced: P. 18; Mentioned: P. 18, 19.", "url": ""}], "url": "https://clevelandart.org/art/2019.175.a", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Toby's Gallery for Contemporary Art", "athena_id": 370521, "creators": [{"id": 369887, "description": "Simone Leigh (American, b. 1967)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2019-09-09T00:00:00-04:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.175", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:27.047000"}, {"id": 394987, "accession_number": "2020.220.a", "share_license_status": "Copyrighted", "tombstone": "Tablet from Set 3, from the series Les Septs Stations\nC\u00e9lestes (The Seven Heavenly Stations), 2018. Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.220.a", "current_location": "108A African", "title": "Tablet from Set 3, from the series Les Septs Stations\nC\u00e9lestes (The Seven Heavenly Stations)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.)", "dimensions": {"overall": {"height": 0.495, "width": 0.495, "depth": 0.032}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 446033, "title": "Arts of Africa", "description": "<i>Arts of Africa</i>. The Cleveland Museum of Art (organizer) (December 10, 2021-July 2, 2023).", "opening_date": "2021-12-09T05:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018", "sortorder": 1}, {"description": "(Aicon Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "by 2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Blending historical and high-tech art-making techniques, these tablets\u2019 designs were first drawn, then carved with a digital router.", "description": "The paired alabaster tablets of <em>Les Septs Stations C\u00e9lestes </em>contrast Arabic calligraphy (right) with Rachid Kora\u00efchi\u2019s unique visual language and drawings (left). Over many decades, Kora\u00efchi has developed a personal \u201calphabet of memory,\u201d blending Chinese, Sumerian, Hebrew, Tamazight (Amazigh), Tifinagh (Tuareg), and Arabic letterforms or symbols with numbers, codes, and drawings. These digitally sculpted tablets evoke historical Islamic architecture, especially Egypt\u2019s gleaming \u201cAlabaster Mosque\u201d in Cairo, made from the same semiopaque stone. This set features excerpts from Lebanese-American writer and painter Kahlil Gibran (1883\u20131931) on the subject of love. The word <em>love </em>repeats throughout, emphasizing its centrality.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. New York, NY: Aicon Gallery, 2020.", "page_number": "Reproduced:  pp. 14-15.", "url": ""}], "url": "https://clevelandart.org/art/2020.220.a", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.220.b", "current_location": "108A African", "title": "Tablet from Set 3, from the series Les Septs Stations\nC\u00e9lestes (The Seven Heavenly Stations)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.)", "dimensions": {"overall": {"height": 0.495, "width": 0.495, "depth": 0.032}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 446033, "title": "Arts of Africa", "description": "<i>Arts of Africa</i>. 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Over many decades, Kora\u00efchi has developed a personal \u201calphabet of memory,\u201d blending Chinese, Sumerian, Hebrew, Tamazight (Amazigh), Tifinagh (Tuareg), and Arabic letterforms or symbols with numbers, codes, and drawings. These digitally sculpted tablets evoke historical Islamic architecture, especially Egypt\u2019s gleaming \u201cAlabaster Mosque\u201d in Cairo, made from the same semiopaque stone. This set features excerpts from Lebanese-American writer and painter Kahlil Gibran (1883\u20131931) on the subject of love. The word <em>love </em>repeats throughout, emphasizing its centrality.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106600563"], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. 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Rashid Johnson (American, b. 1977). Ceramic tile, mirror tile, branded red oak, bronze, spray enamel, oil stick, black soap, wax; 240.7 x 186.7 x 7.6 cm (94 3/4 x 73 1/2 x 3 in.). The Cleveland Museum of Art, Gift of Agnes Gund in honor of Helena Huang, 2021.161. \u00a9 Rashid Johnson", "current_location": "229A Contemporary", "title": "Standing Broken Men", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "Ceramic tile, mirror tile, branded red oak, bronze, spray enamel, oil stick, black soap, wax", "support_materials": [], "department": "Contemporary Art", "collection": "Sculpture", "type": "Mixed Media", "measurements": "240.7 x 186.7 x 7.6 cm (94 3/4 x 73 1/2 x 3 in.)", "dimensions": {"No Extent Specified": {"height": 2.407, "width": 1.867, "depth": 0.076}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rashid Johnson", "inscriptions": [], "exhibitions": {"current": [{"id": 445578, "title": "Contemporary Art Rotation - Spring 2022", "description": "<i>Contemporary Art Rotation - Spring 2022</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 1-September 25, 2022).", "opening_date": "2022-04-01T04:00:00"}], "legacy": []}, "provenance": [{"description": "Agnes Gund, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2021", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>Standing Broken Men </em>is composed of fine art and organic materials, all of which are common throughout Rashid Johnson\u2019s work.", "description": "At the center of a frenzied mosaic, an abstract, fractured figure stares, wide-eyed, out at the viewer. <em>Standing Broken Men</em> and a related series of mixed-media mosaic works grew out of Johnson\u2019s <em>Anxious Men</em> and <em>Anxious Audiences</em> series (2015\u201318) in which the artist used frantic marks to render abstracted faces in gridded formations. As <em>Standing Broken Men</em> exemplifies, Johnson continues to make vivid the experience of anxiety, now composing figures through fragmented shards. Through this technique, brokenness is inherent in the figures and the pictorial worlds they inhabit. However, their pieces are reassembled into dynamic colorful wholes, suggesting the possibility for healing and renewal.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247094"], "internet_archive": []}, "citations": [{"citation": "\u201cNow on View.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 1: Back cover.", "page_number": "Reproduced and Mentioned: Back cover.", "url": ""}], "url": "https://clevelandart.org/art/2021.161", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund in honor of Helena Huang", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Toby's Gallery for Contemporary Art", "athena_id": 449837, "creators": [{"id": 376223, "description": "Rashid Johnson (American, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-12-06T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:57.899000"}, {"id": 536630, "accession_number": "2023.14", "share_license_status": "Copyrighted", "tombstone": "Maria, 2021. Rose B. Simpson (Santa Clara Pueblo, b. 1983), published by Tamarind Institute, printed by Valpuri Remling (Finnish, active 2000s). Color lithograph (diptych); overall: 91.4 x 116.4 cm (36 x 45 13/16 in.). The Cleveland Museum of Art, Anne Elizabeth Wilson Memorial Fund, 2023.14", "current_location": "101A Prints & Drawings", "title": "Maria", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["Indigenous", "female", "gender unknown"], "culture": ["America"], "technique": "color lithograph (diptych)", "support_materials": [], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Overall: 91.4 x 116.4 cm (36 x 45 13/16 in.)", "dimensions": {"overall": {"height": 0.914, "width": 1.164}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 30", "copyright": null, "inscriptions": [{"inscription": "Signed, near front wheel", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Press chop mark: [Tamarind]", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Printer chop mark: [Valpuri Remling]", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Tamarind Institute, Albuquerque, NM), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?-2023", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 6, 2023-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The black-on-black pottery technique represented on this car's exterior was invented at San Ildefonso Pueblo around 1920 by the famed potter Maria Martinez and her husband, Julian.", "description": "Multimedia artist Rose B Simpson restored and customized a 1985 Chevy El Camino as an homage to the lowrider culture of her home, Santa Clara Pueblo, during her training at the Northern New Mexico College Automotive Science program. Incorporating the classic black-on-black technique of San Ildefonso pottery across the car\u2019s finish, she named the car Maria after the famed San Ildefonso Pueblo potter and inventor of the technique, Maria Martinez (1887\u20131980). Since then, Simpson has used the car in performance; she also created this printed diptych, which captures both sides of the automotive sculpture, carefully hand drawn by Simpson on a lithographic plate.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117351436"], "internet_archive": []}, "citations": [{"citation": "Fellah, Nadiah Rivera. <em>Rose B. Simpson: Strata</em>. Cleveland, Ohio: The Cleveland Museum of Art, 2024.", "page_number": "Mentioned and reproduced: p. 39-40", "url": ""}], "catalogue_raisonne": "Tamarind 21-305 and 21-305A", "url": "https://clevelandart.org/art/2023.14", "images": {}, "alternate_images": [], "creditline": "Anne Elizabeth Wilson Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 536630, "creators": [{"id": 380364, "description": "Rose B. Simpson (Santa Clara Pueblo, b. 1983)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1983", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 5646, "description": "Tamarind Institute", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 695097, "description": "Valpuri Remling (Finnish, active 2000s)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2023-03-06T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:40.785000"}, {"id": 169174, "accession_number": "2011.1", "share_license_status": "Copyrighted", "tombstone": "Stairs, 2010. Monika Sosnowska (Polish, b. 1972). Steel, paint; overall: 294.6 x 165.1 x 88.9 cm (116 x 65 x 35 in.). The Cleveland Museum of Art, Gift of Scott C. Mueller and Margaret Fulton Mueller and Sundry Art-Contemporary Fund, 2011.1", "current_location": null, "title": "Stairs", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["female"], "culture": ["Poland, 21st century"], "technique": "steel, paint", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Mixed Media", "measurements": "Overall: 294.6 x 165.1 x 88.9 cm (116 x 65 x 35 in.)", "dimensions": {"overall": {"height": 2.946, "width": 1.651, "depth": 0.889}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Artist; Hauser & Wirth, New York; The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Sosnowska says of her art, \u201cIn my works there\u2019s no trace of the artist\u2019s hand.\u201d", "description": "Sosnowska is interested in modernism's fascination with utopian ideals, examples of which in Eastern Europe are now in ruins. <em>Stairs</em>, made during the artist's first residency in the United States, is an exact copy of fire-escape stairs seen in New York City. The newly rendered stairs were carefully bent with the use of forklifts, then painted with enamel oil-based paint, providing it with both sculptural elegance and uncanniness. <em>Stairs</em> uses the language of architecture to explore and analyze the ways in which form and function can be used to express a range of ideals, locations, and histories.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076092"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 126", "url": ""}], "url": "https://clevelandart.org/art/2011.1", "images": {}, "alternate_images": [], "creditline": "Gift of Scott C. Mueller and Margaret Fulton Mueller and Sundry Art-Contemporary Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169174, "creators": [{"id": 60778, "description": "Monika Sosnowska (Polish, b. 1972)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1972", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:00.659000"}, {"id": 370522, "accession_number": "2019.175.b", "share_license_status": "Copyrighted", "tombstone": "Las Meninas, 2019. Simone Leigh (American, b. 1967). Steel, raffia; overall: 121.3 x 208.3 x 148 cm (47 3/4 x 82 x 58 1/4 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2019.175.b. \u00a9 2019 Simone Leigh. All rights reserved.", "current_location": "229A Contemporary", "title": "Las Meninas", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["female", "Black American Artists"], "culture": [], "technique": "steel, raffia", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 121.3 x 208.3 x 148 cm (47 3/4 x 82 x 58 1/4 in.)", "dimensions": {"overall": {"height": 1.213, "width": 2.083, "depth": 1.48}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2019 Simone Leigh. All rights reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 393229, "title": "Contemporary Installation", "description": "<i>Contemporary Installation</i>. The Cleveland Museum of Art (organizer).", "opening_date": "2021-04-12T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Luhring Augustine Gallery, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2019", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2019-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The hollow face is surrounded by dozens of small porcelain flowers.", "description": "<em>Las Meninas</em> draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work\u2019s skirted form conjures figures from the Spanish Golden Age painting <em>Las Meninas</em> (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candombl\u00e9, and Mousgoum buildings in Cameroon. 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Each print features a phrase that reflects the contradiction of dancing\u2014an act that is integral to tribal ritual but also used to symbolize Indigenous people in popular culture.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.8.7", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 536843, "creators": [{"id": 536835, "description": "Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T00:00:00-05:00", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2023.8", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:44.887000"}, {"id": 536844, "accession_number": "2023.8.8", "share_license_status": "Copyrighted", "tombstone": "Was Told 12 Times, 2022. 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The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "Edgar Heap of Birds [1954-], sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2022\u201323", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "March 6, 2023-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Edgar Heap of Birds has described the number of prints in this and his other series as being multiples of four in order to honor the Cheyenne ceremonial number.", "description": "Edgar Heap of Birds is widely recognized as one of the most influential Native American artists working today. Part of the New York art scene of the 1970s, he relocated to tribal land in Oklahoma in 1981 and has worked there since. 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Each print features a phrase that reflects the contradiction of dancing\u2014an act that is integral to tribal ritual but also used to symbolize Indigenous people in popular culture.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.8.8", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 536844, "creators": [{"id": 536835, "description": "Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T00:00:00-05:00", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2023.8", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:04.987000"}, {"id": 536845, "accession_number": "2023.8.9", "share_license_status": "Copyrighted", "tombstone": "Was Told 12 Times, 2022. Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954). Color monoprint; sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2023.8.9", "current_location": "101B Prints & Drawings", "title": "Was Told 12 Times", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Indigenous", "male"], "culture": ["America"], "technique": "color monoprint", "support_materials": [], "department": "Prints", "collection": "PR - Monotype", "type": "Print", "measurements": "Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "Edgar Heap of Birds [1954-], sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2022\u201323", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "March 6, 2023-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Edgar Heap of Birds has described the number of prints in this and his other series as being multiples of four in order to honor the Cheyenne ceremonial number.", "description": "Edgar Heap of Birds is widely recognized as one of the most influential Native American artists working today. Part of the New York art scene of the 1970s, he relocated to tribal land in Oklahoma in 1981 and has worked there since. This series reflects the artist\u2019s interest in using language to reconsider the place of Native identity within contemporary America. Each print features a phrase that reflects the contradiction of dancing\u2014an act that is integral to tribal ritual but also used to symbolize Indigenous people in popular culture.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.8.9", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 536845, "creators": [{"id": 536835, "description": "Edgar Heap of Birds (Cheyenne and Arapaho Nations, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T00:00:00-05:00", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2023.8", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:41.571000"}, {"id": 540603, "accession_number": "2023.92", "share_license_status": "Copyrighted", "tombstone": "Coyote in Quarantine, 2020. Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation, 1940\u20132025), printed by Valpuri Remling (Finnish, active 2000s), published by Tamarind Institute. 9 color lithograph; image and sheet: 67 x 50.5 cm (26 3/8 x 19 7/8 in.). The Cleveland Museum of Art, Gift of Linda and Jack Lissauer, M.D., 2023.92", "current_location": "101A Prints & Drawings", "title": "Coyote in Quarantine", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["gender unknown", "female"], "culture": ["America"], "technique": "9 color lithograph", "support_materials": [], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Image and Sheet: 67 x 50.5 cm (26 3/8 x 19 7/8 in.)", "dimensions": {"image and sheet": {"height": 0.67, "width": 0.505}}, "state_of_the_work": null, "edition_of_the_work": "65/95", "copyright": null, "inscriptions": [{"inscription": "Inscribed, lower left, in graphite: 65/95; signed, lower right, in graphite: Jaune Smith 2020", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Press chop mark: [Tamarind]", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "An active environmentalist, Quick-to-See Smith made a pledge along with some other Native American artists to limit the use of toxic materials and other pollutants in making art.", "description": "Salish and Kootenai artist Jaune Quick-to-See Smith often references animals with connections to the deep history of Native American culture in her works. Of the coyote, she writes: \u201cIt is said that the Human Beings were created when Coyote turned on the light; or when Otter brought daubs of earth to the surface of the water to form the land; or when Turtle raised its back. That was the beginning of our time\u2014of we, the Human Beings. These creation stories draw parallels to Adam and Eve in the garden and are just as powerful.\u201d The idea of a coyote in hiding came about before the 2020 pandemic, but quickly evolved into an image addressing the prolonged isolation the global population was then experiencing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q122828773"], "internet_archive": []}, "citations": [], "catalogue_raisonne": "Tamarind 20-304", "url": "https://clevelandart.org/art/2023.92", "images": {}, "alternate_images": [], "creditline": "Gift of Linda and Jack Lissauer, M.D.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 540603, "creators": [{"id": 66341, "description": "Jaune Quick-to-See Smith (Citizen of the Confederated Salish and Kootenai Nation, 1940\u20132025)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1940", "death_year": "2025", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 695097, "description": "Valpuri Remling (Finnish, active 2000s)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 5646, "description": "Tamarind Institute", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2023-06-05T04:00:00Z", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "65", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-05 18:15:46.559000"}, {"id": 617630, "accession_number": "2024.25", "share_license_status": "Copyrighted", "tombstone": "Dreaming in English (shadow dance), 2021. Nicholas Galanin (Tling\u00edt/Unangax\u0302, b. 1979). Color monotype with gold leaf on paper; image and sheet: 76 x 57.2 cm (29 15/16 x 22 1/2 in.); mount: 82.6 x 63.8 cm (32 1/2 x 25 1/8 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2024.25. \u00a9 Nicholas Galanin", "current_location": "101B Prints & Drawings", "title": "Dreaming in English (shadow dance)", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["male", "Indigenous"], "culture": ["America"], "technique": "Color monotype with gold leaf on paper", "support_materials": [], "department": "Prints", "collection": "PR - Monotype", "type": "Print", "measurements": "Image and Sheet: 76 x 57.2 cm (29 15/16 x 22 1/2 in.); Mount: 82.6 x 63.8 cm (32 1/2 x 25 1/8 in.)", "dimensions": {"image and sheet": {"height": 0.76, "width": 0.572}, "mount": {"height": 0.826, "width": 0.638}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Nicholas Galanin", "inscriptions": [{"inscription": "Signed and dated, lower right, in graphite: NG [artist's monogram] 2021", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Peter Blum Gallery, New York, NY) sold to Stephen Dull, Shaker Heights, OH", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "Stephen Dull, Shaker Heights, OH, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132023", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 4, 2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist\u2019s use of gold leaf in this work is meant to symbolize what he sees as the corrupting influences of colonizers on indigenous lands and traditions.", "description": "Describing his monotypes as \u201cfleeting instances of joy,\u201d artist Nicholas Galanin employs the gestural immediacy of the medium to evokes the ancestral memories and traditions of his Tling\u00edt and Unangax\u0302 community. This monotype was made for a series meant to address the loss of indigenous languages and traditions due to forced assimilation at government-run boarding schools. Exploring his own internalized memories, here he evokes the coordinated movement of a dance sequence.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q126096065"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.25", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 617630, "creators": [{"id": 617627, "description": "Nicholas Galanin (Tling\u00edt/Unangax\u0302, b. 1979)", "extent": null, "qualifier": null, "role": "artist", "biography": "Native American conceptual artist and jeweler, born 1979", "name_in_original_language": null, "birth_year": "1979", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-02-26T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-01 19:07:12.081000"}, {"id": 694115, "accession_number": "2025.148", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2023. Jeremy Frey (Passamaquoddy, b. 1978), published by Wingate Studio. Unique relief print and embossment with handwoven Wabanaki basket by the artist on handmade Dieu Donn\u00e9 paper; sheet: 106.7 x 78.1 cm (42 x 30 3/4 in.); frame: 112 x 82.8 x 3.7 cm (44 1/8 x 32 5/8 x 1 7/16 in.). The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund, 2025.148", "current_location": "101A Prints & Drawings", "title": "Untitled", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "male"], "culture": ["Native North America, Maine, Indian Township Reservation"], "technique": "Unique relief print and embossment with handwoven Wabanaki basket by the artist on handmade Dieu Donn\u00e9 paper", "support_materials": [], "department": "Prints", "collection": "PR - Relief", "type": "Print", "measurements": "Sheet: 106.7 x 78.1 cm (42 x 30 3/4 in.); Frame: 112 x 82.8 x 3.7 cm (44 1/8 x 32 5/8 x 1 7/16 in.)", "dimensions": {"sheet": {"height": 1.067, "width": 0.781}, "frame": {"height": 1.12, "width": 0.828, "depth": 0.037}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Signed and dated, lower right, in graphite: Jeremy Frey 2023", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Blindstamp: Wingate Studio", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Wingate Studio, Winchester, NH, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2023\u201325", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 9, 2025\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Jeremy Frey was involved in each stage of the creation of this print, beginning with selecting and felling an ash tree to be used in weaving a matrix.", "description": "Contemporary artist Jeremy Frey is a seventh-generation basket maker in Maine\u2019s Passamaquoddy tribe and one of the most celebrated weavers working in the United States today. Frey learned traditional techniques from his mother and used them as the basis of his own distinctive practice. This print was created from a woven matrix that the artist inked and printed, allowing its form to emboss the thick sheet of paper.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.148", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 694115, "creators": [{"id": 694113, "description": "Jeremy Frey (Passamaquoddy, b. 1978)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1978", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 306195, "description": "Wingate Studio", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2025-06-09T04:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:01.219000"}, {"id": 696087, "accession_number": "2025.162", "share_license_status": "Copyrighted", "tombstone": "L'Assomption Sash for Carrying Things That No Longer Exist #10, 2025. Andrea Carlson (American/Ojibwe, b. 1979). Gouache on paper; sheet: 76.2 x 57.1 cm (30 x 22 1/2 in.). The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund, 2025.162. \u00a9 Andrea Carlson", "current_location": "101A Prints & Drawings", "title": "L'Assomption Sash for Carrying Things That No Longer Exist #10", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "gouache on paper", "support_materials": [], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 76.2 x 57.1 cm (30 x 22 1/2 in.)", "dimensions": {"sheet": {"height": 0.762, "width": 0.571}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Andrea Carlson", "inscriptions": [], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Andrea Carlson works in Chicago and northern Minnesota today.", "description": "This drawing belongs to an ongoing series carried out by Andrea Carlson since 2022. Each sheet presents abstract shapes featuring the arrow pattern and color palette of <em>L\u2019Assomption</em> sashes, hand-braided wool bands used by Ojibwe tribe members to secure tools and other utilitarian objects to the body. The garments were later adopted by French fur traders, and especially by the M\u00e9tis, a group that emerged at this time as the result of marriage between the Ojibwe and French. For Carlson, L\u2019Assomption sashes symbolize the intersections between Indigenous and Western culture and serve as a means of reflecting on her own heritage.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.162", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 696087, "creators": [{"id": 696084, "description": "Andrea Carlson (American/Ojibwe, b. 1979)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1979", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:59.206000"}, {"id": 168529, "accession_number": "2010.271", "share_license_status": "Copyrighted", "tombstone": "Flayed Man, Museum of Comparative Anatomy, Paris, 2005. Richard Barnes (American, b. 1953). Chromogenic process color print; image: 121.9 x 152.4 cm (48 x 60 in.); paper: 121.9 x 152.4 cm (48 x 60 in.); mounted: 121.9 x 152.4 cm (48 x 60 in.). The Cleveland Museum of Art, Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment, 2010.271. \u00a9 Richard Barnes", "current_location": null, "title": "Flayed Man, Museum of Comparative Anatomy, Paris", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 121.9 x 152.4 cm (48 x 60 in.); Paper: 121.9 x 152.4 cm (48 x 60 in.); Mounted: 121.9 x 152.4 cm (48 x 60 in.)", "dimensions": {"image": {"height": 1.219, "width": 1.524}, "mounted": {"height": 1.219, "width": 1.524}, "paper": {"height": 1.219, "width": 1.524}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Richard Barnes", "inscriptions": [], "exhibitions": {"current": [{"id": 203110, "title": "BIG: Photographs from the Collection", "description": "<i>BIG: Photographs from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-October 9, 2016).", "opening_date": "2016-06-04T04:00:00"}, {"id": 666256, "title": "ArtLens Light-Sensitive Rotation\u2014March 2024", "description": "<i>ArtLens Light-Sensitive Rotation\u2014March 2024</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-September 8, 2024).", "opening_date": "2024-03-16T04:00:00"}], "legacy": []}, "provenance": [{"description": "Richard Barnes (the artist) [1953\u2013]", "citations": [], "footnotes": null, "date": "2005", "sortorder": 1}, {"description": "(Michael Foley Gallery, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2005\u201310", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "November 29, 2010\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Museum of Comparative Anatomy in Paris includes the skeleton of an African elephant once owned by King Louis XIV of France.", "description": "Look closely at the things in Richard Barnes\u2019s photograph of the Museum of Comparative Anatomy in Paris. An army of skeletons seems to march together in the same direction. A flayed human figure, or a figure with its musculature revealed, is at the head of the group. While these different species would never have realistically mingled, the museum display constructs this artificial reality. Barnes\u2019s work often explores how museums make meaning through the selective display and interpretation of objects.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074541"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.271", "images": {}, "alternate_images": [], "creditline": "Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168529, "creators": [{"id": 60124, "description": "Richard Barnes (American, b. 1953)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Flayed Man, Museum of Man, Paris"], "is_highlight": false, "updated_at": "2026-03-27 00:04:26.030000"}, {"id": 540509, "accession_number": "2023.49", "share_license_status": "Copyrighted", "tombstone": "Heights III, 2022. Rose B. Simpson (Santa Clara Pueblo, b. 1983). Clay, steel, twine, grout, and beads from bone, wood, lava, trade glass, pyrite, and stone; overall: 190.5 x 58.4 x 58.4 cm (75 x 23 x 23 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2023.49. \u00a9 Rose B. Simpson, courtesy of Jessica Silverman, San Francisco and Jack Shainman Gallery, New York", "current_location": "224A Contemporary Corridor", "title": "Heights III", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "Clay, steel, twine, grout, and beads from bone, wood, lava, trade glass, pyrite, and stone", "support_materials": [], "department": "Contemporary Art", "collection": "Sculpture", "type": "Sculpture", "measurements": "Overall: 190.5 x 58.4 x 58.4 cm (75 x 23 x 23 in.)", "dimensions": {"overall": {"height": 1.905, "width": 0.584, "depth": 0.584}, "sculpture": {"height": 1.6, "width": 0.445, "depth": 0.432}, "pedestal": {"height": 0.305, "width": 0.584, "depth": 0.584}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rose B. Simpson, courtesy of Jessica Silverman, San Francisco and Jack Shainman Gallery, New York", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2022", "sortorder": 1}, {"description": "(Jessica Silverman Gallery, San Francisco, CA, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2023", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Rose B. Simpson\u2019s mother, Roxanne Swentzell, is also an artist.", "description": "<em>Heights III</em> is a self-portrait of the artist holding her daughter. The object shows traces of Simpson\u2019s intricate hand molding throughout the surface. The arms of both figures are missing, replaced instead with handles, symbolizing their likeness to double-handled, ceramic vessels. Simpson is from a long lineage of women from her northern New Mexico tribe working with clay, dating backs hundreds of years. Of the material, the artist says: \u201cClay was the earth that grew our food, was the house we lived in, was the pottery we ate out of and prayed with. So my relationship to clay is ancestral and I think it has a deep genetic memory. It\u2019s like a family member for us.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q120401466"], "internet_archive": []}, "citations": [{"citation": "Simpson, Rose Bean, Porter Swentzell, Yve Chavez, Minesh Bacrania, Addison Doty, Rose Bean Simpson, and Wheelwright Museum of the American Indian. <em>Lit : The Work of Rose B. Simpson</em>. Edited by Tobi Taylor, Jonathan Batkin, Ashley Baranyk, and Denise Neil. Santa Fe, NM: Wheelwright Museum of the American Indian, 2019.", "page_number": "", "url": ""}, {"citation": "\"New on View.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 3 (2023): back cover.", "page_number": "Reproduced and Mentioned: Back cover", "url": "https://archive.org/details/CMAMM2023-03/page/n39/mode/2up"}], "url": "https://clevelandart.org/art/2023.49", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": "f2bee552b23741608dc278f1b87c1598", "sketchfab_url": "https://sketchfab.com/models/f2bee552b23741608dc278f1b87c1598", "gallery_donor_text": "Betty and Max Ratner Gallery", "athena_id": 540509, "creators": [{"id": 380364, "description": "Rose B. Simpson (Santa Clara Pueblo, b. 1983)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1983", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-06-05T04:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 19:52:00.685000"}, {"id": 163455, "accession_number": "2004.34", "share_license_status": "Copyrighted", "tombstone": "Born, 2002. Kiki Smith (American, b. 1954), ULAE (Universal Limited Art Editions, 1446 N. Clinton Ave., Bay Shore, NY 11706). Color lithograph; sheet: 172.9 x 142.5 cm (68 1/16 x 56 1/8 in.); image: 172.9 x 141.2 cm (68 1/16 x 55 9/16 in.); framed: 180.3 x 151.1 cm (71 x 59 1/2 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2004.34. \u00a9 Kiki Smith", "current_location": null, "title": "Born", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["female"], "culture": ["America"], "technique": "color lithograph", "support_materials": [{"description": "Saunders Waterford HP wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Sheet: 172.9 x 142.5 cm (68 1/16 x 56 1/8 in.); Image: 172.9 x 141.2 cm (68 1/16 x 55 9/16 in.); Framed: 180.3 x 151.1 cm (71 x 59 1/2 in.)", "dimensions": {"sheet": {"height": 1.729, "width": 1.425}, "image": {"height": 1.729, "width": 1.412}, "framed": {"height": 1.803, "width": 1.511}}, "state_of_the_work": null, "edition_of_the_work": "28 with 7 artist's proofs and 2 printer's proofs", "copyright": "\u00a9 Kiki Smith", "inscriptions": [{"inscription": "lower right, in graphite: Kiki Smith 2002; lower left, in graphite: 3/28", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Kiki Smith has worked since 1989 with ULAE, the printers who published this work.", "description": "Kiki Smith is interested in feminist concerns and content, and her most recent work presents myths and fairy tales with subtle feminist revisions. Since 1999 Smith has been preoccupied with \u201cLittle Red Riding Hood,\u201d a story of a girl who takes food to her ailing grandmother. In the forest, the girl meets a wolf who, learning her purpose, rushes ahead and devours her grandmother. Little Red Riding Hood meets the same fate when she arrives at her grandmother\u2019s cottage. <em>Born</em> illustrates the episode in which, in some versions of the tale, a hunter saves the girl and her grandmother by cutting open the wolf\u2019s stomach. By representing Little Red Riding Hood and her grandmother as standing upright in cloaks, and the wolf as a semicircle, Smith alludes to Old Master paintings depicting the Virgin Mary on a crescent moon. However, Smith rendered both females as self-portraits; thus, the scene also suggests many feminine apprehensions, from adolescent rites of passage to aging. Although best known as the sculptor whose three-dimensional constructions reintroduced the human figure as an important realm for artistic investigation and discovery, Smith also makes printmaking an integral part of her work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989537"], "internet_archive": []}, "citations": [{"citation": "Glaubinger, Jane. \u201cFresh Prints: Take a look at the museum\u2019s contemporary print acquisitions over the past 25 years.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 2 (March/April 2015): 4-5.", "page_number": "Reproduced and Mentioned: p. 5", "url": "https://archive.org/details/CMAMM2015-02"}], "url": "https://clevelandart.org/art/2004.34", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163455, "creators": [{"id": 6595, "description": "Kiki Smith (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69467, "description": "ULAE (Universal Limited Art Editions, 1446 N. Clinton Ave., Bay Shore, NY 11706)", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2004-06-07T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:16.098000"}, {"id": 166187, "accession_number": "2008.14", "share_license_status": "Copyrighted", "tombstone": "Anne Frank, 2007. Keith Mayerson (American, b. 1966). Oil on linen; overall: 101.6 x 96.6 x 3.8 cm (40 x 38 1/16 x 1 1/2 in.). The Cleveland Museum of Art, Gift of Scott C. Mueller and Margaret Fulton Mueller, 2008.14", "current_location": null, "title": "Anne Frank", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "oil on linen", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Overall: 101.6 x 96.6 x 3.8 cm (40 x 38 1/16 x 1 1/2 in.)", "dimensions": {"overall": {"height": 1.016, "width": 0.966, "depth": 0.038}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 441481, "title": "Gallery One 2012", "description": "<i>Gallery One 2012</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).", "opening_date": "2012-12-12T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "While creating his series of works on the life of Anne Frank, Mayerson listened to audiotapes of her diary.", "description": "This portrait of Anne Frank is based on a renowned photograph of the young Holocaust victim who gained international fame following the publication of the diary she kept during World War II. Shown in full youth awaiting a life of promise, Mayerson's image suggests the symbolic value Frank's life has assumed since the war, suggesting resilience against racism, violence, and the Holocaust. Mayerson belongs to a relatively young generation of painters whose work is representational and painted in a traditional style.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60480436"], "internet_archive": []}, "citations": [{"citation": "Mayerson, Keith, Gary Panter, Ann Craven, and Celeste Dupuy-Spencer. My American Dream. New York : Karma Books, 2022.", "page_number": "Reproduced: p. 271", "url": ""}], "url": "https://clevelandart.org/art/2008.14", "images": {}, "alternate_images": [], "creditline": "Gift of Scott C. Mueller and Margaret Fulton Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166187, "creators": [{"id": 56687, "description": "Keith Mayerson (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-03-03T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:39.472000"}, {"id": 401140, "accession_number": "2020.277", "share_license_status": "Copyrighted", "tombstone": "Handsome, 2020. Amy Sherald (American, b. 1973), Powerhouse Arts Printshop (American, 2016-), Luther Davis (American), Hauser & Wirth, Inc.. Color screenprint; image: 102.2 x 81.3 cm (40 1/4 x 32 in.); sheet: 114.9 x 94 cm (45 1/4 x 37 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2020.277. \u00a9 Amy Sherald", "current_location": null, "title": "Handsome", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["female", "Black American Artists", "gender unknown", "male"], "culture": ["America"], "technique": "color screenprint", "support_materials": [{"description": "Coventry Rag 335 gsm paper", "watermarks": []}], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 102.2 x 81.3 cm (40 1/4 x 32 in.); Sheet: 114.9 x 94 cm (45 1/4 x 37 in.)", "dimensions": {"sheet": {"height": 1.149, "width": 0.94}, "image": {"height": 1.022, "width": 0.813}}, "state_of_the_work": "Only", "edition_of_the_work": "30/35", "copyright": "\u00a9 Amy Sherald", "inscriptions": [{"inscription": "inscribed, signed, and dated, in pencil, at lower margin:  30/35 ASherald '20", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Hauser & Wirth, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": [], "date": "2020", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Amy Sherald is best known for her 2018 officially commissioned portrait of former First Lady Michelle Obama, now in the collection of the National Portrait Gallery.", "description": "Amy Sherald is known for her distinctive style of portraiture that presents Black figures with grisaille (or gray) skin tones, inviting consideration of skin as a signifier. This print, the first made by the artist, reinterprets a painting of the same title. Both depict a dancer from the Alvin Ailey American Dance Theatre, founded in 1958 to combine modern dance and African American culture. The subject appears with a casual pose and assertive gaze that align with the artist\u2019s goal, in her words, to \u201cpaint black people just being people.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246384"], "internet_archive": []}, "citations": [{"citation": "Hudak, Brittany Mariel. \"Girls to the Front: Women in Print.\" <em>CAN Journal </em>(Spring 2022): 68-71.", "page_number": "Mentioned and reproduced: p. 70-71", "url": ""}], "url": "https://clevelandart.org/art/2020.277", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 401140, "creators": [{"id": 401138, "description": "Amy Sherald (American, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 438656, "description": "Powerhouse Arts Printshop (American, 2016-)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 438658, "description": "Luther Davis (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}, {"id": 60784, "description": "Hauser & Wirth, Inc.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 4}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:01.287000"}, {"id": 455028, "accession_number": "2022.61", "share_license_status": "Copyrighted", "tombstone": "All of Me III, 2002. Winfred Rembert (American, 1945\u20132021). Dye on carved and tooled leather; overall: 74.9 x 70.5 cm (29 1/2 x 27 3/4 in.). The Cleveland Museum of Art, Gift of Agnes Gund in memory of Ed Harding, 2022.61. \u00a9 The Estate of Wilfred Rembert / ARS, NY", "current_location": "229B Contemporary", "title": "All of Me III", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "dye on carved and tooled leather", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Leather", "measurements": "Overall: 74.9 x 70.5 cm (29 1/2 x 27 3/4 in.)", "dimensions": {"overall": {"height": 0.749, "width": 0.705}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 The Estate of Wilfred Rembert / ARS, NY", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "Private Collection", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Following his early release from a 27-year sentence in the Georgia prison system, and eventual relocation to New Haven, CT, Rembert documented his experiences in paintings consisting of dye on carved and tooled leather, perfecting a technique he had been taught by another person in prison named \"T.J. the Tooler.\"", "description": "While this dyed leather painting may appear abstract, the black and white stripes form chain gang uniforms worn by the artist. During the Civil Rights Movement of the 1960s, Winfred Rembert was arrested at a demonstration in Georgia. In 1967, he fled prison and survived an attempted lynching, only to be incarcerated again for several years. There, he learned to tool leather and worked on the chain gang, a group of incarcerated people chained together and forced to perform manual labor. Created decades after his release, these multiplied self-portraits evoke the personas that Rembert took on as a means of survival. \"It's like I was more than one person inside myself,\" he described. \"Taking that stance\u2014<em>all me</em>\u2014saved me.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247202"], "internet_archive": []}, "citations": [{"citation": "Rembert, Winfred, Erin Kelly, and Bryan Stevenson. <em>Chasing Me to My Grave:  An Artist's Memoir of the Jim Crow South</em>. New York, NY: Bloomsbury Publishing, 2021.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2022.61", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund in memory of Ed Harding", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Paula and Eugene Stevens Gallery", "athena_id": 455028, "creators": [{"id": 455026, "description": "Winfred Rembert (American, 1945\u20132021)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1945", "death_year": "2021", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-06-06T04:00:00Z", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:49.337000"}, {"id": 308829, "accession_number": "2018.4", "share_license_status": "Copyrighted", "tombstone": "Twilight of the Idols (Fetish) 3, 2005. Kendell Geers (South African, b. 1968). Wood, plastic tape (polyethylene, polypropylene, nylon, or vinyl), and iron; overall: 140 x 43 x 39 cm (55 1/8 x 16 15/16 x 15 3/8 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2018.4. \u00a9 Kendell Geers", "current_location": null, "title": "Twilight of the Idols (Fetish) 3", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["South Africa"], "technique": "Wood, plastic tape (polyethylene, polypropylene, nylon, or vinyl), and iron", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Sculpture", "measurements": "Overall: 140 x 43 x 39 cm (55 1/8 x 16 15/16 x 15 3/8 in.)", "dimensions": {"overall": {"height": 1.4, "width": 0.43, "depth": 0.39}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kendell Geers", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>AfroPunk</em>. Rodolphe Janssen, Brussels, Belgium. (September 7-October 28, 2017)", "opening_date": "2017-09-07T04:00:00Z"}, {"description": "<em>Kendell Geers, 1988-2012</em>. Haus der Kunst, Munich, DE (February 1-May 12, 2013)", "opening_date": "2013-02-01T05:00:00Z"}, {"description": "<em>The Marriage of Heaven and Hell,</em> Blandy-les-Tours Castle, in collaboration with Galleria Continua, Blandy-les-Tours, France (June 30-July 10, 2012)", "opening_date": "2012-06-30T04:00:00Z"}, {"description": "<em>Fin de Partie</em>. Galleria Continua, Beijing, China (March 19-August 27, 2011)", "opening_date": "2011-03-19T04:00:00Z"}]}, "provenance": [{"description": "(Studio Kendell Geers, Brussels, Belgium, sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2018-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The underlying figure is much larger than <em>minkisi</em> figures were in the past; its \"supersize\" reflects that it is an object made for the tourist market, not for ritual use.", "description": "To create this sculpture, Kendell Geers appropriates a <em>nkisi nkondi</em> (singular) sculpture of the Kongo people that was mass-produced for the tourist market. <em>Minkisi</em> (plural) figures were typically used as protective relics; the nails on it represent the many times the object would have been ritually activated. Geers wraps the object with white and red chevron tape\u2014the South African equivalent of yellow and black caution tape used in the US to mark off the scene of a crime\u2014simultaneously signaling danger and acting as a shield. The artist\u2019s deliberate use of the term <em>fetish</em> recalls African ritual objects\u2019 fetishization as art and global commodities by the West since the turn of the 20th century. While once used in scholarship to describe African religious objects like nkisi, the word 'fetish' is now understood as both inaccurate and inappropriate.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781253"], "internet_archive": []}, "citations": [{"citation": "Geers, Kendell and Jerome Sans. \u201cKendell Geers: A TerroRealist in the house of Love.\u201d In <em>Looking both ways: Art of the contemporary African diaspora.</em> (New York: Museum for African Art; Gent: Snoeck, 2003), 84-97, 179.", "page_number": null, "url": null}, {"citation": "<em>Kendell Geers: The Marriage of Heaven and Hell,</em> 34 and 37. Exh. Cat. Blandy-les-Tours: Galleria Continua, June 30-July 10, 2012.", "page_number": "p. 34, 37", "url": "http://kendellgeers.com/dbfiles/news/5booklet_final_version.pdf"}, {"citation": "Kellner, Clive, et al. <em>Kendell Geers 1988-2012</em>, 159. Exh. Cat. Munich; London; New York: Prestel, February 1-May 12, 2013.", "page_number": "p. 159", "url": null}, {"citation": "Geers, Kendell, Jens Hoffman, and Z. S. Strother. <em>AniMystikAKtivist: </em>Between Traditional and the Contemporary in African Art. Brussels: Mercatorfonds, 2018.", "page_number": null, "url": null}, {"citation": "Nzewi, Ugochukwu-Smooth C. \"Contemporary African Art.\" <em>Cleveland Art </em>(September/October 2018): 8-9.", "page_number": "Reproduced and Mentioned: P. 8.", "url": "https://www.clevelandart.org/print/magazine/cleveland-art-septemberoctober-2018/contemporary-african-art"}, {"citation": "Ugochukwu-Smooth, C. Nzewi. \u201cContemporary African Art: Two new works add a twist to canonical forms.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 5 (September/October 2018): 8-9.", "page_number": "Reproduced: P. 9; Mentioned: P. 8, 9", "url": "https://archive.org/details/CMAMM2018-05/page/n3/mode/2up"}, {"citation": "Nzewi, Ugochukwu-Smooth C. <em>Second Careers : Two Tributaries in African Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2019", "page_number": "Mentioned:  p. 20; reproduced:  p. 21, fig. 7.", "url": ""}], "url": "https://clevelandart.org/art/2018.4", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 308829, "creators": [{"id": 308821, "description": "Kendell Geers (South African, b. 1968)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-02-26T00:00:00-05:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-27 00:05:53.266000"}, {"id": 449375, "accession_number": "2021.173", "share_license_status": "Copyrighted", "tombstone": "Hope Is the Thing with Feathers (The Little Bird), 2021. Amy Sherald (American, b. 1973). Color screenprint; sheet: 104.8 x 94 cm (41 1/4 x 37 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2021.173. \u00a9 Amy Sherald", "current_location": null, "title": "Hope Is the Thing with Feathers (The Little Bird)", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "Black American Artists", "gender unknown", "male"], "culture": [], "technique": "color screenprint", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Sheet: 104.8 x 94 cm (41 1/4 x 37 in.)", "dimensions": {"sheet": {"height": 1.048, "width": 0.94}}, "state_of_the_work": "only state", "edition_of_the_work": "edition of 35 and 10 APs", "copyright": "\u00a9 Amy Sherald", "inscriptions": [], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Hauser & Wirth, New York, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2021", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The title of this print references an 1891 verse by American poet Emily Dickinson.", "description": "Amy Sherald is known for her distinctive style of portraiture that presents Black figures with grisaille (or gray) skin tones, inviting consideration of skin as a signifier. This print, the second made by the artist, reinterprets a painting of the same title. Both depict dancers from the Alvin Ailey American Dance Theatre, founded in 1958 to combine modern dance and African American culture. The subject appears with a casual pose and assertive gaze that align with the artist\u2019s goal, in her words, to \u201cpaint black people just being people.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247066"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.173", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 449375, "creators": [{"id": 401138, "description": "Amy Sherald (American, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 454493, "description": "Powerhouse Print Shop", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 438658, "description": "Luther Davis (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 3}, {"id": 60784, "description": "Hauser & Wirth, Inc.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 4}], "legal_status": "accessioned", "accession_date": "2021-12-06T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "AP 10/10", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:41.125000"}, {"id": 169192, "accession_number": "2011.113", "share_license_status": "Copyrighted", "tombstone": "Merging Emerging, 2010. Audra Skuodas (American, 1940\u20132019). Acrylic on canvas; overall: 182.8 x 152.4 cm (71 15/16 x 60 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund, 2011.113. \u00a9 Audra Skuodas", "current_location": "228A Cleveland Artists", "title": "Merging Emerging", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["female"], "culture": ["America, Ohio, 21st century"], "technique": "acrylic on canvas", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Overall: 182.8 x 152.4 cm (71 15/16 x 60 in.)", "dimensions": {"overall": {"height": 1.828, "width": 1.524}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Audra Skuodas", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Artist; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This artist combines the ideas of the infinite and the finite in this work.", "description": "After decades of working primarily in a figurative mode, Skuodas turned to pure abstraction only recently. Her art often addresses connections between the spiritual and physical realms; in her words, \"I believe our psyches are linked to the laws which manifest themselves in the formation of a flower, a snowflake, or a seashell.\"Befitting its title, the painting's composition is structured, yet openended along its perimeter.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60480709"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.113", "images": {}, "alternate_images": [], "creditline": "Dorothea Wright Hamilton Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "David and Helen Kangesser Gallery", "athena_id": 169192, "creators": [{"id": 61608, "description": "Audra Skuodas (American, 1940\u20132019)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1940", "death_year": "2019", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-09-06T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:35.689000"}, {"id": 172281, "accession_number": "2014.702", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2012. Scott Olson (American, b. 1976). Oil, egg tempera, wax and marble dust ground on panel; unframed: 49.5 x 51.7 cm (19 1/2 x 20 3/8 in.). The Cleveland Museum of Art, Gift of David Hoberman, 2014.702", "current_location": "228A Cleveland Artists", "title": "Untitled", "creation_date": "2012", "creation_date_earliest": 2012, "creation_date_latest": 2012, "artists_tags": ["male"], "culture": ["America"], "technique": "oil, egg tempera, wax and marble dust ground on panel", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Mixed Media", "measurements": "Unframed: 49.5 x 51.7 cm (19 1/2 x 20 3/8 in.)", "dimensions": {"unframed": {"height": 0.495, "width": 0.517}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "David Hoberman", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Olson builds frames for each of his paintings in his studio, sourced from local wood.", "description": "An artist based in nearby Kent, Ohio, Olson creates abstract paintings with meticulous attention to material and process. Made by staining, sanding, and polishing varied layers of oil paint, egg tempera, wax, and marble dust, <em>Untitled</em> yields surface effects that are strikingly complex.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781103"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2014.702", "images": {}, "alternate_images": [], "creditline": "Gift of David Hoberman", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "David and Helen Kangesser Gallery", "athena_id": 172281, "creators": [{"id": 65306, "description": "Scott Olson (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-03-05T00:00:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:27.062000"}, {"id": 706773, "accession_number": "2026.5", "share_license_status": "Copyrighted", "tombstone": "Black Diagonal Relief, 2006. Ellsworth Kelly (American, 1923\u20132015). Oil on canvas; overall: 213.4 x 120.7 x 7 cm (84 x 47 1/2 x 2 3/4 in.). The Cleveland Museum of Art, Gift of Ellsworth Kelly Foundation and Jack Shear in honor of Agnes Gund, 2026.5. \u00a9 Ellsworth Kelly Foundation", "current_location": "224A Contemporary Corridor", "title": "Black Diagonal Relief", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "oil on canvas", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Overall: 213.4 x 120.7 x 7 cm (84 x 47 1/2 x 2 3/4 in.)", "dimensions": {"overall": {"height": 2.134, "width": 1.207, "depth": 0.07}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Ellsworth Kelly Foundation", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Many of Kelly\u2019s black and white abstract compositions were inspired by observations from his everyday life.", "description": "This painting comprises two black and white panels joined in relief. Made in the final decade of Ellsworth Kelly\u2019s life, <em>Black Diagonal Relief</em> (2006) distills the artist\u2019s career-long commitment to creating stark abstract compositions that are animated by the nuances of form, perception, and space. These interests come to the fore when the bright palette for which Kelly is best-known is absent. <em>Black Diagonal Relief</em> represents Ellsworth Kelly\u2019s ongoing exploration of black and white across mediums. Kelly could focus on the formal essence of a work, rooted in line, shape, and structure.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2026.5", "images": {}, "alternate_images": [], "creditline": "Gift of Ellsworth Kelly Foundation and Jack Shear in honor of Agnes Gund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Betty and Max Ratner Gallery", "athena_id": 706773, "creators": [{"id": 3488, "description": "Ellsworth Kelly (American, 1923\u20132015)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1923", "death_year": "2015", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2026-03-02T05:00:00Z", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:11.103000"}, {"id": 170129, "accession_number": "2012.34", "share_license_status": "Copyrighted", "tombstone": "Work No. 965. Half the Air in a Given Space, 2008. Martin Creed (British, b. 1968). Purple balloons, multiple pieces; diameter: 28 cm (11 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.34", "current_location": null, "title": "Work No. 965. Half the Air in a Given Space", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["England, 21st century"], "technique": "purple balloons, multiple pieces", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Mixed Media", "measurements": "Diameter: 28 cm (11 in.)", "dimensions": {"diameter": {"width": 0.28}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "SUN Contemporary, \"Platform Seoul\", Seoul/KR, 24.24.2008", "opening_date": "2008-04-24T00:00:00"}, {"description": "The New Art Gallery Walsall, \"Party!\", Walsall GB, February 12-April 18, 2010", "opening_date": "2010-02-12T00:00:00"}, {"description": "Moscow Museum of Modern Art, \"Martin Creed / Numbers\", Moscow, November 4-December 5, 2010", "opening_date": "2010-11-04T00:00:00"}, {"description": "Queensland Art Gallery, \"21st Century: Art in the First Decade\", Queensland, Australia, December 1, 2010-April 26, 2011", "opening_date": "2010-12-01T00:00:00"}, {"description": "Zeppelin Museum Friedrichshafen, 'Luftkunst / Air Art\", Friedrichshafen/DE, February 4-May 1, 2011", "opening_date": "2011-02-04T00:00:00"}]}, "provenance": [{"description": "Artist's studio", "citations": [], "footnotes": null, "date": "2008\u20132012", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2012\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The installation of this work involves an equation ensuring that exactly half of the air in the room is contained inside of balloons.", "description": "This immersive work by Martin Creed is made entirely of 11-inch purple balloons containing half of the air present in the gallery. Following the artist\u2019s instructions, an equation is used during installation to calculate the exact measurements of air. Visitors are invited to walk into the mass of balloons, becoming a part of the work by changing its shape and volume themselves. \u201cIt is important to me,\u201d says Creed,\u201d that the situation is normal, that, as usual, the space is full of air; it\u2019s just that half of it [is] inside the balloons. In a way, the space should be treated as if the work is not there.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781028"], "internet_archive": []}, "citations": [{"citation": "Wallace, Miranda, ed. lit. <em>21st Century: Art in the First Decade.</em> Queensland: Queensland Art Gallery, 2010.", "page_number": "93", "url": ""}, {"citation": "Moll, Frank-Thorsten, and Ursula Zeller. <em>Luftkunst (Air Art) </em>Friedrichshafen:<em> </em>Zeppelin Museum, 2011.", "page_number": "17", "url": ""}], "url": "https://clevelandart.org/art/2012.34", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170129, "creators": [{"id": 62331, "description": "Martin Creed (British, b. 1968)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-06-04T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:13.611000"}, {"id": 162854, "accession_number": "2003.340", "share_license_status": "Copyrighted", "tombstone": "Bouffant Pride, 2003. Ellen Gallagher (American, b. 1965). Collage of photogravures, plasticine, paint, ink, and found objects; sheet: 34.3 x 26.6 cm (13 1/2 x 10 1/2 in.). The Cleveland Museum of Art, Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment, 2003.340. \u00a9 Ellen Gallagher. Courtesy Gagosian.", "current_location": null, "title": "Bouffant Pride", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "collage of photogravures, plasticine, paint, ink, and found objects", "support_materials": [{"description": "rag paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 34.3 x 26.6 cm (13 1/2 x 10 1/2 in.)", "dimensions": {"sheet": {"height": 0.343, "width": 0.266}}, "state_of_the_work": null, "edition_of_the_work": "20", "copyright": "\u00a9 Ellen Gallagher. Courtesy Gagosian.", "inscriptions": [], "exhibitions": {"current": [{"id": 178305, "title": "Needful Things: Recent Multiples", "description": "<i>Needful Things: Recent Multiples</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19, 2004-January 2, 2005).", "opening_date": "2004-09-19T00:00:00"}, {"id": 181802, "title": "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", "description": "<i>The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art</i>. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).", "opening_date": "2006-06-09T00:00:00"}, {"id": 204176, "title": "Our Stories: African American Prints and Drawings", "description": "<i>Our Stories: African American Prints and Drawings</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-May 18, 2014).", "opening_date": "2014-01-24T00:00:00"}, {"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 18, 2018-March 24, 2019).", "opening_date": "2018-11-18T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Brent Sikkema Gallery, New York, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": [], "date": "2003", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2003-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Ellen Gallagher was drawn to wig advertisements like the one used in this collage due to their grid-like structure.", "description": "Ellen Gallagher's work addresses the history of African American stereotypes. In this collage, the artist appropriated an advertisement for glamorous wigs from a 1960s issue of <em>Ebony</em>, a magazine geared toward African Americans. Using plasticine, toy eyeballs, paint, and ink, she exaggerated and completely transformed the images that once promised to beautify the magazine's average reader.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780911"], "internet_archive": []}, "citations": [{"citation": "Chaffee, Cathleen, Jeffrey D, Grove, \"Commodity Arts\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 44 no. 07, September 2004", "page_number": "Mentioned & reproduced: p. 10-11", "url": "https://archive.org/details/CMAMM2004-07/page/n9"}, {"citation": "Sims, Lowery Stokes. <em>The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2006.", "page_number": "Mentioned and reproduced: P. 96-97, no. 143", "url": ""}, {"citation": "Lee, Key Jo, William Griswold, Erica Moiah James, Robin Coste Lewis, Christina Elizabeth Sharpe, and Cleveland Museum of Art. <em>Perceptual Drift : Black Art and an Ethics of Looking</em>. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Reproduced: front cover, p. 48, fig. 30", "url": ""}], "url": "https://clevelandart.org/art/2003.340", "images": {}, "alternate_images": [], "creditline": "Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162854, "creators": [{"id": 46763, "description": "Ellen Gallagher (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-12-01T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-26 23:59:46.287000"}, {"id": 312075, "accession_number": "2018.204", "share_license_status": "Copyrighted", "tombstone": "Sauveteur 3, 2014. Pascale Marthine Tayou (Cameroonian, b. 1966). Crystal, raffia, cloth, rubber, plastic bags, chicken feathers, wood (probably eucalyptus), paint, tempera, nail polish, string, foam, plastic, adhesive, and other mixed media; height: 132 cm (51 15/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2018.204. \u00a9 Pascale Marthine Tayou Studio, RICHARD TAITTINGER GALLERY, New York, and GALLERIA CONTINUA,  San Gimignano / Beijing / Les Moulins / Habana", "current_location": null, "title": "Sauveteur 3", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Cameroon"], "technique": "Crystal, raffia, cloth, rubber, plastic bags, chicken feathers, wood (probably eucalyptus), paint, tempera, nail polish, string, foam, plastic, adhesive, and other mixed media", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Sculpture", "measurements": "height: 132 cm (51 15/16 in.)", "dimensions": {"height": {"height": 1.32}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Pascale Marthine Tayou Studio, RICHARD TAITTINGER GALLERY, New York, and GALLERIA CONTINUA,  San Gimignano / Beijing / Les Moulins / Habana", "inscriptions": [], "exhibitions": {"current": [{"id": 324225, "title": "African art rotation", "description": "<i>African art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20, 2019-October 5, 2020).", "opening_date": "2019-02-20T05:00:00"}], "legacy": [{"description": "Art Africa Fair, Cape Town, ZA (2018)", "opening_date": "2018-01-01T00:00:00"}, {"description": "<em>Sunrise Surprise, </em>workshops of Pascale Marthine Tayou, Ghent, BE (2016)", "opening_date": "2016-01-01T00:00:00"}, {"description": "<em>World Share</em>. Fowler Museum at UCLA, Los Angeles (November 2, 2014\u2013March 1, 2015)", "opening_date": "2014-11-02T00:00:00"}]}, "provenance": [{"description": "(Pascale Marthine Tayou Studio, Richard Taittinger Gallery, New York, NY, in partnership with Galerie Continua, Milan, IT, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2018-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Tayou, who is male, uses the feminine versions of his first and middle names: Pascal and Martin.", "description": "The ethereal <em>Sauveteur 3 </em>draws its form from canonical power figures of central Africa, notably Kongo <em>nkisi nkondo</em>. Embellished with a range of found materials around the upper torso, the sculpture combines visual strategies in African art, traditional practices by African ritual specialists to activate power objects, and contextual references to everyday experiences to make shrewd commentary on present-day society.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873646"], "internet_archive": []}, "citations": [{"citation": "Rodrigues, Gemma, Leora Maltz-Leca, and Pascale Marthine Tayou. <em>World Share: Installations by Pascale Marthine Tayou</em>. Los Angeles: Fowler Museum at UCLA, 2015.", "page_number": "p.44", "url": null}, {"citation": "Nzewi, Ugochukwu-Smooth C. <em>Second Careers: Two Tributaries in African Art. </em>Cleveland, OH: The Cleveland Museum of Art, 2019", "page_number": "Mentioned:  p. 20; reproduced:  p. 21, fig. 8, p. 24, fig. 12 (left foreground).", "url": ""}, {"citation": "Nzewi, Ugochukwu-Smooth. \u201cAcquisitions 2018: African Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>59, no. 2 (March/April 2019): 8-9.", "page_number": "Reproduced and Mentioned: P. 9", "url": "https://archive.org/details/CMAMM2019-02/page/n3/mode/2up"}], "url": "https://clevelandart.org/art/2018.204", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312075, "creators": [{"id": 312069, "description": "Pascale Marthine Tayou (Cameroonian, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": "Pascale Marthine Tayou is internationally-acclaimed artist and arguably the best known Cameroonian artist working today. Born in Nkongsamba, Cameroon, in 1966, Tayou abandoned his law studies to become an artist. He learned informally by participating in the bustling contemporary art scene of Douala, Cameroon\u2019s capital, and then honed his skills independently. He emerged in the 1990s as a socially-conscious artist who took on tough subject such as HIV/AIDS pandemic and broader socioeconomic conditions in Africa. Subsequently, he began to focus attention on the larger human condition, tackling hot-button issues such as economic inequality, globalization, cross-cultural exchange, and mobility, advanced from his own personal experience of itinerancy. Currently based in Ghent, Belgium, Tayou\u2019s eclectic practice encompasses large-scale installation, sculpture, site-specific work, public art, and performance. He cemented his international reputation after participating in major exhibitions, including the Dak\u2019Art Biennale (1996), Sidney Biennale (1998), Documenta 11(2002), Tate Modern\u2019s Triennial (2009), and the Venice Biennale (2009). His recent solo exhibitions include <em>Fresh Kiss</em>, Galleria Bottegantica, Milan, Italy (2018); <em>Chapitres</em>, Solo Show, Mu.ZEE, Oostende, Belgium (2018); <em>Colorful Line</em>, Richard Taittinger Gallery, New York, USA (2018). Group shows include <em>African Metr\u00f3polis, </em>MAXXI, Rome, Italy (2018); <em>Dak\u2019art, Biennale de Dakar</em>, Dakar, Senegal (2018), and <em>Triennale</em>, National Gallery of Victoria, Melbourne, Australia (2017). He is represented in major collections such as the Tate Modern, Guggenheim Museum (Abu Dhabi), Pizzuti Collection (Columbus, Ohio), SMAK, Stedelijk Museum voor Actuele Kunst (Belgium), National Gallery of Victoria (Melbourne, Australia), Louisiana Museum of Modern Art (Denmark), and Fowler Museum (UCLA, Los Angeles).", "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-09-04T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:47.815000"}, {"id": 170516, "accession_number": "2012.99", "share_license_status": "Copyrighted", "tombstone": "Last Days of Village Wen (\u6587\u6751\u8a18\u4e8b), 2011. Yun-Fei Ji (Chinese, b. 1963). Pair of handscrolls; ink and color on Xuan paper; painting only: 34.6 x 657.8 cm (13 5/8 x 259 in.); painting only: 34.6 x 610.8 cm (13 5/8 x 240 1/2 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.99", "current_location": null, "title": "Last Days of Village Wen", "title_in_original_language": "\u6587\u6751\u8a18\u4e8b", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Pair of handscrolls; ink and color on Xuan paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Handscroll", "type": "Painting", "measurements": "Painting only: 34.6 x 657.8 cm (13 5/8 x 259 in.); Painting only: 34.6 x 610.8 cm (13 5/8 x 240 1/2 in.)", "dimensions": {"overall": {"height": 0.37, "width": 9.422}, "painting only": {"height": 0.346, "width": 6.108}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u8f9b\u536f\u5e74\u5b63\u96f2\u98db", "inscription_translation": "colophon signed Ji Yun-Fei, dated 2011", "inscription_remark": null, "sortorder": null}, {"inscription": "VILLAGE WEN IN JUNE. \nReaching June, it had not rained for eight months at Village Wen. The river had long dried out; crops were not growing. On the 13th, it finally rained. Raindrops the size of green mung beans hit the camphor trees by the road, making a sound like popping sesame seeds.\nWIND. \nThe villagers of Wen had already demolished their homes and moved into temporary tents they made for themselves. They had packed their furniture and belongings\u2014all laid out on the empty grain-drying grounds. At midnight there was a sudden gust of wind that blew all the things into the air, including chairs, tables, wardrobe, large and small bags. Gradually they fell, but not a single item was damaged.\nEVEN GHOSTS ARE SCARED. \nAccording to the village elders, there were so many hungry ghosts after the Great Leap Forward that one could easily hear their cries on the quiet side streets during daytime. Many villagers were too afraid to go out. Some suggested that since everyone was afraid of the party secretary [of the village], calling out his name would make the ghosts be quiet. It really worked.\nFISH FARMING. \nAt Village Wen, the few who did not want to look for jobs in cities decided to raise fish besides growing crops. But the great drought of the xinmao year [2011] had dried up the riverbed in the upper course, forcing the villagers to move their net boxes tens of li downstream. The river flowed again and water rose rapidly after the June downpour. [No one anticipated that] all the fish that had been raised for three years suddenly died overnight.\nOFFICIAL. \nThe party secretary [of the village] came down with a fever. He slept all day only to wake up in a cold sweat, complaining that he was tired. He reported that the provincial head [his boss] had been promoted to be a powerful official in the underworld, commanding him to be in charge of demolition and resettlement. Even if encountering dingzihu [difficult households in opposition to the project], he must use force. Many poor ghosts in the underworld bothered him every day, arguing about law.\nWONDER. \nSome thirty li south of the village, as the water rises in summer, over the vast expanse of mists and ripples in the river would a miraculous wonder of well-lit, tall buildings be seen.", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203084, "title": "Ji Yun-Fei: Last Days of Village Wen", "description": "<i>Ji Yun-Fei: Last Days of Village Wen</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-July 31, 2016).", "opening_date": "2016-02-12T00:00:00"}], "legacy": [{"description": "<em>A Terrible Beauty is Born</em>. The 11th Biennale de Lyon, Lyon, France (September 15-December 31, 2011).", "opening_date": "2011-09-15T00:00:00"}, {"description": "<em>Yun-fei Ji: Water Work</em>. Ullens Center for Contemporary Art, Beijing, China (June 2-July 15, 2012).", "opening_date": "2012-06-02T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist, New York, NY", "citations": [], "footnotes": [], "date": "2011\u20132012", "sortorder": 1}, {"description": "(James Cohan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The story was based on China\u2019s South-North Water Transfer Project, a controversial undertaking that called for water diversion from the Yangzi River in the south to drier regions in the north.", "description": "<em>Last Days of Village Wen</em> is the story of a fictional place that in some ways appears like the setting of a retreat borrowed from classical Chinese painting. Gradually, however, you begin to see a mass of people moving with their belongings. As a viewer you travel through the scroll with the migrants; you participate in their unease. <br><br>This rustic scene rendered with broad brushstrokes and pale washes of ink and color provides the rural setting for an anticipated human drama. Does the depiction evoke a humble, carefree life in deep mountains and streams, as typically idealized by the Chinese scholar-gentleman of the past?<br><br>Away from their native soil, the migrants struggle to eke out an existence. To the artist, this is a contemporary tale. Uprooted and weightless, floating and swirling in voids, the migrants are swept away by violent winds. Peddlers snap up a cartload of miscellaneous tools for sale, but they are chased by a city official. Animals, monstrous beasts, and demons drift along. Ghosts and skeletons return, adding dimension to the human drama. <br><br> Shadows of history emerge; reminders of wars and revolutions surface. Violence and humiliation are enacted; threats and hazards are unleashed. The migrants can only float around with their lowly belongings. The landscape is transformed into a fantastical stage on which a daunting human drama is played out.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60481011"], "internet_archive": []}, "citations": [{"citation": "Cai, Bingqiao [\u8521\u79c9\u6a4b = Paula Tsai], editor. <em>Ji Yunfei: shui li gong cheng</em> [\u5b63\u96f2\u98db: \u6c34\u5229\u5de5\u7a0b = Yun-fei Ji: water work]. Hong Kong; Beijing: UCCA Books, 2012.", "page_number": "pp. 134\u2013154", "url": null}, {"citation": "Mann, C. Griffith. \u201cAcquisitions 2012.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>53, no. 2 (March/April 2013): 10\u201325.", "page_number": "Mentioned and Reproduced: pp. 10\u201311,16", "url": "https://archive.org/details/CMAMM2013-02/page/n9/mode/2up"}, {"citation": "Chung, Anita. \"Re-emergence: New Chinese Galleries and Art Acquisitions of The Cleveland Museum of Art.\" <em>Orientations</em> vol 44 no. 8 (November/December 2013): 64\u201375.", "page_number": "Reproduced: pp. 74\u201375, fig. 10", "url": null}, {"citation": "Chung, Anita. \"Last Days of Village Wen: Tensions and contradictions abound in the work of contemporary artist Ji Yun-Fei.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 1 (January/February 2016): 9\u201311.", "page_number": "Reproduced: p. 9, 10\u201311; Mentioned: p. 9, 10", "url": "https://archive.org/details/CMAMM2016-01"}, {"citation": "\"Exhibitions.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 4 (July/August 2016): 4.", "page_number": "Reproduced and Mentioned: p. 4", "url": "https://archive.org/details/CMAMM2016-04"}], "url": "https://clevelandart.org/art/2012.99", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170516, "creators": [{"id": 52976, "description": "Yun-Fei Ji (Chinese, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5b63\u4e91\u98de", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2014-04-23T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:53.883000"}, {"id": 170517, "accession_number": "2012.99.1", "share_license_status": "Copyrighted", "tombstone": "Last Days of Village Wen (\u6587\u6751\u8a18\u4e8b\u4e0a\u5377), 2011. Yun-Fei Ji (Chinese, b. 1963). Handscroll, ink and color on Xuan paper; overall: 37.8 x 953.2 cm (14 7/8 x 375 1/4 in.); painting only: 34.6 x 657.8 cm (13 5/8 x 259 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.99.1", "current_location": null, "title": "Last Days of Village Wen", "title_in_original_language": "\u6587\u6751\u8a18\u4e8b\u4e0a\u5377", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Handscroll, ink and color on Xuan paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Handscroll", "type": "Painting", "measurements": "Overall: 37.8 x 953.2 cm (14 7/8 x 375 1/4 in.); Painting only: 34.6 x 657.8 cm (13 5/8 x 259 in.)", "dimensions": {"overall": {"height": 0.378, "width": 9.532}, "painting only": {"height": 0.346, "width": 6.578}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u8f9b\u536f\u5e74\u5b63\u96f2\u98db", "inscription_translation": "colophon signed Ji Yun-Fei, dated 2011", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203084, "title": "Ji Yun-Fei: Last Days of Village Wen", "description": "<i>Ji Yun-Fei: Last Days of Village Wen</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-July 31, 2016).", "opening_date": "2016-02-12T00:00:00"}], "legacy": [{"description": "<em>A Terrible Beauty is Born</em>. The 11th Biennale de Lyon, Lyon, France (September 15-December 31, 2011).", "opening_date": "2011-09-15T00:00:00"}, {"description": "<em>Yun-fei Ji: Water Work</em>. Ullens Center for Contemporary Art, Beijing, China (June 2-July 15, 2012).", "opening_date": "2012-06-02T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist, New York, NY", "citations": [], "footnotes": [], "date": "2011\u20132012", "sortorder": 1}, {"description": "(James Cohan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>Last Days of Village Wen</em> is the story of a fictional place that in some ways appears like the setting of a retreat borrowed from classical Chinese painting.", "description": "Ji Yun-Fei explores the themes of human migration and environmental change in this 14-meter long handscroll. \u201cWe risk losing ourselves even more, metaphysically, as we become more and more disconnected with nature and memory,\u201d Ji says, alluding to the human cost of rapid development. The artist created a narrative inspired by China\u2019s rich cultural tradition, drawing from memories of folktales and ghost stories. His imagery, both fanciful and realistic, provides metaphors for reflection on human conditions.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60481017"], "internet_archive": []}, "citations": [{"citation": "Cai, Bingqiao [\u8521\u79c9\u6a4b = Paula Tsai], editor. <em>Ji Yunfei: shui li gong cheng</em> [\u5b63\u96f2\u98db: \u6c34\u5229\u5de5\u7a0b = Yun-fei Ji: water work]. Hong Kong; Beijing: UCCA Books, 2012.", "page_number": "pp. 134\u2013154", "url": null}, {"citation": "Mann, C. Griffith. \u201cAcquisitions 2012.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>53, no. 2 (March/April 2013): 10\u201325.", "page_number": "Mentioned and Reproduced: pp. 10\u201311,16", "url": "https://archive.org/details/CMAMM2013-02/page/n9/mode/2up"}, {"citation": "Chung, Anita. \"Re-emergence: New Chinese Galleries and Art Acquisitions of The Cleveland Museum of Art.\" <em>Orientations</em> vol 44 no. 8 (November/December 2013): 64\u201375.", "page_number": "Reproduced: pp. 74\u201375, fig. 10", "url": null}, {"citation": "Chung, Anita. \"Last Days of Village Wen: Tensions and contradictions abound in the work of contemporary artist Ji Yun-Fei.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 1 (January/February 2016): 9\u201311.", "page_number": "Reproduced: p. 9, 10\u201311; Mentioned: p. 9, 10", "url": "https://archive.org/details/CMAMM2016-01"}, {"citation": "\"Exhibitions.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 4 (July/August 2016): 4.", "page_number": "Reproduced and Mentioned: p. 4", "url": "https://archive.org/details/CMAMM2016-04"}], "url": "https://clevelandart.org/art/2012.99.1", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170517, "creators": [{"id": 52976, "description": "Yun-Fei Ji (Chinese, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5b63\u4e91\u98de", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2012.99", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:41.655000"}, {"id": 170518, "accession_number": "2012.99.2", "share_license_status": "Copyrighted", "tombstone": "Last Days of Village Wen (\u6587\u6751\u8a18\u4e8b\u4e0b\u5377), 2011. Yun-Fei Ji (Chinese, b. 1963). Handscroll, ink and color on Xuan paper; overall: 37 x 942.2 cm (14 9/16 x 370 15/16 in.); painting only: 34.6 x 610.8 cm (13 5/8 x 240 1/2 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.99.2", "current_location": null, "title": "Last Days of Village Wen", "title_in_original_language": "\u6587\u6751\u8a18\u4e8b\u4e0b\u5377", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Handscroll, ink and color on Xuan paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Handscroll", "type": "Painting", "measurements": "Overall: 37 x 942.2 cm (14 9/16 x 370 15/16 in.); Painting only: 34.6 x 610.8 cm (13 5/8 x 240 1/2 in.)", "dimensions": {"overall": {"height": 0.37, "width": 9.422}, "painting only": {"height": 0.346, "width": 6.108}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u8f9b\u536f\u5e74\u5b63\u96f2\u98db", "inscription_translation": "colophon signed Ji Yun-Fei, dated 2011", "inscription_remark": null, "sortorder": null}, {"inscription": "VILLAGE WEN IN JUNE. \nReaching June, it had not rained for eight months at Village Wen. The river had long dried out; crops were not growing. On the 13th, it finally rained. Raindrops the size of green mung beans hit the camphor trees by the road, making a sound like popping sesame seeds.\nWIND. \nThe villagers of Wen had already demolished their homes and moved into temporary tents they made for themselves. They had packed their furniture and belongings\u2014all laid out on the empty grain-drying grounds. At midnight there was a sudden gust of wind that blew all the things into the air, including chairs, tables, wardrobe, large and small bags. Gradually they fell, but not a single item was damaged.\nEVEN GHOSTS ARE SCARED. \nAccording to the village elders, there were so many hungry ghosts after the Great Leap Forward that one could easily hear their cries on the quiet side streets during daytime. Many villagers were too afraid to go out. Some suggested that since everyone was afraid of the party secretary [of the village], calling out his name would make the ghosts be quiet. It really worked.\nFISH FARMING. \nAt Village Wen, the few who did not want to look for jobs in cities decided to raise fish besides growing crops. But the great drought of the xinmao year [2011] had dried up the riverbed in the upper course, forcing the villagers to move their net boxes tens of li downstream. The river flowed again and water rose rapidly after the June downpour. [No one anticipated that] all the fish that had been raised for three years suddenly died overnight.\nOFFICIAL. \nThe party secretary [of the village] came down with a fever. He slept all day only to wake up in a cold sweat, complaining that he was tired. He reported that the provincial head [his boss] had been promoted to be a powerful official in the underworld, commanding him to be in charge of demolition and resettlement. Even if encountering dingzihu [difficult households in opposition to the project], he must use force. Many poor ghosts in the underworld bothered him every day, arguing about law.\nWONDER. \nSome thirty li south of the village, as the water rises in summer, over the vast expanse of mists and ripples in the river would a miraculous wonder of well-lit, tall buildings be seen.", "inscription_translation": null, "inscription_remark": "In the colophon following the painting, Ji has included a literary composition to provide the context of the story. With his usual dark sense of humor, Ji Yun-Fei turns it into a tragic comedy.", "sortorder": null}], "exhibitions": {"current": [{"id": 203084, "title": "Ji Yun-Fei: Last Days of Village Wen", "description": "<i>Ji Yun-Fei: Last Days of Village Wen</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-July 31, 2016).", "opening_date": "2016-02-12T00:00:00"}], "legacy": [{"description": "<em>A Terrible Beauty is Born</em>. The 11th Biennale de Lyon, Lyon, France (September 15-December 31, 2011).", "opening_date": "2011-09-15T00:00:00"}, {"description": "<em>Yun-fei Ji: Water Work</em>. Ullens Center for Contemporary Art, Beijing, China (June 2-July 15, 2012).", "opening_date": "2012-06-02T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist, New York, NY", "citations": [], "footnotes": [], "date": "2011\u20132012", "sortorder": 1}, {"description": "(James Cohan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>Last Days of Village Wen</em> is the story of a fictional place that in some ways appears like the setting of a retreat borrowed from classical Chinese painting.", "description": "Ji Yun-Fei's handscroll was prompted by contemporary events and experiences, but he uses traditional Chinese painting motifs and imaginary and even grotesque imagery to explore the themes of migration and environmental change.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60481027"], "internet_archive": []}, "citations": [{"citation": "Cai, Bingqiao [\u8521\u79c9\u6a4b = Paula Tsai], editor. <em>Ji Yunfei: shui li gong cheng</em> [\u5b63\u96f2\u98db: \u6c34\u5229\u5de5\u7a0b = Yun-fei Ji: water work]. Hong Kong; Beijing: UCCA Books, 2012.", "page_number": "pp. 134\u2013154", "url": null}, {"citation": "Mann, C. Griffith. \u201cAcquisitions 2012.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>53, no. 2 (March/April 2013): 10\u201325.", "page_number": "Mentioned and Reproduced: pp. 10\u201311,16", "url": "https://archive.org/details/CMAMM2013-02/page/n9/mode/2up"}, {"citation": "Chung, Anita. \"Re-emergence: New Chinese Galleries and Art Acquisitions of The Cleveland Museum of Art.\" <em>Orientations</em> vol 44 no. 8 (November/December 2013): 64\u201375.", "page_number": "Reproduced: pp. 74\u201375, fig. 10", "url": null}, {"citation": "Chung, Anita. \"Last Days of Village Wen: Tensions and contradictions abound in the work of contemporary artist Ji Yun-Fei.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 1 (January/February 2016): 9\u201311.", "page_number": "Reproduced: p. 9, 10\u201311; Mentioned: p. 9, 10", "url": "https://archive.org/details/CMAMM2016-01"}, {"citation": "\"Exhibitions.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 4 (July/August 2016): 4.", "page_number": "Reproduced and Mentioned: p. 4", "url": "https://archive.org/details/CMAMM2016-04"}], "url": "https://clevelandart.org/art/2012.99.2", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170518, "creators": [{"id": 52976, "description": "Yun-Fei Ji (Chinese, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5b63\u4e91\u98de", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2012.99", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:19.554000"}, {"id": 169908, "accession_number": "2012.15", "share_license_status": "Copyrighted", "tombstone": "His Lantern, 2006. Afruz Amighi (Iranian, b. 1974). Shadow installation; plain weave: polyethylene, hand cut; overall: 254 x 177.8 cm (100 x 70 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.15", "current_location": null, "title": "His Lantern", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["female"], "culture": ["Iran"], "technique": "shadow installation; plain weave: polyethylene, hand cut", "support_materials": [], "department": "Islamic Art", "collection": "Islamic Art", "type": "Mixed Media", "measurements": "Overall: 254 x 177.8 cm (100 x 70 in.)", "dimensions": {"overall": {"height": 2.54, "width": 1.778}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 380793, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 3, 2012-December 9, 2013).", "opening_date": "2012-12-03T05:00:00"}, {"id": 380961, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2013-December 15, 2014).", "opening_date": "2013-12-16T05:00:00"}, {"id": 381078, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 18, 2014-December 14, 2015).", "opening_date": "2014-12-18T05:00:00"}, {"id": 381119, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2015-December 19, 2016).", "opening_date": "2015-12-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Nicelle Beauchene Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132012", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2012\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist stenciled the pattern on the woven polyethelene and cut out the design with a heated knife to sear the edges. When displayed, light from an overhead ceiling projector casts elaborate shadows on the wall.", "description": "Born in Iran and raised in New York, Afruz Amighi typically incorporates religious and political symbols in traditional geometric and foliate designs adapted from Islamic art. <em>His Lantern</em> is the first in her series of shadow installations in which she projects light onto a hand-cut stencil sheet of polyethylene, or Pe-Cap, the plastic sheeting often given to refugees. Here, she uses the format of an Iranian prayer rug with a central arch representing the niche, or mihrab, in a mosque as a starting point. A prominent crystal chandelier replaces a mosque lamp with flames rising up to form the name of Allah, stylized into the shape of a tulip. Miniature skeleton keys hang from the chandelier, representing the martyrs of the Iran-Iraq war in the 1980s.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077798"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 53 no. 02, March/April 2013", "page_number": "Mentioned & reproduced: p. 21", "url": "https://archive.org/details/CMAMM2013-02/page/n19"}, {"citation": "Mackie, Louise W. \"Transformations: Art from Islamic Lands in the Cleveland Collection.\" <em>Orientations: The Magazine for Collectors and Connoisseurs of Asian Art</em>, November/December 2013.", "page_number": "Reproduced: p. 80, fig 2-3", "url": null}], "url": "https://clevelandart.org/art/2012.15", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169908, "creators": [{"id": 62004, "description": "Afruz Amighi (Iranian, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-03-05T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:23.763000"}, {"id": 92837, "accession_number": "2015.68", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2014\u201315. Oliver Laric (Austrian, b. 1981). 4K video, color, sound; 5:55 min.; edition 2 of 5 + 2AP. The Cleveland Museum of Art, Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment, 2015.68", "current_location": null, "title": "Untitled", "creation_date": "2014\u201315", "creation_date_earliest": 2014, "creation_date_latest": 2015, "artists_tags": ["male"], "culture": ["Austria"], "technique": "4K video, color, sound; 5:55 min.; edition 2 of 5 + 2AP", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Oliver Laric</em>, Tanya Leighton, Berlin", "opening_date": "2014-11-22T05:00:00Z"}, {"description": "<em>New Museum Triennial</em>, New Museum of Contemporary Art, New York", "opening_date": "2015-02-25T05:00:00Z"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This work includes a piano cover of Justin Timberlake's <em>Cry Me a River</em>.", "description": "In this video we encounter a robot morphing into a car, an Egyptian statue accumulating detail, a snake becoming a dancing elephant (adapted from Dumbo), and a baby turning into an old man. Laric draws on distinct styles and traditions, including imagery from Russia, America, and Japan as well as the language of 1930s cartoons on up to the cyber aesthetic of more recent computer animation. This poignant exploration of evolution and the passing of time is set to a piano cover of Justin Timberlake\u2019s 2002 pop hit Cry Me a River.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60762479"], "internet_archive": []}, "citations": [{"citation": "Sokhan, Alena. \u201cShifting into a Different Motion at Tanya Leighton.\u201d <em>Berlin Art Link. </em>December 6, 2014. <a href=\"https://www.berlinartlink.com/2014/12/06/exhibition-shifting-into-a-different-motion-at-tanya-leighton/\">https://www.berlinartlink.com/2014/12/06/exhibition-shifting-into-a-different-motion-at-tanya-leighton/</a>.", "page_number": "", "url": ""}, {"citation": "Russeth, Andrew. \u201cThe 2015 Triennial is a pointed, bracing survey of now.\u201d <em>ARTnews</em>. February 25, 2015. <a href=\"https://www.artnews.com/art-news/news/the-2015-new-museum-triennial-is-a-pointed-bracing-survey-of-now-3666/\">https://www.artnews.com/art-news/news/the-2015-new-museum-triennial-is-a-pointed-bracing-survey-of-now-3666/</a>.", "page_number": "", "url": ""}, {"citation": "Ragatao, Gisele. \u201cScreen Versus Self in the Museum.\u201d <em>WNYC.</em> February 26, 2015. <a href=\"https://www.wnyc.org/story/triennial/\">https://www.wnyc.org/story/triennial/</a>.", "page_number": "", "url": ""}, {"citation": "Rosenberg, Karen. \u201cAt the New Museum Triennial: Post-Internet with a Poet\u2019s Touch.\u201d <em>Art Space</em>, February 26, 2015. <a href=\"https://www.artspace.com/magazine/interviews_features/exhibitions/new-museum-triennial-review-2015-52652\">https://www.artspace.com/magazine/interviews_features/exhibitions/new-museum-triennial-review-2015-52652</a>.", "page_number": "", "url": ""}, {"citation": "Weiner, Andrew Stefan. \u201cSurround Audience: New Museum Triennial 2015.\u201d <em>Art Agenda</em>. February 26, 2015. <a href=\"https://www.art-agenda.com/criticism/236941/new-museum-triennial-surround-audience\">https://www.art-agenda.com/criticism/236941/new-museum-triennial-surround-audience</a>.", "page_number": "", "url": ""}, {"citation": "Mason, Shana Beth. \u201cThe New Museum Triennial: Surround America.\u201d <em>KUNSTforum</em>. March 10, 2015. <a href=\"https://kunstforum.as/2015/03/the-new-museum-triennial-surround-audience/\">https://kunstforum.as/2015/03/the-new-museum-triennial-surround-audience/</a>.", "page_number": "", "url": ""}, {"citation": "Black, Hannah. 2015. \u201cOliver Laric.\u201d <em>Art in America.</em> March 12, 2015. <a href=\"https://www.artnews.com/art-in-america/aia-reviews/oliver-laric-61905/\">https://www.artnews.com/art-in-america/aia-reviews/oliver-laric-61905/</a>.", "page_number": "", "url": ""}, {"citation": "Laing, Olivia. \u201cThe Future of Loneliness.\u201d <em>The Guardian.</em> April 1, 2015. <a href=\"https://www.theguardian.com/society/2015/apr/01/future-of-loneliness-internet-isolation\">https://www.theguardian.com/society/2015/apr/01/future-of-loneliness-internet-isolation</a>.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2015.68", "images": {}, "alternate_images": [], "creditline": "Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 92837, "creators": [{"id": 66275, "description": "Oliver Laric (Austrian, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-06-01T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014\u201315", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:01.999000"}, {"id": 674498, "accession_number": "2019.34.a", "share_license_status": "Copyrighted", "tombstone": "Ties That Bind (Channel 1), 2019. 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June 12, 2017. <a href=\"http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/\">http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/</a>.", "page_number": null, "url": "http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/"}, {"citation": "Staatliche Kunsthalle Baden-Baden. \u201cEmeka Ogboh - If Found Please Return to Lagos: 11. 11. 2017 \u2013 4. 02. 2018.\u201d <em>art-in.de</em>. 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November 2, 2018. <a href=\"https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746\">https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746</a>.", "page_number": null, "url": "https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746"}, {"citation": "Nzewi, Ugochukwu-Smooth, Karen Milbourne, Domenick Ammirati, and Emeka Ogboh. <em>Emeka Ogboh: Lagos Soundscapes</em>. Berlin: Kerber Publishers, 2019.", "page_number": null, "url": null}, {"citation": "Liebert, Emily, Emeka Ogboh, Ugochukwu-Smooth C Nzewi, Meki Nzewi, Meki Nzewi, and Cleveland Museum of Art. <em>\u00c1m\u00e0 : The Gathering Place : Emeka Ogboh</em>. 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June 12, 2017. <a href=\"http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/\">http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/</a>.", "page_number": null, "url": "http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/"}, {"citation": "Staatliche Kunsthalle Baden-Baden. \u201cEmeka Ogboh - If Found Please Return to Lagos: 11. 11. 2017 \u2013 4. 02. 2018.\u201d <em>art-in.de</em>. November 9, 2017. <a href=\"https://www.art-in.de/ausstellung.php?id=5779\">https://www.art-in.de/ausstellung.php?id=5779</a>.", "page_number": null, "url": "https://www.art-in.de/ausstellung.php?id=5779"}, {"citation": "Dex, Robert. \u201cNew Tate Modern installation inspired by Bob Marley and Greek crisis.\u201d <em>Evening Standard Arts. </em>December 18, 2017. <a href=\"https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html\">https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html</a>.", "page_number": null, "url": "https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html"}, {"citation": "EFE London. \u201cLas experiencias \u2018inmersivas\u2019 de Emeka Ogboh y Amar Kanwar llegan a la Tate.\u201d <em>EFE. </em>December 18, 2017. <a href=\"https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919\">https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919</a>.", "page_number": null, "url": "https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919"}, {"citation": "\u201cTate gets Emeka Ogboh\u2019s stock market-data piece (thanks to Modern Forms).\u201d <em>The Art Newspaper</em>. 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November 9, 2017. <a href=\"https://www.art-in.de/ausstellung.php?id=5779\">https://www.art-in.de/ausstellung.php?id=5779</a>.", "page_number": null, "url": "https://www.art-in.de/ausstellung.php?id=5779"}, {"citation": "Dex, Robert. \u201cNew Tate Modern installation inspired by Bob Marley and Greek crisis.\u201d <em>Evening Standard Arts. </em>December 18, 2017. <a href=\"https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html\">https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html</a>.", "page_number": null, "url": "https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html"}, {"citation": "EFE London. \u201cLas experiencias \u2018inmersivas\u2019 de Emeka Ogboh y Amar Kanwar llegan a la Tate.\u201d <em>EFE. </em>December 18, 2017. <a href=\"https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919\">https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919</a>.", "page_number": null, "url": "https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919"}, {"citation": "\u201cTate gets Emeka Ogboh\u2019s stock market-data piece (thanks to Modern Forms).\u201d <em>The Art Newspaper</em>. December, 20, 2017. <a href=\"https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms\">https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms</a>.", "page_number": null, "url": "https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms"}, {"citation": "Read, Bridget. \u201cAt the Tate Modern, Optimism Grows Underground.\u201d Vogue UK. January 12, 2018. <a href=\"https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true\">https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true</a>.", "page_number": null, "url": "https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true"}, {"citation": "Miller, Megan. \u201c\u2018Social sound sculpture\u2019: Museum Ludwig acquires sonic project by Nigerian artist Emeka Ogboh.\u201d <em>Art Radar Journal</em>. April 21, 2018. <a href=\"http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/\">http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/</a>.", "page_number": null, "url": "http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/"}, {"citation": "Mural Arts Philadelphia. \u201cEmeka Ogboh featuring Ursula Rucker: Logan Squared, Sundays through November 19.\u201d <em>Mural Arts Philadelphia</em>. <a href=\"https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/\">https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/</a>.", "page_number": null, "url": "https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/"}, {"citation": "Brown, Kate. \u201cHow Artist Emeka Ogboh Became One of Europe\u2019s Fastest-Rising Stars \u2013 Without a Gallery, a Dealer, or Even Self-Promotion.\u201d <em>Artnet New</em>. November 2, 2018. <a href=\"https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746\">https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746</a>.", "page_number": null, "url": "https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746"}, {"citation": "Nzewi, Ugochukwu-Smooth, Karen Milbourne, Domenick Ammirati, and Emeka Ogboh. <em>Emeka Ogboh: Lagos Soundscapes</em>. Berlin: Kerber Publishers, 2019.", "page_number": null, "url": null}, {"citation": "Liebert, Emily, Emeka Ogboh, Ugochukwu-Smooth C Nzewi, Meki Nzewi, Meki Nzewi, and Cleveland Museum of Art. <em>\u00c1m\u00e0 : The Gathering Place : Emeka Ogboh</em>. Cleveland: Cleveland Museum of Art, 2019.", "page_number": null, "url": "https://ingallslibrary.on.worldcat.org/oclc/1126569935"}], "url": "https://clevelandart.org/art/2019.34.d", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674501, "creators": [{"id": 343585, "description": "Emeka Ogboh (Nigerian, b. 1977)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.34", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:48.047000"}, {"id": 674502, "accession_number": "2019.34.e", "share_license_status": "Copyrighted", "tombstone": "Ties That Bind (Channel 5), 2019. Emeka Ogboh (Nigerian, b. 1977). Multichannel electronic sound composition; 21 minutes, 56 seconds. The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund, 2019.34.e. \u00a9 Emeka Ogboh", "current_location": null, "title": "Ties That Bind (Channel 5)", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Nigeria"], "technique": "Multichannel electronic sound composition; 21 minutes, 56 seconds", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Time-based Media", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Emeka Ogboh", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "No exhibition history.", "opening_date": null}]}, "provenance": [{"description": "Emeka Ogboh, Enugu, NG, 2019, sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2019", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2019\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "It is the first time a museum\u2019s collection has directly inspired the artist\u2019s work.", "description": "<em>Ties That Bind</em> is an electronic composition designed to create ambient sounds for the CMA\u2019s African art collection. It comprises digitally manipulated soundscapes of flowing water, water waves, a creaking boat, the strumming of <em>mbira</em> (thumb piano), staccato bass, tone, and slap of the <em>djembe</em> (drum), electronic drum, <em>ichaka</em> (rattle), voice chants, and spoken word. The multisensory work creates a soothing ambience, re-energizing the otherwise sedentary historical objects by adding an animated contemporary feel to the African gallery.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q124856648"], "internet_archive": []}, "citations": [{"citation": "Martin, Michel. \u201cSymphony Of The City: Nigerian Artist Draws Songs From The Bustling Market.\u201d <em>NPR</em>. January 31, 2016. <a href=\"https://www.npr.org/2016/01/31/464883428/symphony-of-the-city-nigerian-artist-draws-songs-from-the-bustling-market\">https://www.npr.org/2016/01/31/464883428/symphony-of-the-city-nigerian-artist-draws-songs-from-the-bustling-market</a>.", "page_number": null, "url": "https://www.npr.org/2016/01/31/464883428/symphony-of-the-city-nigerian-artist-draws-songs-from-the-bustling-market"}, {"citation": "Nodjimbadem, Katie. \u201cStep Into a Noisy, Chaotic Nigerian Marketplace at The African Art Museum: West African artist Emeka Ogboh\u2019s installation will be the first time the museum has featured a work of sound art.\u201d <em>Smithsonian Magazine</em>. February 11, 2016. <a href=\"https://www.smithsonianmag.com/smithsonian-institution/sounds-lagos-nigeria-come-washington-dc-new-exhibit-african-art-museum-180958026/\">https://www.smithsonianmag.com/smithsonian-institution/sounds-lagos-nigeria-come-washington-dc-new-exhibit-african-art-museum-180958026/</a>.", "page_number": null, "url": "https://www.smithsonianmag.com/smithsonian-institution/sounds-lagos-nigeria-come-washington-dc-new-exhibit-african-art-museum-180958026/"}, {"citation": "Ndikung, Bonaventure Soh Bejeng. \u201cEmeka Ogboh.\u201d <em>documenta 14.</em> <a href=\"https://www.documenta14.de/en/artists/11086/emeka-ogboh\">https://www.documenta14.de/en/artists/11086/emeka-ogboh</a>.", "page_number": null, "url": "https://www.documenta14.de/en/artists/11086/emeka-ogboh."}, {"citation": "Russeth, Andrew. \u201cHeady Brews: In M\u00fcnster, Emeka Ogboh Honors Moondog With a Vast Soundscape, Honey Beer.\u201d <em>Artnews</em>. June 12, 2017. <a href=\"http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/\">http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/</a>.", "page_number": null, "url": "http://www.artnews.com/2017/06/12/heady-brews-in-munster-emeka-ogboh-honors-moondog-with-a-vast-soundscape-honey-beer/"}, {"citation": "Staatliche Kunsthalle Baden-Baden. \u201cEmeka Ogboh - If Found Please Return to Lagos: 11. 11. 2017 \u2013 4. 02. 2018.\u201d <em>art-in.de</em>. November 9, 2017. <a href=\"https://www.art-in.de/ausstellung.php?id=5779\">https://www.art-in.de/ausstellung.php?id=5779</a>.", "page_number": null, "url": "https://www.art-in.de/ausstellung.php?id=5779"}, {"citation": "Dex, Robert. \u201cNew Tate Modern installation inspired by Bob Marley and Greek crisis.\u201d <em>Evening Standard Arts. </em>December 18, 2017. <a href=\"https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html\">https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html</a>.", "page_number": null, "url": "https://www.standard.co.uk/go/london/arts/new-tate-modern-installation-inspired-by-bob-marley-and-greek-crisis-a3721821.html"}, {"citation": "EFE London. \u201cLas experiencias \u2018inmersivas\u2019 de Emeka Ogboh y Amar Kanwar llegan a la Tate.\u201d <em>EFE. </em>December 18, 2017. <a href=\"https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919\">https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919</a>.", "page_number": null, "url": "https://www.efe.com/efe/espana/cultura/las-experiencias-inmersivas-de-emeka-ogboh-y-amar-kanwar-llegan-a-la-tate/10005-3470919"}, {"citation": "\u201cTate gets Emeka Ogboh\u2019s stock market-data piece (thanks to Modern Forms).\u201d <em>The Art Newspaper</em>. December, 20, 2017. <a href=\"https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms\">https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms</a>.", "page_number": null, "url": "https://www.theartnewspaper.com/blog/tate-gets-emeka-ogboh-s-stock-market-data-piece-thanks-to-modern-forms"}, {"citation": "Read, Bridget. \u201cAt the Tate Modern, Optimism Grows Underground.\u201d Vogue UK. January 12, 2018. <a href=\"https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true\">https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true</a>.", "page_number": null, "url": "https://www.vogue.com/article/tate-modern-emeka-ogboh-amar-kanwar-the-tanks?verso=true"}, {"citation": "Miller, Megan. \u201c\u2018Social sound sculpture\u2019: Museum Ludwig acquires sonic project by Nigerian artist Emeka Ogboh.\u201d <em>Art Radar Journal</em>. April 21, 2018. <a href=\"http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/\">http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/</a>.", "page_number": null, "url": "http://artradarjournal.com/2018/04/21/social-sound-sculpture-museum-ludwig-acquires-sonic-project-by-nigerian-artist-emeka-ogboh/"}, {"citation": "Mural Arts Philadelphia. \u201cEmeka Ogboh featuring Ursula Rucker: Logan Squared, Sundays through November 19.\u201d <em>Mural Arts Philadelphia</em>. <a href=\"https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/\">https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/</a>.", "page_number": null, "url": "https://www.muralarts.org/events/emeka-ogboh-logan-squared-sundays-november-19-5/"}, {"citation": "Brown, Kate. \u201cHow Artist Emeka Ogboh Became One of Europe\u2019s Fastest-Rising Stars \u2013 Without a Gallery, a Dealer, or Even Self-Promotion.\u201d <em>Artnet New</em>. November 2, 2018. <a href=\"https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746\">https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746</a>.", "page_number": null, "url": "https://news.artnet.com/art-world/emekah-ogboh-hkw-1385746"}, {"citation": "Nzewi, Ugochukwu-Smooth, Karen Milbourne, Domenick Ammirati, and Emeka Ogboh. <em>Emeka Ogboh: Lagos Soundscapes</em>. Berlin: Kerber Publishers, 2019.", "page_number": null, "url": null}, {"citation": "Liebert, Emily, Emeka Ogboh, Ugochukwu-Smooth C Nzewi, Meki Nzewi, Meki Nzewi, and Cleveland Museum of Art. <em>\u00c1m\u00e0 : The Gathering Place : Emeka Ogboh</em>. Cleveland: Cleveland Museum of Art, 2019.", "page_number": null, "url": "https://ingallslibrary.on.worldcat.org/oclc/1126569935"}], "url": "https://clevelandart.org/art/2019.34.e", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674502, "creators": [{"id": 343585, "description": "Emeka Ogboh (Nigerian, b. 1977)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.34", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:34.066000"}, {"id": 357642, "accession_number": "2019.156", "share_license_status": "Copyrighted", "tombstone": "La Dama, 2005. Ra\u00fal Eduardo Stolkiner (Argentine, b. 1957). Chromogenic print; overall: 152.4 x 121.6 cm (60 x 47 7/8 in.). The Cleveland Museum of Art, Gift of RES, 2019.156", "current_location": null, "title": "La Dama", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Argentina"], "technique": "Chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Overall: 152.4 x 121.6 cm (60 x 47 7/8 in.)", "dimensions": {"overall": {"height": 1.524, "width": 1.216}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "RES (the artist)", "citations": [], "footnotes": [], "date": "2005", "sortorder": 1}, {"description": "Schneider Gallery, Chicago, IL", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This work is a modern reinterpretation of Leonardo da Vinci\u2019s painting <em>Lady with an Ermine</em>.", "description": "The ermine in Leonardo da Vinci\u2019s painting has been interpreted as a symbol of moderation or as a symbol for Ludovico Sforza, the Duke of Milan, since the sitter was his mistress. Stolkiner (known as RES) and collaborator Constanza Piaggio have replaced the pet ermine with the severed head of a pig, which has been considered a symbol of both gluttony and chauvinism.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877981"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.156", "images": {}, "alternate_images": [], "creditline": "Gift of RES", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 357642, "creators": [{"id": 357639, "description": "Ra\u00fal Eduardo Stolkiner (Argentine, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": "Argentine photographer, born 1957", "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-06-03T00:00:00-04:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:24.630000"}, {"id": 172588, "accession_number": "2015.74", "share_license_status": "Copyrighted", "tombstone": "Hans Haacke with Sculpture, 2005. Rachel Harrison (American, b. 1966). Wood, chicken wire, polystyrene, cement, acrylic, dolly, and pigmented inkjet print (Hans Haacke's oil painting, Homage a Marcel Broodthaers, 1982); overall: 190.5 x 61 x 78.7 cm (75 x 24 x 31 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2015.74, Courtesy of the Artist and Greene Naftali, New York", "current_location": null, "title": "Hans Haacke with Sculpture", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female", "Jewish artists"], "culture": ["America"], "technique": "Wood, chicken wire, polystyrene, cement, acrylic, dolly, and pigmented inkjet print (Hans Haacke's oil painting, Homage a Marcel Broodthaers, 1982)", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Mixed Media", "measurements": "Overall: 190.5 x 61 x 78.7 cm (75 x 24 x 31 in.)", "dimensions": {"overall": {"height": 1.905, "width": 0.61, "depth": 0.787}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 204152, "title": "Gloria: Robert Rauschenberg & Rachel Harrison", "description": "<i>Gloria: Robert Rauschenberg & Rachel Harrison</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 1-October 25, 2015).", "opening_date": "2015-07-01T00:00:00"}], "legacy": [{"description": "<em>Sculpture New Spirit</em>. Galerie Nathalie Obadia, Paris, France (September 10 \u2013 October 22, 2005).", "opening_date": "2005-10-22T00:00:00"}, {"description": "<em>Of Mice and Men </em>4th Berlin Biennale for Contemporary Art. Kunst-Werke Institute for Contemporary Art, Berlin, Germany (March 25 - June 5, 2006).", "opening_date": "2006-03-25T00:00:00"}]}, "provenance": [{"description": "Collection of the artist, New York; Greene Naftali, New York; Private Collection; acquired by the CMA from Greene Naftali, New York in 2015.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The image of President Ronald Reagan staring out at eye level in this sculpture is a photograph of an oil painting created by Hans Haacke.", "description": "President Ronald Reagan stares out at eye level in this sculpture; the image of the president is a reproduction of an oil painting created by Hans Haacke, one of the founders of Conceptual art. One of Harrison\u2019s signature painted cement forms seems to be wearing the photograph as a mask. Harrison has gained renown for combining seemingly unrelated objects into slyly humorous artworks. Like Andy Warhol\u2019s <em>Marilyn x 100, </em>also in the collection, Harrison employs an image of the recognizable president to reveal the difference between Reagan the man himself and our deeply embedded ideas of what he represents.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781018"], "internet_archive": []}, "citations": [{"citation": "Cattelan, Maurizio, et al., eds. <em>Of Mice and Men: The 4th Berlin Biennale</em>. Exh. Cat. Berlin: Kunst-Werke Institute for Contemporary Art, 2006.", "page_number": "Reproduced p. 158-159", "url": null}, {"citation": "Rutland, Beau, et al. <em>Rachel Harrison: G-L-O-R-I-A.</em> Cleveland: The Cleveland Museum of Art, in association with Yale University Press, 2015.", "page_number": "Reproduced pgs. 23, 39, 48-52, 65, 121", "url": null}, {"citation": "Turner, Anderson. \u201cInnovative works by two contemporary artists at Cleveland Museum of Art.\u201d <em>Akron Beacon Journal </em>(July 31, 2015)", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2015.74", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172588, "creators": [{"id": 65915, "description": "Rachel Harrison (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-09-08T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:52.999000"}, {"id": 287051, "accession_number": "2016.54", "share_license_status": "Copyrighted", "tombstone": "The Republic of New Afrika at a Crossroads, 2016. Kara Walker (American, b. 1969). Raw pigment and watercolor medium, graphite, and (paper) collage on paper; overall: 287 x 532.1 x 8.3 cm (113 x 209 1/2 x 3 1/4 in.); left: 287 x 264.8 x 8.3 cm (113 x 104 1/4 x 3 1/4 in.); right: 287 x 266.1 x 8.3 cm (113 x 104 3/4 x 3 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2016.54. \u00a9 Kara Walker", "current_location": null, "title": "The Republic of New Afrika at a Crossroads", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "Raw pigment and watercolor medium, graphite, and (paper) collage on paper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Overall: 287 x 532.1 x 8.3 cm (113 x 209 1/2 x 3 1/4 in.); Left: 287 x 264.8 x 8.3 cm (113 x 104 1/4 x 3 1/4 in.); Right: 287 x 266.1 x 8.3 cm (113 x 104 3/4 x 3 1/4 in.)", "dimensions": {"overall": {"height": 2.87, "width": 5.321, "depth": 0.083}, "left": {"height": 2.87, "width": 2.648, "depth": 0.083}, "right": {"height": 2.87, "width": 2.661, "depth": 0.083}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kara Walker", "inscriptions": [{"inscription": "signed, recto", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 282019, "title": "The Ecstasy of St. Kara: Kara Walker, New Work", "description": "<i>The Ecstasy of St. Kara: Kara Walker, New Work</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-December 31, 2016).", "opening_date": "2016-09-10T04:00:00"}, {"id": 383281, "title": "Stories from Storage", "description": "<i>Stories from Storage</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).", "opening_date": "2021-02-06T05:00:00"}], "legacy": [{"description": "<em>The Ecstasy of St. Kara: Kara Walker, New Work</em>. Cleveland Museum of Art, Cleveland, OH (September 10 \u2013 December 31, 2016).", "opening_date": "2016-12-31T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2016", "sortorder": 1}, {"description": "(Sikkema Jenkins & Co., New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2016", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2016-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This is part of series inspired by Walker\u2019s 2016 stay in Rome, where she encountered the intersection between her work and Christian narratives.", "description": "This singular drawing is at odds with Walker\u2019s clear cut figurative work, seeking to disrupt legibility with abstraction and ambiguity. Indeed, a tangle of bodies in chaotic motion covers the entire surface of the paper. The black separatist group mentioned in this work\u2019s title sought to create a sovereign country for African Americans within the southern United States. The tumultuous composition raises the question of what the consequences would have been had the utopian plan gained momentum.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60482829"], "internet_archive": []}, "citations": [{"citation": "Rutland, Beau. \u201cAcquisition Highlights 2016: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 8-11.", "page_number": "Reproduced: P. 8-9; Mentioned: P. 7, 10", "url": "https://archive.org/details/CMAMM2017-02/page/n3/mode/2up"}, {"citation": "Griswold, William M. \u201cRecent Acquisitions (2013-20) at the Cleveland Museum of Art.\u201d <em>Burlington Magazine </em>163, no. 1414 (January 2021): 93-104.", "page_number": "Mentioned and reproduced: P. 100-101, no. 15; mentioned: P. 93", "url": ""}, {"citation": "Griswold, William M. and Key Jo Lee. \u201cTrauma and Transformation.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 1 (Winter 2021): 6-7.", "page_number": "Reproduced and Mentioned: P. 6-7", "url": "https://archive.org/details/CMAMM2021-01/page/n5/mode/2up"}], "url": "https://clevelandart.org/art/2016.54", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 287051, "creators": [{"id": 33501, "description": "Kara Walker (American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-09-06T00:00:00-04:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:53.443000"}, {"id": 677077, "accession_number": "2025.181", "share_license_status": "Copyrighted", "tombstone": "Brushwork Study for Reorienting Pollock (\u4eff\u6ce2\u6d1b\u514b\u7b46\u610f), 2008. Arnold Chang (American, b. 1954). Ink on paper; 50.2 x 189.1 cm (19 3/4 x 74 7/16 in.). The Cleveland Museum of Art, Gift of Marc and Elizabeth Wilson in memory of Wai-kam Ho, 2025.181. \u00a9 Arnold Chang", "current_location": null, "title": "Brushwork Study for Reorienting Pollock", "title_in_original_language": "\u4eff\u6ce2\u6d1b\u514b\u7b46\u610f", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "Ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Handscroll", "type": "Painting", "measurements": "50.2 x 189.1 cm (19 3/4 x 74 7/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.502, "width": 1.891}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Arnold Chang", "inscriptions": [], "exhibitions": {"current": [{"id": 677076, "title": "Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions \u5f35\u6d2a\u5c71\u6c34\u756b\u56de\u9867\u5c55", "description": "<i>Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions \u5f35\u6d2a\u5c71\u6c34\u756b\u56de\u9867\u5c55</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-November 9, 2025).", "opening_date": "2025-03-08T05:00:00"}], "legacy": [{"description": "<em>Fresh Ink: Ten Takes on Chinese Tradition</em>. Museum of Fine Arts, Boston, MA (November 20, 2010-February 13, 2011).", "opening_date": "2010-11-20T05:00:00Z"}, {"description": "<em>The Persistence of Pollock</em>. Pollock-Krasner House and Study Center, East Hampton, NY (May 3-July 28, 2012).", "opening_date": "2012-05-03T04:00:00Z"}]}, "provenance": [{"description": "Collection of the Artist, sold to Marc and Elizabeth Wilson", "citations": [], "footnotes": null, "date": "2008\u20132013", "sortorder": 1}, {"description": "Marc and Elizabeth Wilson, Kansas City, MO, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2013\u20132025", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2025\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": ["2.2025"], "did_you_know": "The image has no set orientation and works equally well when turned upside down.", "description": "Arnold Chang\u2019s intuitive ink play, scribbled freely over a flat surface, is built in layers from light to dark ink-dots and strokes that create rhythm, direction, and depth as they connect, condense, and trace the brush\u2019s movements. <br><br>An artistic response to Jackson Pollock\u2019s horizontal drip painting <em>Number 10</em> in the Museum of Fine Arts, Boston, this exploratory sketch is a predecessor to <em>Secluded Valley in the Cold Mountains</em>, <a href=\"https://www.clevelandart.org/art/2024.69\"><u>CMA 2024.69</u></a>. Chang created both the sketch and handscroll for the 2010 exhibition <em>Fresh Ink: Ten Takes on Chinese Tradition </em>at MFA Boston.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Scheier-Dolberg, Joseph. \u201cArnold Chang.\u201d <em>Orientations Magazine</em>, v. 41, no. 7 (October 2010), 51.", "page_number": "Mentioned and Reproduced: p. 51", "url": ""}, {"citation": "Sheng, Hao, Joseph Scheier-Dolberg, and Yan Yang. <em>Fresh Ink: Ten Takes on Chinese Tradition</em>. Boston, MA: MFA Publications; New York, NY: Distributed Art Publishers, 2010.", "page_number": "Mentioned and Reproduced: p. 54, p. 59", "url": ""}, {"citation": "Coller, Bobbi and Helen A. Harrison. <em>The Persistence of Pollock</em>. East Hampton, NY: Pollock-Krasner House and Study Center, 2012.", "page_number": "Mentioned: p. 13; Reproduced: p. 12", "url": ""}], "url": "https://clevelandart.org/art/2025.181", "images": {}, "alternate_images": [], "creditline": "Gift of Marc and Elizabeth Wilson in memory of Wai-kam Ho", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 677077, "creators": [{"id": 66162, "description": "Arnold Chang (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5f35\u6d2a", "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:33.087000"}, {"id": 324707, "accession_number": "2019.35", "share_license_status": "Copyrighted", "tombstone": "Satisfied Man, 2015. Kerry James Marshall (American, b. 1955). Woodcut; image: 61 x 46 cm (24 x 18 1/8 in.); sheet: 71 x 56 cm (27 15/16 x 22 1/16 in.); framed: 80 x 62.9 cm (31 1/2 x 24 3/4 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2019.35. \u00a9 Kerry James Marshall", "current_location": null, "title": "Satisfied Man", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "woodcut", "support_materials": [], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Image: 61 x 46 cm (24 x 18 1/8 in.); Sheet: 71 x 56 cm (27 15/16 x 22 1/16 in.); Framed: 80 x 62.9 cm (31 1/2 x 24 3/4 in.)", "dimensions": {"image": {"height": 0.61, "width": 0.46}, "sheet": {"height": 0.71, "width": 0.56}, "framed": {"height": 0.8, "width": 0.629}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 15 with 3 AP", "copyright": "\u00a9 Kerry James Marshall", "inscriptions": [], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [{"description": "Studio of the artist", "citations": [], "footnotes": null, "date": "2015-?", "sortorder": 1}, {"description": "(Jack Shainman Gallery, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "after 2015-2019", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2019-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Marshall used two different layers of heavy dark ink in order to add a distinctive tactile dimension to the print\u2019s surface.", "description": "<em>Satisfied Man</em> is a woodcut print depicting a happy, fulfilled individual. The work\u2019s subject relates to the figurative iconography in Marshall\u2019s widely celebrated paintings. As the artist explains, \u201cit has become clear to me that few images circulate in art of self-satisfied Black subjects. No trauma, no anxiety, not stoic, not an image of dignity, just satisfied.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79875919"], "internet_archive": []}, "citations": [{"citation": "Marshall, Kerry James, Terrie Sultan, and Gary Sangster. Kerry James Marshall: Telling Stories : Selected Paintings. Cleveland, Ohio: Cleveland Center for Contemporary Art, 1994.", "page_number": null, "url": null}, {"citation": "Molesworth, Helen. \u201cProject America: Kerry James Marshall.\u201d <em>Frieze</em> 40 (May 1998)", "page_number": "p. 72-75", "url": "https://frieze.com/article/project-america."}, {"citation": "Marshall, Kerry James and Calvin Reid. \u201cKerry James Marshall.\u201d <em>Bomb </em>no. 62 (Winter 1998)", "page_number": "p. 40-47", "url": null}, {"citation": "Sinaiko, Eve, ed. <em>Kerry James Marshall</em>. Exh. Cat. New York: Harry N. Abrams, Inc., 2000", "page_number": null, "url": null}, {"citation": "Oral history interview with Kerry James Marshall, 2008 August 8. Archives of American Art, Smithsonian Institution", "page_number": null, "url": null}, {"citation": "Bartles, Kathleen S. and Jeff Wall. <em>Kerry James Marshall</em>. Exh. Cat. Vancouver: Vancouver Art Gallery, 2010.", "page_number": null, "url": null}, {"citation": "De Watcher, Ellen Mara and Kerry James Marshall. \u201cWhat You See.\u201d <em>Frieze</em> 160 (Jan.-Feb. 2014)", "page_number": null, "url": "https://frieze.com/article/what-you-see"}, {"citation": "Erickson, Peter. \u201cIn the Tower: Kerry James Marshall.\u201d <em>Nka: Journal of Contemporary African Art </em>32 (Spring 2014)", "page_number": "p. 11-23", "url": null}, {"citation": "Marshall, Kerry James, Nav Haq, Okwui Enwezor, Dieter Roelstraete, and Sofie Vermeiren. Kerry James Marshall: Painting and Other Stuff. 2014.", "page_number": null, "url": null}, {"citation": "Marshall, Kerry James, Robert Storr, and Angela Choon. Kerry James Marshall: Look See. 2015.", "page_number": null, "url": null}, {"citation": "Marshall, Kerry James, Helen Anne Molesworth, Ian Alteveer, Dieter Roelstraete, and Lanka Tattersall. Kerry James Marshall: Mastry. 2016.", "page_number": null, "url": null}, {"citation": "Gaines, Charles, et al. <em>Kerry James Marshall</em>. London: Phaidon Press Ltd., 2017", "page_number": null, "url": null}, {"citation": "Marshall, Kerry James, Reto Thu\u0308ring, and Emily Liebert. Kerry James Marshall: Works on Paper. 2018.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2019.35", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 324707, "creators": [{"id": 23906, "description": "Kerry James Marshall (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-27 00:07:04.350000"}, {"id": 171637, "accession_number": "2014.403", "share_license_status": "Copyrighted", "tombstone": "Washing Away of Wrongs, 2014. Anicka Yi (American, b. 1971). 2 stainless steel dryer doors, Plexiglas, diffuser, 2 fragrances designed by Christophe Laudamiel - Traennen and Bullfrog; overall: 304.8 x 332.7 x 67.3 cm (120 x 131 x 26 1/2 in.). The Cleveland Museum of Art, Gift of the Contemporary Art Society, 2014.403", "current_location": null, "title": "Washing Away of Wrongs", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["Asian American", "female"], "culture": ["America"], "technique": "2 stainless steel dryer doors, Plexiglas, diffuser, 2 fragrances designed by Christophe Laudamiel - Traennen and Bullfrog", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 304.8 x 332.7 x 67.3 cm (120 x 131 x 26 1/2 in.)", "dimensions": {"overall": {"height": 3.048, "width": 3.327, "depth": 0.673}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 205241, "title": "Anicka Yi: Death", "description": "<i>Anicka Yi: Death</i>. Transformer Station, Cleveland, OH (October 11, 2014-January 17, 2015).", "opening_date": "2014-10-11T00:00:00"}], "legacy": [{"description": "Anicka Yi: Divorce. 47 Canal, New York (April 30 - June 8, 2014).", "opening_date": "2014-04-30T00:00:00"}]}, "provenance": [{"description": "Collection of the artist; acquired by the CMA from 47 Canal, New York in 2014.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "One door contains a custom scent called \u201cDivorce,\u201d which contains pungent notes that are spicy and animalistic.", "description": "Anicka Yi defies expectations with her artworks that poetically engage all the human senses from touch to scent. This work was inspired by the strong emotions that are experienced when a relationship ends. Two industrial dryer doors, as seen in laundromats, each contain a different, original scent that speaks to the experience of loss and separation; accordingly, these scents are less than pleasant. She says, \u201cTwo industrial laundry dryer doors transmit scents\u2014one abstract, one representational, two separate systems, both a washing away of wrongs. Take in notes of fried intersections, brooms sweeping up situations, folded cardboard. . . . The other door trickles out a different rhythm of presence through absence\u2014prehistoric wetland, brackish vegetation, yellow throated bullfrog. . . .\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781280"], "internet_archive": []}, "citations": [{"citation": "Creahan, D. \u201cAnicka Yi: \u2018Divorce\u2019 at 47 Canal Through June 8th, 2014.\u201d <em>Art Observed</em> (June 9, 2014).", "page_number": null, "url": null}, {"citation": "Rutland, Beau and Th\u00fcring, Reto. \u201cAcquisition Highlights 2014: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 2 (March/April 2015): 25.", "page_number": "Reproduced and Mentioned: p. 25", "url": "https://archive.org/details/CMAMM2015-02"}, {"citation": "Burton, Johanna. \u201cSplit Subjects: Johanna Burton on Anicka Yi at 47 Canal, New York.\u201d <em>Texte</em> <em>Zur Kunst</em> no. 95 (September 2014): 213-215.", "page_number": "Reproduced and Mentioned p. 214.", "url": null}, {"citation": "Prickett, Sarah Nicole. \u201cAnicka Yi.\u201d <em>Interview Magazine</em> (October 10, 2014).", "page_number": null, "url": null}, {"citation": "Rosenberg, Karen. \u201cAnicka Yi: \u2018Divorce.\u2019\u201d <em>The New York Times</em> (May 22, 2014): C26.", "page_number": null, "url": null}, {"citation": "Aloi, Giovanni, Rachel C. Lee, Merlin Sheldrake, and Pirelli HangarBicocca (Milan, Italy). <em>Anicka Yi: Metaspore. </em>Interview by Anicka Yi. Edited by Fiammetta Griccioli, Vicent Todoli, and Remina Greenfield. Translated by Johanna Bishop and Laura Guidetti. First edition. Venezia, [Milan]: Marsilio arte ; Pirelli HangarBicocca, 2022.", "page_number": "Mentioned and reproduced: p. 184-185, fig. 1", "url": ""}], "url": "https://clevelandart.org/art/2014.403", "images": {}, "alternate_images": [], "creditline": "Gift of the Contemporary Art Society", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171637, "creators": [{"id": 65222, "description": "Anicka Yi (American, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2014-12-01T00:00:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:41.868000"}, {"id": 299324, "accession_number": "2017.64", "share_license_status": "Copyrighted", "tombstone": "Good Things Come in Pairs 8 (\u597d\u4e8b\u6210\u53cc\uff0d8), 2011. 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Taipei [\u81fa\u5317\u5e02]: National Museum of History, Taiwan [\u570b\u7acb\u6b77\u53f2\u535a\u7269\u9928], [\u4e2d\u83ef\u6c11\u570b104\u5e74] 2015.", "page_number": "Reproduced: p. 81", "url": ""}, {"citation": "Peng, Wei \u5f6d\u8587, and Clarissa von Spee. <em>Migrations of Memory: The Poetry and Power of Music by Chinese Artist Peng Wei in Collaboration with the Cleveland Museum of Art</em> = \u5e73\u6c99\u843d\u96c1\u2014\u97f3\u6a02\u7684\u8a69\u610f\u8207\u529b\u91cf: \u4e2d\u570b\u85dd\u8853\u5bb6\u5f6d\u8587\u8207\u514b\u5229\u592b\u862d\u85dd\u8853\u535a\u7269\u9928\u5408\u4f5c. Cleveland, OH: The Cleveland Museum of Art, 2021.", "page_number": "Reproduced: back cover", "url": ""}], "url": "https://clevelandart.org/art/2017.64.2.b", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}, {"id": 665435, "title": "Shahzia Sikander: Collective Behavior", "description": "<i>Shahzia Sikander: Collective Behavior</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 14-June 8, 2025).", "opening_date": "2025-02-14T05:00:00"}], "legacy": [{"description": "<em>Shazia Sikander: Weeping Willows, Liquid Tongues</em>. Sean Kelly Gallery, New York, NY (November 5 \u2013 December 19, 2020).", "opening_date": "2020-12-19T00:00:00"}]}, "provenance": [{"description": "(Sean Kelly Gallery, New York, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2020-2021", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Shazia Sikander has described the theme of the series to which this drawing belongs as \u201ca state of struggle, of being caught variously between monetizing worlds, vocabularies, competing cultures, and histories.\u201d", "description": "\u201cMy work embraces uncertainty and flux,\u201d explains Shahzia Sikander. In <em>Empire Follows Art</em>, as Sikander attempts to harness the unpredictable properties of watercolor and gouache paint, she develops new ideas, forms, and characters, some of which have become enduring motifs in her work. A figure in profile, emerging from a lush pool of paint, refers to Buraq, the mythic creature (part human, part animal) from Islamic tradition, who transports the Prophet Muhammed during his Mi\u2019raj journey from Mecca to Jerusalem and back in a single evening. The multiple heads at the top of the page conjure Vishvarupa, an embodiment of Vishnu, a Hindu deity. Such incongruous juxtapositions, pervasive throughout Sikander\u2019s work, evoke deep-seated histories in which fraught cultural and belief systems are combined.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246721"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. \"New Narratives: Contemporary works on paper emphasize storytelling.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 4 (2023): 4-7.", "page_number": "Reproduced: P. 7; Mentioned: P. 4, 6", "url": "https://archive.org/details/CMAMM2023-04/page/4/mode/2up"}, {"citation": "Liebert, Emily. \"From Venice to Cleveland. Shahzia Sikander: Collective Behavior at the Biennale.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 64, no. 1 (2024): 26-27.", "page_number": "Reproduced: P. 27; Mentioned: P. 26-27", "url": "https://archive.org/details/CMAMM-2024-01/page/26/mode/2up"}], "url": "https://clevelandart.org/art/2021.103", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 438797, "creators": [{"id": 54812, "description": "Shahzia Sikander (Pakistani American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:14.198000"}, {"id": 170684, "accession_number": "2013.22.10", "share_license_status": "Copyrighted", "tombstone": "Dance, Dance, Dance. #10, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.2 x 39 cm (21 5/16 x 15 3/8 in.); platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.10. \u00a9 Kakyoung Lee", "current_location": "236 Korean", "title": "Dance, Dance, Dance. #10", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.2 x 39 cm (21 5/16 x 15 3/8 in.); Platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.)", "dimensions": {"sheet": {"height": 0.542, "width": 0.39}, "platemark": {"height": 0.146, "width": 0.253}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #10; verso in graphite, lower right: K. L. '11", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Created by the Seoul- and New York-based artist Kakyung Lee, <em>Dance, Dance, Dance</em> is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079729"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.10", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170684, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:58.179000"}, {"id": 445269, "accession_number": "2022.4", "share_license_status": "Copyrighted", "tombstone": "Migrations of Memory-Wild Geese Descend on Level Sands IV no. 3 (\u5e73\u6c99\u843d\u96c1 IV \uff0d3), 2021. Peng Wei (Chinese, b. 1974). Album leaf; ink and colors on flax paper; leaf: 38 x 60 cm (14 15/16 x 23 5/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 2022.4", "current_location": null, "title": "Migrations of Memory-Wild Geese Descend on Level Sands IV no. 3", "title_in_original_language": "Migrations of Memory IV No. 3", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Album leaf; ink and colors on flax paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Album leaf", "type": "Painting", "measurements": "Leaf: 38 x 60 cm (14 15/16 x 23 5/8 in.)", "dimensions": {"leaf": {"height": 0.38, "width": 0.6}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u8096\u65af\u5854\u79d1\u7ef4\u5947\u81f4\u4f0a\u8428\u514b\u00b7\u8fbe\u7ef4\u591a\u7ef4\u5947 /\u8339\u79d1\u592b\u522b\u5885 /1972\u5e74\n4\u67083\u65e5/\n\n\u4eb2\u7231\u7684\u4f0a\u8428\u514b . \u8fbe\u7ef4\u591a\u7ef4\u5947\uff1a\n\n\u4eca\u5929\u5199\u4fe1\uff0c\u6709\u4e00\u4ef6\u4e8b\u6073\u8bf7\u4f60\u5e2e\u5fd9\uff0c\u6211\u60f3\u518d\u52aa\u4e00\u628a\u529b\uff0c\u4e89\u53d6\u5230\u5217\u5b81\u683c\u52d2\u53c2\u52a0\u6211\u7684\u300a\u7b2c\u5341\u4e94\u4ea4\u54cd\u66f2\u300b\u7684\u97f3\u4e50\u4f1a\u3002\n\n\u6211\u60f3\u8ba9\u4f60\u59d4\u5a49\u5730\u6253\u542c\u4e00\u4e0b\uff0c\u4f55\u65f6\u5728\u4ec0\u4e48\u5730\u65b9\u5c06\u6f14\u594f\u6211\u7684\u8fd9\u90e8\u4f5c\u54c1\uff0c\u56e0\u4e3a\u6211\u4eb2\u81ea\u53bb\u6253\u542c\u5b9e\u4e3a\u4e0d\u4fbf\u3002\u6216\u8bb8\u53f6\u592b\u76d6\u5c3c\u4e9a\u00b7\u5386\u5c71\u5fb7\u7f57\u7ef4\u5947\u00b7\u7a46\u62c9\u6587\u65af\u57fa\u8fd8\u80fd\u50cf\u8fc7\u53bb\u90a3\u6837\uff0c\u51ed\u7740\u81ea\u5df1\u7684\u201c\u86ee\u6a2a\u201d\u5e76\u50cf\u4e4b\u524d\u5f3a\u884c\u6307\u6325\u6211\u7684\u300a\u7b2c\u5341\u4e09\u4ea4\u54cd\u66f2\u300b\u548c\u300a\u7b2c\u4e8c\u5927\u63d0\u7434\u534f\u594f\u66f2\u300b\u90a3\u6837\uff0c\u518d\u6b21\u5f3a\u884c\u5b89\u6392\u5e76\u6307\u6325\u6211\u7684\u300a\u7b2c\u5341\u4e94\u4ea4\u54cd\u66f2\u300b\uff0c\u8fd9\u6837\u4e0d\u4f1a\u4f7f\u4ed6\u611f\u5230\u8d85\u8d8a\u81ea\u5df1\u7684\u521b\u4f5c\u8303\u56f4\u5417\uff1f\u56e0\u6b64\uff0c\u6073\u8bf7\u4f60\u4e13\u95e8\u66ff\u6211\u6253\u542c\u4e00\u4e0b\u8fd9\u65b9\u9762\u7684\u6d88\u606f\u3002\u5982\u679c\u4e00\u5207\u6b63\u5e38\uff0c\u6211\u53ef\u4ee5\u5728\u6f14\u51fa\u524d5\u5929\u8d76\u5230\u5217\u5b81\u683c\u52d2\uff0c\u5e76\u4eb2\u81ea\u53c2\u52a0\u4ed6\u4eec\u7684\u6392\u7ec3\u3002\u97f3\u4e50\u4f1a\u7ed3\u675f\u4e4b\u540e\uff0c\u6211\u5c31\u53ef\u4ee5\u5e73\u9759\u5730\u53bb\u96f7\u5bbe\u8bfa\u4f11\u606f7-8\u5929\u3002\u7b49\u4f60\u7684\u597d\u6d88\u606f\u3002\n\n\u8bf7\u4ee3\u6211\u548c\u4f0a\u7433\u5a1c\u5411\u8587\u62c9\u00b7\u74e6\u897f\u91cc\u8036\u8299\u5a1c\u81f4\u610f\u3002\n\n\u4f60\u7684\u5fb7\u00b7\u8096\u65af\u5854\u79d1\u7ef4\u5947", "inscription_translation": "Dmitry Dmitriyevich Shostakovich to Isaak Glikman / Zhukova /April 3, 1972\n\nDear Isaak Dav\u00efdovich,\n\nWould you please do me a great favor? I want to summon up all my strength and come to Leningrad to hear the performance of my Fifteenth Symphony.\n\nI should like you, please, tactfully to find out if and when it is due to be performed. It is rather awkward for me to do it myself. I am worried that Yevgeny Mravinsky\u2019s creative personality may not be in complete sympathy with the work, and that he may therefore treat it as cavalierly as he did the Thirteenth Symphony and the Second Cello Concerto. And so I should like you to find out everything you can about this matter. Then I would plan to come up 5 days or so before the first performance, attend the rehearsals, and afterwards go for about 7 or 8 days to Repino. I will wait for your news.\n\nIrina and I send our greetings to Vera Vasiliyevna.\n\nYour\nD. Shostakovich", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438711, "title": "Migrations of Memory\u2014The Poetry and Power of Music", "description": "<i>Migrations of Memory\u2014The Poetry and Power of Music</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2021-May 8, 2022).", "opening_date": "2021-11-19T05:00:00"}, {"id": 539332, "title": "Six Dynasties of Chinese Painting (Chinese art rotation)", "description": "<i>Six Dynasties of Chinese Painting (Chinese art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024).", "opening_date": "2023-11-10T05:00:00"}, {"id": 671919, "title": "Six Dynasties of Chinese Painting Part 2", "description": "<i>Six Dynasties of Chinese Painting Part 2</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-September 1, 2024).", "opening_date": "2024-05-10T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist, sold to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2021\u20132022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "At a right angle, one can see the glimmer and sparkle of mica on the painting\u2019s surface.", "description": "This riverscape in blue-and-green style with a waterfall and fishing boat is directly inspired by the 12th-century handscroll painting <em>Cloudy Mountains</em> by Mi Youren in the CMA\u2019s collection <a href=\"https://clevelandart.org/art/1933.220\">CMA 1933.220</a>. <br><br>The calligraphy, a transcribed letter by the Russian composer Dmitry Shostakovich (1906\u20131975) about a performance of his Fifteenth Symphony, does not directly connect with the landscape, as an inscription would traditionally. This unexpected juxtaposition of Eastern and Western cultural traditions reflects Peng Wei\u2019s identity as a female contemporary artist and a <em>guqin</em> (zither) player.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246907"], "internet_archive": []}, "citations": [{"citation": "Peng, Wei \u5f6d\u8587, and Clarissa von Spee. <em>Migrations of Memory: The Poetry and Power of Music by Chinese Artist Peng Wei in Collaboration with the Cleveland Museum of Art</em> = \u5e73\u6c99\u843d\u96c1\u2014 \u97f3\u6a02\u7684\u8a69\u610f\u8207\u529b\u91cf: \u4e2d\u570b\u85dd\u8853\u5bb6\u5f6d\u8587\u8207\u514b\u5229\u592b\u862d\u85dd\u8853\u535a\u7269\u9928\u5408\u4f5c. Cleveland, OH: The Cleveland Museum of Art, 2021.", "page_number": "Reproduced: p. 7", "url": ""}], "url": "https://clevelandart.org/art/2022.4", "images": {}, "alternate_images": [], "creditline": "Edward L. Whittemore Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 445269, "creators": [{"id": 299322, "description": "Peng Wei (Chinese, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5f6d\u8587", "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-03-07T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:22.463000"}, {"id": 445271, "accession_number": "2022.5", "share_license_status": "Copyrighted", "tombstone": "Migrations of Memory-Wild Geese Descend on Level Sands IV, no. 1 (\u5e73\u6c99\u843d\u96c1 IV \uff0d1), 2021. Peng Wei (Chinese, b. 1974). Album leaf; ink and colors on flax paper; leaf: 38 x 60 cm (14 15/16 x 23 5/8 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 2022.5", "current_location": null, "title": "Migrations of Memory-Wild Geese Descend on Level Sands IV, no. 1", "title_in_original_language": "\u5e73\u6c99\u843d\u96c1 IV \uff0d1", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Album leaf; ink and colors on flax paper", "support_materials": [], "department": "Chinese Art", "collection": "ASIAN - Album leaf", "type": "Painting", "measurements": "Leaf: 38 x 60 cm (14 15/16 x 23 5/8 in.)", "dimensions": {"leaf": {"height": 0.38, "width": 0.6}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u9a6c\u52d2\u81f4\u59bb\u5b50 \u67cf\u6797\uff0f1905\u5e741 1 \u67087\u65e5/\n\n\u4eb2\u7231\u7684\u963f\u5c14\u5e0c\u59c6\uff01\n\n\u7b2c\u4e00\u5929\u7b97\u662f\u987a\u5229\u5730\u8fc7\u53bb\u4e86\u3002\u4e50\u961f\u8fd8\u4e0d\u9519\uff0c\u51c6\u5907\u5f97\u5f88\u51fa\u8272\uff0c\u975e\u5e38\u52e4\u594b\uff0c\u6709\u70ed\u60c5\u3002\u6211\u5e0c\u671b\u662f\u4e00\u6b21\u597d\u7684\u6f14\u51fa\u3002\u97f3\u4e50\u4f1a\u5df2\u6ee1\u5ea7\uff0c\u9057\u61be\u7684\u662f\u4e0d\u65ad\u5730\u4e0b\u96e8\uff0c\u6211\u53ea\u80fd\u7a7f\u80f6\u978b\u6253\u96e8\u4f1e\u8d9f\u6c34\u8fc7\u53bb\u3002\u4e0b\u5348\u6211\u7531H.\u7855\u7279\u966a\u540c\u4e58\u8f66\u53bb\u7c73\u62c9\u9a6c\u83b1\uff0c\u5728\u90a3\u91cc\u6211\u4eec\u901b\u4e86\u4e24\u4e2a\u949f\u5934\u3002\u6211\u6781\u4e3a\u60cb\u60dc\uff0c\u4f60\u6ca1\u6709\u4e0e\u6211\u5728\u4e00\u8d77\u3002\u8fd9\u662f\u4e00\u6b21\u7f8e\u6781\u4e86\u7684\u9017\u7559\u3002\u4e1d\u67cf\u548c\u6708\u6842\u2014\u2014\u5168\u90e8\u4e00\u7247\u78a7\u7eff\u2014\u2014\u6eaa\u6c34\u91cc\u7684\u5929\u9e45\u2026\u2026\u5929\u5802\u822c\u7684\u9759\u8c27\u3002\u65c5\u9986\u662f\u53ef\u618e\u7684\uff08\u5c3d\u7ba1\u8fd9\u5df2\u662f\u57ce\u91cc\u6700\u597d\u7684\u4e86\uff09\u2014\u2014\u62d6\u6c93\u548c\u5608\u6742\uff0c\u8fd9\u513f\u7684\u6392\u7ec3\u4ece\u5341\u4e8c\u70b9\u5230\u4e24\u70b9\uff0c\u665a\u4e0a\u4ece\u516b\u70b9\u5230\u5341\u4e00\u70b9\u3002\u4e00\u5207\u90fd\u662f\u610f\u5927\u5229\u5f0f\u7684\u6df7\u4e71\u3002\u97f3\u4e50\u4f1a\u4e5f\u662f\u76f4\u5230\u4e5d\u70b9\u4e00\u523b\u624d\u5f00\u59cb\u3002\n\n\u518d\u6b21\u5728\u7ef4\u4e5f\u7eb3\u4e0b\u8f66\uff0c\u901a\u5411\u4f60\u5e8a\u524d\u7684\u5feb\u4e50\u4e4b\u8def\uff0c\u968f\u540e\u5230\u5b69\u5b50\u4eec\u8eab\u8fb9\uff0c\u7136\u540e\u8fdb\u5165\u6d74\u5ba4\uff0c\u6700\u540e\u662f\u4e00\u987f\u4e30\u76db\u7684\u65e9\u9910\uff0c\u8fd9\u4f7f\u6211\u9ad8\u5174\u5f97\u53d1\u75af\u5462\u3002\u6211\u70ed\u70c8\u5730\u543b\u4f60\uff0c\u6211\u7684\u963f\u5c14\u5e0c\u59c6\u3002\n\n\u4f60\u7684\u53e4\u65af\u5854\u592b", "inscription_translation": "Gustav Mahler to Alma Mahler / Berlin/ November 7, 1905\n\nDearest Almschi!\n\nWell, the first day was a success. The orchestra is quite passable, excellently prepared, ardent, and enthusiastic. I hope for a good performance. The hall is sold out. Unfortunately, it\u2019s been raining all day, and I\u2019ve been splashing about as best I can, armed with an umbrella and a pair of galoshes.\n\nThis afternoon I went by coach to Miramare (accompanied by H. Schott), where we spent two hours looking around. I was really sorry you couldn\u2019t come with me. It\u2019s a wonderful place to stay. Cypresses and laurel trees, all still green, ponds with swans etc. And a heavenly calm. The hotel is ghastly (though it\u2019s the best in town)\u2014noisy and disorderly. Rehearsals are from twelve to two, and in the evenings from eight to eleven.\u2014Very much the Italian way of doing things. Likewise the concert, which doesn\u2019t begin until 8.15.\n\nNext time I disembark in Vienna, I will be on the happy road to your bedside and being surrounded by my children. I will draw a bath and finally have a sumptuous breakfast. This would make me so deliriously happy. I kiss you passionately, my Almschi.\n\nYour Gustav", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438711, "title": "Migrations of Memory\u2014The Poetry and Power of Music", "description": "<i>Migrations of Memory\u2014The Poetry and Power of Music</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2021-May 8, 2022).", "opening_date": "2021-11-19T05:00:00"}, {"id": 539332, "title": "Six Dynasties of Chinese Painting (Chinese art rotation)", "description": "<i>Six Dynasties of Chinese Painting (Chinese art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024).", "opening_date": "2023-11-10T05:00:00"}, {"id": 671919, "title": "Six Dynasties of Chinese Painting Part 2", "description": "<i>Six Dynasties of Chinese Painting Part 2</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-September 1, 2024).", "opening_date": "2024-05-10T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist, sold to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2021\u20132022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist herself is an accomplished player of the <em>qin</em>, the musical instrument depicted beside the seated woman.", "description": "As a female contemporary artist, Peng Wei is sensitive to the role of women and enjoys subtly updating Chinese painting. The landscape here features a female figure in nature. Traditionally women were confined to the domestic interior, while the experience of nature was reserved for the male figure. <br><br>The artist also breaches conventions by juxtaposing the landscape painting with an unrelated, affectionate letter from European composer, Gustav Mahler, to his wife Alma, presented in her own calligraphy.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246908"], "internet_archive": []}, "citations": [{"citation": "Peng, Wei \u5f6d\u8587, and Clarissa von Spee. <em>Migrations of Memory: The Poetry and Power of Music by Chinese Artist Peng Wei in Collaboration with the Cleveland Museum of Art</em> = \u5e73\u6c99\u843d\u96c1\u2014 \u97f3\u6a02\u7684\u8a69\u610f\u8207\u529b\u91cf: \u4e2d\u570b\u85dd\u8853\u5bb6\u5f6d\u8587\u8207\u514b\u5229\u592b\u862d\u85dd\u8853\u535a\u7269\u9928\u5408\u4f5c. Cleveland, OH: The Cleveland Museum of Art, 2021.", "page_number": "Reproduced: cover and p. 8", "url": ""}], "url": "https://clevelandart.org/art/2022.5", "images": {}, "alternate_images": [], "creditline": "Edward L. Whittemore Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 445271, "creators": [{"id": 299322, "description": "Peng Wei (Chinese, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5f6d\u8587", "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-03-07T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Migrations of Memory IV No. 1"], "is_highlight": false, "updated_at": "2026-03-27 00:06:34.751000"}, {"id": 313003, "accession_number": "2018.1046", "share_license_status": "Copyrighted", "tombstone": "Untitled (Cleveland Museum of Art, #2), 2018. Luisa Lambri (Italian, b. 1969). Pigment print; framed: 40 x 40 cm (15 3/4 x 15 3/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2018.1046. \u00a9 2017 Luisa Lambri", "current_location": null, "title": "Untitled (Cleveland Museum of Art, #2)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female"], "culture": ["Italy, 21st century"], "technique": "pigment print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Framed: 40 x 40 cm (15 3/4 x 15 3/4 in.)", "dimensions": {"framed": {"height": 0.4, "width": 0.4}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2017 Luisa Lambri", "inscriptions": [], "exhibitions": {"current": [{"id": 312999, "title": "Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)", "description": "<i>Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)</i>. 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Six of the images are close-ups of its iconic alternating light and dark gray stripes; the other six are close-ups of the joins of solid, monochromatic, medium gray blocks of stone.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79875739"], "internet_archive": []}, "citations": [{"citation": "\u201cArtists: Luisa Lambri,\u201d FRONT International", "page_number": null, "url": "https://frontart.org/artists/luisa-lambri/"}, {"citation": "Matthew Gengler, \u201cBuilding Images,\u201d <em>Cleveland Art, </em>July/August 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Leslie Cade, \u201cLuisa Lambri, A Meditation on the Breuer Building: Interpreting the Built Environment through Archival Images,\u201d <em>CMA Thinker: A Blog</em>, July 16, 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Alexander Dumbadze, \u201cCritical Eye: Town and Country,\u201d <em>Art in America</em> Magazine, October 1, 2018", "page_number": null, "url": "https://www.artinamericamagazine.com/news-features/magazines/critical-eye-town-country/"}, {"citation": "Alex Greenberger, \u201cCity Slickers: Cleveland\u2019s First Front International Triennial Explores American Metropolises\u2014Without a Local Perspective,\u201d <em>ArtNews</em>, August 8, 2018", "page_number": null, "url": "http://www.artnews.com/2018/08/08/city-slickers-clevelands-first-front-international-triennial-explores-american-metropolises-without-local-perspective/"}, {"citation": "Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 1, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 33, 55,  150-151", "url": null}, {"citation": "Kris Roberts, \u201cLuisa Lambri,\u201d in Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 130-131", "url": null}, {"citation": "Reto Thuering and Emily Liebert, \u201cPast, Present, Future,\u201d in Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 289", "url": null}], "url": "https://clevelandart.org/art/2018.1046", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 313003, "creators": [{"id": 313001, "description": "Luisa Lambri (Italian, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:52.280000"}, {"id": 313004, "accession_number": "2018.1047", "share_license_status": "Copyrighted", "tombstone": "Untitled (Cleveland Museum of Art, #3), 2018. Luisa Lambri (Italian, b. 1969). Pigment print; framed: 40 x 45 cm (15 3/4 x 17 11/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2018.1047. \u00a9 2017 Luisa Lambri", "current_location": null, "title": "Untitled (Cleveland Museum of Art, #3)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female"], "culture": ["Italy, 21st century"], "technique": "pigment print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Framed: 40 x 45 cm (15 3/4 x 17 11/16 in.)", "dimensions": {"framed": {"height": 0.4, "width": 0.45}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2017 Luisa Lambri", "inscriptions": [], "exhibitions": {"current": [{"id": 312999, "title": "Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)", "description": "<i>Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)</i>. 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Six of the images are close-ups of its iconic alternating light and dark gray stripes; the other six are close-ups of the joins of solid, monochromatic, medium gray blocks of stone.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79875743"], "internet_archive": []}, "citations": [{"citation": "\u201cArtists: Luisa Lambri,\u201d FRONT International", "page_number": null, "url": "https://frontart.org/artists/luisa-lambri/"}, {"citation": "Matthew Gengler, \u201cBuilding Images,\u201d <em>Cleveland Art, </em>July/August 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Leslie Cade, \u201cLuisa Lambri, A Meditation on the Breuer Building: Interpreting the Built Environment through Archival Images,\u201d <em>CMA Thinker: A Blog</em>, July 16, 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Alexander Dumbadze, \u201cCritical Eye: Town and Country,\u201d <em>Art in America</em> Magazine, October 1, 2018", "page_number": null, "url": "https://www.artinamericamagazine.com/news-features/magazines/critical-eye-town-country/"}, {"citation": "Alex Greenberger, \u201cCity Slickers: Cleveland\u2019s First Front International Triennial Explores American Metropolises\u2014Without a Local Perspective,\u201d <em>ArtNews</em>, August 8, 2018", "page_number": null, "url": "http://www.artnews.com/2018/08/08/city-slickers-clevelands-first-front-international-triennial-explores-american-metropolises-without-local-perspective/"}, {"citation": "Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 1, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 33, 55, 150-151", "url": null}, {"citation": "Kris Roberts, \u201cLuisa Lambri,\u201d in Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 130-131", "url": null}, {"citation": "Reto Thuering and Emily Liebert, \u201cPast, Present, Future,\u201d in Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 289", "url": null}], "url": "https://clevelandart.org/art/2018.1047", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 313004, "creators": [{"id": 313001, "description": "Luisa Lambri (Italian, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:17.097000"}, {"id": 313005, "accession_number": "2018.1048", "share_license_status": "Copyrighted", "tombstone": "Untitled (Cleveland Museum of Art, #4), 2018. 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FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 289", "url": null}], "url": "https://clevelandart.org/art/2018.1056", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 313013, "creators": [{"id": 313001, "description": "Luisa Lambri (Italian, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:58.708000"}, {"id": 699277, "accession_number": "2025.190", "share_license_status": "Copyrighted", "tombstone": "the picture is still \u2022 video, 2001. Ann Hamilton (American, b. 1956). Video, black and white, sound, 12:00 (loop); 12 minutes; 12 minutes. The Cleveland Museum of Art, Gift of Dave and Nancy Gill, 2025.190. \u00a9 Ann Hamilton", "current_location": "229C Contemporary", "title": "the picture is still \u2022 video", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female"], "culture": ["America"], "technique": "Video, black and white, sound, 12:00 (loop); 12 minutes", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Time-based Media", "measurements": "12 minutes", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Ann Hamilton", "inscriptions": [], "exhibitions": {"current": [{"id": 683481, "title": "Ann Hamilton: still and moving \u2022 the tactile image", "description": "<i>Ann Hamilton: still and moving \u2022 the tactile image</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 14, 2025-April 19, 2026).", "opening_date": "2025-12-14T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "While best known for large-scale ephemeral installations, Ann Hamilton has used photography and video throughout her four-decade career.", "description": "This video work, <em>the picture is still \u2022 video</em>, represents the first time that Ann Hamilton sought to animate a still photograph. Holding a single-chip surveillance camera in one hand, Hamilton slowly moved it over the surface of a black-and-white photograph of her son, \u201calmost caressing the image, as if touching or probing its flat surface to yield something more bodily.\u201d An important aspect of this work is the use of motion, or gesture or touch, to \u201csee\u201d and interpret a still image.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.190", "images": {}, "alternate_images": [], "creditline": "Gift of Dave and Nancy Gill", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 699277, "creators": [{"id": 9187, "description": "Ann Hamilton (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Lima-born and Columbus-based Ann Hamilton has received, among many honors, the National Medal of the Arts and a MacArthur Fellowship. She represented the United States in the 1991 S\u00e3o Paulo Bienal and the 1999 Venice Biennial, and has exhibited extensively around the world. Hamilton has served on the faculty of The Ohio State University since 2001, where she is a Distinguished University Professor in the Department of Art. Hamilton is best known for her large-scale installations and public commissions, but has also worked in other media including photography and film.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:42.899000"}, {"id": 164592, "accession_number": "2006.115", "share_license_status": "Copyrighted", "tombstone": "Earth Landscape, c. 2004. Li Huayi (Chinese, b. 1948). Horizontal flat mount; ink and color on paper; painting: 87.6 x 177.8 cm (34 1/2 x 70 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2006.115", "current_location": null, "title": "Earth Landscape", "creation_date": "c. 2004", "creation_date_earliest": 2002, "creation_date_latest": 2006, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Horizontal flat mount; ink and color on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Painting", "measurements": "Painting: 87.6 x 177.8 cm (34 1/2 x 70 in.)", "dimensions": {"No Extent Specified": {}, "painting": {"height": 0.876, "width": 1.778}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u674e\u83ef\u5f0c  [\u5370] \u83ef\u5f0c", "inscription_translation": "Artist's signature and seal, \"Huayi\" in lower left", "inscription_remark": null, "sortorder": 1}, {"inscription": null, "inscription_translation": "Artist's seal on upper left side", "inscription_remark": null, "sortorder": 2}, {"inscription": null, "inscription_translation": "Artist's seal on right side", "inscription_remark": null, "sortorder": 3}], "exhibitions": {"current": [{"id": 367949, "title": "Spotlight on a New Generation: Contemporary Chinese Artists", "description": "<i>Spotlight on a New Generation: Contemporary Chinese Artists</i>. The Cleveland Museum of Art (organizer) (February 6-November 1, 2020).", "opening_date": "2020-02-06T05:00:00"}], "legacy": [{"description": "<em>Main Asian Rotation (Gallery 242)</em>. The Cleveland Museum of Art, Cleveland, OH (July 28, 2014-January 7, 2015).", "opening_date": "2014-07-28T00:00:00"}]}, "provenance": [{"description": "Collection of the artist, San Francisco, CA", "citations": [], "footnotes": null, "date": "2004\u2013?", "sortorder": 1}, {"description": "(Kaikodo America Inc., New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132006", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2006\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "One of Li Huayi's inspirations is the monumental landscape painting tradition of the Northern Song dynasty (960\u20131127).", "description": "Li Huayi seeks to recapture the elegance and fine texture of ancient Chinese landscape paintings while creating new abstract compositions for the modern world. Li begins his compositions by laying out large areas of ink washes. Next, he applies details of rock masses, trees, waterfall, clouds, and mist. While borrowing abstract, geometric forms of Western modernism, his brushwork depicting rocks and trees remains traditional.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60480339"], "internet_archive": []}, "citations": [{"citation": "Chung, Anita, \"New Chinese Landscapes\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 47 no. 05, May/June 2007", "page_number": "Mentioned & reproduced: p. 10", "url": "https://archive.org/details/CMAMM2007-05/page/10/"}, {"citation": "Chung, Anita. \"Re-emergence: New Chinese Galleries and Art Acquisitions of The Cleveland Museum of Art.\" <em>Orientations</em> vol 44 no. 8 (November/December 2013): 64-75.", "page_number": "Reproduced: pp. 72-3, fig. 9", "url": null}, {"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 111", "url": ""}], "url": "https://clevelandart.org/art/2006.115", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164592, "creators": [{"id": 54385, "description": "Li Huayi (Chinese, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u674e\u83ef\u5f0c", "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2006-06-05T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "c. 2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:58.768000"}, {"id": 313002, "accession_number": "2018.1045", "share_license_status": "Copyrighted", "tombstone": "Untitled (Cleveland Museum of Art, #1), 2018. Luisa Lambri (Italian, b. 1969). Pigment print; framed: 40 x 45 cm (15 3/4 x 17 11/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2018.1045. \u00a9 2017 Luisa Lambri", "current_location": null, "title": "Untitled (Cleveland Museum of Art, #1)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female"], "culture": ["Italy, 21st century"], "technique": "pigment print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Framed: 40 x 45 cm (15 3/4 x 17 11/16 in.)", "dimensions": {"framed": {"height": 0.4, "width": 0.45}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2017 Luisa Lambri", "inscriptions": [], "exhibitions": {"current": [{"id": 312999, "title": "Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)", "description": "<i>Marlon de Azambuja: Brutalismo-Cleveland and Luisa Lambri (FRONT International: An American City)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 3-December 30, 2018).", "opening_date": "2018-06-03T04:00:00"}], "legacy": []}, "provenance": [{"description": "Luisa Lambri (the artist), commissioned by FRONT International: Cleveland Triennial for Contemporary Art", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 3, 2018", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This work explores usually unnoticed details of the museum\u2019s north wing, which was designed by Marcel Breuer in 1971.", "description": "In a grouping of twelve photographs, Lambri sensitizes us to the complexity and richness of texture and tactility designed into the museum\u2019s north wing. Six of the images are close-ups of its iconic alternating light and dark gray stripes; the other six are close-ups of the joins of solid, monochromatic, medium gray blocks of stone.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79875736"], "internet_archive": []}, "citations": [{"citation": "\"Artists: Luisa Lambri,\u201d FRONT International", "page_number": null, "url": "https://frontart.org/artists/luisa-lambri/"}, {"citation": "Matthew Gengler, \u201cBuilding Images,\u201d <em>Cleveland Art, </em>July/August 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Leslie Cade, \u201cLuisa Lambri, A Meditation on the Breuer Building: Interpreting the Built Environment through Archival Images,\u201d <em>CMA Thinker: A Blog</em>, July 16, 2018", "page_number": null, "url": "https://www.clevelandart.org/magazine/cleveland-art-julyaugust-2018/building-images"}, {"citation": "Alexander Dumbadze, \u201cCritical Eye: Town and Country,\u201d <em>Art in America</em> Magazine, October 1, 2018", "page_number": null, "url": "https://www.artinamericamagazine.com/news-features/magazines/critical-eye-town-country/"}, {"citation": "Alex Greenberger, \u201cCity Slickers: Cleveland\u2019s First Front International Triennial Explores American Metropolises\u2014Without a Local Perspective,\u201d <em>ArtNews</em>, August 8, 2018", "page_number": null, "url": "http://www.artnews.com/2018/08/08/city-slickers-clevelands-first-front-international-triennial-explores-american-metropolises-without-local-perspective/"}, {"citation": "Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 1, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 33, 55, 150-151", "url": null}, {"citation": "Kris Roberts, \u201cLuisa Lambri,\u201d in Michelle Grabner, ed.  FRONT International: Cleveland Triennial for Contemporary Art: An American City: Eleven Cultural Exercises, Volume 2, Cleveland, OH: FRONT Exhibition Company, 2018", "page_number": "p. 130-131, 289", "url": null}], "url": "https://clevelandart.org/art/2018.1045", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 313002, "creators": [{"id": 313001, "description": "Luisa Lambri (Italian, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:46.980000"}, {"id": 170829, "accession_number": "2013.32", "share_license_status": "Copyrighted", "tombstone": "Reflection, 2002. Irene Chou (Chinese, 1924\u20132011). Ink, color, and acrylic on paper; overall: 60 x 96 cm (23 5/8 x 37 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2013.32", "current_location": null, "title": "Reflection", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "ink, color, and acrylic on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Painting", "measurements": "Overall: 60 x 96 cm (23 5/8 x 37 13/16 in.)", "dimensions": {"overall": {"height": 0.6, "width": 0.96}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "artist's seal: \"Zhou\" \u5468", "inscription_translation": null, "inscription_remark": null, "sortorder": 1}], "exhibitions": {"current": [], "legacy": [{"description": "<em>Irene Chou's solo exhibition.</em> Hong Kong Arts Centre, Hong Kong (2003).", "opening_date": "2003-01-01T00:00:00"}, {"description": "<em>Main Asian Rotation (Gallery 242)</em>. The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).", "opening_date": "2015-01-07T00:00:00"}]}, "provenance": [{"description": "The artist's collection, Brisbane, Australia, by descent to the artist's family", "citations": [], "footnotes": null, "date": "2002\u2013after 2011", "sortorder": 1}, {"description": "(Lok Ku Gallery Ltd., Hong Kong, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Irene Chou was in the forefront of the Hong Kong art scene from the late 1960s onward, steering the Chinese ink painting tradition toward abstraction and an engagement with both traditional Chinese philosophy and Western modernism.", "description": "Hong Kong artist Irene Chou engaged with traditional Chinese philosophy, the abstract and expressionist elements of Chinese ink painting, and Western modernism to seek an individual expression in art. <br><br>By freely splattering ink and duplicating the ink blobs to form chance images, Chou makes an allusion to a natural world of reflected light and images. <em>Reflection</em> is symbolic of the artist\u2019s search for knowledge of <em>dao</em> and a state of \u201cpure heart\u201d through inner reflection. It is her imagination of Daoist freedom and mystery that connects her subjective world with the powerful life forces of the universe.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60481687"], "internet_archive": []}, "citations": [{"citation": "<em>Archives of Asian Art</em> 64, no. 2 (2014): 225.", "page_number": "p. 225", "url": null}, {"citation": "Chung, Anita. \u201cBody, Mind, and Cosmos: The ink paintings of Irene Chou.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 3 (May/June 2015): 14\u201315.", "page_number": "Reproduced and Mentioned: p. 14", "url": "https://archive.org/details/CMAMM2015-03"}], "url": "https://clevelandart.org/art/2013.32", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170829, "creators": [{"id": 63436, "description": "Irene Chou (Chinese, 1924\u20132011)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5468\u7da0\u96f2", "birth_year": "1924", "death_year": "2011", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-05-28T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:21.464000"}, {"id": 170844, "accession_number": "2013.33", "share_license_status": "Copyrighted", "tombstone": "My Heart is the Universe, c. 2000. Irene Chou (Chinese, 1924\u20132011). Ink, color, and acrylic on silk; overall: 63.5 x 95.9 cm (25 x 37 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2013.33", "current_location": null, "title": "My Heart is the Universe", "creation_date": "c. 2000", "creation_date_earliest": 2000, "creation_date_latest": 2005, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "ink, color, and acrylic on silk", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Painting", "measurements": "Overall: 63.5 x 95.9 cm (25 x 37 3/4 in.)", "dimensions": {"overall": {"height": 0.635, "width": 0.959}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed by the artist with five of the artist's seals", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "<em>Irene Chou's solo exhibition.</em> Hong Kong Arts Centre, Hong Kong (2003).", "opening_date": "2003-01-01T00:00:00"}, {"description": "<em>Main Asian Rotation (Gallery 242)</em>. The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).", "opening_date": "2015-01-07T00:00:00"}]}, "provenance": [{"description": "The artist's collection, Brisbane, Australia, by descent to the artist's family", "citations": [], "footnotes": [], "date": "c. 2000\u2013after 2011", "sortorder": 1}, {"description": "(Lok Ku Gallery Ltd., Hong Kong, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Chou applied her so-called impact textural strokes (<em>jixian cun</em>) by hitting a wet brush against a rod to splatter ink on the silk painting surface.", "description": "This painting belongs to a series of Irene Chou\u2019s late work, inspired by two lines of the Southern Song idealist and neo-Confucian philosopher Lu Jiuyuan: \"The universe is my mind, and my mind is the universe.\" <br><br>The background of ink wash is suffused with a brilliant green to create a depth of infinite space\u2014\"the symbolic depth, the depth from one\u2019s heart and mind,\" as Chou says. In the midst of this infinite space is a small modulated sphere, her \"inner self.\" The sphere echoes with the red disc and red lines of veins, which are the abstract symbols for the artist\u2019s communion with the cosmic system. This painting communicates an exuberant joy and absolute freedom, as Chou searches for mystical oneness with the universe.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60481884"], "internet_archive": []}, "citations": [{"citation": "Chung, Anita.  \u201c2013 Acquisitions: Chinese Art.\u201d  <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 2 (March/April 2014): 21.", "page_number": "Reproduced and Mentioned: p. 21", "url": "https://archive.org/details/CMAMM2014-02"}, {"citation": "Chung, Anita. \"Body, Mind, and Cosmos: The ink paintings of Irene Chou.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 3 (May/June 2015): 14\u201315.", "page_number": "Reproduced and Mentioned: p. 15", "url": "https://archive.org/details/CMAMM2015-03"}], "url": "https://clevelandart.org/art/2013.33", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170844, "creators": [{"id": 63436, "description": "Irene Chou (Chinese, 1924\u20132011)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5468\u7da0\u96f2", "birth_year": "1924", "death_year": "2011", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-05-28T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "c. 2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:22.576000"}, {"id": 343588, "accession_number": "2019.34", "share_license_status": "Copyrighted", "tombstone": "Ties That Bind, 2019. Emeka Ogboh (Nigerian, b. 1977). Multichannel electronic sound composition; 21 minutes, 56 seconds. The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund, 2019.34. \u00a9 Emeka Ogboh", "current_location": null, "title": "Ties That Bind", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Nigeria"], "technique": "Multichannel electronic sound composition; 21 minutes, 56 seconds", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Time-based Media", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Emeka Ogboh", "inscriptions": [], "exhibitions": {"current": [{"id": 535628, "title": "Narrative Wisdom and African Arts", "description": "<i>Narrative Wisdom and African Arts</i>. Saint Louis Art Museum, St. Louis, MO (organizer) (October 19, 2024-January 5, 2025) https://www.slam.org/exhibitions/narrative-wisdom-and-african-arts/.", "opening_date": "2024-10-19T04:00:00"}], "legacy": [{"description": "No exhibition history.", "opening_date": null}]}, "provenance": [{"description": "Emeka Ogboh, Enugu, NG, 2019, sold to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2019", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "It is the first time a museum\u2019s collection has directly inspired the artist\u2019s work.", "description": "<em>Ties That Bind</em> is an electronic composition designed to create ambient sounds for the CMA\u2019s African art collection. It comprises digitally manipulated soundscapes of flowing water, water waves, a creaking boat, the strumming of <em>mbira</em> (thumb piano), staccato bass, tone, and slap of the <em>djembe</em> (drum), electronic drum, <em>ichaka</em> (rattle), voice chants, and spoken word. The multisensory work creates a soothing ambience, re-energizing the otherwise sedentary historical objects by adding an animated contemporary feel to the African gallery.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877662"], "internet_archive": []}, "citations": [{"citation": "Cohen, Joshua I. \"\u2018Narrative Wisdom and African Arts\u2019 Review: Storytelling\u2019s Power and Purpose,\" The Wall Street Journal. December 18, 2024. https://www.wsj.com/arts-culture/fine-art/narrative-wisdom-and-african-arts-review-storytellings-power-and-purpose-69259d50", "page_number": "", "url": "https://www.wsj.com/arts-culture/fine-art/narrative-wisdom-and-african-arts-review-storytellings-power-and-purpose-69259d50"}, {"citation": "Liebert, Emily, Emeka Ogboh, Ugochukwu-Smooth C Nzewi, Meki Nzewi, Meki Nzewi, and Cleveland Museum of Art. <em>\u00c1m\u00e0 : The Gathering Place : Emeka Ogboh</em>. Cleveland: Cleveland Museum of Art, 2019.", "page_number": "Mentioned and reproduce: p. 38-39, fig. 15", "url": ""}], "url": "https://clevelandart.org/art/2019.34", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 343588, "creators": [{"id": 343585, "description": "Emeka Ogboh (Nigerian, b. 1977)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:18.854000"}, {"id": 374726, "accession_number": "2020.65", "share_license_status": "Copyrighted", "tombstone": "Reconstructed Landscape no. 10 (\u91cd\u6784\u5c71\u6c3410\u53f7), 2015. Cao Ou (Chinese, b. 1987). Set of 10 woodblock prints mounted in handscroll format, printed with water-soluble colors; painting: 48 x 821.1 cm (18 7/8 x 323 1/4 in.); overall: 52.8 x 1084.9 cm (20 13/16 x 427 1/8 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2020.65. \u00a9 Cao Ou", "current_location": null, "title": "Reconstructed Landscape no. 10", "title_in_original_language": "\u91cd\u6784\u5c71\u6c3410\u53f7", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["Asian (from 1900 to present)", "male"], "culture": ["China"], "technique": "Set of 10 woodblock prints mounted in handscroll format, printed with water-soluble colors", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "Painting: 48 x 821.1 cm (18 7/8 x 323 1/4 in.); Overall: 52.8 x 1084.9 cm (20 13/16 x 427 1/8 in.)", "dimensions": {"No Extent Specified": {"height": 0.505, "width": 0.7}, "painting": {"height": 0.48, "width": 8.211}, "overall": {"height": 0.528, "width": 10.849}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Cao Ou", "inscriptions": [{"inscription": "\u5c71\u6c34\u91cd\u6a2a / \n\u5df1\u4ea5\u5e74\u5341\u6708\u5341\u4e03\u65e5 / \n\u9396\u528d\u66f8", "inscription_translation": null, "inscription_remark": "Frontispiece dated October 17, 2019 with 5 seals, calligraphy by Suojian", "sortorder": null}, {"inscription": "2/2 \u00ab\u91cd\u6784\u5c71\u6c34\u00bb \u66f9\u6b27 2015", "inscription_translation": "2/2 \"Reconstructed Landscape\" Cao Ou 2015", "inscription_remark": "Pencil annotation on the frontispiece", "sortorder": null}, {"inscription": "\u7279\u70ba\u66f9\u5144\u5927\u4f5c\u5c71\u6c34\u91cd\u69cb\u984c\u8a18\u5df1\u4ea5\u5e74\u5341\u4e00\u6708\u5341\u4e03\u65e5 / \u9396\u528d\u66f8\u65bc\u6e56\u4e0a", "inscription_translation": null, "inscription_remark": "Colophon by Suojian with 6 seals, dated November 17, 2019", "sortorder": null}], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": [{"description": "<em>Chinese Woodblock Prints: Context and Practice</em>. The Muban Educational Trust, St. Paul's School, London (January 17-February 5, 2019).", "opening_date": "2019-01-17T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2015-2019", "sortorder": 1}, {"description": "(The Muban Educational Trust, London, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2019-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The arched bridges and soft hills along the lakeshore evoke an image of the West Lake in Hangzhou, where Cao Ou resides.", "description": "Cao Ou made this series of ten prints at the age of 28. The edition acquired by the CMA was mounted by the artist in traditional handscroll format. Its bold colors, combining a brilliant red, green, and blue, were impressed in separately cut woodblocks on the paper. The color scheme references traditional blue-and-green landscape paintings. The composition is inspired by a handscroll by Wang Ximeng (1096\u20131119), <em>A Thousand Li of Rivers and Mountains</em>, now in the collection of the Palace Museum, Beijing. <br><br>The construction of the scenery out of blocks is reminiscent of Legos or the computer game, Minecraft, that simulates the reconstruction of iconic sights and famous landmarks in 3-D.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244034"], "internet_archive": []}, "citations": [{"citation": "Barker, David. <em>Chinese Woodblock Prints: Context &amp; Practice</em>. London: The Muban Educational Trust, St Paul\u2019s School, 2019.", "page_number": "Reproduced: cat. no. 1", "url": null}, {"citation": "\u201cPermanent Collection Installations: Text and Image in Southern Asia.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>vol. 62, no. 4 (December 2022): 12-13.", "page_number": "Reproduced: P. 12 (one of ten woodblock prints).", "url": ""}], "url": "https://clevelandart.org/art/2020.65", "images": {}, "alternate_images": [], "creditline": "Alma and Robert D. Milne Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 374726, "creators": [{"id": 374728, "description": "Cao Ou (Chinese, b. 1987)", "extent": null, "qualifier": null, "role": "artist", "biography": "Cao Ou was born in Heze, Shandong province in 1987. He passed the entrance examination for the Printmaking Department of the China Academy of Fine Arts in 2007 and was awarded a BA degree in 2011. Cao was awarded his MA degree in Printmaking from the Academy in 2015. Since then he has been working and living in Hangzhou. Cao was shortlisted for the First Muban Education Trust Printmaking Award in 2015 at age 28.", "name_in_original_language": "\u66f9\u6b27", "birth_year": "1987", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 16:32:49.819000"}, {"id": 674463, "accession_number": "2024.169", "share_license_status": "Copyrighted", "tombstone": "Phie Nude Front, 2011. Richard Learoyd (British, b. 1966). Unique camera obscura dye destruction print, flush-mounted; image: 121.9 x 210.8 cm (48 x 83 in.); frame: 163.8 x 241 x 7.6 cm (64 1/2 x 94 7/8 x 3 in.). The Cleveland Museum of Art, Gift of Dominique Levy, 2024.169", "current_location": null, "title": "Phie Nude Front", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["England"], "technique": "Unique camera obscura dye destruction print, flush-mounted", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 121.9 x 210.8 cm (48 x 83 in.); Frame: 163.8 x 241 x 7.6 cm (64 1/2 x 94 7/8 x 3 in.)", "dimensions": {"image": {"height": 1.219, "width": 2.108}, "frame": {"height": 1.638, "width": 2.41, "depth": 0.076}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Light of Day, </em>Transformer Station, Cleveland, OH (February 1-May 4, 2013).", "opening_date": "2013-02-01T05:00:00Z"}, {"description": "<em>Richard Learoyd: In the Studio, </em>The Getty Museum, Los Angeles, CA (August 30-November 27, 2016); Nelson-Atkins Museum of Art, Kansas City, MO (February 10-June 11, 2017).", "opening_date": "2016-08-30T04:00:00Z"}]}, "provenance": [{"description": "Richard Learoyd [1966\u2013] (the artist)", "citations": [], "footnotes": null, "date": "2011", "sortorder": 1}, {"description": "(Fraenkel Gallery, San Francisco, CA), sold to Fred and Laura Ruth Bidwell, Cleveland, OH", "citations": [], "footnotes": null, "date": "April 29, 2011", "sortorder": 2}, {"description": "(Phillips, New York, NY), sold to Dominique L\u00e9vy, London, England and New York, NY", "citations": [], "footnotes": null, "date": "October 11, 2023", "sortorder": 3}, {"description": "Dominique L\u00e9vy, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "October 11, 2023\u2013June 3, 2024", "sortorder": 4}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 3, 2024\u2013", "sortorder": 5}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photograph, which is unique, was made with a room-sized camera.", "description": "Richard Learoyd built a camera consisting of two rooms. The subject, along with a strong bank of lights, occupies one room. The photographic paper is exposed in an adjacent dark room (the camera obscura). A lens connects the two chambers. \u201cThe material in the camera [that is, the photographic paper] is the work itself,\u201d says the artist. \u201cIt is a direct recording of the subject and is, in the truest sense, unique.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Learoyd, Richard, and Fraenkel Gallery. Richard Learoyd : Presences. San Francisco, Calif.: Fraenkel Gallery, 2011.", "page_number": "pl. 19", "url": ""}, {"citation": "Steven Litt, \u201cBidwell + Cleveland Museum of Art Transformer Station gallery launches with \u2018Light of Day\u2019 and Vaughn Wascovich photos,\u201d <em>Cleveland.com</em>, February 16, 2013.", "page_number": "", "url": "https://www.cleveland.com/arts/2013/02/fred_and_laura_bidwells_transf.html"}], "url": "https://clevelandart.org/art/2024.169", "images": {}, "alternate_images": [], "creditline": "Gift of Dominique Levy", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674463, "creators": [{"id": 674461, "description": "Richard Learoyd (British, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:09.548000"}, {"id": 169229, "accession_number": "2011.135", "share_license_status": "Copyrighted", "tombstone": "Rediscovery of Poems, 2011. Sungsoo Kim (Korean, b. 1974). Cast glass. The Cleveland Museum of Art, Gift of the Korean Holiness Church of the Nazarene, 2011.135", "current_location": null, "title": "Rediscovery of Poems", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["Korea"], "technique": "cast glass", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Glass", "dimensions": {"overall": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197104, "title": "The Lure of Painted Poetry: Japanese and Korean Art", "description": "<i>The Lure of Painted Poetry: Japanese and Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).", "opening_date": "2011-03-27T00:00:00"}, {"id": 452567, "title": "Old and New in Korean Art", "description": "<i>Old and New in Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 28, 2022-April 23, 2023).", "opening_date": "2022-10-28T04:00:00"}, {"id": 517759, "title": "Material and Immaterial in Korean Modern and Contemporary Art", "description": "<i>Material and Immaterial in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 28, 2023-February 25, 2024).", "opening_date": "2023-04-28T04:00:00"}], "legacy": []}, "provenance": [{"description": "Artist; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "With its alternating white and black scheme, Kim refers to the art of calligraphy, further linking ancient Asian art forms in an entirely new composition.", "description": "Sungsoo Kim found his inspiration in discarded Styrofoam pellets, a type of packaging material, and utilized them as molds for casting glass. Kim was fascinated with the different shapes of the pellets as well as their short life span\u2014after boxes are opened, pellets lose their value and are discarded. Upcyled Styrofoam here is transformed into a powerful poetic line.<br> <br>The title of this work was inspired by Korean poet Yu Chi-hwan\u2019s poem \u201cRock.\u201d As the poet challenges the commonly accepted binary between life and death and rebirth and extinction, Kim transforms each Styrofoam pellet into a line celebrating renewed life.<br> <br>\u201cRock\u201d by Yu Chi-hwan (1908\u22121967) <br>When I die, I will become <br>a rock, never touched <br>by compassion, joy, or anger. <br>While being torn down <br>by wind and rain, <br>that rock will only whip itself <br>inwards in eternal, impersonal silence, <br>and at last forget its own existence. <br>Floating clouds, distant thunder! <br>Though it may dream, <br>it will never sing, <br>though broken in pieces, <br>it will never utter a word\u2014 <br>I will become such a rock.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076209"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.135", "images": {}, "alternate_images": [], "creditline": "Gift of the Korean Holiness Church of the Nazarene ", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169229, "creators": [{"id": 60830, "description": "Sungsoo Kim (Korean, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uae40\uc131\uc218", "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-09-06T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:07.840000"}, {"id": 172539, "accession_number": "2015.38", "share_license_status": "Copyrighted", "tombstone": "Brothers Collecting Shells, 2013. Fidencio Fifield-Perez (Mexican, b. 1990). Color linocut; image: 91.4 x 61 cm (36 x 24 in.); sheet: 101.6 x 67.3 cm (40 x 26 1/2 in.); matted: 116.8 x 86 cm (46 x 33 7/8 in.). The Cleveland Museum of Art, Gift of Friends of the Department of Prints and Drawings, 2015.38. \u00a9 Fidencio Fifield-Perez", "current_location": null, "title": "Brothers Collecting Shells", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male", "Latine and Hispanic Artists", "LGBTQ+ (after 1900)"], "culture": ["Mexico, 21st Century"], "technique": "color linocut", "support_materials": [{"description": "white wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Linocut", "type": "Print", "measurements": "Image: 91.4 x 61 cm (36 x 24 in.); Sheet: 101.6 x 67.3 cm (40 x 26 1/2 in.); Matted: 116.8 x 86 cm (46 x 33 7/8 in.)", "dimensions": {"sheet": {"height": 1.016, "width": 0.673}, "image": {"height": 0.914, "width": 0.61}, "matted": {"height": 1.168, "width": 0.86}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Fidencio Fifield-Perez", "inscriptions": [{"inscription": "Lower left, in graphite: \"EL RIO\"\r\nLower center, in graphite: 5/5\r\nLower right, in graphite: Fidencio Martinez 2013\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 373919, "title": "A Graphic Revolution: Prints and Drawings in Latin America", "description": "<i>A Graphic Revolution: Prints and Drawings in Latin America</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 14-August 2, 2020).", "opening_date": "2020-03-08T05:00:00"}], "legacy": [{"description": "<em>Somewheres and Nowheres: New Prints 2014/Autumn, Selected by Nicola L\u00f3pez. </em>International Print Center, New York (October 25 - December 13, 2014).", "opening_date": "2014-10-25T00:00:00"}]}, "provenance": [{"description": "(Fidencio Fifield-Perez, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2015", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2015-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Although the title inscribed on the print reads \"El Rio\" (River), the artist later changed the title to the one seen here.", "description": "Fidencio Fifield-Perez crossed the border from Mexico to the United States as a young boy, and this experience has informed prints such as this one. Two boys, presumably the artist and his brother, stand knee-deep in water, working together to gather shells. In such images, Fidencio-Perez hopes to highlight the everyday lives of immigrants.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084629"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.38", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of the Department of Prints and Drawings", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172539, "creators": [{"id": 65784, "description": "Fidencio Fifield-Perez (Mexican, b. 1990)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-03-05T00:00:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["El Rio"], "is_highlight": false, "updated_at": "2026-03-27 00:05:55.112000"}, {"id": 168467, "accession_number": "2010.226", "share_license_status": "Copyrighted", "tombstone": "Take a Picture of the Indian/Take a Picture with the Indian , 2000. Zig Jackson (Mandan/ Hidatsa/ Arikara, b. 1957). Gelatin silver print (diptych); paper: 50.2 x 60.4 cm (19 3/4 x 23 3/4 in.); matted: 71.1 x 81.3 cm (28 x 32 in.); right image: 35.3 x 25.1 cm (13 7/8 x 9 7/8 in.); left image: 35.4 x 26.1 cm (13 15/16 x 10 1/4 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2010.226. \u00a9 Zig Jackson", "current_location": "101B Prints & Drawings", "title": "Take a Picture of the Indian/Take a Picture with the Indian ", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["Indigenous", "male"], "culture": ["America"], "technique": "gelatin silver print (diptych)", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 50.2 x 60.4 cm (19 3/4 x 23 3/4 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.); right image: 35.3 x 25.1 cm (13 7/8 x 9 7/8 in.); left image: 35.4 x 26.1 cm (13 15/16 x 10 1/4 in.)", "dimensions": {"paper": {"height": 0.502, "width": 0.604}, "matted": {"height": 0.711, "width": 0.813}, "right image": {"height": 0.353, "width": 0.251}, "left image": {"height": 0.354, "width": 0.261}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Zig Jackson", "inscriptions": [{"inscription": "Written in black marker on verso: \"Take a picture of the Indian/Take a picture with the Indians/Cherokee N.C. Zig Jackson, Mandan. Hidatsa, Arikara\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 198065, "title": "The American Indian Image: Photographs by Edward S. Curtis and Zig Jackson ", "description": "<i>The American Indian Image: Photographs by Edward S. Curtis and Zig Jackson </i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 30, 2010).", "opening_date": "2010-02-07T00:00:00"}, {"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": [{"description": "CMA, February 7, 2010 - May 30, 2010: \"The American Indian Image: Photographs by Edward S. Curtis and Zig Jackson,\" exhibited in the East Wing Photography Exhibition gallery.", "opening_date": "2010-02-07T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": ["12.2010"], "did_you_know": null, "description": "Zig Jackson travels with his camera to different\rAmerican Indian reservations, visiting former\rschoolmates and friends and taking pictures.\rWhile driving through Cherokee, North Carolina,\rhe observed billboards inviting tourists to \u201cTake\r<br>a Picture with an Indian.\u201d Jackson spent the day\rspeaking with a tribal elder about his life and\rfamily and documenting the method by which\rhe made a living\u2014posing with tourists for a fee.\rCommitted to showing the daily life and reality\r<br>of Indigenous populations, Jackson\u2019s diptych\rhighlights the cliches perpetuated by literature and\rthe media that many people still hold about Native\rAmericans in the United States.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074391"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.226", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 168467, "creators": [{"id": 59447, "description": "Zig Jackson (Mandan/ Hidatsa/ Arikara, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Take a Picture of the Indian, Take a Picture with the Indian (diptych)"], "is_highlight": false, "updated_at": "2026-03-27 00:09:39.690000"}, {"id": 170691, "accession_number": "2013.22.7", "share_license_status": "Copyrighted", "tombstone": "A Suite Set of Dance, Dance, Dance: Dance, Dance, Dance. #7, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.2 x 39 cm (21 5/16 x 15 3/8 in.); platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.7. \u00a9 Kakyoung Lee", "current_location": "236 Korean", "title": "Dance, Dance, Dance. #7", "series": "A Suite Set of Dance, Dance, Dance", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.2 x 39 cm (21 5/16 x 15 3/8 in.); Platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.)", "dimensions": {"sheet": {"height": 0.542, "width": 0.39}, "platemark": {"height": 0.146, "width": 0.253}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #7; verso in graphite, lower right: K. L. '11", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}, {"id": 677112, "title": "Juxtaposition and Juncture in Korean Modern and Contemporary Art", "description": "<i>Juxtaposition and Juncture in Korean Modern and Contemporary Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Created by the Seoul- and New York-based artist Kakyung Lee, <em>Dance, Dance, Dance</em> is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079746"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.7", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170691, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:39.600000"}, {"id": 308820, "accession_number": "2018.5", "share_license_status": "Copyrighted", "tombstone": "Totem 01/01\u201318 (Baga-Batcham-Alunga-Kota), 2018. Herv\u00e9 Youmbi (Cameroonian, b. Central African Republic, 1973). Wood, glass beads, thread, glue, and silicone adhesive; overall: 188 x 53 x 38 cm (74 x 20 7/8 x 14 15/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.5", "current_location": null, "title": "Totem 01/01\u201318 (Baga-Batcham-Alunga-Kota)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Africa, Central Africa, Cameroon"], "technique": "Wood, glass beads, thread, glue, and silicone adhesive", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Sculpture", "measurements": "Overall: 188 x 53 x 38 cm (74 x 20 7/8 x 14 15/16 in.)", "dimensions": {"overall": {"height": 1.88, "width": 0.53, "depth": 0.38}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Axis Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2018", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2018-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The towering hybrid sculpture consists of contemporary carvings of four canonical African masks and sculptures.", "description": "<em>Totem 01/01-18 </em>is a brilliant work plays off the conventional codes of historic African arts to present subversive arguments around issues of taxonomy, commodification, identity, and the system of value that underpins African arts in the market and museums. It is a contemporary carving that combines four canonical African mask and sculptural forms\u2014Kota-Mahongwe guardian figures sit atop a <em>tsesah</em> mask from Batcham in the Cameroon Grassfields whose back bears a Bembe <em>Alunga</em> society mask, which surmounts a Baga <em>d\u2019mba</em> headdress from Guinea or Guinea-Bissau at the base\u2014into a soaring superstructure.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781274"], "internet_archive": []}, "citations": [{"citation": "Malaquais, Dominique. \u201cImag(IN)ing Racial France, Take 3 \u2013 Herve Youmbi.\u201d In <em>Public Culture</em> 23:1 (2011).", "page_number": null, "url": null}, {"citation": "Nzewi, Ugochukwu-Smooth C. \u201cIn the Long Shadows of Euro-America, or, What is Global Contemporary,\u201d <em>African Arts</em> 48, no. 2 (Summer 2015): 10-11.", "page_number": null, "url": null}, {"citation": "Malaquais, Dominique. \u201cPlaying (in) the Marketfield: Herve Youmbi and the Art World Maze,\u201d In <em>Cahiers d\u2019etudes africaines</em>, no. 223 (2016): 559-579.", "page_number": null, "url": null}, {"citation": "Forni, Silvia. \u201cMasks on the Move: Defying Genres, Styles, and Traditions in the Cameroonian Grassfields.\u201d In <em>African Arts</em> 49, no. 2 (Summer 2016)", "page_number": "Pg. 38-53", "url": "https://ingallslibrary.on.worldcat.org/oclc/6034992827"}, {"citation": "K\u00f6nig, Kasper, Britta Peters, and Marianne Wagner. <em>Skulptur Projekte Munster</em> <em>2017</em>. Leipzig: Spector Books, June 10 \u2013 October 1, 2017.", "page_number": null, "url": null}, {"citation": "Forni, Silvia and Dominique Malaquais. \"Village Matters, City Works: Ideas, Technologies, and Dialogues in the Work of Herve Youmbi.\" <em>Critical Interventions, </em>12, issue 3 (2018): 294-305.", "page_number": "Reproduced and mentioned; p. 303, fig. 15", "url": ""}, {"citation": "Nzewi, Ugochukwu-Smooth C. \"Contemporary African Art.\" <em>Cleveland Art </em>(September/October 2018): 8-9.", "page_number": "Reproduced and mentioned: P. 9.", "url": "https://www.clevelandart.org/print/magazine/cleveland-art-septemberoctober-2018/contemporary-african-art"}, {"citation": "Ugochukwu-Smooth, C. Nzewi. \u201cContemporary African Art: Two new works add a twist to canonical forms.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 5 (September/October 2018): 8-9.", "page_number": "Reproduced: P. 9; Mentioned: P. 8, 9", "url": "https://archive.org/details/CMAMM2018-05/page/n3/mode/2up"}, {"citation": "Nzewi, Ugochukwu-Smooth C. <em>Second Careers : Two Tributaries in African Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2019", "page_number": "Reproduced:  p. 20, fig. 5 (foreground), p. 21, fig. 6,  p. 24, fig. 12 (right); mentioned:  p. 20.", "url": "https://ingallslibrary.on.worldcat.org/oclc/1090438741"}, {"citation": "Nzewi, Ugochukwu-Smooth C. <em>Second Careers : Two Tributaries in African Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2019", "page_number": "Reproduced:  p. 20, fig. 5 (foreground), p. 21, fig. 6,  p. 24, fig. 12 (right); mentioned:  p. 20.", "url": "https://ingallslibrary.on.worldcat.org/oclc/1090438741"}, {"citation": "Forni, Silvia and Dominque Malaquais. \"Village Matters, City Works: Ideas, Technologies, and Dialogues in the Work of Herv\u00e9 Youmbi,\" In <em>Critical Interventions </em>12, issue 3, (2018): 294-305.", "page_number": "Reproduced and mentioned: p. 303, fig. 15", "url": "https://ingallslibrary.on.worldcat.org/oclc/8586017039"}, {"citation": "Griswold, William M. \u201cRecent Acquisitions (2013-20) at the Cleveland Museum of Art.\u201d <em>Burlington Magazine </em>163, no. 1414 (January 2021): 93-104.", "page_number": "Mentioned and reproduced: P. 104, no. 23; mentioned: P. 93", "url": ""}], "url": "https://clevelandart.org/art/2018.5", "images": {}, "alternate_images": [], "creditline": "Purchase from the Karl B. Goldfield Trust", "image_credit": null, "sketchfab_id": "1d2ce704763944abb18bb519fd57f511", "sketchfab_url": "https://sketchfab.com/models/1d2ce704763944abb18bb519fd57f511", "gallery_donor_text": null, "athena_id": 308820, "creators": [{"id": 308819, "description": "Herv\u00e9 Youmbi (Cameroonian, b. Central African Republic, 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-02-26T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-04-03 19:51:12.313000"}, {"id": 167235, "accession_number": "2009.2", "share_license_status": "Copyrighted", "tombstone": "Continuous Mile, 2006\u20138. Liza Lou (American, b. 1969). Cotton and glass beads; overall: 1.9 x 160934.4 cm (3/4 x 63360 in.); installed: 78.7 x 195.6 cm (31 x 77 in.). The Cleveland Museum of Art, Gift of Scott C. Mueller and Margaret Fulton Mueller and John L. Severance Fund, 2009.2. \u00a9 Liza Lou", "current_location": null, "title": "Continuous Mile", "creation_date": "2006\u20138", "creation_date_earliest": 2006, "creation_date_latest": 2008, "artists_tags": ["female"], "culture": ["America"], "technique": "cotton and glass beads", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 1.9 x 160934.4 cm (3/4 x 63360 in.); Installed: 78.7 x 195.6 cm (31 x 77 in.)", "dimensions": {"overall": {"height": 0.019, "width": 1609.344}, "installed": {"height": 0.787, "width": 1.956}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Liza Lou", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Main Gallery Rotation (gallery 229): April 21, 2009 - March 30, 2010; July 23, 2012 - December 12, 2012.", "opening_date": "2009-04-21T00:00:00"}]}, "provenance": [{"description": "The work comes from the artist's studio in South Africa and L&M Arts, New York.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Liza Lou gratefully acknowledges the artisans in KwaZulu-Natal, South Africa, who worked with her in the making of Continuous Mile: Mzi Shangaze, Nomusa Bailey, Tryphina Bailey, Sphilile Bhengu, Mlungisi Gumede, Nonhlanhla Gumede, Thandazile Gwala, Zanele Gwala, Bangiwe Khawula, Nokuthula Linda, Sindi Lushaba, Sipho Lushaba, Ntombi Luthuli, S\u2019bonelo Madiba, Thulisile Madiba, Pinky Makhoba, Buhle Mbele, Sinekhaya Mbele, Zandile Mbele, Nozibele Mbele, Lubabalo Mbele, Fikile Mbhele, Lucky Mbongwa, Mafika Mbongwa, Ntombizodwa Mlelese, Nomaswazi Molapo, Thembisile Moto, Palesa Muntu, Lucy Ndlovu, Sindi Ndlovu, Nokuthula Ngidi, Nqobile Ngidi, Slindile Nglamu, Sha Ngobo, Nsele, Cebisisle Nyanda, Vuyiswa Nxele, Dooi Polaki, Buzephi Shangaze, Nokuthula Shinga, Ncamsile Sithole, Zanele Shinga, Philile Thango, and Philisile Zwane.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79998543"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 124", "url": ""}], "url": "https://clevelandart.org/art/2009.2", "images": {}, "alternate_images": [], "creditline": "Gift of Scott C. Mueller and Margaret Fulton Mueller and John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167235, "creators": [{"id": 58203, "description": "Liza Lou (American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-03-02T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006\u20138", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:39.941000"}, {"id": 312813, "accession_number": "2018.33", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses, 2004\u2013ongoing. Carl Pope Jr. (American, b. 1961). 108 letterpress posters. The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33. \u00a9 Carl Pope Jr.", "current_location": null, "title": "The Bad Air Smelled of Roses", "creation_date": "2004\u2013ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "108 letterpress posters", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Carl Pope Jr.", "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 18, 2018-March 24, 2019).", "opening_date": "2018-11-18T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. To date, the work comprises 108 posters that present texts from a range of sources, including modern Black literature, Ren\u00e9 Descartes, jazz and rap music, Sigmund Freud, Malcolm X, Dolly Parton, movie dialogue from <em>Casablanca</em> and <em>The Matrix,</em> and a TV commercial for bubble bath. For Pope, Blackness is not limited to African American identity, but encompasses all that is unseen, unknown, oppressed, forgotten, or rejected. The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60751364"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Wehn, James. \u201cWho RU2 Day? Exposing mass media as a manufactured experience.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 6 (November/December 2018): 14-15.", "page_number": "Reproduced: P. 15; Mentioned: P. 14", "url": "https://archive.org/details/CMAMM2018-06/page/n7/mode/2up"}], "url": "https://clevelandart.org/art/2018.33", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312813, "creators": [{"id": 310168, "description": "Carl Pope Jr. (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004\u2013ongoing", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:10.452000"}, {"id": 169305, "accession_number": "2011.18", "share_license_status": "Copyrighted", "tombstone": "Clouds Follow Dragon (\u96f2\u5f93\u9f8d), 2008. Takaki Seiu (Japanese, born 1949). Ink on paper; image: 97 x 170 cm (38 3/16 x 66 15/16 in.); framed: 110 x 181 cm (43 5/16 x 71 1/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2011.18", "current_location": null, "title": "Clouds Follow Dragon", "title_in_original_language": "\u96f2\u5f93\u9f8d", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "ink on paper", "support_materials": [], "department": "Japanese Art", "collection": "ASIAN - Handscroll", "type": "Calligraphy", "measurements": "Image: 97 x 170 cm (38 3/16 x 66 15/16 in.); Framed: 110 x 181 cm (43 5/16 x 71 1/4 in.)", "dimensions": {"image": {"height": 0.97, "width": 1.7}, "framed": {"height": 1.1, "width": 1.81}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197104, "title": "The Lure of Painted Poetry: Japanese and Korean Art", "description": "<i>The Lure of Painted Poetry: Japanese and Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).", "opening_date": "2011-03-27T00:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2008\u20132011", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2011\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Takaki Seiu is a professor emeritus of Daito Bunka University.", "description": "These three characters, read from right to left, convey the meaning that people prefer to follow an individual who possesses a considerate and warm personality\u2014much like clouds follow a dragon, a motif found in classical East Asian visual culture and literature.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076397"], "internet_archive": []}, "citations": [{"citation": "So\u0306n, Su\u0306ng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland, OH: Cleveland Museum of Art, 2011.", "page_number": "Mentioned and Reproduced: pp. 96\u201397, no. 97", "url": ""}], "url": "https://clevelandart.org/art/2011.18", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169305, "creators": [{"id": 60697, "description": "Takaki Seiu (Japanese, born 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ad8\u6728\u8056\u96e8", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:25.185000"}, {"id": 169316, "accession_number": "2011.19", "share_license_status": "Copyrighted", "tombstone": "Working with Right Principles (\u52f8\u4ee5\u7fa9), 2009. Takaki Seiu (Japanese, born 1949). Ink on paper; sheet: 97 x 170 cm (38 3/16 x 66 15/16 in.); image: 97 x 110 cm (38 3/16 x 43 5/16 in.); framed: 110 x 181 cm (43 5/16 x 71 1/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2011.19", "current_location": null, "title": "Working with Right Principles", "title_in_original_language": "\u52f8\u4ee5\u7fa9", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "ink on paper", "support_materials": [], "department": "Japanese Art", "collection": "ASIAN - Handscroll", "type": "Calligraphy", "measurements": "Sheet: 97 x 170 cm (38 3/16 x 66 15/16 in.); Image: 97 x 110 cm (38 3/16 x 43 5/16 in.); Framed: 110 x 181 cm (43 5/16 x 71 1/4 in.)", "dimensions": {"sheet": {"height": 0.97, "width": 1.7}, "image": {"height": 0.97, "width": 1.1}, "framed": {"height": 1.1, "width": 1.81}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197104, "title": "The Lure of Painted Poetry: Japanese and Korean Art", "description": "<i>The Lure of Painted Poetry: Japanese and Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).", "opening_date": "2011-03-27T00:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2009\u20132011", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2011\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Takaki Seiu was a student of Aoyama Sanu, whose calligraphy is also in the CMA collection. See <a href=\"https://www.clevelandart.org/art/2011.16\"><u>2011.16<br></u></a>and <a href=\"https://www.clevelandart.org/art/2011.17\"><u>2011.17</u></a>.", "description": "These three characters, read from right to left, are a quote from an annotation of <em>The Book of Songs</em>, the oldest Chinese classical poetry anthology. The phrase means to use reason and logic when advising others. The characters are brushed in an abstracted version of a calligraphic style called seal script, an ancient Chinese mode of writing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076423"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art, and So\u0306n Su\u0306ng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland: Cleveland Museum of Art, 2011.", "page_number": "Mentioned and reproduced: P. 97-98, no. 98", "url": ""}], "url": "https://clevelandart.org/art/2011.19", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169316, "creators": [{"id": 60697, "description": "Takaki Seiu (Japanese, born 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ad8\u6728\u8056\u96e8", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:53.328000"}, {"id": 169367, "accession_number": "2011.22", "share_license_status": "Copyrighted", "tombstone": "Poem from the \"Collection of Ancient and Modern Verse\" (\u53e4\u4eca\u548c\u6b4c\u96c6\u306e\u5185 \u548c\u6b4c\u4e00\u9996), 2011. Takaki Seikaku (Japanese, 1923\u20132017). Hanging scroll; ink on dyed paper with cut gold; sheet: 36 x 50 cm (14 3/16 x 19 11/16 in.); image: 18.5 x 21.5 cm (7 5/16 x 8 7/16 in.); mounted: 120 x 40 cm (47 1/4 x 15 3/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2011.22", "current_location": null, "title": "Poem from the \"Collection of Ancient and Modern Verse\"", "title_in_original_language": "\u53e4\u4eca\u548c\u6b4c\u96c6\u306e\u5185 \u548c\u6b4c\u4e00\u9996", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "hanging scroll; ink on dyed paper with cut gold", "support_materials": [], "department": "Japanese Art", "collection": "ASIAN - Hanging scroll", "type": "Calligraphy", "measurements": "Sheet: 36 x 50 cm (14 3/16 x 19 11/16 in.); Image: 18.5 x 21.5 cm (7 5/16 x 8 7/16 in.); Mounted: 120 x 40 cm (47 1/4 x 15 3/4 in.)", "dimensions": {"sheet": {"height": 0.36, "width": 0.5}, "image": {"height": 0.185, "width": 0.215}, "mounted": {"height": 1.2, "width": 0.4}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u3064\u308b\u304b\u3081\u3082\u3061\u3068\u305b\u306e\u306e\u3061\u306f\u3057\u3089\u306a\u304f\u306b\u3042\u304b\u306c\u3053\u3053\u308d\u306b\u307e\u304b\u305b\u306f\u3066\u3066\u3080", "inscription_translation": "The crane and the turtle/ \nafter the passage of a thousand years/ \nmeet I know not what,/ \nyet with all the longing of my heart,/ \nthat is what I wish for you.", "inscription_remark": "Translated by Thomas McAuley. Poem 355 from the Collection of Ancient and Modern Verse. Composed for Fujiwara no Miyoshi\u2019s sixtieth birthday and traditionally attributed to Ariwara no Shigeharu.", "sortorder": 1}], "exhibitions": {"current": [{"id": 197104, "title": "The Lure of Painted Poetry: Japanese and Korean Art", "description": "<i>The Lure of Painted Poetry: Japanese and Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).", "opening_date": "2011-03-27T00:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist, Japan, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "?\u20132011", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2011\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Poem number 355 from the<em> Collection of Ancient and Modern Verse </em>dates to the ninth century.", "description": "This calligraphy is a copy of an ancient Japanese poem originally composed to celebrate someone\u2019s 60th birthday, when people are traditionally considered to enter a new phase of life. It expresses hopes for longevity, symbolized by a bird and animal who legendarily have long lives. It says:<br><br>The crane and the turtle <br>after the passage of a thousand years <br>meet I know not what, <br>yet with all the longing of my heart, <br>that is what I wish for you.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076584"], "internet_archive": []}, "citations": [{"citation": "So\u0306n, Su\u0306ng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2011.", "page_number": "cat. no. 92", "url": null}], "url": "https://clevelandart.org/art/2011.22", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169367, "creators": [{"id": 60700, "description": "Takaki Seikaku (Japanese, 1923\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ad8\u6728\u8056\u9db4", "birth_year": "1923", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:18.842000"}, {"id": 294333, "accession_number": "2017.191", "share_license_status": "Copyrighted", "tombstone": "Name Announcer, 2011. Pierre Huyghe (French, b. 1962). A person at the entrance of a space. The Cleveland Museum of Art, Purchased with funds from an anonymous donor, 2017.191. \u00a9 Pierre Huyghe 2011", "current_location": null, "title": "Name Announcer", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["France"], "technique": "A person at the entrance of a space", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": "One of two editions. The other edition belongs to the MCA in Chicago.", "copyright": "\u00a9 Pierre Huyghe 2011", "inscriptions": [], "exhibitions": {"current": [{"id": 315442, "title": "Reopening weekend", "description": "<i>Reopening weekend</i>. Plateforme 10 /Mus\u00e9e cantonal des Beaux-Arts, Lausanne 17, Switzerland (organizer) (April 5-7, 2019).", "opening_date": "2019-04-05T04:00:00"}, {"id": 358507, "title": "The Paradox of Stillness: Art, Object, and Performance", "description": "<i>The Paradox of Stillness: Art, Object, and Performance</i>. Walker Art Center, Minneapolis, MN (organizer) (May 14-August 8, 2021) https://walkerart.org/calendar/2021/paradox-of-stillness.", "opening_date": "2021-05-14T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>Name Announcer</em> became the first work of performance art in the Cleveland Museum of Art's collection in 2017.", "description": "On the threshold of an exhibition space, someone asks the name of the person who wants to enter and announces it to the space. The person\u2019s presence is amplified, brought to the attention of the people who entered previously. This experience offers an alternative to the expected anonymity of public space.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781150"], "internet_archive": []}, "citations": [{"citation": "\u201cNew in the Galleries.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 58, no. 3 (May/June 2018): Back cover.", "page_number": "Reproduced and Mentioned: Back cover", "url": "https://archive.org/details/CMAMM2018-03/page/n15/mode/2up"}], "url": "https://clevelandart.org/art/2017.191", "images": {}, "alternate_images": [], "creditline": "Purchased with funds from an anonymous donor", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 294333, "creators": [{"id": 294329, "description": "Pierre Huyghe (French, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": "French conceptual and video artist, born 1962", "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-12-04T00:00:00-05:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:51.515000"}, {"id": 297989, "accession_number": "2017.67", "share_license_status": "Copyrighted", "tombstone": "Portrait #16, South Africa, 2016, printed 2017. Pieter Hugo (South African, b. 1976). Digital chromogenic print; overall: 120 x 160 cm (47 1/4 x 63 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2017.67. \u00a9 Pieter Hugo, Courtesy Yossi Milo Gallery, New York", "current_location": null, "title": "Portrait #16, South Africa", "creation_date": "2016, printed 2017", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["male"], "culture": ["South Africa"], "technique": "digital chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Overall: 120 x 160 cm (47 1/4 x 63 in.)", "dimensions": {"overall": {"height": 1.2, "width": 1.6}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 5 + 2 Artist's Proofs", "copyright": "\u00a9 Pieter Hugo, Courtesy Yossi Milo Gallery, New York", "inscriptions": [], "exhibitions": {"current": [{"id": 306886, "title": "Recent Acquisitions", "description": "<i>Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-June 7, 2018).", "opening_date": "2018-03-17T04:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (03/17/2018-06/06/2018): \"Recent Acquisitions 2014-2017\"", "opening_date": "2018-03-17T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The brothers' pose echoes an iconic photograph of a child killed during a 1976 uprising against apartheid.", "description": "Hugo\u2019s series depicts Rwandan and South African children born after 1994, a year marked by Rwandan genocide and the end of apartheid in South Africa. Without direct experience of those horrors, can these children escape past hatreds and build a better world?", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872567"], "internet_archive": []}, "citations": [{"citation": "Lemonedes, Heather. \u201cAcquisition Highlights.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 2 (March/April 2018): 6-7.", "page_number": "Reproduced: P. 6; Mentioned: P. 7", "url": "https://archive.org/details/CMAMM2018-02/page/n3/mode/2up"}], "url": "https://clevelandart.org/art/2017.67", "images": {}, "alternate_images": [], "creditline": "Dudley P. Allen Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 297989, "creators": [{"id": 57025, "description": "Pieter Hugo (South African, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-06-05T00:00:00-04:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016, printed 2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-27 00:09:23.982000"}, {"id": 380096, "accession_number": "2020.193", "share_license_status": "Copyrighted", "tombstone": "Box with Japanese Crested Ibises in Lotus Pond (\u300c\u84ee\u7530\u306e\u9d3e\u300d\u78c1\u306e\u7bcb), 2006. Takegoshi Jun (Japanese, b. 1948). Porcelain with overglaze color enamel (Kutani style); 19.5 x 29 x 13 cm (7 11/16 x 11 7/16 x 5 1/8 in.); lid: 15.8 x 29 x 13 cm (6 1/4 x 11 7/16 x 5 1/8 in.); box: 13.8 x 29 x 13 cm (5 7/16 x 11 7/16 x 5 1/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.193", "current_location": null, "title": "Box with Japanese Crested Ibises in Lotus Pond", "title_in_original_language": "\u300c\u84ee\u7530\u306e\u9d3e\u300d\u78c1\u306e\u7bcb", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "Porcelain with overglaze color enamel (Kutani style)", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "19.5 x 29 x 13 cm (7 11/16 x 11 7/16 x 5 1/8 in.); Lid: 15.8 x 29 x 13 cm (6 1/4 x 11 7/16 x 5 1/8 in.); Box: 13.8 x 29 x 13 cm (5 7/16 x 11 7/16 x 5 1/8 in.)", "dimensions": {"No Extent Specified": {"height": 0.195, "width": 0.29, "depth": 0.13}, "lid": {"height": 0.158, "width": 0.29, "depth": 0.13}, "box": {"height": 0.138, "width": 0.29, "depth": 0.13}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Box inscription (obverse): \u300c\u84ee\u7530\u306e\u9d3e\u300d\u3000\u78c1\u306e\u7bcb\u3000\u6f64\u3000\u6b66\u8170\u6f64\u4e4b\u5370\uff08\u5370\uff09", "inscription_translation": "Box inscription (obverse): \"Ibises in Lotus Pond\" porcelain box; signed: Jun; sealed: seal of Takegoshi Jun", "inscription_remark": null, "sortorder": null}, {"inscription": "Painted seal on base: \u6f64\u4e4b\u5370", "inscription_translation": "Painted seal on base: seal of Jun", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}, {"id": 455863, "title": "Animals in Japanese Art", "description": "<i>Animals in Japanese Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24-December 10, 2023).", "opening_date": "2023-06-24T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Joan B. Mirviss Ltd., New York, NY, sold to Mr. and Mrs. Joseph P. Keithley)", "citations": [], "footnotes": [], "date": "?\u20132007", "sortorder": 1}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2007\u20132020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Takegoshi initially wanted to become a physical education teacher, as his first passion was basketball.", "description": "On one side of this porcelain box is an ibis (a waterfowl) strolling under a lotus leaf that catches on the bird\u2019s back. On the other side of the box, another ibis is viewed from behind with its legs spread wide for stability. The twisting, contorted bird cleans its back feathers.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q87481594"], "internet_archive": []}, "citations": [{"citation": "Rousmaniere, Nicole Coolidge. \"Japanese Ceramics.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 230\u2013251. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and Reproduced: pp. 242\u2013243; Mentioned: p. 272", "url": ""}], "url": "https://clevelandart.org/art/2020.193", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 380096, "creators": [{"id": 380095, "description": "Takegoshi Jun (Japanese, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u6b66\u8170\u6f64", "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:58.339000"}, {"id": 440768, "accession_number": "2021.147", "share_license_status": "Copyrighted", "tombstone": "Italo, 2021. Kambui Olujimi (American, b. 1976). Ink and graphite on paper; unframed: 182.9 x 223.5 cm (72 x 88 in.); framed: 204.5 x 242.6 cm (80 1/2 x 95 1/2 in.). The Cleveland Museum of Art, Partial Gift of the Contemporary Art Society and Partial Purchase from the J. H. Wade Fund, 2021.147. \u00a9 Kambui Olujimi", "current_location": null, "title": "Italo", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["Black American Artists", "male"], "culture": [], "technique": "ink and graphite on paper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Unframed: 182.9 x 223.5 cm (72 x 88 in.); Framed: 204.5 x 242.6 cm (80 1/2 x 95 1/2 in.)", "dimensions": {"unframed": {"height": 1.829, "width": 2.235}, "framed": {"height": 2.045, "width": 2.426}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kambui Olujimi", "inscriptions": [], "exhibitions": {"current": [{"id": 437637, "title": "New Histories, New Futures", "description": "<i>New Histories, New Futures</i>. Transformer Station, Cleveland, OH (June 26-September 12, 2021).", "opening_date": "2021-06-26T04:00:00"}, {"id": 445578, "title": "Contemporary Art Rotation - Spring 2022", "description": "<i>Contemporary Art Rotation - Spring 2022</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 1-September 25, 2022).", "opening_date": "2022-04-01T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "To simulate floating bodies, the artist used video and photographs of people jumping on trampolines as models for this series.", "description": "Kambui Olujimi\u2019s <em>North Star</em> series features paintings, drawings, and video of weightless, floating Black bodies \u201cfreed from the gravity of oppression,\u201d as the artist puts it. Olujimi pictures a future in which a politics of resistance can result in true bodily freedom. The artist is interested in representing Black joy or Black rhapsody as a counternarrative to the constant circulation of imagery of Black suffering and death. All of the figures in his paintings have variegated skin tones and ambiguous genders, highlighting their occupation of a transitional space and our perception of them as futuristic, otherworldly beings.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246796"], "internet_archive": []}, "citations": [{"citation": "<em>KAMBUI OLUJIMI: North Star</em>. (ARTBOOK D A P, 2025)", "page_number": "page 52", "url": ""}], "url": "https://clevelandart.org/art/2021.147", "images": {}, "alternate_images": [], "creditline": "Partial Gift of the Contemporary Art Society and Partial Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 440768, "creators": [{"id": 62543, "description": "Kambui Olujimi (American, b. 1976)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2021-09-13T04:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:25.089000"}, {"id": 81393, "accession_number": "2023.39", "share_license_status": "Copyrighted", "tombstone": "Forms in Succession #11, 2010. Nagae Shigekazu (Japanese, b. 1953). Porcelain with white trailing glaze; overall: 35.6 x 47 x 52.1 cm (14 x 18 1/2 x 20 1/2 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2023.39", "current_location": null, "title": "Forms in Succession #11", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "porcelain with white trailing glaze", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "Overall: 35.6 x 47 x 52.1 cm (14 x 18 1/2 x 20 1/2 in.)", "dimensions": {"overall": {"height": 0.356, "width": 0.47, "depth": 0.521}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Joan B. Mirviss Ltd., New York, NY, sold to Mr. and Mrs. Joseph P. Keithley)", "citations": [], "footnotes": [], "date": "2010", "sortorder": 1}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2010\u20132023", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "After watching his father and grandfather destroy unsellable wares at the family kiln, Nagae began to investigate and experiment with warped and abstracted forms in his own porcelain.", "description": "This artwork comprises two fluid boxes, one inside the other, each moving to its own rhythm. Razor thin, the porcelain shapes are reminiscent of origami, the Japanese art of folding paper. By challenging fixed ideas for what is possible with porcelain, Nagae Shigekazu has created a new form of ceramic art.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q119211919"], "internet_archive": []}, "citations": [{"citation": "Rousmaniere, Nicole Coolidge. \"Japanese Ceramics.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 230\u2013251. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and Reproduced: pp. 248\u2013249; Mentioned: p. 269", "url": ""}], "url": "https://clevelandart.org/art/2023.39", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 81393, "creators": [{"id": 59546, "description": "Nagae Shigekazu (Japanese, b. 1953)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-04-03T04:00:00Z", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Title Unknown"], "is_highlight": false, "updated_at": "2026-03-27 00:08:40.306000"}, {"id": 172505, "accession_number": "2015.16", "share_license_status": "Copyrighted", "tombstone": "The Thinkers, 2014. Vik Muniz (American, b. 1961). Digital chromogenic print; framed: 270.4 x 180.3 cm (106 7/16 x 71 in.); unframed: 270.4 x 180.3 cm (106 7/16 x 71 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2015.16. \u00a9  Vik Muniz / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": null, "title": "The Thinkers", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["America"], "technique": "digital chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 270.4 x 180.3 cm (106 7/16 x 71 in.); Unframed: 270.4 x 180.3 cm (106 7/16 x 71 in.)", "dimensions": {"framed": {"height": 2.704, "width": 1.803}, "unframed": {"height": 2.704, "width": 1.803}}, "state_of_the_work": null, "edition_of_the_work": "edition of 6", "copyright": "\u00a9  Vik Muniz / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [], "exhibitions": {"current": [{"id": 203110, "title": "BIG: Photographs from the Collection", "description": "<i>BIG: Photographs from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-October 9, 2016).", "opening_date": "2016-06-04T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Just as the museum is a storehouse for civilizations\u2019 cultural past, <em>The Thinkers</em> is a repository for individuals\u2019 pasts.", "description": "Scale is a critical component in the experience of viewing this photographic enlargement of a collage<em>.</em> From a distance, you see a couple posing around 1940 by Rodin\u2019s <em>The Thinker</em> at the south facade of the Cleveland Museum of Art. When approached, that image dissolves into hundreds of snippets of other people\u2019s family photos pasted together. Even the overall image is based on a snapshot from the artist\u2019s collection of found photographs. Their original context and meaning have been lost, yet the images evoke nostalgia for our own family mementos and encourage us to think about the nature and uses of photography then and now.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084539"], "internet_archive": []}, "citations": [{"citation": "Lago, Pedro Corre\u0302a do. <em>Vik Muniz: Catalogue Raisonne\u0301, 1987-2015: Everything So Far = Tudo Ate\u0301 Agora.</em> [Rio de Janeiro, Brazil]: Capivara, 2015.", "page_number": "Reproduced: Vol. 2, P. 852", "url": ""}, {"citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.", "page_number": "Mentioned and reproduced: P. 78-79", "url": ""}, {"citation": "Tannenbaum, Barbara. \u201cAcquisitions 2015: Photography.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 2 (March/April 2016): 28-29.", "page_number": "Reproduced and Mentioned: p. 29", "url": "https://archive.org/details/CMAMM2016-02"}, {"citation": "Ollman, Arthur. \"Vik Muniz: The Rebirth of Wonder.\" In <em>Vik Muniz</em>. Arthur Ollman and Diana Wechsler,11-55. Munich : DelMonico Books ; Minneapolis : Foundation for the Exhibition of Photography, 2016.", "page_number": "Reproduced: p. 35, mentioned: p. 45", "url": null}], "url": "https://clevelandart.org/art/2015.16", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172505, "creators": [{"id": 41911, "description": "Vik Muniz (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-03-05T00:00:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:21.144000"}, {"id": 380100, "accession_number": "2020.195", "share_license_status": "Copyrighted", "tombstone": "Flattened Vessel with Hook Motif (\u920e\u6587\u6241\u58fa), 2010. Morino Hiroaki (Taimei) (Japanese, b. 1934). Glazed stoneware; overall: 30.1 x 28.8 x 16.6 cm (11 7/8 x 11 5/16 x 6 9/16 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.195", "current_location": "ALOB Asian Lobby", "title": "Flattened Vessel with Hook Motif", "title_in_original_language": "\u920e\u6587\u6241\u58fa", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "Glazed stoneware", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "Overall: 30.1 x 28.8 x 16.6 cm (11 7/8 x 11 5/16 x 6 9/16 in.)", "dimensions": {"overall": {"height": 0.301, "width": 0.288, "depth": 0.166}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Signature on base: \u6cf0\u660e", "inscription_translation": "Signature on base: Taimei", "inscription_remark": null, "sortorder": null}, {"inscription": "Box lid inscription (obverse): \u9ece\u92b9\u920e\u6587\u7dd1\u5f69\u3000\u6241\u58fa", "inscription_translation": "Box inscription (obverse): Flattened Vessel with hook motif in dark iron-oxide (reish\u016b) with green glaze", "inscription_remark": "The artist named the iron-oxide dark glaze \"Reish\u016b glaze.\"", "sortorder": null}, {"inscription": "Box inscription (reverse):  \u6cf0\u660e\u3000\u68ee\u91ce\u6cf0\u660e\uff08\u5370\uff09\u3000\u3000Hiroaki T. Morino", "inscription_translation": "Box inscription (reverse): signed: Taimei, sealed: Morino Taimei, signed: Hiroaki T. Morino", "inscription_remark": "T. stands for one of the two readings of the ideographs of the artist's name Taimei", "sortorder": null}, {"inscription": "Mark impressed on base: \u6cf0", "inscription_translation": "Mark impressed on base: Tai (of Taimei)", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}, {"id": 666805, "title": "Contemporary Calligraphy and Clay", "description": "<i>Contemporary Calligraphy and Clay</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7, 2024-June 15, 2025).", "opening_date": "2024-06-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Joan B. Mirviss Ltd., New York, NY, sold to Mr. and Mrs. Joseph P. Keithley)", "citations": [], "footnotes": [], "date": "?-2012", "sortorder": 1}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2012\u20132020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The characters for ceramist Morino's first name, \u6cf0\u660e, can be read Hiroaki or Taimei. In daily life, the artist uses Hiroaki, but his style name is Taimei.", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q87482397"], "internet_archive": []}, "citations": [{"citation": "Rousmaniere, Nicole Coolidge. \"Japanese Ceramics.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 230\u2013251. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and rRproduced: pp. 246\u2013247; Mentioned: p. 268", "url": ""}], "url": "https://clevelandart.org/art/2020.195", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 380100, "creators": [{"id": 39704, "description": "Morino Hiroaki (Taimei) (Japanese, b. 1934)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u68ee\u91ce \u79e6\u660e", "birth_year": "1934", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:02.420000"}, {"id": 289550, "accession_number": "2016.59", "share_license_status": "Copyrighted", "tombstone": "Fervor, 2000. Shirin Neshat (American, born in Iran 1957). Gelatin silver print; unframed: 167.6 x 117.2 cm (66 x 46 1/8 in.); framed: 176.8 x 127.2 cm (69 5/8 x 50 1/16 in.). The Cleveland Museum of Art, Purchased with funds donated by William and Margaret Lipscomb in celebration of the museum\u2019s centennial, 2016.59", "current_location": null, "title": "Fervor", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["female"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Unframed: 167.6 x 117.2 cm (66 x 46 1/8 in.); Framed: 176.8 x 127.2 cm (69 5/8 x 50 1/16 in.)", "dimensions": {"unframed": {"height": 1.676, "width": 1.172}, "framed": {"height": 1.768, "width": 1.272, "length": 0.051}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 294015, "title": "Arts of Iran (Islamic art rotation)", "description": "<i>Arts of Iran (Islamic art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 2018-October 28, 2019).", "opening_date": "2018-10-30T04:00:00"}], "legacy": []}, "provenance": [{"description": "Shirin Neshat (the artist) [1957-]", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "(Barbara Gladstone Gallery, New York, NY)", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "Private Collection", "citations": [], "footnotes": [], "date": null, "sortorder": 3}, {"description": "(Sotheby's, London, United Kingdom)", "citations": [], "footnotes": [], "date": "November 18, 2008", "sortorder": 4}, {"description": "Michael Mattis and Judith Hochberg, Scarsdale, NY", "citations": [], "footnotes": null, "date": "2008-2016", "sortorder": 5}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "September 6, 2016", "sortorder": 6}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "One woman looks at us, asking if we have the courage to stand up, stand out from the crowd, and be counted.", "description": "Shirin Neshat uses photography and video to expose the role of gender in the creation of power structures and social values. During Friday prayers, a vital communal practice in Islam, men and women are required to sit separately, divided by a cloth wall. One woman turns her head to challenge that separation.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780782"], "internet_archive": []}, "citations": [{"citation": "Babaie, Sussan, Rebecca R. Hart, Nancy Princenthal, and Shirin Neshat. Shirin Neshat. Detroit: Detroit Institute of Arts, 2013.", "page_number": null, "url": null}, {"citation": "Neshat, Shirin, and Giorgio Verzotti. Shirin Neshat: Castello di Rivoli, museo d'arte contemporanea. Milano: Charta, 2002.", "page_number": null, "url": null}, {"citation": "Tannenbaum, Barbara. \u201cAcquisition Highlights 2016: Photography.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 27-28.", "page_number": "Reproduced and Mentioned: P. 27", "url": "https://archive.org/details/CMAMM2017-02/page/n13/mode/2up"}], "url": "https://clevelandart.org/art/2016.59", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by William and Margaret Lipscomb in celebration of the museum\u2019s centennial", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 289550, "creators": [{"id": 289547, "description": "Shirin Neshat (American, born in Iran 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": "American and Iranian video artist and photographer, born 1957", "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-09-06T00:00:00-04:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-27 00:06:45.023000"}, {"id": 170393, "accession_number": "2012.466", "share_license_status": "Copyrighted", "tombstone": "Rainbow Love Mountain Ranch, New Mexico, 2007. Polly Apfelbaum (American, b. 1955), The Tamarind Institute, University of New Mexico. Color lithograph; sheet: 92.9 x 66.2 cm (36 9/16 x 26 1/16 in.); image: 90.1 x 65 cm (35 1/2 x 25 9/16 in.). The Cleveland Museum of Art, Gift of 25 members of the Print Club of Cleveland's 2012 Boston Trip, 2012.466. \u00a9  Polly Apfelbaum / Artists Rights Society (ARS), New York", "current_location": null, "title": "Rainbow Love Mountain Ranch, New Mexico", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female", "Jewish artists"], "culture": ["America"], "technique": "color lithograph", "support_materials": [{"description": "white Rives BFK paper", "watermarks": []}], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Sheet: 92.9 x 66.2 cm (36 9/16 x 26 1/16 in.); Image: 90.1 x 65 cm (35 1/2 x 25 9/16 in.)", "dimensions": {"sheet": {"height": 0.929, "width": 0.662}, "image": {"height": 0.901, "width": 0.65}}, "state_of_the_work": null, "edition_of_the_work": "30", "copyright": "\u00a9  Polly Apfelbaum / Artists Rights Society (ARS), New York", "inscriptions": [{"inscription": "Lower right margin, in graphite: \"21/ 30 Polly Apfelbaum\"\r\nLower left corner: Tamarind blind stamp\r\nLower right corner: blind stamp\r\nVerso, lower right corner, in graphite: \"07-308 / Rives BFK\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 318307, "title": "A Lasting Impression: Gifts of the Print Club of Cleveland", "description": "<i>A Lasting Impression: Gifts of the Print Club of Cleveland</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 5-September 22, 2019).", "opening_date": "2019-05-05T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Tamarind Institute, Albuquerque, NM, sold to the Print Club of Cleveland, Cleveland, OH)", "citations": [], "footnotes": [], "date": "?-2012", "sortorder": null}, {"description": "Print Club of Cleveland, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "In addition to prints, Polly Apfelbaum has created large-scale installations that feature patterned flowers such as those seen here.", "description": "This print exemplifies Polly Apfelbaum\u2019s interest in bright, saturated colors and repeated patterns. The artist finds inspiration in popular culture, using simple forms that draw from a wide range of sources\u2014here, typographical characters called dingbats. The work\u2019s title refers to a road sign that Apfelbaum repeatedly passed while she was working at the Tamarind Institute, a lithographic print shop in New Mexico. There, she used a rainbow roll\u2014an ink roller with multiple blended colors\u2014to produce the print\u2019s vivid tonality.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079040"], "internet_archive": []}, "citations": [], "catalogue_raisonne": "Tamarind 07-308", "url": "https://clevelandart.org/art/2012.466", "images": {}, "alternate_images": [], "creditline": "Gift of 25 members of the Print Club of Cleveland's 2012 Boston Trip", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170393, "creators": [{"id": 63064, "description": "Polly Apfelbaum (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69392, "description": "The Tamarind Institute, University of New Mexico", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:46.307000"}, {"id": 171161, "accession_number": "2013.73", "share_license_status": "Copyrighted", "tombstone": "Comet of the Millennium Brooch, 2000. James Mazurkewicz (American, 1943-), Potter and Mellen, Inc. (American). 18K gold, black tahitian pearl, diamonds. The Cleveland Museum of Art, Gift of Marjorie and Warren McCullough in memory of Joseph and Elizabeth McCullough, 2013.73", "current_location": null, "title": "Comet of the Millennium Brooch", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male", "gender unknown"], "culture": ["America"], "technique": "18K gold, black tahitian pearl, diamonds", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Jewelry", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 232813, "title": "Out of this World!  Jewelry in the Space Age", "description": "<i>Out of this World!  Jewelry in the Space Age</i>. Carnegie Museum of Natural History, Pittsburgh, PA (organizer) (June 27, 2015-January 7, 2016).", "opening_date": "2015-06-27T00:00:00"}], "legacy": [{"description": "Carnegie Museum of Natural History, Pittsburgh, PA (6/27/2105 - 1/7/2016):  \"Out of this World!  Jewelry in the Space Age\"", "opening_date": "2016-01-07T00:00:00"}]}, "provenance": [{"description": "commissioned by Joseph McCullough in 2000", "citations": [], "footnotes": null, "date": null, "sortorder": null}, {"description": "inherited by Marjorie McCullough and Warren McCullough in 2013", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "James Mazurkewicz was the chief designer and goldsmith at the Cleveland jewelry firm Potter and Mellen.", "description": "To mark the year 2000, James Mazurkewicz, the sculptor of this brooch created a work featuring a dark Tahitian pearl comet rocketing toward Earth in a blaze of gold and diamonds representing its fiery descent through orbit.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80081079"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.73", "images": {}, "alternate_images": [], "creditline": "Gift of Marjorie and Warren McCullough in memory of Joseph and Elizabeth McCullough", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171161, "creators": [{"id": 64013, "description": "James Mazurkewicz (American, 1943-)", "extent": null, "qualifier": null, "role": "maker", "biography": null, "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 18110, "description": "Potter and Mellen, Inc. (American)", "extent": null, "qualifier": null, "role": "retailer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-09-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:50.441000"}, {"id": 172524, "accession_number": "2015.30", "share_license_status": "Copyrighted", "tombstone": "Wild Things, 2011. Haim Steinbach (American, 1944-). Plastic laminated wood shelf, plastic Massimo Giancon \"Mr. Cold\" soap dispenser, vinyl \"Mega Munny,\" vinyl bull \"Where the Wild Things Are\" figure, rubber dog chew; overall: 102.9 x 184.8 x 48.3 cm (40 1/2 x 72 3/4 x 19 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2015.30", "current_location": null, "title": "Wild Things", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Jewish artists"], "culture": ["America"], "technique": "Plastic laminated wood shelf, plastic Massimo Giancon \"Mr. Cold\" soap dispenser, vinyl \"Mega Munny,\" vinyl bull \"Where the Wild Things Are\" figure, rubber dog chew", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 102.9 x 184.8 x 48.3 cm (40 1/2 x 72 3/4 x 19 in.)", "dimensions": {"overall": {"height": 1.029, "width": 1.848, "depth": 0.483}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed on shelf verso", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 441598, "title": "Artlens Exhibition 2019", "description": "<i>Artlens Exhibition 2019</i>. The Cleveland Museum of Art, Cleveland, OH (organizer).", "opening_date": "2019-06-11T04:00:00"}], "legacy": [{"description": "New York: Tanya Bonakdar Gallery, creature", "opening_date": null}]}, "provenance": [{"description": "Tanya Bonakdar Gallery, New York, NY", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Many of this artist's works consist of arrangements of mass-produced objects, displayed on shelves of his own design.", "description": "How does a seemingly random group of objects\u2014products of society\u2019s wants and needs\u2014relate to each other? Haim Steinbach has been asking this question for several decades through his sculptures comprised of consumer objects he purchased or found and gathered onto shelving. The title of the work has been borrowed from the children\u2019s tale Where the Wild Things Are to which the figure of the bull belongs. Each object has been given human characteristics, calling attention to the personal feelings and attention we invest in inanimate, replaceable things.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781013"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.30", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172524, "creators": [{"id": 66012, "description": "Haim Steinbach (American, 1944-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-03-05T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:51.555000"}, {"id": 172542, "accession_number": "2015.40", "share_license_status": "Copyrighted", "tombstone": "Whole Surface: Confined 1, 2013. Claire B. Jones (British, b. 1964). Canvas, acrylic paint, thread: sewing machine, free-motion embroidery; overall: 24.1 x 19.1 x 14 cm (9 1/2 x 7 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Gift of The Textile Art Alliance, 2015.40", "current_location": null, "title": "Whole Surface: Confined 1", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["female"], "culture": ["England, 21st century"], "technique": "Canvas, acrylic paint, thread: sewing machine, free-motion embroidery", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 24.1 x 19.1 x 14 cm (9 1/2 x 7 1/2 x 5 1/2 in.)", "dimensions": {"overall": {"height": 0.241, "width": 0.191, "depth": 0.14}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 536086, "title": "Contemporary Art Rotation - Spring 2023", "description": "<i>Contemporary Art Rotation - Spring 2023</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-September 24, 2023).", "opening_date": "2023-04-07T04:00:00"}], "legacy": [{"description": "FOCUS Fiber: 2014, TAA juried exhibition. Erie Art Museum, Erie, PA (September 26, 2014-January 18, 2015).", "opening_date": "2014-09-26T00:00:00"}]}, "provenance": [{"description": "The Textile Art Alliance, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2015", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2015\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Artist Claire Jones was born in Glasgow, Scotland, and moved to the US to pursue a career as a software engineer.", "description": "<em>Whole Surface: Confined 1</em> is part of a series of abstract sculptural forms, each with at least one hole in which the artist uses machine stitched free-motion embroidery. The forms are influenced by topology, an area of mathematics concerned with the properties of surfaces that are deformed through twisting and stretching.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084639"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.40", "images": {}, "alternate_images": [], "creditline": "Gift of The Textile Art Alliance", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172542, "creators": [{"id": 66063, "description": "Claire B. Jones (British, b. 1964)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-03-05T00:00:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:47.584000"}, {"id": 172589, "accession_number": "2015.75", "share_license_status": "Copyrighted", "tombstone": "The Day Nobody Died II, 2008. Adam Broomberg (South African, b. 1970), Oliver Chanarin (British, b. 1971). Chromogenic print, photogram, mounted on aluminum; 23 minute DVD; overall: 76.2 x 600 cm (30 x 236 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2015.75", "current_location": null, "title": "The Day Nobody Died II", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["England, 21st century"], "technique": "Chromogenic print, photogram, mounted on aluminum; 23 minute DVD", "support_materials": [], "department": "Photography", "collection": "Photography", "type": "Photograph", "measurements": "Overall: 76.2 x 600 cm (30 x 236 1/4 in.)", "dimensions": {"overall": {"height": 0.762, "width": 6.0}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 203110, "title": "BIG: Photographs from the Collection", "description": "<i>BIG: Photographs from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-October 9, 2016).", "opening_date": "2016-06-04T04:00:00"}], "legacy": [{"description": "Galerie Karsten Greve, Paris, November 2009-January 2010", "opening_date": "2009-11-01T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photograph was made without a camera and uses one of the oldest photographic technologies\u2014directly exposing photosensitive paper to light.", "description": "Uncomfortable with the role that war photography plays in propagating human suffering, Broomberg and Chanarin, when they were embedded with a British Army unit during the Afghanistan War, brought a roll of photosensitive paper instead of a camera. When a press-worthy event occurred, they exposed a six-meter-long section of the paper. The results are abstract photograms, unique images created by the temperature of the light at that moment in that place. The vertical bands, unintentional artifacts of handling and processing, nonetheless resemble measures or beats\u2014space as a marker of time elapsing. The week the duo spent in Afghanistan was the deadliest week of the war thus far, but on their fifth day there, when the museum\u2019s section of paper was exposed, no one was killed.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084769"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.75", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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The award-winning prints combine digital design with oil-based ink woodcut techniques.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873830"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.205.4", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312937, "creators": [{"id": 312732, "description": "Liu Jing (Chinese, b. 1983)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5218\u4eac", "birth_year": "1983", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-09-04T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.205", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Shi Lu"], "is_highlight": false, "updated_at": "2026-03-27 00:06:51.224000"}, {"id": 374797, "accession_number": "2020.416", "share_license_status": "Copyrighted", "tombstone": "Hasta La Casta, 2017. Michael Menchaca (American, b. 1985), printed by Julia Samuels (American), published by Overpass Projects (American, 2015-). Color screenprint; image: 45.7 x 61 cm (18 x 24 in.); sheet: 53.3 x 71.9 cm (21 x 28 5/16 in.). 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This artwork\u2019s title references <em>castas</em>, a racial classification system developed around the 1600s by the Spanish conquerors of Mexico. The print shows catlike creatures in different colors guarded by uniformed wolves, meant to evoke this discriminatory practice of categorization. Combining fantastical and historical images, the artist writes that they hope to compare such inequality of the past with the treatment of undocumented immigrants by the American government today.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244126"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.416", "images": {}, "alternate_images": [], "creditline": "gift of Jack and Linda Lissauer in memory of Pearl and Rabbi David Hachen", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 374797, "creators": [{"id": 374795, "description": "Michael Menchaca (American, b. 1985)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1985", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 438404, "description": "Julia Samuels (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 438407, "description": "Overpass Projects (American, 2015-)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:05.530000"}, {"id": 455845, "accession_number": "2022.46", "share_license_status": "Copyrighted", "tombstone": "Angles #2 (\u89d2\u5ea6 #2), 2020. Arnold Chang (American, b. 1954), Michael Cherney (American, b. 1969). Photography and ink on xuan paper; painting: 61 x 144 cm (24 x 56 11/16 in.); overall: 64.5 x 147.7 cm (25 3/8 x 58 1/8 in.). The Cleveland Museum of Art, Edward L. 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Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.2 x 38.8 cm (21 5/16 x 15 1/4 in.); platemark: 14.7 x 25.4 cm (5 13/16 x 10 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.4. \u00a9 Kakyoung Lee", "current_location": "236 Korean", "title": "Dance, Dance, Dance. #4", "series": "A Suite Set of Dance, Dance, Dance", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.2 x 38.8 cm (21 5/16 x 15 1/4 in.); Platemark: 14.7 x 25.4 cm (5 13/16 x 10 in.)", "dimensions": {"sheet": {"height": 0.542, "width": 0.388}, "platemark": {"height": 0.147, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #4; verso in graphite, lower right: K. 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Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.6 x 38.9 cm (21 1/2 x 15 5/16 in.); platemark: 14.4 x 25.4 cm (5 11/16 x 10 in.). 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The Cleveland Museum of Art, Cleveland, OH (organizer) (March 21, 2025-May 3, 2026).", "opening_date": "2025-03-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Created by the Seoul- and New York-based artist Kakyung Lee, <em>Dance, Dance, Dance</em> is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079748"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.8", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170692, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:53.454000"}, {"id": 169886, "accession_number": "2012.13", "share_license_status": "Copyrighted", "tombstone": "Les Femmes Du Maroc: La Grande Odalisque, 2008. Lalla Essaydi (Moroccan, b. 1956). Chromogenic print mounted to aluminum with a UV protective laminate; overall: 76.2 x 101.6 cm (30 x 40 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.13. \u00a9 Lalla Essaydi", "current_location": null, "title": "Les Femmes Du Maroc: La Grande Odalisque", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["female"], "culture": ["Morocco"], "technique": "chromogenic print mounted to aluminum with a UV protective laminate", "support_materials": [], "department": "Islamic Art", "collection": "Islamic Art", "type": "Photograph", "measurements": "Overall: 76.2 x 101.6 cm (30 x 40 in.)", "dimensions": {"overall": {"height": 0.762, "width": 1.016}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Lalla Essaydi", "inscriptions": [{"inscription": "Label on the mount, verso.  The labels are at the center bottom and read as follows:\r\n\r\nEDWYNN HOUK GALLERY\r\n\r\nLalla Essaydi (Moroccan, b. 1956):\r\n\r\nLES FEMMES DU MAROC:  LA GRANDE ODALISQUE, 2008\r\n\r\nChromogenic print mounted to aluminum and protected with Mactac luster laminate, 30 x 40 inches.  Printed under the direct supervision of the photographer.  Print number 4 from an edition of 15.  Signed on artist's label on mount, verso.  Illustrated:  Lalla Essaydi:  Les Femmes du Maroc (New York (Power House Books and Edwynn Houk Gallery, 2009) p. 27; Chika Okeke-Agulu and Okwui Enwezor:  Contemporary African Art Since 1980 (New York:  Damiani, 2009). [LE.LFMgrande.3040.4]\r\n\r\nAt the bottom in small type:\r\n\r\n745 Fifth Avenue  New York  NY  10151    Tel  212 750 7070   Fax 212 688 4848\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 381119, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2015-December 19, 2016).", "opening_date": "2015-12-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "Lalla Essaydi, New York, NY", "citations": [], "footnotes": null, "date": "2008\u2013?", "sortorder": 1}, {"description": "(Edwynn Houk Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Lalla Essaydi's photographs provide a bridge from historic Islamic art into the contemporary Islamic world.", "description": "Adapted from the renowned French neoclassical painting<em> La Grande Odalisque</em> by Jean-Auguste-Dominique Ingres (1780\u20131867), this photograph belongs to a series that reflects the complex female identities in the Muslim world. Inspired by her journal, Essaydi swathed the woman\u2019s body with Arabic text using henna\u2014associated with special celebratory events such as puberty, marriage, and bearing a first child when the feet and hands are decorated during female festivities. Similarly in Iran, paintings of stories in illustrated manuscripts were frequently adapted from established compositions from the 1300s through the 1600s.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077748"], "internet_archive": []}, "citations": [{"citation": "Enwezor, Okwui, and Chika Okeke-Agulu. <em>Contemporary African Art Since 1980</em>. Bologna: Damiani, 2009.", "page_number": "", "url": ""}, {"citation": "Essaydi, Lalla, and Fatima Mernissi. <em>Les Femmes Du Maroc</em>. Brooklyn, NY: PowerHouse Books, 2009.", "page_number": "p. 27", "url": ""}], "url": "https://clevelandart.org/art/2012.13", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169886, "creators": [{"id": 61982, "description": "Lalla Essaydi (Moroccan, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Lalla Essaydi grew up in Morocco and has lived in Saudi Arabia and New York City. She received her MFA from the School of the Museum of Fine Arts/Tufts University in 2003. Her photographs have been widely collected and exhibited. Her works are intended to reflect the complex female identities in the Muslim world, and they provide a bridge from historic Islamic art into contemporary society.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-03-05T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:50.503000"}, {"id": 86500, "accession_number": "2015.145", "share_license_status": "Copyrighted", "tombstone": "Plywood Sunset Leaning (Fragment Series)\t, 2015. Sarah Sze (American, b. 1969). Acrylic paint, wood, archival prints, ladder, mirror, paper cups, stone, lamp, tools, pen, tape, paint brush, newspaper; overall: 350.5 x 292.1 x 190.5 cm (138 x 115 x 75 in.). The Cleveland Museum of Art, Gift of Agnes Gund, 2015.145. \u00a9 Sarah Sze", "current_location": null, "title": "Plywood Sunset Leaning (Fragment Series)\t", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["Asian American", "female"], "culture": ["America"], "technique": "Acrylic paint, wood, archival prints, ladder, mirror, paper cups, stone, lamp, tools, pen, tape, paint brush, newspaper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Miscellaneous", "measurements": "Overall: 350.5 x 292.1 x 190.5 cm (138 x 115 x 75 in.)", "dimensions": {"overall": {"height": 3.505, "width": 2.921, "depth": 1.905}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Sarah Sze", "inscriptions": [], "exhibitions": {"current": [{"id": 383281, "title": "Stories from Storage", "description": "<i>Stories from Storage</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).", "opening_date": "2021-02-06T05:00:00"}], "legacy": []}, "provenance": [{"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2015-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Sze was originally trained as a painter and her study of that medium informs her sculpture\u2014here, paint is a sculptural element.", "description": "This installation comprises supplies, tools, and debris from Sze\u2019s home and studio. These ordinary materials challenge the perceived barrier between art and the everyday that we inhabit. The industrial ladder at the center of the sculptural composition is scaled to the viewer\u2019s body, issuing a playful (though not literal) invitation to climb into the work of art. Similarly accessible, the recurring photographs of sunsets could be taken by anyone at any time in any place.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79520742"], "internet_archive": []}, "citations": [{"citation": "Edelstein, Beth. \u201cInstalling a Unique Sculpture: The installation of Sarah Sze's <em>Plywood Sunset Learning</em> as seen in <em>Stories from Storage </em>followed a 101-page manual.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 2 (Spring 2021): 10-11.", "page_number": "Reproduced: P. 10. 11; Mentioned: P. 11.", "url": ""}, {"citation": "Liebert, Emily. \u201cA Painting Is a Sculpture.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 1 (Winter 2021): 23.", "page_number": "Reproduced and Mentioned: P. 23", "url": "https://archive.org/details/CMAMM2021-01/page/n21/mode/2up"}], "url": "https://clevelandart.org/art/2015.145", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 86500, "creators": [{"id": 67218, "description": "Sarah Sze (American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-12-07T00:00:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:33.565000"}, {"id": 172598, "accession_number": "2015.80", "share_license_status": "Copyrighted", "tombstone": "New Primordial Chaos (\u65b0\u6e3e\u6dea\u5716), 2014. Michael Cherney (American, b. 1969). Photograph in handscroll format, ink on mitsumata washi paper; image: 29.7 x 86.2 cm (11 11/16 x 33 15/16 in.); overall: 31.6 x 337.2 cm (12 7/16 x 132 3/4 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2015.80", "current_location": null, "title": "New Primordial Chaos", "title_in_original_language": "\u65b0\u6e3e\u6dea\u5716", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["male", "Jewish artists"], "culture": ["China"], "technique": "Photograph in handscroll format, ink on mitsumata washi paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Painting", "measurements": "Image: 29.7 x 86.2 cm (11 11/16 x 33 15/16 in.); Overall: 31.6 x 337.2 cm (12 7/16 x 132 3/4 in.)", "dimensions": {"image": {"height": 0.297, "width": 0.862}, "overall": {"height": 0.316, "width": 3.372}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Artist's seal \"Qiu\" \u79cb impressed in the lower left corner of the photo", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 202963, "title": "Chinese Landscape Duets of Arnold Chang and Michael Cherney", "description": "<i>Chinese Landscape Duets of Arnold Chang and Michael Cherney</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 12, 2015-February 7, 2016).", "opening_date": "2015-07-12T00:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2014\u20132015", "sortorder": 1}, {"description": "(Kaikodo America Inc., New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2015", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2015\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "On the day Cherney took the photograph, Beijing\u2019s Air Quality Index was 517 (150 is unhealthy).", "description": "Michael Cherney has a \"painterly\" style of landscape photography much inspired by the aesthetics of Chinese painting. Here, he superimposed a photograph of the sun onto the composition of <em>Hunlun tu</em> by Zhu Derun (1294\u20131365), a famous 14th-century Chinese painting variously translated as \"Primordial Chaos\" or the \"Cosmic Circle.\" Zhu Derun depicted a circle to convey the Daoist cosmological idea of primordial chaos\u2014the great undifferentiated matter out of which heaven and earth and all forms emerged. <br> <br>Cherney's <em>New Primordial Chaos</em> revisits the chaos after creation, a human-generated chaos that is so overwhelming and toxic that it can cloud the sun, making it look like not itself but the moon. Polluted air and clouds shroud the sun on a Beijing day. The resulting image, which resembles the moon shining in the night sky, is the artist's deliberate attempt to create confusion and subtle critique of the contemporary environmental crisis.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60482453"], "internet_archive": []}, "citations": [{"citation": "\"Elegant Solutions.\" <em>Kaikodo Journal </em>XXXI (Spring 2015).", "page_number": "Reproduced:  cat. no. 60, pp. 132\u2013133, 213\u2013214", "url": null}, {"citation": "von Spee, Clarissa. \u201cInterview-Clarissa von Spee: Better understanding the close cross-cultural ties among Asian cultures.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 1 (January/February 2017): 14\u201315.", "page_number": "Reproduced and Mentioned: p. 14", "url": "https://archive.org/details/CMAMM2017-01/page/n7/mode/2up"}], "url": "https://clevelandart.org/art/2015.80", "images": {}, "alternate_images": [], "creditline": "The Jane B. Tripp Charitable Lead Annuity Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172598, "creators": [{"id": 66158, "description": "Michael Cherney (American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u79cb\u9ea5", "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-09-08T00:00:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:18.955000"}, {"id": 284545, "accession_number": "2016.40", "share_license_status": "Copyrighted", "tombstone": "Somnyama II, Oslo, 2015. Zanele Muholi (South African, b. 1972). Gelatin silver print; image: 49.5 x 43.2 cm (19 1/2 x 17 in.); framed: 52.2 x 45.2 x 4.4 cm (20 9/16 x 17 13/16 x 1 3/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2016.40. \u00a9 Zanele Muholi. Courtesy of the artist, Yancey Richardson Gallery, and Stevenson Cape Town / Johannesburg", "current_location": null, "title": "Somnyama II, Oslo", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["non-binary", "LGBTQ+ (after 1900)"], "culture": ["South African"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 49.5 x 43.2 cm (19 1/2 x 17 in.); Framed: 52.2 x 45.2 x 4.4 cm (20 9/16 x 17 13/16 x 1 3/4 in.)", "dimensions": {"image": {"height": 0.495, "width": 0.432}, "framed": {"height": 0.522, "width": 0.452, "depth": 0.044}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 8", "copyright": "\u00a9 Zanele Muholi. Courtesy of the artist, Yancey Richardson Gallery, and Stevenson Cape Town / Johannesburg", "inscriptions": [], "exhibitions": {"current": [{"id": 317308, "title": "Beyond Truth: Photography after the Shutter", "description": "<i>Beyond Truth: Photography after the Shutter</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2019).", "opening_date": "2019-02-10T05:00:00"}], "legacy": []}, "provenance": [{"description": "Zanele Muholi (the artist) [1972-]", "citations": [], "footnotes": [], "date": "2015-2016", "sortorder": 1}, {"description": "(Yancey Richardson Gallery, New York, NY)", "citations": [], "footnotes": [], "date": "2016", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 9, 2016", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This self-portrait is from a series called <em>Hail the Dark Lioness</em>.", "description": "Zanele Muholi\u2019s bold, self-possessed stare and high piles of tresses suggest the power of 17th-century French kings and of kings of the jungle, but white and gold are replaced by dark tones. \u201cBy exaggerating the darkness of my skin tone,\u201d says Muholi, \u201cI'm reclaiming my blackness, which I feel is continuously performed by the privileged other.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79860125"], "internet_archive": []}, "citations": [{"citation": "Tannenbaum, Barbara. \u201cAcquisition Highlights 2016: Photography.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 26-27.", "page_number": "Reproduced: P. 26; Mentioned: P. 7, 26", "url": "https://archive.org/details/CMAMM2017-02/page/n13/mode/2up"}, {"citation": "Tannenbaum, Barbara. \u201cBeyond Truth: The camera may never lie but the photographer might.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>59, no. 1 (January/February 2019): 8-9.", "page_number": "Reproduced: P. 9; Mentioned: P. 8", "url": "https://archive.org/details/CMAMM2019-01/page/n3/mode/2up"}], "url": "https://clevelandart.org/art/2016.40", "images": {}, "alternate_images": [], "creditline": "Dudley P. Allen Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 284545, "creators": [{"id": 284543, "description": "Zanele Muholi (South African, b. 1972)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1972", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-06-09T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-26 23:59:05.424000"}, {"id": 519323, "accession_number": "2022.103", "share_license_status": "Copyrighted", "tombstone": "Sirius #2, 2022. Ouattara Watts (Ivorian [Ivory Coast], active United States, b. 1957). Mixed media on canvas; 200 x 200 cm (78 3/4 x 78 3/4 in.). The Cleveland Museum of Art, Gift of Agnes Gund in honor of Tanya Coke, 2022.103. \u00a9 Ouattara Watts", "current_location": null, "title": "Sirius #2", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "Mixed media on canvas", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Mixed Media", "measurements": "200 x 200 cm (78 3/4 x 78 3/4 in.)", "dimensions": {"No Extent Specified": {"height": 2.0, "width": 2.0}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Ouattara Watts", "inscriptions": [], "exhibitions": {"current": [{"id": 536086, "title": "Contemporary Art Rotation - Spring 2023", "description": "<i>Contemporary Art Rotation - Spring 2023</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-September 24, 2023).", "opening_date": "2023-04-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2022", "sortorder": 1}, {"description": "(Karma Gallery, New York, NY, sold to the Cleveland Museum of Art with funds provided by Agnes Gund)", "citations": [], "footnotes": null, "date": "2022", "sortorder": 2}, {"description": "Agnes Gund, [1938\u20132025] New York, NY, 2022, gifted to the Cleveland Museum of Art, in honor of Tanya Coke", "citations": [], "footnotes": null, "date": "2022", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Cleveland Museum of Art owns a Kanaga mask (1971.289) of the type that is rendered in <em>Sirius #2</em>.", "description": "This work features essential elements from a visual vocabulary that Ouattara Watts has developed over the last 45 years: a West African mask floats in the center of a mathematical diagram whose arrows point upward to the heavens and sideways. Ouattara identifies himself as a \u201ccitizen of the world.\u201d He grew up in the Ivory Coast, spent a decade in Paris, and then moved to New York, where he has lived since 1989. As seen here, his art reflects the breadth of encounters and ideas that he has accumulated during his travels.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q115755130"], "internet_archive": []}, "citations": [{"citation": "Ouattara. <em>Ouattara Watts</em>. Edited by Dieter Buchhart. New York: Karma Books, 2024.", "page_number": "Reproduced: p. 413", "url": ""}, {"citation": "Hoberman, Mara, Ugochukwu-Smooth C. Nzewi, and St\u00e9phane Vacquier. <em>Ouattara Watts.</em> [Abidjan, Ivory Coast], Paris: Galerie C\u00e9cile Fakhoury ; Atelier EXB, 2025.", "page_number": "Reproduced: p. 209", "url": ""}], "url": "https://clevelandart.org/art/2022.103", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund in honor of Tanya Coke", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 519323, "creators": [{"id": 519321, "description": "Ouattara Watts (Ivorian [Ivory Coast], active United States, b. 1957)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:42.587000"}, {"id": 452854, "accession_number": "2022.8", "share_license_status": "Copyrighted", "tombstone": "Listening to the Sound of the Spring (\u807d\u6cc9), 2002. Chen Qi (Chinese, b. 1963). Multiblock woodcut printed with water-soluble ink, mounted as a hanging scroll; image only: 182 x 33.5 cm (71 5/8 x 13 3/16 in.); overall (no knobs): 245.5 x 56 cm (96 5/8 x 22 1/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund, 2022.8. \u00a9 Chen Qi", "current_location": null, "title": "Listening to the Sound of the Spring", "title_in_original_language": "\u807d\u6cc9", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Multiblock woodcut printed with water-soluble ink, mounted as a hanging scroll", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "image only: 182 x 33.5 cm (71 5/8 x 13 3/16 in.); Overall (no knobs): 245.5 x 56 cm (96 5/8 x 22 1/16 in.)", "dimensions": {"No Extent Specified": {"height": 1.82, "width": 0.34}, "image only": {"height": 1.82, "width": 0.335}, "overall (no knobs)": {"height": 2.455, "width": 0.56}, "image with blank area": {"height": 1.965, "width": 0.483}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Chen Qi", "inscriptions": [], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "(An Li Gallery, Beijing, China, sold to James S\u00f6ren Edgren)", "citations": [], "footnotes": null, "date": "2002\u20132013", "sortorder": 1}, {"description": "J. S\u00f6ren Edgren, Princeton, NJ, sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2013\u20132022", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The strong contrasts in bright and dark shades of ink evoke the atmosphere of a night scene immersed in moonlight.", "description": "Chen Qi is an internationally recognized print artist who represented China at the 2019 Venice Biennale. While having ventured into other media, he mostly produces monochrome prints enhanced by the subtle use of water-soluble ink, using traditional woodblock printmaking methods. Here he depicts a waterfall in softly layered and contrasting shades of bright and dark ink. With its rushing cascades of water reflecting in the moonlight, Chen gives the night scene a magic aura.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247141"], "internet_archive": []}, "citations": [{"citation": "Burg, Christer von der, Bin An, Julia Frances Andrews, David Barker, Ellen Johnston Laing, Frances Wood, and Hwang Yin. <em>The art of contemporary Chinese woodcuts</em> [\u4e2d\u56fd\u5f53\u4ee3\u6728\u677f\u827a\u672f = Zhongguo dang dai mu ban yi shu]. London: The Muban Foundation, 2003.", "page_number": "p. 114", "url": ""}, {"citation": "Chen, Qi \u9648\u7426. <em>Shi jian jian pu: Chen Qi 1983-2013</em> [\u65f6\u95f4\u7b80\u8c31 : \u9648\u7426 1983-2013 = Notations of time: Chen Qi 1983-2013]. Beijing: Renmin meishu chubanshe, 2013.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2022.8", "images": {}, "alternate_images": [], "creditline": "Edward L. Whittemore Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 452854, "creators": [{"id": 452844, "description": "Chen Qi (Chinese, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": "CHEN Qi was born in 1963 in Nanjing, Jiangsu province, China. He graduated from Nanjing Academy of Fine Arts in 1987 and received a doctoral degree from Nanjing Academy of Fine Arts in 2006, Chen Qi currently serves as Professor at the China Central Academy of Fine Arts in Beijing. In the solo exhibition <em>The Notation of Time \u2013 Exhibition of CHEN Qi\u2019s Art</em> (National Museum of China, Beijing, 2013), Chen Qi attracted major international attention. The artist has been awarded many prices on a national and international level, including a Gold medal at the 13th National Print Exhibition in 1996 in Beijing. He has exhibited in Europe and Asia, including Paris, Geneva, Kuala Lumpur and New Delhi and was one of the four contemporary Chinese artists representing China at the 2019 Venice Biennale. Today his works are collected in the National Art Museum of China (Beijing), Shanghai Art Museum (Shanghai), Guangdong Museum of Art (Guangzhou), Jiangsu Art Museum (Nanjing), The British Museum (London), Victoria and Albert Museum (London), Ashmolean Museum (Oxford), and the Fukuoka Art Museum (Fukuoka). While having recently ventured into other media, Chen mostly produces monochrome prints enhanced by the subtle use of water-soluble ink, using traditional woodblock printmaking methods. His works often show a single object at close view depicting its surface texture and material qualities in the reflection of light giving his subjects a magic aura.", "name_in_original_language": "\u9673\u7426", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-03-07T05:00:00Z", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:42.727000"}, {"id": 523511, "accession_number": "2022.255", "share_license_status": "Copyrighted", "tombstone": "The Last Royal DUBU, 2018. William Harper (American, b. 1944). Gold cloisonn\u00e9 enamel on fine gold and fine silver, gold, tourmaline, moonstone, opal, citrine, glass; 13.3 x 14 cm (5 1/4 x 5 1/2 in.). The Cleveland Museum of Art, Partial gift of William Benjamin-Harper, and partial purchase from the Severance and Greta Millikin Purchase Fund, 2022.255", "current_location": "228B Cleveland Artists", "title": "The Last Royal DUBU", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["May Show", "male", "Cleveland Institute of Art (alumni)", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "Gold cloisonn\u00e9 enamel on fine gold and fine silver, gold, tourmaline, moonstone, opal, citrine, glass", "support_materials": [], "department": "Decorative Art and Design", "collection": "Decorative Arts", "type": "Enamel", "measurements": "13.3 x 14 cm (5 1/4 x 5 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 0.133, "width": 0.14}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>William Harper: The Beautiful and the Grotesque. </em>Cleveland, OH: Cleveland Institute of Art, April 4-June 14, 2019", "opening_date": "2019-04-04T00:00:00"}]}, "provenance": [{"description": "Collection of the artist and his husband, William Benjamin-Harper", "citations": [], "footnotes": null, "date": "2018\u20132022", "sortorder": 1}, {"description": "William Benjamin-Harper, partial gift and sale to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2022", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland OH", "citations": [], "footnotes": null, "date": "2022\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Cleveland-trained and New York-based William Harper ranks among the leading contemporary jewelers. His work is heralded for its bold originality that weds meticulous technique with a philosophy of contradiction\u2014in the praise of one critic, \u201cbeautiful and grotesque.\u201d Such an approach is manifest in <em>The Last Royal DUBU</em> with its exquisitely rendered clashes of disparate materials, vibrant colors, and lush textures. The title references French artist Jean Dubuffet (1901\u20131985), whose work Harper admires for rebelling against mainstream standards of taste.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247705"], "internet_archive": []}, "citations": [{"citation": "<em>William Harper: The Beautiful and the Grotesque, </em>exh. cat. (Cleveland: Cleveland Institute of Art, 2019).", "page_number": "Reproduced p. 18; mentioned p. 44.", "url": ""}, {"citation": "\"New on View.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 1 (2023): Back cover.", "page_number": "Reproduced and Mentioned: Back cover", "url": "https://archive.org/details/CMAMM2023-01/page/n39/mode/2up"}], "url": "https://clevelandart.org/art/2022.255", "images": {}, "alternate_images": [], "creditline": "Partial gift of William Benjamin-Harper, and partial purchase from the Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 523511, "creators": [{"id": 18121, "description": "William Harper (American, b. 1944)", "extent": "execution", "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-12-05T05:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:46.264000"}, {"id": 170411, "accession_number": "2012.49", "share_license_status": "Copyrighted", "tombstone": "Escargots (group), 2003\u20134. Sheila Hicks (American, b. 1934). Industrial-weight linen, dyed, wrapped around flat strips of cork; overall: 10.8 x 61 cm (4 1/4 x 24 in.). The Cleveland Museum of Art, Gift of Melvin Bedrick, 2012.49", "current_location": null, "title": "Escargots (group)", "creation_date": "2003\u20134", "creation_date_earliest": 2003, "creation_date_latest": 2004, "artists_tags": ["female"], "culture": ["America"], "technique": "industrial-weight linen, dyed, wrapped around flat strips of cork", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 10.8 x 61 cm (4 1/4 x 24 in.)", "dimensions": {"overall": {"height": 0.108, "width": 0.61}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Joslyn Art Museum, Omaha, NE (6/5/2016 - 9/4/2016): \"Sheila Hicks: Material Voices\"", "opening_date": "2016-06-05T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2003-2012", "sortorder": 1}, {"description": "Melvin Bedrick, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2012-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Hicks has lived and worked in Paris, France, since 1964, which has informed numerous French titles for her artworks, such as <em>Escargots</em>.", "description": "<em>Escargots\u2014</em>\"snails\" in French\u2014are spirals of wrapped, colorful thread that uncoil and \"crawl\" off sculpture pedestals like living organisms. Sheila Hicks's experimental art practice is inspired by her extensive travels; the artist looks to weaving cultures across the globe to inform the colors, sizes, and shapes of her work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079086"], "internet_archive": []}, "citations": [{"citation": "Campbell, Karin, Ted Kooser, Jason Farago, Monique Le\u0301vi-Strauss, and Sheila Hicks. <em>Sheila Hicks: Material Voices</em>. Omaha, Nebraska: Joslyn Art Museum, 2016.", "page_number": "Mentioned p. 101", "url": ""}], "url": "https://clevelandart.org/art/2012.49", "images": {}, "alternate_images": [], "creditline": "Gift of Melvin Bedrick", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170411, "creators": [{"id": 60820, "description": "Sheila Hicks (American, b. 1934)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1934", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-06-04T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003\u20134", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:53.907000"}, {"id": 170430, "accession_number": "2012.50", "share_license_status": "Copyrighted", "tombstone": "Untitled Noren Partition (23), 2009. Rowland Ricketts (American, b. 1971). Indigo dyed antique mosquito netting in plain weave, paste resist; overall: 170.2 x 184.2 cm (67 x 72 1/2 in.). The Cleveland Museum of Art, Gift of The Textile Art Alliance, 2012.50", "current_location": null, "title": "Untitled Noren Partition (23)", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male"], "culture": ["America"], "technique": "indigo dyed antique mosquito netting in plain weave, paste resist", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 170.2 x 184.2 cm (67 x 72 1/2 in.)", "dimensions": {"overall": {"height": 1.702, "width": 1.842}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 445578, "title": "Contemporary Art Rotation - Spring 2022", "description": "<i>Contemporary Art Rotation - Spring 2022</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 1-September 25, 2022).", "opening_date": "2022-04-01T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Ricketts grows, harvests, and processes all of his indigo dyes naturally.", "description": "Ricketts designs textiles using the same techniques Japanese indigo workers perfected over centuries. The doorway curtain, or <em>noren</em>, first appeared in Japan during the Heian Period (794\u20131185). These colorful curtains often adorn the outside of shops and buildings throughout Japan and signify to the customer what types of goods or services are inside. Ricketts subverts the use of noren as an object that separates spaces by using his weaving and dyeing process to connect himself and his viewers to thousands of years of traditional crafting.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079129"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 53 no. 02, March/April 2013", "page_number": "Mentioned & reproduced: p. 21", "url": "https://archive.org/details/CMAMM2013-02/page/n19"}], "url": "https://clevelandart.org/art/2012.50", "images": {}, "alternate_images": [], "creditline": "Gift of The Textile Art Alliance", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170430, "creators": [{"id": 62029, "description": "Rowland Ricketts (American, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-06-04T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:08.637000"}, {"id": 171152, "accession_number": "2013.65", "share_license_status": "Copyrighted", "tombstone": "Towards Another Land, 2012. Calligraphy by Hassan Massoudy (Iraq, 1944-), text by Jalal ad-Din Muhammad Rumi (Iranian, 1207\u20131273). Pigments on paper; paper: 74.9 x 54.9 cm (29 1/2 x 21 5/8 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2013.65", "current_location": null, "title": "Towards Another Land", "creation_date": "2012", "creation_date_earliest": 2012, "creation_date_latest": 2012, "artists_tags": ["male"], "culture": ["Iraq, 21st century"], "technique": "pigments on paper", "support_materials": [], "department": "Islamic Art", "collection": "Islamic Art", "type": "Calligraphy", "measurements": "Paper: 74.9 x 54.9 cm (29 1/2 x 21 5/8 in.)", "dimensions": {"paper": {"height": 0.749, "width": 0.549}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "", "inscription_translation": "\"Towards another land\u2014a country where only light reigns,\" by poet and Sufi mystic Rumi (1207\u20131273).", "inscription_remark": null, "sortorder": 1}], "exhibitions": {"current": [{"id": 380961, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2013-December 15, 2014).", "opening_date": "2013-12-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist to Sundaram Tagore Gallery", "citations": [], "footnotes": null, "date": "2012\u2013", "sortorder": 1}, {"description": "(Sundaram Tagore Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Instead of following traditional classical styles of Arabic calligraphy which were written with deep brown ink, Massoudy developed his own distinctive styles and introduced a masterful use of vibrant colors in his compositions.", "description": "This dynamic calligraphic art by the Iraqi artist Hassan Massoudy integrates three styles of Arabic script. Large Arabic letters with strong sweeping curves washed in opalescent turquoise complement the small text written in his elegant version of angular Kufic script. It reads, \"Towards another land\u2014a country where only light reigns,\" by the Iranian poet Rumi. Silhouetted script in the central area contributes to the vibrant harmony of this stunning work. <br><br>Hassan Massoudy grew up in Iraq where he practiced calligraphy but had to emigrate in order to study figure painting. In Paris, however, calligraphy became increasingly prominent in his art, eventually it took over, and has also been incorporated in his performance art.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80081048"], "internet_archive": ["https://archive.org/details/clevelandart-2013.65-towards-another-land"]}, "citations": [{"citation": "Mackie, Louise W. \u201c2013 Acquisitions: Islamic Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 2 (March/April 2014): 15.", "page_number": "Reproduced and Mentioned: p. 15", "url": "https://archive.org/details/CMAMM2014-02"}], "url": "https://clevelandart.org/art/2013.65", "images": {}, "alternate_images": [], "creditline": "L. E. Holden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171152, "creators": [{"id": 63999, "description": "Hassan Massoudy (Iraq, 1944-)", "extent": null, "qualifier": "calligraphy by", "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 64555, "description": "Jalal ad-Din Muhammad Rumi (Iranian, 1207\u20131273)", "extent": null, "qualifier": "text by", "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1207", "death_year": "1273", "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-09-03T00:00:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:28.442000"}, {"id": 172600, "accession_number": "2015.82", "share_license_status": "Copyrighted", "tombstone": "Cumulo, 2014. Sanford Biggers (American, b. 1970). Spray paint, interior paint, fabric-treated acrylic paint; overall: 182.8 x 189.2 cm (71 15/16 x 74 1/2 in.). 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Historically, quilts were often made from fabric scraps by enslaved women. They served as both a conduit for creativity and a way to beautify spaces. \u201cI consider myself a late collaborator,\u201d Biggers states, \u201cworking with this patchwork that goes over a span of decades and generations.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60482457"], "internet_archive": []}, "citations": [{"citation": "\"Currents and Constellations.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 4 (Fall 2021): 23.", "page_number": "Reproduced and Mentioned: p. 23", "url": "https://archive.org/details/CMAMM2021-04/page/22/mode/2up"}], "url": "https://clevelandart.org/art/2015.82", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172600, "creators": [{"id": 64312, "description": "Sanford Biggers (American, b. 1970)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1970", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-09-08T00:00:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:16.462000"}, {"id": 324697, "accession_number": "2018.296", "share_license_status": "Copyrighted", "tombstone": "Night Coming Tenderly, Black: Untitled #11 (Bent Branches), 2017. Dawoud Bey (American, b. 1953). Gelatin silver print; image: 121.9 x 149.9 cm (48 x 59 in.); framed: 122.7 x 151.1 x 5.1 cm (48 5/16 x 59 1/2 x 2 in.). 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Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49 x 49 x 2.9 cm (19 5/16 x 19 5/16 x 1 1/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.221. \u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "current_location": null, "title": "Set 7 from the series Les Septs Stations C\u00e9lestes", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49 x 49 x 2.9 cm (19 5/16 x 19 5/16 x 1 1/8 in.)", "dimensions": {"each": {"height": 0.495, "width": 0.495, "depth": 0.032}, "overall": {"height": 0.49, "width": 0.49, "depth": 0.029}}, "state_of_the_work": null, "edition_of_the_work": "Set 7 of 7", "copyright": "\u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9lestes/The Seven Heavenly Stations</em>, Aicon Gallery, New York, NY ( September 20 \u2013 October 20, 2018).", "opening_date": "2018-10-20T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "(Aicon Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "by 2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Each of these digitally carved alabaster tablets weighs about 35 pounds!", "description": "Rachid Kora\u00efchi's <em>Les Septs Stations C\u00e9lestes </em>(The Seven Heavenly Stations) pairs two stone tablets. The right bears text, while the left combines text, drawings, and elements drawn from the artist\u2019s personal lexicon. His unique visual language blends Chinese, Sumerian, Hebrew, and Arabic letterforms with numbers, codes, and drawings. Their calligraphy recalls manuscript pages, while their material evokes Middle Eastern and Swahili Coast tombstones. The right tablet is the beginning of the prose-poem \u201cOn Children\u201d by Lebanese-American writer and painter Kahlil Gibran (1883\u20131931).", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106600543"], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. New York, NY: Aicon Gallery, 2020.", "page_number": "Reproduced:  p. 17", "url": ""}], "url": "https://clevelandart.org/art/2020.221", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.221.a. \u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "current_location": null, "title": "Tablet from Set 7 from the series Les Septs Stations C\u00e9lestes", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.)", "dimensions": {"overall": {"height": 0.495, "width": 0.495, "depth": 0.032}}, "state_of_the_work": null, "edition_of_the_work": "Set 7 of 7", "copyright": "\u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9lestes/The Seven Heavenly Stations</em>, Aicon Gallery, New York, NY ( September 20 \u2013 October 20, 2018).", "opening_date": "2018-10-20T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "(Aicon Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "by 2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Each of these digitally carved alabaster tablets weighs about 35 pounds!", "description": "Rachid Kora\u00efchi's <em>Les Septs Stations C\u00e9lestes </em>(The Seven Heavenly Stations) pairs two stone tablets. The right bears text, while the left combines text, drawings, and elements drawn from the artist\u2019s personal lexicon. His unique visual language blends Chinese, Sumerian, Hebrew, and Arabic letterforms with numbers, codes, and drawings. Their calligraphy recalls manuscript pages, while their material evokes Middle Eastern and Swahili Coast tombstones. The right tablet is the beginning of the prose-poem \u201cOn Children\u201d by Lebanese-American writer and painter Kahlil Gibran (1883\u20131931).", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. New York, NY: Aicon Gallery, 2020.", "page_number": "Reproduced:  p. 17", "url": ""}], "url": "https://clevelandart.org/art/2020.221.a", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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Rachid Kora\u00efchi (Algerian, b. 1947). Alabaster; overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2020.221.b. \u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "current_location": null, "title": "Tablet from Set 7 from the series Les Septs Stations C\u00e9lestes", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["Algeria"], "technique": "Alabaster", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Stone", "measurements": "Overall: 49.5 x 49.5 x 3.2 cm (19 1/2 x 19 1/2 x 1 1/4 in.)", "dimensions": {"overall": {"height": 0.495, "width": 0.495, "depth": 0.032}}, "state_of_the_work": null, "edition_of_the_work": "Set 7 of 7", "copyright": "\u00a9 Rachid Kora\u00efchi, Courtesy Aicon Gallery", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9lestes/The Seven Heavenly Stations</em>, Aicon Gallery, New York, NY ( September 20 \u2013 October 20, 2018).", "opening_date": "2018-10-20T00:00:00"}]}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018", "sortorder": 1}, {"description": "(Aicon Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "by 2018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Each of these digitally carved alabaster tablets weighs about 35 pounds!", "description": "Rachid Kora\u00efchi's <em>Les Septs Stations C\u00e9lestes </em>(The Seven Heavenly Stations) pairs two stone tablets. The right bears text, while the left combines text, drawings, and elements drawn from the artist\u2019s personal lexicon. His unique visual language blends Chinese, Sumerian, Hebrew, and Arabic letterforms with numbers, codes, and drawings. Their calligraphy recalls manuscript pages, while their material evokes Middle Eastern and Swahili Coast tombstones. The right tablet is the beginning of the prose-poem \u201cOn Children\u201d by Lebanese-American writer and painter Kahlil Gibran (1883\u20131931).", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106600554"], "internet_archive": []}, "citations": [{"citation": "Aicon Gallery. <em>Rachid Kora\u00efchi: Les Sept Stations C\u00e9leste</em>. New York, NY: Aicon Gallery, 2020", "page_number": "Reproduced:  p. 17", "url": ""}], "url": "https://clevelandart.org/art/2020.221.b", "images": {}, "alternate_images": [], "creditline": "Dudley P. 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Mickalene Thomas (American, b. 1971), Benefit Print Project (American, 2010-). Mixed media collage with screenprint, mono and digital printing, leopard print paper, wood veneer, and silica flocking; image: 130.5 x 103 cm (51 3/8 x 40 9/16 in.); sheet: 143.5 x 114.3 cm (56 1/2 x 45 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2020.226. \u00a9  Mickalene Thomas / Artists Rights Society (ARS), New York", "current_location": null, "title": "I've Been Good to Me", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["female", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "Mixed media collage with screenprint, mono and digital printing, leopard print paper, wood veneer, and silica flocking", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Mixed Media", "measurements": "Image: 130.5 x 103 cm (51 3/8 x 40 9/16 in.); Sheet: 143.5 x 114.3 cm (56 1/2 x 45 in.)", "dimensions": {"sheet": {"height": 1.435, "width": 1.143}, "image": {"height": 1.305, "width": 1.03}}, "state_of_the_work": null, "edition_of_the_work": "edition of 20 (4 AP, 4 RP, 2 PP, 1 BAT, 2 donation proofs to charity)", "copyright": "\u00a9  Mickalene Thomas / Artists Rights Society (ARS), New York", "inscriptions": [{"inscription": "inscribed, at lower left, in graphite: RP 4/4; signed, in graphite, at lower right: M. Thomas 2015", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Greg Kucera Gallery, Seattle, WA, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2020", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Mickalene Thomas\u2019s interest in <em>Jet</em> and African American fashion publications was influenced by her mother, who dreamed of becoming a model herself.", "description": "Mickalene Thomas uses collage to combine art historical and pop cultural references and question societal standards for Black femininity. Combining photography and printmaking, Thomas cultivates the aesthetic of publications such as <em>Jet </em>from the 1960s through 80s. This work features a woman who confidently adapts a pose from Impressionist painter Edouard Manet\u2019s 1862 canvas <em>Luncheon on the Grass</em>. Each element of the collage was individually printed and hand assembled in a process that took over two years to complete.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q104217074"], "internet_archive": []}, "citations": [{"citation": "\"Preview: women in print recent acquisitions.\" <em>Printmaking Today</em> 30, no.120 (Winter 2021): 46.", "page_number": "reproduction p.46", "url": ""}], "url": "https://clevelandart.org/art/2020.226", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 393227, "creators": [{"id": 393220, "description": "Mickalene Thomas (American, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": "American painter, born 1971", "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67529, "description": "Brand X", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 515448, "description": "Benefit Print Project (American, 2010-)", "extent": null, "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "birth_year": "2010", "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-09-14T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "Reserved Proof (1 of 4)", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:08.978000"}, {"id": 395236, "accession_number": "2020.285", "share_license_status": "Copyrighted", "tombstone": "Six Bardos: Hymn (Behind the Sun), 2018. Julie Mehretu (American, b. 1970), Case Hudson (American, b. 1968), Gemini G.E.L.. Color aquatint; image: 127.6 x 186.1 cm (50 1/4 x 73 1/4 in.). The Cleveland Museum of Art, Partial purchase from the J. H. Wade Fund and partial gift of Stephen Dull, 2020.285. \u00a9 Julie Mehretu", "current_location": null, "title": "Six Bardos: Hymn (Behind the Sun)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "Black American Artists", "female", "gender unknown", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "Color aquatint", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Image: 127.6 x 186.1 cm (50 1/4 x 73 1/4 in.)", "dimensions": {"image": {"height": 1.276, "width": 1.861}}, "state_of_the_work": null, "edition_of_the_work": "17/45", "copyright": "\u00a9 Julie Mehretu", "inscriptions": [], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. 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This print belongs to a series inspired by a trip to China\u2019s Mogao Caves, each of which bear a title taken from Bardos\u2014liminal states between life and death in Buddhism. Drawing from imagery such as calligraphy and ancient cave painting, the artist worked with a master printer to produce the etching in a large scale meant to create an absorptive experience for its viewer.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244997"], "internet_archive": []}, "citations": [{"citation": "Salisbury, Britany. \u201cWomen in Print.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>61, no. 4 (Fall 2021): 22.", "page_number": "Reproduced and Mentioned: p. 22", "url": "https://archive.org/details/CMAMM2021-04"}], "url": "https://clevelandart.org/art/2020.285", "images": {}, "alternate_images": [], "creditline": "Partial purchase from the J. H. Wade Fund and partial gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 395236, "creators": [{"id": 43872, "description": "Julie Mehretu (American, b. 1970)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1970", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 438109, "description": "Case Hudson (American, b. 1968)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 39129, "description": "Gemini G.E.L.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:39.001000"}, {"id": 376225, "accession_number": "2020.77", "share_license_status": "Copyrighted", "tombstone": "Untitled Anxious Man, 2018. Rashid Johnson (American, b. 1977), printed by Jennifer Melby (American), published by Hauser & Wirth, Inc.. Softground etching; matted: 86.5 x 61.1 x 0.3 cm (34 1/16 x 24 1/16 x 1/8 in.); image: 60.5 x 50.5 cm (23 13/16 x 19 7/8 in.). The Cleveland Museum of Art, Dr. Gerard and Phyllis Seltzer Fund, 2020.77. \u00a9 Rashid Johnson", "current_location": null, "title": "Untitled Anxious Man", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["Black American Artists", "female", "male", "gender unknown"], "culture": ["America"], "technique": "softground etching", "support_materials": [{"description": "Somerset Velvet wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Matted: 86.5 x 61.1 x 0.3 cm (34 1/16 x 24 1/16 x 1/8 in.); Image: 60.5 x 50.5 cm (23 13/16 x 19 7/8 in.)", "dimensions": {"image": {"height": 0.605, "width": 0.505}, "matted": {"height": 0.865, "width": 0.611, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rashid Johnson", "inscriptions": [{"inscription": "signed and dated on verso, lower right, in pencil: R Johnson 2018; inscribed on verso, lower left, in pencil: 34/35", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Hauser & Wirth, New York, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2018-2020", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Rashid Johnson created this print by making repetitive, jagged marks that echoed his subject\u2019s mood into the waxy surface of a softground etching plate.", "description": "Contemporary artist Rashid Johnson draws on the traditions of painting and conceptual art to explore the lived experiences of African American men. This print belongs to a series that began as an exploration of the artist\u2019s own anxieties but grew to express the experiences of young black men during a time marked by police violence and mass incarceration. In the artist\u2019s words, \u201cI . . . realiz[ed] that my anxiety was not mine exclusively.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244315"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Salsbury, Britany. \u201cRashid Johnson: A set of deeply personal etchings explore the artist's own anxiety and in turn speak more broadly to the experiences of Black men in America.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>60, no. 4 (Fall 2020): 18-19.", "page_number": "Reproduced: P. 18; Mentioned: P. 18-19.", "url": ""}], "url": "https://clevelandart.org/art/2020.77", "images": {}, "alternate_images": [], "creditline": "Dr. Gerard and Phyllis Seltzer Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 376225, "creators": [{"id": 376223, "description": "Rashid Johnson (American, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 52447, "description": "Jennifer Melby (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 60784, "description": "Hauser & Wirth, Inc.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:38.299000"}, {"id": 376226, "accession_number": "2020.78", "share_license_status": "Copyrighted", "tombstone": "Untitled Anxious Crowd, 2018. Rashid Johnson (American, b. 1977), Jennifer Melby (American), Hauser & Wirth, Inc.. Softground etching; matted: 66.2 x 86.5 x 0.3 cm (26 1/16 x 34 1/16 x 1/8 in.); image: 50.2 x 60.6 cm (19 3/4 x 23 7/8 in.). The Cleveland Museum of Art, Dr. Gerard and Phyllis Seltzer Fund, 2020.78. \u00a9 Rashid Johnson", "current_location": null, "title": "Untitled Anxious Crowd", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["Black American Artists", "female", "male", "gender unknown"], "culture": ["America"], "technique": "softground etching", "support_materials": [{"description": "Somerset Velvet wove paper", "watermarks": ["partial watermark at lower right (Somerset)"]}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Matted: 66.2 x 86.5 x 0.3 cm (26 1/16 x 34 1/16 x 1/8 in.); Image: 50.2 x 60.6 cm (19 3/4 x 23 7/8 in.)", "dimensions": {"image": {"height": 0.502, "width": 0.606}, "matted": {"height": 0.662, "width": 0.865, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rashid Johnson", "inscriptions": [{"inscription": "signed and dated on verso, lower right, in pencil: R Johnson 2018; inscribed on verso, lower left, in pencil: 34/35; partial watermark, at lower right: Somerset", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Hauser & Wirth, New York, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2018-2020", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Rashid Johnson created this print by making repetitive, jagged marks that echoed his subject\u2019s mood into the waxy surface of a softground etching plate.", "description": "Contemporary artist Rashid Johnson draws on the traditions of painting and conceptual art to explore the lived experiences of African American men. This print belongs to a series that began as an exploration of the artist\u2019s own anxieties but grew to express the experiences of young black men during a time marked by police violence and mass incarceration. In the artist\u2019s words, \u201cI . . . realiz[ed] that my anxiety was not mine exclusively.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244320"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Salsbury, Britany. \u201cRashid Johnson: A set of deeply personal etchings explore the artist\u2019s own anxiety and in turn speak more broadly to the experiences of Black men in America.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>60, no. 4 (Fall 2020): 18-19.", "page_number": "Reproduced: P. 18; Mentioned: P. 18-19.", "url": ""}], "url": "https://clevelandart.org/art/2020.78", "images": {}, "alternate_images": [], "creditline": "Dr. Gerard and Phyllis Seltzer Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 376226, "creators": [{"id": 376223, "description": "Rashid Johnson (American, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 52447, "description": "Jennifer Melby (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 60784, "description": "Hauser & Wirth, Inc.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:23.465000"}, {"id": 376227, "accession_number": "2020.79", "share_license_status": "Copyrighted", "tombstone": "Run, 2018. Rashid Johnson (American, b. 1977), Jennifer Melby (American), Hauser & Wirth, Inc.. Softground etching; image: 25.4 x 30.2 cm (10 x 11 7/8 in.). The Cleveland Museum of Art, Dr. Gerard and Phyllis Seltzer Fund, 2020.79. \u00a9 Rashid Johnson", "current_location": null, "title": "Run", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["Black American Artists", "female", "male", "gender unknown"], "culture": ["America"], "technique": "softground etching", "support_materials": [{"description": "Somerset Velvet wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Image: 25.4 x 30.2 cm (10 x 11 7/8 in.)", "dimensions": {"image": {"height": 0.254, "width": 0.302}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Rashid Johnson", "inscriptions": [{"inscription": "signed and dated on verso, lower right, in pencil: R Johnson 2018; inscribed on verso, lower left, in pencil: 34/35", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. 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In the artist\u2019s words, \u201cI . . . realiz[ed] that my anxiety was not mine exclusively.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244326"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Salsbury, Britany. \u201cRashid Johnson: A set of deeply personal etchings explore the artist\u2019s own anxiety and in turn speak more broadly to the experiences of Black men in America.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>60, no. 4 (Fall 2020): 18-19.", "page_number": "Reproduced: P. 19; Mentioned: P. 18-19.", "url": ""}], "url": "https://clevelandart.org/art/2020.79", "images": {}, "alternate_images": [], "creditline": "Dr. Gerard and Phyllis Seltzer Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 376227, "creators": [{"id": 376223, "description": "Rashid Johnson (American, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 52447, "description": "Jennifer Melby (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 60784, "description": "Hauser & Wirth, Inc.", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:05.832000"}, {"id": 536872, "accession_number": "2023.6", "share_license_status": "Copyrighted", "tombstone": "Untitled (Plate 36. Vertical and Latitudinal Distribution of Animal Life), 2022. Firelei B\u00e1ez (American, b. 1981). Oil and acrylic on archival printed canvas; 226.7 x 271.1 x 3.8 cm (89 1/4 x 106 3/4 x 1 1/2 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2023.6. \u00a9 Firelei B\u00e1ez", "current_location": null, "title": "Untitled (Plate 36. Vertical and Latitudinal Distribution of Animal Life)", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["female", "Latine and Hispanic Artists"], "culture": ["America"], "technique": "Oil and acrylic on archival printed canvas", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "226.7 x 271.1 x 3.8 cm (89 1/4 x 106 3/4 x 1 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 2.267, "width": 2.711, "depth": 0.038}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Firelei B\u00e1ez", "inscriptions": [], "exhibitions": {"current": [{"id": 536086, "title": "Contemporary Art Rotation - Spring 2023", "description": "<i>Contemporary Art Rotation - Spring 2023</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-September 24, 2023).", "opening_date": "2023-04-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2022", "sortorder": 1}, {"description": "(James Cohan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2023", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The 1911 map used beneath this painting was sourced by the artist from the David Rumsey Map collection, an encyclopedic collection of historical maps and diagrams.", "description": "Firelei B\u00e1ez has become a leading voice in her generation of Latinx artists. Her work addresses themes that include histories of colonization, popular culture, and the natural world. In this painting, the underlying map is a 1911 diagram of the distribution of animal life across the globe. B\u00e1ez layered a vibrant and gestural painting over the map. Her composition reimagines the spread of life throughout the world as a frenzied explosion of creation, untethered from rigid scientific study. Pulsing with life, the painting draws the viewer in and invites them to consider how the global biosphere is measured and quantified.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117260838"], "internet_archive": []}, "citations": [{"citation": "Ba\u0301ez, Firelei, Carla Acevedo-Yates, Mark Godfrey, Thelma Golden, Eva Respini, Legacy Russell. <em>Firelei B\u00e1ez : To Breathe Full and Free</em>. New York: Gregory Miller &amp; Company; New York: James Cohan, 2022.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2023.6", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 536872, "creators": [{"id": 392606, "description": "Firelei B\u00e1ez (American, b. 1981)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T05:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:41.099000"}, {"id": 536621, "accession_number": "2023.7", "share_license_status": "Copyrighted", "tombstone": "Untitled (Exquisite Corpse Snowman), 2022. Kerry James Marshall (American, b. 1955). Ink and watercolor on paper; sheet: 60.8 x 47.8 cm (23 15/16 x 18 13/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund, 2023.7. \u00a9 Kerry James Marshall", "current_location": null, "title": "Untitled (Exquisite Corpse Snowman)", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "ink and watercolor on paper", "support_materials": [], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 60.8 x 47.8 cm (23 15/16 x 18 13/16 in.)", "dimensions": {"sheet": {"height": 0.608, "width": 0.478}, "matted": {"height": 0.724, "width": 0.61}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kerry James Marshall", "inscriptions": [], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [{"description": "Kerry James Marshall (the artist) [1955-]", "citations": [], "footnotes": null, "date": "2022", "sortorder": 1}, {"description": "(Jack Shainman Gallery, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u201323", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 6 2023-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This drawing is one of numerous paintings, prints, and drawings that Kerry James Marshall created on the theme of Exquisite Corpse beginning in 2021.", "description": "For over forty years, Kerry James Marshall has mined the history of painting to address its omission of Black subjects. This drawing belongs to a series based on Exquisite Corpse, a parlor game popular among 1920s Surrealist artists in which participants contribute to a drawing without knowing its subject or appearance. Marshall\u2019s composition features three levels presenting the politician Shirley Chisholm, a snowman, and a fashionably dressed woman with a tiny dog in her bag. Together, they seem intended to serve as a reflection on Black female identity. Marshall specifically avoided providing his own interpretation, leaving each viewer to bring their own meaning to the work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117424219"], "internet_archive": []}, "citations": [{"citation": "\"New on View.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 4 (2023): Back cover.", "page_number": "Reproduced and Mentioned: Back cover", "url": "https://archive.org/details/CMAMM2023-04/page/n39/mode/2up"}], "url": "https://clevelandart.org/art/2023.7", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 536621, "creators": [{"id": 23906, "description": "Kerry James Marshall (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T05:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:46.235000"}, {"id": 670789, "accession_number": "2024.24", "share_license_status": "Copyrighted", "tombstone": "Sleeping by the River, Tecun-Uman Guatemala, 2020. Ada Trillo (Mexican American, b. 1976). Digital print; framed: 54.4 x 79.7 cm (21 7/16 x 31 3/8 in.); image: 50.8 x 76.2 cm (20 x 30 in.). The Cleveland Museum of Art, Gift of the Artist, 2024.24. \u00a9 Ada Trillo", "current_location": null, "title": "Sleeping by the River, Tecun-Uman Guatemala", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["female", "Latine and Hispanic Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "digital print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 54.4 x 79.7 cm (21 7/16 x 31 3/8 in.); Image: 50.8 x 76.2 cm (20 x 30 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.762}, "framed": {"height": 0.544, "width": 0.797}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Ada Trillo", "inscriptions": [], "exhibitions": {"current": [{"id": 452611, "title": "Picturing the Border", "description": "<i>Picturing the Border</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 21, 2024-January 5, 2025).", "opening_date": "2024-07-21T04:00:00"}], "legacy": []}, "provenance": [{"description": "Ada Trillo (the artist) [1976\u2013], given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020\u201324", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "February 26, 2024\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "A Mexican-American artist from the border, Ada Trillo spent years traveling with the Migrant Caravans from Honduras to the US-Mexico border, taking photographs of their journey.", "description": "In <em>Sleeping by the River</em>, a naked infant sleeps on a pile of clothing on the banks of the Suchiate River, the waterway that forms the border between Guatemala and Mexico. In the shade of a tree, the baby is surrounded by evidence of hundreds of asylum seekers\u2019 journey, with clothing hung up to dry on makeshift clotheslines, while people bathe in the river in the background. While recording the labor and sacrifice of transporting an infant a distance of nearly three thousand miles, the image offers a rare moment of peaceful repose. In humanizing the reality of the migrants\u2019 journey, the photographs provide \u201ca glimpse into the plight of asylum seekers and migrants, hard-working people banded together for a chance at a better life.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q126096068"], "internet_archive": []}, "citations": [{"citation": "Fellah, Nadiah Rivera, William Griswold, Natalie Scenters-Zapico, and Cleveland Museum of Art. <em>Picturing the Border</em>. Cleveland: The Cleveland Museum of Art, 2024.", "page_number": "Mentioned and reproduced: p. 55-57, no. 15", "url": ""}], "url": "https://clevelandart.org/art/2024.24", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 670789, "creators": [{"id": 670775, "description": "Ada Trillo (Mexican American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-02-26T05:00:00Z", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:35.971000"}, {"id": 669610, "accession_number": "2025.1", "share_license_status": "Copyrighted", "tombstone": "Touchstone, 2021. Shahzia Sikander (Pakistani American, b. 1969). Glass mosaic with patinated brass frame; 211.1 x 152.1 cm (83 1/8 x 59 7/8 in.); framed: 213.5 x 154.6 x 5.1 cm (84 1/16 x 60 7/8 x 2 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund, 2025.1. \u00a9 Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles", "current_location": null, "title": "Touchstone", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["Asian American", "female"], "culture": ["America"], "technique": "glass mosaic with patinated brass frame", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Mosaic", "measurements": "211.1 x 152.1 cm (83 1/8 x 59 7/8 in.); Framed: 213.5 x 154.6 x 5.1 cm (84 1/16 x 60 7/8 x 2 in.)", "dimensions": {"No Extent Specified": {"height": 2.111, "width": 1.521}, "framed": {"height": 2.135, "width": 1.546, "depth": 0.051}}, "state_of_the_work": null, "edition_of_the_work": "AP 1 from an edition of 5 with 2 APs", "copyright": "\u00a9 Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles", "inscriptions": [], "exhibitions": {"current": [{"id": 665435, "title": "Shahzia Sikander: Collective Behavior", "description": "<i>Shahzia Sikander: Collective Behavior</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 14-June 8, 2025).", "opening_date": "2025-02-14T05:00:00"}], "legacy": []}, "provenance": [{"description": "collection of the artist", "citations": [], "footnotes": null, "date": "2021", "sortorder": 1}, {"description": "(Sean Kelly Gallery, New York, NY, 2025, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "after 2021\u20132025", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2025\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Some of the pieces of glass in <em>Touchstone</em> are placed on their side and upside-down.", "description": "Before being composed of fragmented glass in this mosaic, the central figure in <em>Touchstone</em> appeared in an earlier painting by Shahzia Sikander, titled <em>Uprooted Order I</em> (1997). The figure is based on the Hindu heroine Radha who has historically been depicted as Krishna\u2019s preferred lover. In Sikander\u2019s representation, however, Radha is shown independent of Krishna, her own divine status and multifaceted identity made visible.<em> Touchstone</em>\u2019s figure holds a <em>chalawa</em>\u2014the Punjabi word for a shape-shifting ghost.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Sikander, Shahzia, William Griswold, Cameron Kitchin, Cincinnati Art Museum, and Cleveland Museum of Art. <em>Shahzia Sikander : Collective Behavior</em>. Edited by Ainsley M. Cameron and Emily Liebert. New York, Cincinnati: Monacelli Press ; Cincinnati Museum of Art, 2025.", "page_number": "Reproduced:  p. 94, plate 45; details pp. 3-4, 71, 224; mentioned:  pp. 71, 95.", "url": ""}], "url": "https://clevelandart.org/art/2025.1", "images": {}, "alternate_images": [], "creditline": "Dorothea Wright Hamilton Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 669610, "creators": [{"id": 54812, "description": "Shahzia Sikander (Pakistani American, b. 1969)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-01-10T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:47.525000"}, {"id": 172577, "accession_number": "2015.65", "share_license_status": "Copyrighted", "tombstone": "Untitled (Basketball Drawing), 2002. David Hammons (American, b. 1943). Charcoal on paper with water bottle; overall: 152.4 x 86.4 x 15.2 cm (60 x 34 x 6 in.). The Cleveland Museum of Art, Gift of Agnes Gund in honor of LeBron James, 2015.65", "current_location": null, "title": "Untitled (Basketball Drawing)", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "charcoal on paper with water bottle", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Drawing", "measurements": "Overall: 152.4 x 86.4 x 15.2 cm (60 x 34 x 6 in.)", "dimensions": {"overall": {"height": 1.524, "width": 0.864, "depth": 0.152}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": [], "date": "2002-?", "sortorder": 1}, {"description": "(Salon 94, NY, 2015, sold to Agnes Gund)", "citations": [], "footnotes": [], "date": "2015", "sortorder": 2}, {"description": "Agnes Gund, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2015", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2015\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The gradations of the work were made by the artist repeatedly bouncing a basketball coated in charcoal on the surface of the paper.", "description": "Considered one of the most influential and enigmatic artists of the past 50 years, David Hammons consistently challenges social conventions. In this work, he made an abstract composition by bouncing a charcoal-covered basketball onto a sheet of white paper. The resulting drawing calls to mind the role professional sports such as basketball can play within contemporary culture, often seen as an aspirational road to fame and fortune that few achieve. This idea echoes the way the drawing was made; chance plays a prominent role in the outcome of the composition. The addition of an empty water bottle behind the frame gives the drawing sculptural dimension. This object, which normally would have been discarded after use, is elevated to the status of fine art as it props up the drawing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084735"], "internet_archive": []}, "citations": [{"citation": "Hammons, David. <em>David Hammons: Rousing the Rubble</em>. New York: Institute for Contemporary Art, 1991.", "page_number": null, "url": "https://ingallslibrary.on.worldcat.org/oclc/25049037"}, {"citation": "Hammons, David, Connie Rogers Tilton, and Lindsay Charlwood. <em>L.A. Object &amp; David Hammons Body Prints</em>. New York: Tilton Gallery, 2011.", "page_number": null, "url": "https://ingallslibrary.on.worldcat.org/oclc/630506212"}, {"citation": "Zuckerman, Heidi, Klaus Ottmann, Philippe Vergne, Franklin Sirmans, Yves Klein, and David Hammons. <em>David Hammons, Yves Klein</em>. First ed. Aspen, CO, 2014.", "page_number": null, "url": "https://ingallslibrary.on.worldcat.org/oclc/880566829"}, {"citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.", "page_number": "Mentioned and reproduced: P. 76-77", "url": ""}, {"citation": "Rutland, Beau. \u201cAcquisitions 2015: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 2 (March/April 2016): 26-27.", "page_number": "Reproduced: p. 26; Mentioned: p. 27", "url": "https://archive.org/details/CMAMM2016-02"}], "url": "https://clevelandart.org/art/2015.65", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund in honor of LeBron James", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172577, "creators": [{"id": 66365, "description": "David Hammons (American, b. 1943)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-06-01T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:09.308000"}, {"id": 78276, "accession_number": "2020.197", "share_license_status": "Copyrighted", "tombstone": "Pulse (\u9f13\u52d5), 2011. Mihara Ken (Japanese, b. 1958). Multifired stoneware; 34.2 x 20.3 x 18.1 cm (13 7/16 x 8 x 7 1/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.197", "current_location": "ALOB Asian Lobby", "title": "Pulse", "title_in_original_language": "\u9f13\u52d5", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "Multifired stoneware", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "34.2 x 20.3 x 18.1 cm (13 7/16 x 8 x 7 1/8 in.)", "dimensions": {"No Extent Specified": {"height": 0.342, "width": 0.203, "depth": 0.181}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Box inscription: \u9f13\u52d5\u3000\u7814\u3000\u7814\uff08\u5370\uff09", "inscription_translation": "Box inscription: Pulse, signed: Ken, sealed: Ken", "inscription_remark": null, "sortorder": 1}], "exhibitions": {"current": [{"id": 396695, "title": "Impressionism to Modernism: The Keithley Collection", "description": "<i>Impressionism to Modernism: The Keithley Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).", "opening_date": "2022-09-11T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Joan B. Mirviss Ltd., New York, NY, sold to Nancy F. and Joseph P. Keithley)", "citations": [], "footnotes": [], "date": "2011", "sortorder": 1}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2011\u20132020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2020\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Mihara once said, \u201cI consider it my job to help the clay express its beauty.\u201d", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q87480830"], "internet_archive": []}, "citations": [{"citation": "Rousmaniere, Nicole Coolidge. \"Japanese Ceramics.\" In <em>The Keithley Collection at the Cleveland Museum of Art, </em>edited by Heather Lemonedes Brown, 230\u2013251. Cleveland, OH: The Cleveland Museum of Art, 2022.", "page_number": "Mentioned and Reproduced: pp. 250\u2013251; Mentioned: p. 267", "url": ""}], "url": "https://clevelandart.org/art/2020.197", "images": {}, "alternate_images": [], "creditline": "Nancy F. and Joseph P. Keithley Collection Gift", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 78276, "creators": [{"id": 61778, "description": "Mihara Ken (Japanese, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u4e09\u539f \u7814", "birth_year": "1958", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Vertical Vessel"], "is_highlight": false, "updated_at": "2026-03-27 00:06:34.954000"}, {"id": 163503, "accession_number": "2004.62", "share_license_status": "Copyrighted", "tombstone": "Miss Spongeface, 2003. Helen Escobedo (Mexican, 1934\u20132010). Estropajo (a vegatable sponge made from the inside of a gourd); overall: 28 x 15.2 x 16.5 cm (11 x 6 x 6 1/2 in.). The Cleveland Museum of Art, Gift of Mildred Constantine, 2004.62", "current_location": null, "title": "Miss Spongeface", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["female", "Latine and Hispanic Artists"], "culture": ["Mexico, M. Contreras, 21st century"], "technique": "estropajo (a vegatable sponge made from the inside of a gourd)", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 28 x 15.2 x 16.5 cm (11 x 6 x 6 1/2 in.)", "dimensions": {"overall": {"height": 0.28, "width": 0.152, "depth": 0.165}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 540067, "title": "Contemporary Art Rotation \u2013 Fall 2023", "description": "<i>Contemporary Art Rotation \u2013 Fall 2023</i>. The Cleveland Museum of Art (organizer) (October 20, 2023-April 7, 2024).", "opening_date": "2023-10-20T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Mexican sculptor was also the former director of the Museum of Modern Art, Mexico City.", "description": "Mexican sculptor Helen Escobedo is known for her monumental, abstract sculptures that are often made with natural materials. <em>Miss Spongeface</em> is unique for its miniature scale and figurative qualities. Using an <em>estropajo,</em> or the fibrous, sponge interior of a vegetable gourd, Escobedo carved her medium into the bust of female figure, and gave it a humorous name, creating a whimsical, distinctive sculpture.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989673"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2004.62", "images": {}, "alternate_images": [], "creditline": "Gift of Mildred Constantine", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163503, "creators": [{"id": 47220, "description": "Helen Escobedo (Mexican, 1934\u20132010)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1934", "death_year": "2010", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-06-07T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:57.999000"}, {"id": 168198, "accession_number": "2009.85", "share_license_status": "Copyrighted", "tombstone": "Rage Against Machine, 2008. Robert A. Pruitt (American, b. 1975). Cont\u00e9 crayon on Kraft paper; sheet: 207.2 x 155.3 cm (81 9/16 x 61 1/8 in.). The Cleveland Museum of Art, Ruthe and Heinz Eppler Fund, 2009.85. \u00a9 Robert A Pruitt", "current_location": null, "title": "Rage Against Machine", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "cont\u00e9 crayon on Kraft paper", "support_materials": [], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 207.2 x 155.3 cm (81 9/16 x 61 1/8 in.)", "dimensions": {"sheet": {"height": 2.072, "width": 1.553}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Robert A Pruitt", "inscriptions": [], "exhibitions": {"current": [{"id": 204176, "title": "Our Stories: African American Prints and Drawings", "description": "<i>Our Stories: African American Prints and Drawings</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-May 18, 2014).", "opening_date": "2014-01-24T00:00:00"}], "legacy": []}, "provenance": [{"description": "Studio of the artist, Houston, sold to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2008-2009", "sortorder": null}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2009-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The title of this drawing alludes to the band Rage Against the Machine, whose lyrics were inspired by revolutionary politics.", "description": "In this drawing Robert Pruitt depicts a woman dressed in costume from the 19th century, when slavery still flourished, but with contemporary tennis shoes peeking out from underneath her dress. She holds a long-handled hammer, a reference to the freed slave John Henry, who worked as a steel driver and became a legend when he won a race against a steam-powered hammer during the 1870s. In the same way that Henry overcame a machine, Pruitt's heroic figure suggests the destruction of a corrupt and inequitable system.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80073729"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.85", "images": {}, "alternate_images": [], "creditline": "Ruthe and Heinz Eppler Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168198, "creators": [{"id": 58490, "description": "Robert A. Pruitt (American, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-06-08T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": true, "updated_at": "2026-03-26 23:59:38.089000"}, {"id": 168570, "accession_number": "2010.296", "share_license_status": "Copyrighted", "tombstone": "Wind (\u98a8), 2009. Kohyama Yasuhisa (Japanese, b. 1936). Stoneware (Shigaraki style); overall: 22.3 x 12.1 cm (8 3/4 x 4 3/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2010.296", "current_location": null, "title": "Wind", "title_in_original_language": "\u98a8", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "stoneware (Shigaraki style)", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "Overall: 22.3 x 12.1 cm (8 3/4 x 4 3/4 in.)", "dimensions": {"overall": {"height": 0.223, "width": 0.121}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Sculpture Center, Cleveland, OH (November 6\u2013December 19, 2009).", "opening_date": "2009-12-19T00:00:00"}]}, "provenance": [{"description": "Kohyama Yasuhisa \u795e\u5c71\u6613\u4e45, Shiga, Japan, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2009\u20132010", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This vessel was intended for ikebana, the Japanese art of flower arrangement.", "description": "Kohyama Yasuhisa is known for his exploration of natural forms. This piece is part of a series examining wind, which he began in the 1980s.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074635"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.296", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168570, "creators": [{"id": 34942, "description": "Kohyama Yasuhisa (Japanese, b. 1936)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born in the ancient pottery town of Shigaraki, Kohyama began working at a ceramic factory when he was fifteen. He performed chores at Oumi Kagaku Touki, the largest factory in Shigaraki that was influenced by Scandinavian design, during the day and trained in basic ceramic throwing techniques in the evenings at a vocational school. In 1955, he apprenticed under Sakuzo Hineo (1907\u20131984), a potter from Ueno, and began to concentrate on tableware. In the 1960s, Kohyama started collaborating with designers and architects to create ceramic tile installations. However, he is now best known for his vessels, both traditional wares like tea bowls as well as more experimental, sculptural forms. Many of Kohyama\u2019s pieces are suitable for ikebana, the art of flower arrangement in which he himself is highly skilled. He developed and continues to hone his creative process of cutting away clay with metal wires. He prefers to fire his works in a wood-fired anagama kiln. He has come to Cleveland three times to serve as an instructor for the Cleveland Institute of Art and for Kent State University: in 1993, 1999, and 2008.", "name_in_original_language": "\u795e\u5c71\u6613\u4e45", "birth_year": "1936", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:11.918000"}, {"id": 168781, "accession_number": "2010.473", "share_license_status": "Copyrighted", "tombstone": "Study for \"A Rock That Was Taught it Was a Bird\", 2009. Kim Beom (Korean, b. 1963). Graphite; sheet: 18 x 24 cm (7 1/16 x 9 7/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2010.473. \u00a9 Kim Beom", "current_location": null, "title": "Study for \"A Rock That Was Taught it Was a Bird\"", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "graphite", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Sheet: 18 x 24 cm (7 1/16 x 9 7/16 in.)", "dimensions": {"sheet": {"height": 0.18, "width": 0.24}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kim Beom", "inscriptions": [{"inscription": "inscribed in graphite (verso): \"2009./ K. Beom\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 383281, "title": "Stories from Storage", "description": "<i>Stories from Storage</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).", "opening_date": "2021-02-06T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [{"id": 168516, "description": "A Rock That Was Taught It Was a Bird, 2010. Kim Beom (Korean, b. 1963). Stone, wood, wooden table, single channel video on 12-inch flat monitor (1 hr, 27 min, 30 sec; edition 1/3); overall: 146.8 x 220.5 x 127.7 cm (57 13/16 x 86 13/16 x 50 1/4 in.). The Cleveland Museum of Art, Louis D. Kacalieff, M.D. Fund, 2010.263. \u00a9 Kim Beom", "relationship": "study for"}], "former_accession_numbers": [], "did_you_know": "Kim Beom has described works such as the one sketched in this drawing, saying that \"I want to seek alternative definitions of life by studying these objects that contain human ideals.\"", "description": "This drawing relates to relates to Kim Beom's mixed-media installation, <em>A Rock that was Taught it Was a Bird </em>(2010), also part of the Cleveland Museum of Art's collection. In the study, Kim envisioned the configuration of his project, which features a ready-made sculpture made from a stone and tree bough, a table, and a video monitor. The artist often works between two- and three-dimensional media as a way to question and comment on authoritarianism.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80075204"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.473", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168781, "creators": [{"id": 60679, "description": "Kim Beom (Korean, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": "1986 - Seoul National University<br>1991 - M.F.A. School of Visual Arts, New York", "name_in_original_language": "\uae40\ubc94", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:03.044000"}, {"id": 169897, "accession_number": "2012.14", "share_license_status": "Copyrighted", "tombstone": "Harem #14, 2009. Lalla Essaydi (Moroccan, b. 1956). Chromogenic print mounted to aluminum with a UV protective laminate; overall: 101.6 x 76.2 cm (40 x 30 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 2012.14. \u00a9 Lalla Essaydi", "current_location": null, "title": "Harem #14", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["female"], "culture": ["Morocco"], "technique": "Chromogenic print mounted to aluminum with a UV protective laminate", "support_materials": [], "department": "Islamic Art", "collection": "Islamic Art", "type": "Photograph", "measurements": "Overall: 101.6 x 76.2 cm (40 x 30 in.)", "dimensions": {"overall": {"height": 1.016, "width": 0.762}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Lalla Essaydi", "inscriptions": [{"inscription": "Label on the mount, verso.  The labels are at the center bottom and read as follows:\r\n\r\nEDWYNN HOUK GALLERY\r\n\r\nLalla Essaydi (Moroccan, b. 1956):\r\n\r\nHAREM #14, 2009\r\n\r\nChromogenic print mounted to aluminum and protected with Mactac luster laminate, 30 x 40 inches.  Printed under the direct supervision of the photographer.  Print number 1 from an edition of 15.  Signed on artist's label on mount, verso.  [LE.HAREM.3040.1]\r\n\r\nAt the bottom in small type:\r\n\r\n745 Fifth Avenue  New York  NY  10151    Tel  212 750 7070   Fax 212 688 4848\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 380793, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 3, 2012-December 9, 2013).", "opening_date": "2012-12-03T05:00:00"}], "legacy": []}, "provenance": [{"description": "Lalla Essaydi, New York, NY", "citations": [], "footnotes": [], "date": "2009\u2013?", "sortorder": 1}, {"description": "(Edwynn Houk Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2012\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The photographer says, \"In my art, I wish to present myself through multiple lenses\u2014as artist, as Moroccan, as traditionalist, as liberal, as Muslim. In short, I invite viewers to resist stereotypes.\"", "description": "Lalla Essaydi examines the role of Muslim women by applying layers of Arabic calligraphy by hand with henna on the faces and feet of the two young women whose camouflaged dress mimics the colorful wall tiles in an elaborate Moroccan house belonging to her family. Rather than representing the harem as the euphoric anxiety-free place of the Western imagination, Essaydi is portraying its historical reality as, she says, \"a dangerous frontier where sacred law and pleasure collide.\" Young women who disobeyed were confined in this beautiful house\u2014accompanied only by servants\u2014for a month in silence.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077772"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.14", "images": {}, "alternate_images": [], "creditline": "The Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169897, "creators": [{"id": 61982, "description": "Lalla Essaydi (Moroccan, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Lalla Essaydi grew up in Morocco and has lived in Saudi Arabia and New York City. She received her MFA from the School of the Museum of Fine Arts/Tufts University in 2003. Her photographs have been widely collected and exhibited. Her works are intended to reflect the complex female identities in the Muslim world, and they provide a bridge from historic Islamic art into contemporary society.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-03-05T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:08.277000"}, {"id": 170453, "accession_number": "2012.62", "share_license_status": "Copyrighted", "tombstone": "Unbranded:  Reflections in Black Corporate America: Slack Power, 2006. Hank Willis Thomas (American, 1976-). Digital chromogenic print; image: 119.4 x 87 cm (47 x 34 1/4 in.); framed: 143.4 x 111 cm (56 7/16 x 43 11/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.62. \u00a9 Hank Willis Thomas", "current_location": null, "title": "Slack Power", "series": "Unbranded:  Reflections in Black Corporate America", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "digital chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 119.4 x 87 cm (47 x 34 1/4 in.); Framed: 143.4 x 111 cm (56 7/16 x 43 11/16 in.)", "dimensions": {"image": {"height": 1.194, "width": 0.87}, "framed": {"height": 1.434, "width": 1.11}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Hank Willis Thomas", "inscriptions": [{"inscription": "Printed on adhesive label on verso of frame: \"JACK SHAINMAN GALLERY/Hank Willis Thomas/Slack Power, 1969/2006/Light Jet Print/62-3/4 x 50 inches/Original photographer unknown/Edition 1 of 5, \r\nwith 1 artist proof/HWT07.047.4\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 202450, "title": "Hank Willis Thomas at the Transformer Station", "description": "<i>Hank Willis Thomas at the Transformer Station</i>. Transformer Station (December 14, 2013-March 8, 2014).", "opening_date": "2013-12-14T00:00:00"}], "legacy": []}, "provenance": [{"description": "Hank Willis Thomas (the artist) [1976-]", "citations": [], "footnotes": [], "date": "2006-?", "sortorder": 1}, {"description": "(Jack Shainman Gallery, New York, NY)", "citations": [], "footnotes": [], "date": "?-2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "September 4, 2012", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The <em>Unbranded </em>series encourages us to consider how advertising reinforces generalizations surrounding race, gender, and cultural identity.", "description": "Hank Willis Thomas chose 2 ads per year published in <em>Ebony,</em> a magazine aimed at African Americans, between 1968\u2014the year Martin Luther King was assassinated\u2014and 2008, the year Barack Obama was elected president. He subtracted all the branding information from the images and added titles, often satirical, to each image. The result is a four-decade survey of how advertisers thought African Americans wanted to see themselves.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079186"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.62", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170453, "creators": [{"id": 62427, "description": "Hank Willis Thomas (American, 1976-)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born March 17, 1976", "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-09-04T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:30.757000"}, {"id": 170454, "accession_number": "2012.63", "share_license_status": "Copyrighted", "tombstone": "Unbranded:  Reflections in Black Corporate America: Your Skin has the Power to Protect You, 2008. Hank Willis Thomas (American, 1976-). Digital chromogenic print; paper: 166.4 x 130.8 cm (65 1/2 x 51 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.63. \u00a9 Hank Willis Thomas", "current_location": null, "title": "Your Skin has the Power to Protect You", "series": "Unbranded:  Reflections in Black Corporate America", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "digital chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 166.4 x 130.8 cm (65 1/2 x 51 1/2 in.)", "dimensions": {"paper": {"height": 1.664, "width": 1.308}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Hank Willis Thomas", "inscriptions": [{"inscription": "Printed on adhesive label on verso of frame: \"JACK SHAINMAN GALLERY/Hank Willis Thomas/Your Skin Has the Power to Protect You, 2008/2008 Light Jet Print/65-1/2 x 51-1/2 inches/Edition 2 of 5, with 1 Artist Proof/HWT08.016.L2\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 202450, "title": "Hank Willis Thomas at the Transformer Station", "description": "<i>Hank Willis Thomas at the Transformer Station</i>. Transformer Station (December 14, 2013-March 8, 2014).", "opening_date": "2013-12-14T00:00:00"}], "legacy": []}, "provenance": [{"description": "Hank Willis Thomas (the artist) [1976-]", "citations": [], "footnotes": null, "date": "2008", "sortorder": 1}, {"description": "(Jack Shainman Gallery, New York, NY)", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 4, 2012", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The <em>Unbranded </em>series encourages us to consider how advertising reinforces generalizations surrounding race, gender, and cultural identity.", "description": "Hank Willis Thomas chose 2 ads per year published in <em>Ebony,</em> a magazine aimed at African Americans, between 1968\u2014the year Martin Luther King was assassinated\u2014and 2008, the year Barack Obama was elected president. He subtracted all the branding information from the images and added titles, often satirical, to each image. The result is a four-decade survey of how advertisers thought African Americans wanted to see themselves.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079188"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.63", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. 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In the work, viewers see Wolfson's cursor click through various clips, related links, and play background music like that by David Bowie, alongside random imagery, which includes a walking robot, a scene from <em>The Matrix</em>, Richard Pryor on <em>Sesame Street</em>,and a video of Picasso drawing. 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Dana Schutz (American, b. 1976), Two Palms Press. Etching and aquatint; image: 91.4 x 60 cm (36 x 23 5/8 in.); sheet: 109.9 x 77.8 cm (43 1/4 x 30 5/8 in.). 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He became a drug counselor and, around 1998, contacted Davidson and ended up writing a memoir.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79876490"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.755", "images": {}, "alternate_images": [], "creditline": "Gift of an anonymous donor", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 317505, "creators": [{"id": 64191, "description": "Bruce Davidson (American, b. 1933)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1933", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:24.703000"}, {"id": 361504, "accession_number": "2019.196", "share_license_status": "Copyrighted", "tombstone": "Santa Faustina Kowalska 1931, 2005. Le\u00f3n Ferrari (Argentinian, 1920\u20132013). Pen and black ink on wove paper; sheet: 29.5 x 21 cm (11 5/8 x 8 1/4 in.). The Cleveland Museum of Art, Gift of the Leon Ferrari Foundation, 2019.196. \u00a9 Le\u00f3n Ferrari", "current_location": null, "title": "Santa Faustina Kowalska 1931", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Argentina"], "technique": "pen and black ink on wove paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Sheet: 29.5 x 21 cm (11 5/8 x 8 1/4 in.)", "dimensions": {"sheet": {"height": 0.295, "width": 0.21}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Le\u00f3n Ferrari", "inscriptions": [{"inscription": "inscribed at lower left, in ink: Santa Faustina Kowalska 1931; initialed and dated at lower right, in ink: lf / 05. Inscribed on verso at center, in ink: leon Ferrari / en / Santa Ana / 27/3/05 / Domingo de Pascua / (edding 1880)", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 373919, "title": "A Graphic Revolution: Prints and Drawings in Latin America", "description": "<i>A Graphic Revolution: Prints and Drawings in Latin America</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 14-August 2, 2020).", "opening_date": "2020-03-08T05:00:00"}], "legacy": []}, "provenance": [{"description": "Studio of the artist", "citations": [], "footnotes": [], "date": "2005-2013", "sortorder": 1}, {"description": "Estate of the artist, given to the Cleveland Museum of Art, Cleveland, OH through Sicardi Ayers Bacino, Houston, TX", "citations": [], "footnotes": [], "date": "2013-2019", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Le\u00f3n Ferrari created several works that incorporated texts authored by Maria Faustina Kowalska, a Polish nun.", "description": "Created during the last decade of Argentinian artist Le\u00f3n Ferrari\u2019s life, this drawing presents a decorative flourish of cursive text. Beginning in the 1960s, the artist created a series of drawings that presented or evoked the written word in response to censorship in his native country. Here, Ferrari presented the Polish nun Maria Faustina Kowalska\u2019s (1905\u20131938) description of Hell, evoking a juxtaposition between otherworldly tortures with those enacted during the political turmoil he had witnessed during his lifetime.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79878061"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.196", "images": {}, "alternate_images": [], "creditline": "Gift of the Leon Ferrari Foundation", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 361504, "creators": [{"id": 361500, "description": "Le\u00f3n Ferrari (Argentinian, 1920\u20132013)", "extent": null, "qualifier": null, "role": "artist", "biography": "Argentine sculptor, poet, and conceptual artist, 1920-2013", "name_in_original_language": null, "birth_year": "1920", "death_year": "2013", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-09-09T00:00:00-04:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:38.488000"}, {"id": 370587, "accession_number": "2019.226", "share_license_status": "Copyrighted", "tombstone": "Plate Distortion III, 2011. Tauba Auerbach (American, b. 1981). Color aquatint and chine coll\u00e9; image: 86.4 x 62.2 cm (34 x 24 1/2 in.); sheet: 111.8 x 85.1 cm (44 x 33 1/2 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2019.226. \u00a9 Tauba Auerbach", "current_location": null, "title": "Plate Distortion III", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female"], "culture": ["America"], "technique": "color aquatint and chine coll\u00e9", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Image: 86.4 x 62.2 cm (34 x 24 1/2 in.); Sheet: 111.8 x 85.1 cm (44 x 33 1/2 in.)", "dimensions": {"image": {"height": 0.864, "width": 0.622}, "sheet": {"height": 1.118, "width": 0.851}}, "state_of_the_work": null, "edition_of_the_work": "edition of 15", "copyright": "\u00a9 Tauba Auerbach", "inscriptions": [{"inscription": "inscribed in pencil at lower left: AP IV; signed and dated in pencil at lower right: TAUBA AUERBACH 2011; blind stamped at lower right: chop mark of Paulson Bott Press", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(The Bott Collection, Berkeley, CA, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Tauba Auerbach created <em>Plate Distortion III</em> while working with printer Renee Bott to find a way to fold a copper plate.", "description": "For over a decade, Tauba Auerbach has explored systems of representation and three-dimensional space in her prints. <em>Plate Distortion III</em> belongs to a series that she created by folding and bending a thin sheet of copper foil covered in grainy aquatint. The material was then affixed to a sturdier plate and printed, so that the effects of Auerbach\u2019s manipulation became the image itself, referencing the history and experimental potential of printmaking materials and tools.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279642"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.226", "images": {}, "alternate_images": [], "creditline": "The Charlotte Ekker and Charlotte Van der Veer Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370587, "creators": [{"id": 370581, "description": "Tauba Auerbach (American, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": "American painter, born 1981", "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 385812, "description": "Ren\u00e9e Bott (American, b. 1958)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": "American printer, contemporary", "name_in_original_language": null, "birth_year": "1958", "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 385816, "description": "Paulson Bott Press (American, 1996\u20132016)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "birth_year": "1996", "death_year": "2016", "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "AP IV", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:49.599000"}, {"id": 370572, "accession_number": "2019.231", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2012. Nicole Eisenman (American, b. 1965). Woodcut; image: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.); sheet: 63.2 x 47.9 cm (24 7/8 x 18 7/8 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2019.231. \u00a9 Nicole Eisenman", "current_location": null, "title": "Untitled", "creation_date": "2012", "creation_date_earliest": 2012, "creation_date_latest": 2012, "artists_tags": ["female", "gender unknown", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "woodcut", "support_materials": [], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Image: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.); Sheet: 63.2 x 47.9 cm (24 7/8 x 18 7/8 in.)", "dimensions": {"image": {"height": 0.603, "width": 0.451}, "sheet": {"height": 0.632, "width": 0.479}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(10 Grand Press, Brooklyn, NY, sold to the Cleveland Museum of Art, Cleveland, OH)", "citations": [], "footnotes": [], "date": "2012-2019", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This work was made during a year when Nicole Eisenman focused primarily on mastering various printmaking techniques.", "description": "This print by Nicole Eisenman references the German Expressionist artist Erich Heckel\u2019s 1919 woodcut <em>Portrait of a Man</em>. Eisenman reversed the direction of the original image but adapted the sideways glance and clasped hands seen in the elder artist\u2019s print. In the upper right corner, she added a small moon, and printed the two sides of the image in black and white, suggesting that the figure is outside looking in.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279600"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.231", "images": {}, "alternate_images": [], "creditline": "The Charlotte Ekker and Charlotte Van der Veer Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370572, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:12.129000"}, {"id": 374828, "accession_number": "2019.241", "share_license_status": "Copyrighted", "tombstone": "Picabia Filter I-IV, 2018. Nicole Eisenman (American, b. 1965). 4 prints, intaglio with drypoint; image: 39.4 x 22.9 cm (15 1/2 x 9 in.); sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2019.241. \u00a9 Nicole Eisenman", "current_location": null, "title": "Picabia Filter I-IV", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "gender unknown", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "4 prints, intaglio with drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Image: 39.4 x 22.9 cm (15 1/2 x 9 in.); Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"image": {"height": 0.394, "width": 0.229}, "sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 441014, "title": "Nicole Eisenman: A Decade of Printing", "description": "<i>Nicole Eisenman: A Decade of Printing</i>. 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The layered images combine unevenly, obscuring the artist\u2019s features and highlighting the app\u2019s various icons along the lower margin. Through this juxtaposition of history and contemporary life, Eisenman comments on the construction of identity and the evolving role of self-presentation in a digital world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84280207"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.241", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 374828, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:15.731000"}, {"id": 370568, "accession_number": "2019.241.1", "share_license_status": "Copyrighted", "tombstone": "Picabia Filter I, 2018. Nicole Eisenman (American, b. 1965), 10 Grand Press. Intaglio with drypoint; image: 39.4 x 22.9 cm (15 1/2 x 9 in.); sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2019.241.1. \u00a9 Nicole Eisenman", "current_location": null, "title": "Picabia Filter I", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "gender unknown", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "intaglio with drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Image: 39.4 x 22.9 cm (15 1/2 x 9 in.); Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"image": {"height": 0.394, "width": 0.229}, "sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 441014, "title": "Nicole Eisenman: A Decade of Printing", "description": "<i>Nicole Eisenman: A Decade of Printing</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 16-December 31, 2022).", "opening_date": "2022-07-16T04:00:00"}], "legacy": []}, "provenance": [{"description": "Nicole Eisenman (the artist)", "citations": [], "footnotes": [], "date": "2018-2019", "sortorder": 1}, {"description": "10 Grand Press, Brooklyn, NY", "citations": [], "footnotes": [], "date": "2019", "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Nicole Eisenman has worked with 10 Grand Press, the printer and publisher of this work, since 2012.", "description": "To create this print, Nicole Eisenman combined a painted portrait by the twentieth-century avant- garde artist Francis Picabia with her own self-portrait taken with the popular app Snapchat. The layered images combine unevenly, obscuring the artist\u2019s features and highlighting the app\u2019s various icons along the lower margin. Through this juxtaposition of history and contemporary life, Eisenman comments on the construction of identity and the evolving role of self-presentation in a digital world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279523"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.241.1", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370568, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press", "extent": "published by", "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.241", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:39.760000"}, {"id": 370569, "accession_number": "2019.241.2", "share_license_status": "Copyrighted", "tombstone": "Picabia Filter II, 2018. Nicole Eisenman (American, b. 1965). Intaglio with drypoint; image: 39.4 x 22.9 cm (15 1/2 x 9 in.); sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2019.241.2. \u00a9 Nicole Eisenman", "current_location": null, "title": "Picabia Filter II", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "gender unknown", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "intaglio with drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Image: 39.4 x 22.9 cm (15 1/2 x 9 in.); Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"image": {"height": 0.394, "width": 0.229}, "sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 441014, "title": "Nicole Eisenman: A Decade of Printing", "description": "<i>Nicole Eisenman: A Decade of Printing</i>. 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The layered images combine unevenly, obscuring the artist\u2019s features and highlighting the app\u2019s various icons along the lower margin. Through this juxtaposition of history and contemporary life, Eisenman comments on the construction of identity and the evolving role of self-presentation in a digital world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279542"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.241.2", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370569, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.241", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:26.810000"}, {"id": 370570, "accession_number": "2019.241.3", "share_license_status": "Copyrighted", "tombstone": "Picabia Filter III, 2018. Nicole Eisenman (American, b. 1965). Intaglio with drypoint; image: 39.4 x 22.9 cm (15 1/2 x 9 in.); sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2019.241.3. \u00a9 Nicole Eisenman", "current_location": null, "title": "Picabia Filter III", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "intaglio with drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Image: 39.4 x 22.9 cm (15 1/2 x 9 in.); Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"image": {"height": 0.394, "width": 0.229}, "sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 441014, "title": "Nicole Eisenman: A Decade of Printing", "description": "<i>Nicole Eisenman: A Decade of Printing</i>. 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The layered images combine unevenly, obscuring the artist\u2019s features and highlighting the app\u2019s various icons along the lower margin. Through this juxtaposition of history and contemporary life, Eisenman comments on the construction of identity and the evolving role of self-presentation in a digital world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279559"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.241.3", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370570, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.241", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:01.590000"}, {"id": 370571, "accession_number": "2019.241.4", "share_license_status": "Copyrighted", "tombstone": "Picabia Filter IV, 2018. Nicole Eisenman (American, b. 1965). Intaglio with drypoint; image: 39.4 x 22.9 cm (15 1/2 x 9 in.); sheet: 55.9 x 38.1 cm (22 x 15 in.). The Cleveland Museum of Art, Gift of Stephen Dull, 2019.241.4. \u00a9 Nicole Eisenman", "current_location": null, "title": "Picabia Filter IV", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "intaglio with drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Image: 39.4 x 22.9 cm (15 1/2 x 9 in.); Sheet: 55.9 x 38.1 cm (22 x 15 in.)", "dimensions": {"image": {"height": 0.394, "width": 0.229}, "sheet": {"height": 0.559, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": "Edition 14/15", "copyright": "\u00a9 Nicole Eisenman", "inscriptions": [], "exhibitions": {"current": [{"id": 441014, "title": "Nicole Eisenman: A Decade of Printing", "description": "<i>Nicole Eisenman: A Decade of Printing</i>. 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The layered images combine unevenly, obscuring the artist\u2019s features and highlighting the app\u2019s various icons along the lower margin. Through this juxtaposition of history and contemporary life, Eisenman comments on the construction of identity and the evolving role of self-presentation in a digital world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279577"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.241.4", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370571, "creators": [{"id": 65815, "description": "Nicole Eisenman (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.241", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:57.248000"}, {"id": 394818, "accession_number": "2020.273", "share_license_status": "Copyrighted", "tombstone": "Atomic Mystic Cosmic 16, 2017. Polly Apfelbaum (American, b. 1955). Color woodblock monoprint; image: 81.7 x 53.5 cm (32 3/16 x 21 1/16 in.); sheet: 92.5 x 63.8 cm (36 7/16 x 25 1/8 in.). The Cleveland Museum of Art, Gift of Margaret and Peter Dobbins, 2020.273. \u00a9  Polly Apfelbaum / Artists Rights Society (ARS), New York", "current_location": null, "title": "Atomic Mystic Cosmic 16", "creation_date": "2017", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["female", "Jewish artists"], "culture": ["America"], "technique": "Color woodblock monoprint", "support_materials": [], "department": "Prints", "collection": "PR - Woodblock", "type": "Print", "measurements": "Image: 81.7 x 53.5 cm (32 3/16 x 21 1/16 in.); Sheet: 92.5 x 63.8 cm (36 7/16 x 25 1/8 in.)", "dimensions": {"image": {"height": 0.817, "width": 0.535}, "sheet": {"height": 0.925, "width": 0.638}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9  Polly Apfelbaum / Artists Rights Society (ARS), New York", "inscriptions": [{"inscription": "Initialed and dated in graphite LR in image: PA17", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Durham Press blindstamp LL", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Verso, inscribed in graphite : 16", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Verso, stamped in black ink : \u00a9 2017 Polly Apfelbaum Durham Press, Inc", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Durham Press, Durham, PA)", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 7, 2020", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The \u201crainbow roll\u201d printing technique is responsible for the gradient effect of many of the colors seen on this print.", "description": "Polly Apfelbaum\u2019s work builds upon the American abstract tradition of color field, pop, and abstract expressionist painting, while rejecting what she calls the \u201caggressive masculinity\u201d of these movements. <em>Atomic Mystic Cosmic 16 </em>was stimulated by a year Apfelbaum spent in Italy, when she became fascinated with drapery and colored fabrics depicted in Renaissance and Baroque paintings, as well as the decorative inlay of medieval mosaic floors. For the color, she employed the \u201crainbow roll\u201d technique, in which multiple colors are partially mixed to achieve a continuous gradient effect. The effect is one of dazzling color and pattern, while also creating spatial relationships that complicate the composition\u2019s hard-edged geometry.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244875"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.273", "images": {}, "alternate_images": [], "creditline": "Gift of Margaret and Peter Dobbins", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 394818, "creators": [{"id": 63064, "description": "Polly Apfelbaum (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:27.987000"}, {"id": 394859, "accession_number": "2020.279", "share_license_status": "Copyrighted", "tombstone": "Mama's Always Watching, 2017. D'Angelo Lovell Williams (American, b. 1992). Inkjet print; image: 49.5 x 33 cm (19 1/2 x 13 in.); paper: 54.4 x 37.5 cm (21 7/16 x 14 3/4 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2020.279. \u00a9 D\u2019Angelo Lovell Williams", "current_location": null, "title": "Mama's Always Watching", "creation_date": "2017", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["Black American Artists", "male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 49.5 x 33 cm (19 1/2 x 13 in.); Paper: 54.4 x 37.5 cm (21 7/16 x 14 3/4 in.)", "dimensions": {"image": {"height": 0.495, "width": 0.33}, "paper": {"height": 0.544, "width": 0.375}}, "state_of_the_work": null, "edition_of_the_work": "Edition 3/6", "copyright": "\u00a9 D\u2019Angelo Lovell Williams", "inscriptions": [], "exhibitions": {"current": [{"id": 380325, "title": "Picturing Motherhood Now", "description": "<i>Picturing Motherhood Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 16, 2021-March 13, 2022).", "opening_date": "2021-10-16T04:00:00"}], "legacy": []}, "provenance": [{"description": "D'Angelo Lovell Williams (the artist) [1992-]", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "(Higher Pictures Generation, New York, NY)", "citations": [], "footnotes": null, "date": "?-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 7, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "D\u2019Angelo Lovell Williams knew he was gay at age four or five.", "description": "Here, and throughout his work, D\u2019Angelo Lovell Williams explores intersections of Blackness, queerness, and family. The artist sits beneath a photograph of his mother as a young woman. One hand points toward his groin. Lovell Williams remained closeted while growing up because he believed neither his family nor his community in Jackson, Mississippi, would accept a gay man. That identification animates his layered compositions in works like this one.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244877"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.279", "images": {}, "alternate_images": [], "creditline": "L. E. Holden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 394859, "creators": [{"id": 394853, "description": "D'Angelo Lovell Williams (American, b. 1992)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1992", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:29.425000"}, {"id": 394862, "accession_number": "2020.282", "share_license_status": "Copyrighted", "tombstone": "Was Blind, But Now I See (Granny), 2019. D'Angelo Lovell Williams (American, b. 1992). Inkjet print; image: 50.8 x 76.4 cm (20 x 30 1/16 in.); paper: 55.6 x 81.3 cm (21 7/8 x 32 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2020.282. \u00a9 D\u2019Angelo Lovell Williams", "current_location": null, "title": "Was Blind, But Now I See (Granny)", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["Black American Artists", "male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 50.8 x 76.4 cm (20 x 30 1/16 in.); Paper: 55.6 x 81.3 cm (21 7/8 x 32 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.764}, "paper": {"height": 0.556, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 8 +2 APs", "copyright": "\u00a9 D\u2019Angelo Lovell Williams", "inscriptions": [], "exhibitions": {"current": [{"id": 380325, "title": "Picturing Motherhood Now", "description": "<i>Picturing Motherhood Now</i>. 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Over the next 12 years she regained those abilities, an experience that led her to a spiritual rebirth. The gesture of her hand over the artist\u2019s face in the image suggests her absorbing something that has been seen or lived by her grandson. Touch\u2014Black flesh meeting Black flesh\u2014is a central theme in Lovell Williams\u2019s work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244882"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.282", "images": {}, "alternate_images": [], "creditline": "L. E. Holden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 394862, "creators": [{"id": 394853, "description": "D'Angelo Lovell Williams (American, b. 1992)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1992", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:12.864000"}, {"id": 417513, "accession_number": "2020.288.1", "share_license_status": "Copyrighted", "tombstone": "Architects of the Future: Fortuneteller, 2014. Chitra Ganesh (American, b. 1975), Durham Press. Color screenprint and woodblock; sheet: 65.7 x 56.5 cm (25 7/8 x 22 1/4 in.); image: 60.4 x 50.4 cm (23 3/4 x 19 13/16 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2020.288.1. \u00a9 Chitra Ganesh/Durham Press, 2014", "current_location": null, "title": "Fortuneteller", "series": "Architects of the Future", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["Asian American", "female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "color screenprint and woodblock", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Sheet: 65.7 x 56.5 cm (25 7/8 x 22 1/4 in.); Image: 60.4 x 50.4 cm (23 3/4 x 19 13/16 in.)", "dimensions": {"sheet": {"height": 0.657, "width": 0.565}, "image": {"height": 0.604, "width": 0.504}}, "state_of_the_work": "Unique", "edition_of_the_work": "Edition of 25", "copyright": "\u00a9 Chitra Ganesh/Durham Press, 2014", "inscriptions": [{"inscription": "inscribed, signed, and dated, at lower right, in graphite: 3/25 Chitra Ganesh 2014; embossed, at lower left: Durham Press chopmark; stamped on verso, in black ink: \u00a9 2014 Chitra Ganesh Durham Press, Inc.", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. 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Chitra Ganesh (American, b. 1975), Durham Press. Color screenprint and woodblock; image: 60.2 x 74.8 cm (23 11/16 x 29 7/16 in.); sheet: 65.7 x 79.8 cm (25 7/8 x 31 7/16 in.). The Cleveland Museum of Art, Alma and Robert D. 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Chitra Ganesh (American, b. 1975), Durham Press. Color screenprint and woodblock; sheet: 65.8 x 46 cm (25 7/8 x 18 1/8 in.); image: 60.4 x 41 cm (23 3/4 x 16 1/8 in.). The Cleveland Museum of Art, Alma and Robert D. 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Nicola L\u00f3pez (American, 1975-). Etching; matted: 36.2 x 48.9 cm (14 1/4 x 19 1/4 in.); image: 21.6 x 27.5 cm (8 1/2 x 10 13/16 in.); sheet: 33.7 x 37 cm (13 1/4 x 14 9/16 in.). 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This print belongs to L\u00f3pez\u2019s <em>Monuments</em> series, in which she created abstract images based on the urban landscape. Objects from everyday life\u2014here, a television\u2014are presented in forms and settings that monumentalize them beyond their regular use.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246388"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.418", "images": {}, "alternate_images": [], "creditline": "gift of Jack and Linda Lissauer in memory of Pearl and Rabbi David Hachen", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 401150, "creators": [{"id": 401146, "description": "Nicola L\u00f3pez (American, 1975-)", "extent": null, "qualifier": null, "role": "artist", "biography": "American installation artist and painter, born 1975", "name_in_original_language": null, "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:15.514000"}, {"id": 375083, "accession_number": "2020.97", "share_license_status": "Copyrighted", "tombstone": "Bare Arms: The Practice #2, 2019. Darius Steward (American, b. 1984). Drypoint on aluminum on Twinrocker All Purpose paper; plate: 29.8 x 29.8 cm (11 3/4 x 11 3/4 in.); sheet: 35.6 x 35.6 cm (14 x 14 in.). The Cleveland Museum of Art, Gift of Thomas French in honor of Robert Getscher, PhD, 2020.97. \u00a9 Darius Steward", "current_location": null, "title": "The Practice #2", "series": "Bare Arms", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["Black American Artists", "female", "male", "Cleveland Institute of Art (alumni)"], "culture": ["America"], "technique": "drypoint on aluminum on Twinrocker All Purpose paper", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Plate: 29.8 x 29.8 cm (11 3/4 x 11 3/4 in.); Sheet: 35.6 x 35.6 cm (14 x 14 in.)", "dimensions": {"plate": {"height": 0.298, "width": 0.298}, "sheet": {"height": 0.356, "width": 0.356}, "with frame": {"height": 0.635, "width": 0.476}}, "state_of_the_work": null, "edition_of_the_work": "1 of 4 AP", "copyright": "\u00a9 Darius Steward", "inscriptions": [], "exhibitions": {"current": [{"id": 443702, "title": "Currents and Constellations: Black Art in Focus", "description": "<i>Currents and Constellations: Black Art in Focus</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-June 26, 2022).", "opening_date": "2022-02-20T05:00:00"}], "legacy": []}, "provenance": [{"description": "Darius Steward [1984-] (the artist), Cleveland, OH", "citations": [], "footnotes": null, "date": "2019", "sortorder": 1}, {"description": "Thomas French Fine Art LLC, Fairlawn, OH", "citations": [], "footnotes": null, "date": "2019", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 2, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This print portrays the artist\u2019s children.", "description": "<em>Bare Arms (The Practice #2)</em>, one of a pair of drypoints by Darius Steward in the CMA\u2019s collection, forms part of the artist\u2019s ongoing exploration of his childhood in East Cleveland in juxtaposition to that of his own children, whom the work represents. He writes: \u201cMy portrayal of my children now borders on appropriation of many personal moments and memories. I recognize what they are experiencing and make connections between what I experienced some 30 years ago versus what I missed out on in East Cleveland. I have greater aspirations for a better life for my children and all people.\u201d In <em>Bare Arms (The Practice</em> <em>#1)</em> Steward\u2019s skilled draftsmanship and unusual, cropped composition conveys physical struggle in the guise of play.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244194"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.97", "images": {}, "alternate_images": [], "creditline": "Gift of Thomas French in honor of Robert Getscher, PhD", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 375083, "creators": [{"id": 375078, "description": "Darius Steward (American, b. 1984)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1984", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 6860, "description": "Thomas French Fine Art", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 58773, "description": "Rebekah A. Wilhelm", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1986", "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:46.684000"}, {"id": 423529, "accession_number": "2021.10", "share_license_status": "Copyrighted", "tombstone": "Biodiversity 2 (\u4e07\u7269\u751f\u2219\u8709), 2018. Li Yuxuan (Chinese, b. 1991). Woodblock print, ink on paper; 16 x 18 cm (6 5/16 x 7 1/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 2021.10", "current_location": null, "title": "Biodiversity 2", "title_in_original_language": "\u4e07\u7269\u751f\u2219\u8709", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Woodblock print, ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "16 x 18 cm (6 5/16 x 7 1/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.16, "width": 0.18}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "AP / \u4e07\u7269\u751f\u2219\u8709 / \u6728\u53e3\u6728\u523b / \u674e\u96e8\u8431 / 2018", "inscription_translation": "AP / Biodiversity 3 \u2219 Dragonfly / woodcut / Li Yuxuan / 2018", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018-2019", "sortorder": 1}, {"description": "(The Muban Educational Trust, London, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2019-2021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Pointed indentations set the insect against a texture that looks like a diffusion of light.", "description": "In this print, Li Yuxuan creates the silhouette of an insect cut out in delicate lines from a small wooden block. Indentations on the block create a pointillist texture of white dots that sets the insect against what looks like a diffusion of light. The image provokes the association of insects caught and preserved millions of years ago in semitransparent amber. <em>Biodiversity</em> points to our heritage of nature and a fragile ecosystem.<br><br>Li was born in 1991 and received her MA from the Sichuan Academy of Fine Arts. The Academy is traditionally known for its monochrome woodcuts of remarkable refinement and detail. In continuing the institution\u2019s legacy, Li\u2019s prints are exquisite, small, and cut with intriguing detail.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246616"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.10", "images": {}, "alternate_images": [], "creditline": "James Parmelee Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 423529, "creators": [{"id": 423520, "description": "Li Yuxuan (Chinese, b. 1991)", "extent": null, "qualifier": null, "role": "artist", "biography": "Li Yuxuan\u2019s prints are exquisite; they are very small, but with great details. She was born in 1991 and studied MA at Sichuan Academy of Fine Arts.", "name_in_original_language": "\u674e\u96e8\u8431", "birth_year": "1991", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:24.281000"}, {"id": 439259, "accession_number": "2021.104", "share_license_status": "Copyrighted", "tombstone": "Untitled II, 2019. Jennie C. Jones (American, b. 1968), Marina Ancona (American, b. 1971), published by 10 Grand Press (American, est. 1999). Color monotype; image: 59.8 x 40.7 cm (23 9/16 x 16 in.); sheet: 76.2 x 56.9 cm (30 x 22 3/8 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2021.104. \u00a9 10 Grand Press and Jennie C. Jones", "current_location": null, "title": "Untitled II", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["female", "Black American Artists", "gender unknown"], "culture": ["America"], "technique": "color monotype", "support_materials": [], "department": "Prints", "collection": "PR - Monotype", "type": "Print", "measurements": "Image: 59.8 x 40.7 cm (23 9/16 x 16 in.); Sheet: 76.2 x 56.9 cm (30 x 22 3/8 in.)", "dimensions": {"image": {"height": 0.598, "width": 0.407}, "sheet": {"height": 0.762, "width": 0.569}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 10 Grand Press and Jennie C. Jones", "inscriptions": [{"inscription": "Signed and dated in pencil on verso: Jennie C. Jones / 2019", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 16-June 19, 2022).", "opening_date": "2022-01-16T05:00:00"}], "legacy": []}, "provenance": [{"description": "(10 Grand Press, Brooklyn, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2019-2021", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Jennie C. Jones is a native of Ohio, born in Cincinnati.", "description": "In this print, Jennie C. Jones uses formal elements\u2014such as color, line, and shape\u2014to evoke the essential qualities of jazz music. Drawing on minimalism, an art movement that relied on such stylistic elements and was largely dominated by white male artists, Jones\u2019s work invites the viewer to consider the social implications of the arts. Here, various shades of red and overlapping rectangles create a sense of movement and syncopation that defined this genre of music, which was developed by Black artists.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246732"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.104", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 439259, "creators": [{"id": 439257, "description": "Jennie C. Jones (American, b. 1968)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press (American, est. 1999)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:45.355000"}, {"id": 439255, "accession_number": "2021.105", "share_license_status": "Copyrighted", "tombstone": "Far from Home, 2021. Ulrike M\u00fcller (Austrian, b. 1971), Marina Ancona (American, b. 1971), published by 10 Grand Press (American, est. 1999). Color monotype and chine coll\u00e9; image and sheet: 74 x 56.9 cm (29 1/8 x 22 3/8 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2021.105", "current_location": null, "title": "Far from Home", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "gender unknown", "LGBTQ+ (after 1900)"], "culture": ["Austria"], "technique": "color monotype and chine coll\u00e9", "support_materials": [{"description": null, "watermarks": ["Rives BFK"]}], "department": "Prints", "collection": "PR - Monotype", "type": "Print", "measurements": "Image and Sheet: 74 x 56.9 cm (29 1/8 x 22 3/8 in.)", "dimensions": {"image and sheet": {"height": 0.74, "width": 0.569}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed and dated, at lower right, in pencil: U.M. 2021; at lower left: chop mark for 10 Grand Press", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 438968, "title": "Women in Print: Recent Acquisitions", "description": "<i>Women in Print: Recent Acquisitions</i>. 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In layers of patterned forms, <em>Far from Home</em> suggests overlapping limbs, as well as a broader narrative about the knowing and concealing that are part of the LGBTQ experience.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246731"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.105", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 439255, "creators": [{"id": 439253, "description": "Ulrike M\u00fcller (Austrian, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 440821, "description": "Marina Ancona (American, b. 1971)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 65808, "description": "10 Grand Press (American, est. 1999)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:13.693000"}, {"id": 439393, "accession_number": "2021.112", "share_license_status": "Copyrighted", "tombstone": "Storm Trooper, 2020. Bryan Clark (American, b. 1995). Inkjet print; image: 35.5 x 53.3 cm (14 x 21 in.); paper: 45.6 x 60.9 cm (17 15/16 x 24 in.). The Cleveland Museum of Art, Gift of Meredith and Michael Weil in honor of Thomasine Clark's dedication and service to the Cleveland Museum of Art, 2021.112", "current_location": null, "title": "Storm Trooper", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 35.5 x 53.3 cm (14 x 21 in.); Paper: 45.6 x 60.9 cm (17 15/16 x 24 in.)", "dimensions": {"image": {"height": 0.355, "width": 0.533}, "paper": {"height": 0.456, "width": 0.609}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in black ink on recto: \u201cStorm Trooper, May 30th 2020 Bryan Clark (signed)\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Commercially imprinted throughout verso: \u201cEpson/Professional Paper\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "<em>A \u201920-\u201921 Show of Talent. </em>Foothill Galleries, Cleveland Heights, OH (?-March 14, 2021).", "opening_date": "2021-03-14T00:00:00"}]}, "provenance": [{"description": "Bryan Clark (the artist) [1995-], Cleveland, OH", "citations": [], "footnotes": null, "date": "2020", "sortorder": 1}, {"description": "(Foothill Galleries, Cleveland, OH)", "citations": [], "footnotes": null, "date": "2020-21", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 7, 2021", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist said that this image \u201creveals a powerful moment for me as a Black man.\u201d", "description": "Cleveland native Bryan Clark was photographing peaceful Black Lives Matter demonstrations that turned violent on May 30, 2020. This photograph captures, recalled the artist, \u201cthe chaotic moment when protesters outside the Justice Center threw tear gas canisters back at the officers. . . . I see [here] so many people united and protecting each other while also standing up for those that we\u2019ve lost who can no longer stand up for themselves.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246739"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.112", "images": {}, "alternate_images": [], "creditline": "Gift of Meredith and Michael Weil in honor of Thomasine Clark's dedication and service to the Cleveland Museum of Art", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 439393, "creators": [{"id": 439387, "description": "Bryan Clark (American, b. 1995)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1995", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T04:00:00Z", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:22.907000"}, {"id": 448976, "accession_number": "2021.178", "share_license_status": "Copyrighted", "tombstone": "Riverside Scene, 2021. Tyler Mitchell (American, b. 1995). Inkjet print; framed: 163.8 x 205.7 x 6.3 cm (64 1/2 x 81 x 2 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2021.178", "current_location": null, "title": "Riverside Scene", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 163.8 x 205.7 x 6.3 cm (64 1/2 x 81 x 2 1/2 in.)", "dimensions": {"framed": {"height": 1.638, "width": 2.057, "depth": 0.063}}, "state_of_the_work": null, "edition_of_the_work": "Edition AP1 of 3, with 2 APs", "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 453010, "title": "Matt Eich and Tyler Mitchell: Sunlight, Shadow, and A Rainbow", "description": "<i>Matt Eich and Tyler Mitchell: Sunlight, Shadow, and A Rainbow</i>. 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Mitchell imbued the image with a soft focus and misty golden glow that evoke the languor of a humid summer day in Georgia and the haziness of an imagined memory.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247065"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.178", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 448976, "creators": [{"id": 448974, "description": "Tyler Mitchell (American, b. 1995)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1995", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-12-06T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:41.760000"}, {"id": 448832, "accession_number": "2021.185", "share_license_status": "Copyrighted", "tombstone": "Gotta Catch \u2018Em All, 2016. Michael Menchaca (American, b. 1985), printed by Julia Samuels (American), published by Overpass Projects (American, 2015-). Color screenprint; image: 60.5 x 44.1 cm (23 13/16 x 17 3/8 in.); sheet: 70 x 51.9 cm (27 9/16 x 20 7/16 in.). The Cleveland Museum of Art, Gift of Donald and Toni Scherzer in honor of Jack and Linda Lissauer, 2021.185. \u00a9 Michael Menchaca", "current_location": null, "title": "Gotta Catch \u2018Em All", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["female", "male", "Latine and Hispanic Artists", "LGBTQ+ (after 1900)"], "culture": [], "technique": "color screenprint", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 60.5 x 44.1 cm (23 13/16 x 17 3/8 in.); Sheet: 70 x 51.9 cm (27 9/16 x 20 7/16 in.)", "dimensions": {"image": {"height": 0.605, "width": 0.441}, "sheet": {"height": 0.7, "width": 0.519}}, "state_of_the_work": "only state", "edition_of_the_work": "edition of 25", "copyright": "\u00a9 Michael Menchaca", "inscriptions": [{"inscription": "signed and dated, lower right, in pencil: Michael Menchaca 2016; inscribed, bottom center, in pencil: Gotta Catch 'Em All; inscribed, lower left, in pencil: 13/25; embossed, lower right: chopmark of Overpass Projects", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "In graphite, recto, center: \u201cGotta Catch \u2018Em All!\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "In graphite, recto, lower left: \u201c13/25\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Embossed lower right", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [{"description": "(Overpass Projects, Providence, RI, sold to Toni Scherzer, Shaker Heights, OH)", "citations": [], "footnotes": null, "date": "2016-2021", "sortorder": 1}, {"description": "Toni Scherzer, Shaker Heights, OH, given to the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Michael Menchaca is influenced by the aesthetic of video games; for example, the red, white, and blue round form at upper right is adopted from the Japanese gaming franchise Pok\u00e9mon.", "description": "Texas-based artist Michael Menchaca uses the stacked forms and flattened compositions of Mayan codices\u2014the earliest books in Latin American culture\u2014to comment on current social issues. This print\u2019s title references the popular video game Pok\u00e9mon but connects its emphasis on capturing with violence on the border and against Black Americans by featuring a group of uniformed men with guns drawn surrounding Mesoamerican bird-headed figures.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247052"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.185", "images": {}, "alternate_images": [], "creditline": "Gift of Donald and Toni Scherzer in honor of Jack and Linda Lissauer", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 448832, "creators": [{"id": 374795, "description": "Michael Menchaca (American, b. 1985)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1985", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 438404, "description": "Julia Samuels (American)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 438407, "description": "Overpass Projects (American, 2015-)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2021-12-06T05:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "13", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:46.096000"}, {"id": 437884, "accession_number": "2021.36", "share_license_status": "Copyrighted", "tombstone": "Vigilantes, 2018. J. Leigh Garcia (American, b. 1993). Color screenprint; image: 35.9 x 50.8 cm (14 1/8 x 20 in.); support: 51 x 66 x 0.6 cm (20 1/16 x 26 x 1/4 in.); framed: 53.7 x 69.1 cm (21 1/8 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Margaret and Peter Dobbins, 2021.36", "current_location": null, "title": "Vigilantes", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Latine and Hispanic Artists"], "culture": ["America"], "technique": "color screenprint", "support_materials": [], "department": "Prints", "collection": "PR - Relief", "type": "Print", "measurements": "Image: 35.9 x 50.8 cm (14 1/8 x 20 in.); Support: 51 x 66 x 0.6 cm (20 1/16 x 26 x 1/4 in.); Framed: 53.7 x 69.1 cm (21 1/8 x 27 3/16 in.)", "dimensions": {"image": {"height": 0.359, "width": 0.508}, "support": {"height": 0.51, "width": 0.66, "depth": 0.006}, "framed": {"height": 0.537, "width": 0.691}}, "state_of_the_work": "only state", "edition_of_the_work": "I/I", "copyright": null, "inscriptions": [{"inscription": "inscribed and signed, in pencil, at lower margin: VIGILANTES VE 6/14 J. Leigh Garcia", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "<em>National Juried Exhibition 2020</em>. Morgan Conservatory, Cleveland, OH (October 10 \u2013 November 28, 2020).", "opening_date": "2020-11-28T00:00:00"}]}, "provenance": [{"description": "Peter and Margaret Dobbins, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2020-2021", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2021-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "J. Leigh Garcia teaches printmaking at Kent State University.", "description": "In this print, biracial Latinx printmaker J. Leigh Garcia explores her dual identity by focusing on Texan history and immigration. A border patrol truck drags a row of tires behind it, a practice adopted by agents to detect footprints near the border and prosecute those who have attempted to cross into the United States. Garcia draws a parallel between this contemporary practice and the past by featuring a tableau of Mexicans tracked by Texas rangers more than a century earlier within the tires\u2019 path. Flat areas of screenprinted color further blend the images into the landscape, and history to the present.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106477599"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.36", "images": {}, "alternate_images": [], "creditline": "Gift of Margaret and Peter Dobbins", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 437884, "creators": [{"id": 437882, "description": "J. Leigh Garcia (American, b. 1993)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1993", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:10.901000"}, {"id": 423501, "accession_number": "2021.7", "share_license_status": "Copyrighted", "tombstone": "Time Lapse (\u65f6\u5149\u53e0\u53d8\u7cfb\u5217), 2019. Qu Zuochun (Chinese, b. 1988). Woodblock print, ink on paper; 92 x 90 cm (36 1/4 x 35 7/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 2021.7", "current_location": null, "title": "Time Lapse", "title_in_original_language": "\u65f6\u5149\u53e0\u53d8\u7cfb\u5217", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Woodblock print, ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "92 x 90 cm (36 1/4 x 35 7/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.92, "width": 0.9}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "Qu Zuochun \u77bf\u4f5c\u7eaf [b. 1988], Guangzhou, China, sold to the Cleveland Museum of Art through the mediation of the Muban Educational Trust, London", "citations": [], "footnotes": null, "date": "2019-2021", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Qu Zuochun graduated from Guangzhou Academy of Fine Arts in South China.", "description": "<em>Time Lapse</em> belongs to a series of prints of large geometric forms built up in painstakingly applied overlaid impressions of black ink. Using nuanced shades of gray, this composition creates the effect of three dimensionality and light falling through a gap, perhaps conveying the message that time is as fugitive as light.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246592"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.7", "images": {}, "alternate_images": [], "creditline": "James Parmelee Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 423501, "creators": [{"id": 423503, "description": "Qu Zuochun (Chinese, b. 1988)", "extent": null, "qualifier": null, "role": "artist", "biography": "Qu Zuochun was born in 1988 and studied MA at Guangzhou Academy of Fine Arts.", "name_in_original_language": "\u77bf\u4f5c\u7eaf", "birth_year": "1988", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:26.058000"}, {"id": 423505, "accession_number": "2021.8", "share_license_status": "Copyrighted", "tombstone": "Gloves series (\u624b\u5957\u7cfb\u5217): Gloves \u2013 Mission 2 (\u624b\u5957 \u4f7f\u547d II), 2018. Xu Zhonghong (Chinese, b. 1991). Woodblock print, ink on paper; 90 x 120 cm (35 7/16 x 47 1/4 in.). The Cleveland Museum of Art, James Parmelee Fund, 2021.8", "current_location": null, "title": "Gloves \u2013 Mission 2", "title_in_original_language": "\u624b\u5957 \u4f7f\u547d II", "series": "Gloves series", "series_in_original_language": "\u624b\u5957\u7cfb\u5217", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Woodblock print, ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "90 x 120 cm (35 7/16 x 47 1/4 in.)", "dimensions": {"No Extent Specified": {"height": 0.9, "width": 1.2}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "ED 8/30 / \u624b\u5957 \u4f7f\u547d II / \u9ed1\u767d\u6728\u523b / 90 cm x 120 cm / \u5f90\u4e2d\u5b8f / 2018.4", "inscription_translation": "ED 8/30 / Gloves \u2013 Mission 2 / black and white woodcut / 90 cm x 120 cm / Xu Zhonghong / 2018.4", "inscription_remark": "signature and date in pencil", "sortorder": null}], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018\u20132019", "sortorder": 1}, {"description": "(The Muban Educational Trust, London, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2019\u20132021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Xu Zhonghong received his MA from the Yunnan Academy of Fine Arts.", "description": "<em>Gloves-Mission 2 </em>depicts in photographic detail a worn working glove reflecting the work of a human who\u2014as the title suggests\u2014was on a rescue mission. Exposed to harsh conditions and a rough environment, the material appears to have been stressed to a breaking point; perhaps also indicating the wearer\u2019s physical and mental state of exhaustion. The artist used plywood to create this print instead of a traditional woodblock, allowing him to achieve a larger print format.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246593"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.8", "images": {}, "alternate_images": [], "creditline": "James Parmelee Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 423505, "creators": [{"id": 423507, "description": "Xu Zhonghong (Chinese, b. 1991)", "extent": null, "qualifier": null, "role": "artist", "biography": "Xu Zhonghong\u2019s Glove series are very impressive and very big. He was born in 1991 and studied MA at Yunnan Academy of Fine Arts.", "name_in_original_language": "\u5f90\u4e2d\u5b8f", "birth_year": "1991", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:09.826000"}, {"id": 423528, "accession_number": "2021.9", "share_license_status": "Copyrighted", "tombstone": "Biodiversity 3 (\u4e07\u7269\u751f\u2219\u8709), 2018. Li Yuxuan (Chinese, b. 1991). Woodblock print, ink on paper; 16 x 18 cm (6 5/16 x 7 1/16 in.). The Cleveland Museum of Art, James Parmelee Fund, 2021.9", "current_location": null, "title": "Biodiversity 3", "title_in_original_language": "\u4e07\u7269\u751f\u2219\u8709", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Woodblock print, ink on paper", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "16 x 18 cm (6 5/16 x 7 1/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.16, "width": 0.18}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "AP / \u4e07\u7269\u751f\u2219\u8709 / \u6728\u53e3\u6728\u523b / \u674e\u96e8\u8431 / 2018", "inscription_translation": "AP / Biodiversity 3 \u2219 Dragonfly / woodcut / Li Yuxuan / 2018", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2018-2019", "sortorder": 1}, {"description": "(The Muban Educational Trust, London, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2019-2021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Pointed indentations set the insect against a texture that looks like a diffusion of light.", "description": "In this print, Li Yuxuan creates the silhouette of an insect cut out in delicate lines from a small wooden block. Indentations on the block create a pointillist texture of white dots that sets the insect against what looks like a diffusion of light. The image provokes the association of insects caught and preserved millions of years ago in semitransparent amber. <em>Biodiversity</em> points to our heritage of nature and a fragile ecosystem.<br><br>Li was born in 1991 and received her MA from the Sichuan Academy of Fine Arts. The academy is traditionally known for its monochrome woodcuts of remarkable refinement and detail. In continuing the institution\u2019s legacy, Li\u2019s prints are exquisite, small, and cut with intriguing detail.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246615"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.9", "images": {}, "alternate_images": [], "creditline": "James Parmelee Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 423528, "creators": [{"id": 423520, "description": "Li Yuxuan (Chinese, b. 1991)", "extent": null, "qualifier": null, "role": "artist", "biography": "Li Yuxuan\u2019s prints are exquisite; they are very small, but with great details. She was born in 1991 and studied MA at Sichuan Academy of Fine Arts.", "name_in_original_language": "\u674e\u96e8\u8431", "birth_year": "1991", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:59.992000"}, {"id": 539787, "accession_number": "2022.244", "share_license_status": "Copyrighted", "tombstone": "Nefertiti \u2013 Miles Davis (Gold), 2022. Awol Erizku (Ethiopian, b. 1988). Obomodulan, acrylic mirror tiles; overall: 76.2 x 58.4 x 38.1 cm (30 x 23 x 15 in.). 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Shimizu Keiichi (Japanese, b. 1962). Stoneware with slip (Tanba ware); 48.6 x 42.2 x 22.9 cm (19 1/8 x 16 5/8 x 9 in.). The Cleveland Museum of Art, Gift of Nancy F. and Joseph P. Keithley, 2024.141", "current_location": null, "title": "Black", "title_in_original_language": "\u7384", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Reiwa period (2019\u2013)"], "technique": "stoneware with slip (Tanba ware)", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "48.6 x 42.2 x 22.9 cm (19 1/8 x 16 5/8 x 9 in.)", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Potter's Mark: \u572d (Kei)", "inscription_translation": "", "inscription_remark": null, "sortorder": 1}, {"inscription": "Box title: \u4e39\u6ce2 \u7384 (Tanba gen). \nBox signature: \u572d (Kei). \nBox seal: \u572d (Kei).", "inscription_translation": "The box lid is signed and sealed \"Kei\" for Keiichi.", "inscription_remark": null, "sortorder": 2}], "exhibitions": {"current": [], "legacy": [{"description": "<em>Tea Ceremony Modeling Exhibition</em>. Tanabe Art Museum, Shimane, Japan (2021).", "opening_date": "2021-01-01T05:00:00Z"}]}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2021\u2013", "sortorder": 1}, {"description": "(Joan B. Mirviss Ltd., Japanese Art, New York, NY, sold to Joe and Nancy Keithley)", "citations": [], "footnotes": null, "date": "?\u20132024", "sortorder": 2}, {"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2024", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Tanba is an area northwest of Kyoto, Japan, known for its ceramics.", "description": "For his signature pieces, Shimizu Keiichi creates slab-formed vessels with linear design features, like this one, intended to contain flower arrangements. Shimizu uses both a wood-fired climbing kiln, or <em>norborigama</em> in Japanese, and a gas-fired kiln. He fires his works multiple times with slip made from a local whitish clay.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.141", "images": {}, "alternate_images": [], "creditline": "Gift of Nancy F. and Joseph P. Keithley", "image_credit": null, "sketchfab_id": "a0c91861a8ab460c8ca75b9e4e315ae5", "sketchfab_url": "https://sketchfab.com/models/a0c91861a8ab460c8ca75b9e4e315ae5", "gallery_donor_text": null, "athena_id": 685893, "creators": [{"id": 685889, "description": "Shimizu Keiichi (Japanese, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-20T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 19:53:31.045000"}, {"id": 680849, "accession_number": "2024.84.19", "share_license_status": "Copyrighted", "tombstone": "Printing the Truth (How Trans is You?), 2024. Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.84.19. \u00a9 Amos Paul Kennedy, Jr.", "current_location": null, "title": "Printing the Truth (How Trans is You?)", "creation_date": "2024", "creation_date_earliest": 2024, "creation_date_latest": 2024, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 22.9 x 30.5 cm (9 x 12 in.)", "dimensions": {"image": {"height": 0.229, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Amos Paul Kennedy, Jr.", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Printing the Truth (How Trans is You?). </em>Akhs\u00f3 Gallery at ATNSC: Center for Healing &amp; Creative Leadership, Cleveland, OH (June 6\u2013August 8, 2024).", "opening_date": "2024-06-09T04:00:00Z"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This series is one of several works in which Amos Kennedy Jr. has addressed the issue of trans rights, which he sees as being \u201cabout humanity.\u201d", "description": "Amos Kennedy Jr. is an American printmaker who is well-known for using letterpress technique to explore issues related to race and social justice. He works from his own print shop in Detroit, where he also teaches letterpress. This series presents phrases solicited from community members that address trans rights printed on the colors of the trans flag. The prints were produced for an installation at ATNSC, an interdisciplinary residency and cultural space for BIPOC artists in Cleveland.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.84.19", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. 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Lisa Kessler (American, b. 1962). Archival digital print; image: 20.3 x 30.5 cm (8 x 12 in.); paper: 27.9 x 35.5 cm (11 x 14 in.). The Cleveland Museum of Art, The George Gund Foundation Collection in honor of David Bergholz, The Cleveland Museum of Art, 2019.183.14. \u00a9 Lisa Kessler", "current_location": null, "title": "Buhrer Dual Language Academy", "series": "Cleveland Schools", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["female", "Jewish artists"], "culture": ["America"], "technique": "archival digital print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 20.3 x 30.5 cm (8 x 12 in.); Paper: 27.9 x 35.5 cm (11 x 14 in.)", "dimensions": {"image": {"height": 0.203, "width": 0.305}, "paper": {"height": 0.279, "width": 0.355}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Lisa Kessler", "inscriptions": [{"inscription": "Written in pencil on verso: \"Lisa Kessler (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Lisa Kessler (the artist) [1962-], Boston, MA", "citations": [], "footnotes": [], "date": "2015", "sortorder": 1}, {"description": "The George Gund Foundation, Cleveland, OH", "citations": [], "footnotes": [], "date": "2015-2019", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "September 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "\u201cBeing in these schools in Cleveland,\u201d wrote Lisa Kessler, \u201cmade me love school again.\u201d", "description": "Lisa Kessler was commissioned by The George Gund Foundation for their 2015 Annual Report to document progress inside the schools as a result of the implementation of Cleveland\u2019s Plan for Transforming Schools, which had been in operation just under four years at that point. Kessler\u2019s portraits and documentary images capture that transition, depicting students and teachers actively engaged in learning and creating.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79878051"], "internet_archive": []}, "citations": [{"citation": null, "page_number": null, "url": null}, {"citation": null, "page_number": null, "url": null}, {"citation": null, "page_number": null, "url": "http://gundfoundation.org/GundAR15/"}], "url": "https://clevelandart.org/art/2019.183.14", "images": {}, "alternate_images": [], "creditline": "The George Gund Foundation Collection in honor of David Bergholz, The Cleveland Museum of Art", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 361470, "creators": [{"id": 361453, "description": "Lisa Kessler (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-09-09T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2019.183", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:26.026000"}, {"id": 693944, "accession_number": "2025.160", "share_license_status": "Copyrighted", "tombstone": "Visions of an Island, 2016. Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luise\u00f1o Indians, b. 1984). HD video, stereo, color, 15:00 minutes. The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2025.160. \u00a9 Sky Hopinka, Courtesy of Broadway Gallery, LLC", "current_location": null, "title": "Visions of an Island", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["Indigenous", "male"], "culture": ["America, Native North American, Northwest"], "technique": "HD video, stereo, color, 15:00 minutes", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": "AP2  from Edition of 3 + 2AP", "copyright": "\u00a9 Sky Hopinka, Courtesy of Broadway Gallery, LLC", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Broadway Gallery, New York, NY, 2025, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2025", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2025", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Saint Paul Island off the coast of Alaska is home to the Unangax\u0302, an Indigenous population and community.", "description": "In <em>Visions of an Island</em>, Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luise\u00f1o Indians, b. 1984) integrates three distinct elements: an Unangax\u0302 elder describing Saint Paul Island off the coast of Alaska, students learning the Unangam Tunuu language, and sequences of dream-like natural imagery. As the camera pans across rocky cliffs, rough waters, and weathered houses, we hear reflections on the capacities of language to represent the landscapes that we inhabit.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "DeFeo, Janine and Brandon Eng. \u201cDid You See the Island?: Sky Hopinka on Film and Knowledge.\u201d N.d. <em>Walker Publishing</em>", "page_number": "", "url": "https://walkerart.org/magazine/did-you-see-the-island-sky-hopinka-on-film-and-knowledge."}, {"citation": "Abrams, Matthew J. \u201cIn Search of Lost Words: The Work of Sky Hopinka.\u201d<em> Los Angeles Review of Books</em>, (September 29, 2017)", "page_number": "", "url": "https://lareviewofbooks.org/article/in-search-of-lost-words-the-work-of-sky-hopinka/."}, {"citation": "Quinn, Kellen. \u201cJourney to the Bering Sea in Search of a Deep \u2018Not Knowing\u2019.\u201d <em>Psyche</em>, (June 17, 2020)", "page_number": "", "url": "https://psyche.co/films/journey-to-the-bering-sea-in-search-of-a-deep-not-knowing."}], "url": "https://clevelandart.org/art/2025.160", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 693944, "creators": [{"id": 693937, "description": "Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luise\u00f1o Indians, b. 1984)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1984", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-06-09T04:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:08.558000"}, {"id": 170682, "accession_number": "2013.22", "share_license_status": "Copyrighted", "tombstone": "Dance, Dance, Dance., 2011. Kakyoung Lee (Korean, b. 1975). Drypoint; sheet: 54.3 x 39 cm (21 3/8 x 15 3/8 in.); platemark: 14.8 x 25.6 cm (5 13/16 x 10 1/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22. \u00a9 Kakyoung Lee", "current_location": "236 Korean", "title": "Dance, Dance, Dance.", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.3 x 39 cm (21 3/8 x 15 3/8 in.); Platemark: 14.8 x 25.6 cm (5 13/16 x 10 1/16 in.)", "dimensions": {"sheet": {"height": 0.543, "width": 0.39}, "platemark": {"height": 0.148, "width": 0.256}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Fresh Prints: The Nineties to Now</em>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015). (parts 1, 3, 6, 7, 10, and 11 only)", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Created by the Seoul- and New York-based artist Kakyung Lee, Dance, Dance, Dance is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. <br><br>Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079722"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170682, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:21.041000"}, {"id": 687715, "accession_number": "2024.170", "share_license_status": "Copyrighted", "tombstone": "Bishkisch\u00e9: Bishkisch\u00e9, 2023. Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981). 4 drawings; acrylic, graphite, kitakata paper, coated pastel paper. The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.170. \u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "current_location": "101A Prints & Drawings", "title": "Bishkisch\u00e9", "series": "Bishkisch\u00e9", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "4 drawings; acrylic, graphite, kitakata paper, coated pastel paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Wendy Red Star, courtesy of the artist and Roberts Projects, Los Angeles", "inscriptions": [], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "For her <em>Bishkisch\u00e9</em> series, Wendy Red Star studied and then painted 226 compositions presenting\rrawhide containers used to transport meat or\rgrain, each isolated against a colorful background.\rTraditionally fabricated and decorated by women in\rthe Aps\u00e1alooke/Crow tribe, <em>bishkisch\u00e9 </em>bear unique\rdesigns. Each drawing in the series is titled for\rthe names of Aps\u00e1alooke women that the artist\rcollected from archival research, resuscitating her\rname from marginalized histories. This series is\remblematic of Red Star\u2019s ongoing research-based\rpractice and conceptual project of honoring the rich\r<br>legacy of Aps\u00e1alooke women who contributed to\rher tribe\u2019s visual culture.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.170", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 687715, "creators": [{"id": 380416, "description": "Wendy Red Star (Aps\u00e1alooke/Crow, b. 1981)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1981", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T00:00:00-05:00", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:43.565000"}, {"id": 678982, "accession_number": "2025.203", "share_license_status": "Copyrighted", "tombstone": "Daybook, 2022. Marie Watt (American, enrolled Seneca Nation, b. 1967). Color soft-ground etching and aquatint; sheet: 40 x 78 cm (15 3/4 x 30 11/16 in.). The Cleveland Museum of Art, Gift of Linda and Jack Lissauer, M.D., 2025.203", "current_location": "101A Prints & Drawings", "title": "Daybook", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Indigenous", "female"], "culture": ["America"], "technique": "Color soft-ground etching and aquatint", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Sheet: 40 x 78 cm (15 3/4 x 30 11/16 in.)", "dimensions": {"sheet": {"height": 0.4, "width": 0.78}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 695926, "title": "still/emerging: Native American Works on Paper", "description": "<i>still/emerging: Native American Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-June 7, 2026).", "opening_date": "2026-02-01T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Marie Watt explores the significance of blankets, viewing them as symbolic of social, historical, and cultural connections among Native Americans. To evoke woven cloth, she pressed two different fabrics into a wax-covered copper printing plate, a process that captured their texture and even loose strings. The forms were etched into the plate\u2019s surface using acid before it was inked, wiped, and run through a press with paper. Watt chose warm tones to suggest the light and color of a sunrise\u2014an experience that, like weaving blankets, she sees as a communal one.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.203", "images": {}, "alternate_images": [], "creditline": "Gift of Linda and Jack Lissauer, M.D.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett", "athena_id": 678982, "creators": [{"id": 540625, "description": "Marie Watt (American, enrolled Seneca Nation, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2026-03-02T05:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "2022", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:09.938000"}, {"id": 169976, "accession_number": "2012.21", "share_license_status": "Copyrighted", "tombstone": "Jar, 2010. Hagiwara Yoshinori (Japanese, b. 1974). Stoneware with persimmon (kaki) glaze and stripes; diameter: 30 cm (11 13/16 in.); overall: 31.8 cm (12 1/2 in.). The Cleveland Museum of Art, Gift of Bernard H. and Suzanne Pucker in honor of Sister Anne Wambach, 2012.21", "current_location": null, "title": "Jar", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["male"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "stoneware with persimmon (kaki) glaze and stripes", "support_materials": [], "department": "Japanese Art", "collection": "Japanese Art", "type": "Ceramic", "measurements": "Diameter: 30 cm (11 13/16 in.); Overall: 31.8 cm (12 1/2 in.)", "dimensions": {"diameter": {"width": 0.3}, "overall": {"height": 0.318}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Artist, to the Pucker Gallery", "citations": [], "footnotes": [], "date": "2010-?", "sortorder": 1}, {"description": "Bernard H. and Suzanne Pucker, Boston, MA, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "?-2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2012-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The combination of black and persimmon glazes is the palette that decorates most of Hagiwara Yoshinori's pieces.", "description": "Hagiwara Yoshinori is the fifth generation of a ceramic family in Mashiko, Japan. This shape of this globular vase is characteristic of his aesthetic, which imbues traditional craft ceramic forms with a refined elegance. Hagiwara uses the limited palette of reddish-iron <em>kaki </em>(persimmon) and <em>kuro </em>(iron black) glazes and fires his pieces in a wood-burning climbing kiln. The jar features a striped pattern, found in many of his works regardless of shape, which divides and activates the surface. This jar is an example of his utilitarian yet sophisticated ceramics.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077950"], "internet_archive": []}, "citations": [{"citation": "Hagiwara, Yoshinori. <em>Yoshinori Hagiwara: Nocturne in Black &amp; Persimmon</em>. Boston: Pucker Gallery, 2011.", "page_number": null, "url": null}, {"citation": "\u201cArt of Asia Acquired by North American Museums, 2011-2012.\u201d <em>Archives of Asian Art</em>, vol. 63, no. 2, 2013, pp. 215\u2013276.", "page_number": "Reproduced: fig. 10, p. 223", "url": "www.jstor.org/stable/43676727"}], "url": "https://clevelandart.org/art/2012.21", "images": {}, "alternate_images": [], "creditline": "Gift of Bernard H. and Suzanne Pucker in honor of Sister Anne Wambach", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169976, "creators": [{"id": 61991, "description": "Hagiwara Yoshinori (Japanese, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": "Hagiwara Yoshinori was born in Mashiko, Japan and is the fifth generation of Hagiwara potters. He studied at the Tochigi Prefectural Ceramics Instructional Institute and his work has been included many times in the National Art Exhibition (Kokuten). In 2008, he became an Associate (kaiyu) of the Exhibition. He works predominately in temmoku (iron black) and kaki (persimmon) glazes and fires exclusively in a wood-burning climbing kiln. He has been represented by the Pucker Gallery since 2010.", "name_in_original_language": "\u8429\u539f\u82b3\u5178", "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-03-05T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:22.172000"}, {"id": 338407, "accession_number": "2019.45", "share_license_status": "Copyrighted", "tombstone": "L'Enfant Femme: Clara, 8, Beirut, Lebanon, 2012. Rania Matar (Lebanese, 1964-). Inkjet print; image: 71.1 x 91.4 cm (28 x 36 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2019.45. \u00a9 Rania Matar", "current_location": null, "title": "Clara, 8, Beirut, Lebanon", "series": "L'Enfant Femme", "creation_date": "2012", "creation_date_earliest": 2012, "creation_date_latest": 2012, "artists_tags": ["female"], "culture": ["Lebanon"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 71.1 x 91.4 cm (28 x 36 in.)", "dimensions": {"image": {"height": 0.711, "width": 0.914}}, "state_of_the_work": null, "edition_of_the_work": "ed. 6/7", "copyright": "\u00a9 Rania Matar", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Rania Matar (the artist)", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "Robert Klein Gallery, Boston, MA", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Matar was photographing Clara\u2019s two sisters when she spotted their younger sibling and offered to shoot her so she wouldn\u2019t feel left out.", "description": "When Rania Matar started to photograph Clara, independently assumed the pose of an odalisque\u2014a recumbent female figure used in Western art as an emblem of exoticism and female sensuality. This photograph is part of Matar\u2019s series <em>L\u2019Enfant-Femme</em> (2011\u201316). That French expression describes the fleeting preteen and early teen stage when a girl starts to become a woman.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877745"], "internet_archive": []}, "citations": [{"citation": "Lowry, Lois, and Kristen Gresh. <em>Rania Matar. L'enfant-Femme</em>. Damiani Editore, 2016", "page_number": null, "url": null}, {"citation": "Matar, Rania, and Joy Jeehye Kim. In Her Image: Photographs by Rania Matar. 2017.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2019.45", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 338407, "creators": [{"id": 315171, "description": "Rania Matar (Lebanese, 1964-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:06.732000"}, {"id": 338406, "accession_number": "2019.46", "share_license_status": "Copyrighted", "tombstone": "A Girl and Her Room: Christilla, Rabieh, Lebanon, 2010. Rania Matar (Lebanese, 1964-). Inkjet print; image: 71.1 x 106.7 cm (28 x 42 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2019.46. \u00a9 Rania Matar", "current_location": null, "title": "Christilla, Rabieh, Lebanon", "series": "A Girl and Her Room", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["female"], "culture": ["Lebanon"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 71.1 x 106.7 cm (28 x 42 in.)", "dimensions": {"image": {"height": 0.711, "width": 1.067}}, "state_of_the_work": null, "edition_of_the_work": "ed. 6/7", "copyright": "\u00a9 Rania Matar", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Rania Matar (the artist)", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "Robert Klein Gallery, Boston, MA", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This could be the room of a teenager in the United States or Europe.", "description": "In the series <em>A Girl and Her Room</em>, Matar photographed each young woman \u201cin the personal space she was curating for herself, where she was exploring her own sense of identity,\u201d says the artist. The sitter\u2019s bedroom becomes almost a thought bubble of the girl\u2019s mind and self-image.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877743"], "internet_archive": []}, "citations": [{"citation": "Matar, Rania, Susan Minot, and Anne Tucker. A Girl and Her Room. New York: Umbrage Editions, 2012.", "page_number": null, "url": null}, {"citation": "Matar, Rania, and Joy Jeehye Kim. In Her Image: Photographs by Rania Matar. 2017.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2019.46", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 338406, "creators": [{"id": 315171, "description": "Rania Matar (Lebanese, 1964-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-03-04T00:00:00-05:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:24.028000"}, {"id": 615825, "accession_number": "2023.158", "share_license_status": "Copyrighted", "tombstone": "Birdcage Kid (Boy), 2023. Yinka Shonibare CBE RA (British Nigerian, b. 1962). Fiberglass, cotton, globe, brass, steel, replica birds (domestic feathers), wood, rope, metal; 135.5 x 102 x 88.5 cm (53 3/8 x 40 3/16 x 34 13/16 in.). The Cleveland Museum of Art, Partial Purchase from the J. H. Wade Fund and partial gift of Mark Dinner in honor of Dr. Dudley S. Dinner, 2023.158. \u00a9 Yinka Shonibare CBE", "current_location": null, "title": "Birdcage Kid (Boy)", "creation_date": "2023", "creation_date_earliest": 2023, "creation_date_latest": 2023, "artists_tags": ["male", "Black Artists (non American)"], "culture": [], "technique": "Fiberglass, cotton, globe, brass, steel, replica birds (domestic feathers), wood, rope, metal", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Sculpture", "measurements": "135.5 x 102 x 88.5 cm (53 3/8 x 40 3/16 x 34 13/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.457, "width": 0.343, "depth": 0.276}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Yinka Shonibare CBE", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Studio of Yinka Shonibare CBE RA", "citations": [], "footnotes": null, "date": "2023", "sortorder": 1}, {"description": "The Cleveland Museum of Art by partial gift and purchase", "citations": [], "footnotes": null, "date": "2023\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Symbolic of hope and freedom, the birds and birdcage imagery in this piece can be connected to Maya Angelou\u2019s 1969 book <em>I know why the caged bird sings</em>. Angelou briefly lived in Cleveland in the 1950s.", "description": "Stepping forward, a boy bends his body with the effort of carrying birdcages. The visual signature of Shonibare\u2019s artistic practice, his Victorian era\u2013style suit (c. 1820\u20131914), is tailored from boldly printed \u201cAfrican\u201d or \u201cDutch\u201d wax fabric. Indonesian in origin, this European-made fabric is now synonymous with West African dress. The artist uses it to consider cultural heritage and colonialism, and the denial of civil liberties experienced by members of the African diaspora. This includes mass incarceration, potently symbolized by the birds who fly from their cages. Here, the artist's concerns are intertwined with environmental conservation; each faux bird represents a critically endangered species.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q124246920"], "internet_archive": []}, "citations": [{"citation": "Litt, Steven. \"Cleveland Museum of Art acquires German Gothic woodcarving, surrealist photos, contemporary sculpture.\"<em> The Plain Dealer, </em>January 19, 2024.", "page_number": "Print Edition, Sunday, January 21, 2024, D3", "url": "https://www.cleveland.com/news/2024/01/cleveland-museum-of-art-acquires-german-gothic-woodcarving-surrealist-photos-contemporary-sculpture.html"}, {"citation": "Windmuller-Luna, Kristen. \u201cYinka Shonibare\u2019s <em>Birdcage Kid (Boy)</em>: a sculpture of history and hope.\u201d <em>Cleveland Art: The Cleveland Museum of Art Members Magazine,</em> Vol. 64, No. 02 (May 2024), pp. 28-9.", "page_number": "", "url": "https://www.clevelandart.org/articles/yinka-shonibares-birdcage-kid-boy"}], "url": "https://clevelandart.org/art/2023.158", "images": {}, "alternate_images": [], "creditline": "Partial Purchase from the J. H. Wade Fund and partial gift of Mark Dinner in honor of Dr. Dudley S. Dinner", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 615825, "creators": [{"id": 615824, "description": "Yinka Shonibare CBE RA (British Nigerian, b. 1962)", "extent": null, "qualifier": null, "role": null, "biography": "Biography from the artist's website (collected July 2023)<br><br>Yinka Shonibare CBE RA (b. 1962) in London, UK, studied Fine Art at Byam Shaw School of Art, London (1989) and received his MFA from Goldsmiths, University of London (1991).<br>His interdisciplinary practice uses citations of Western art history and literature to question the validity of contemporary cultural and national identities within the context of globalisation. Through examining race, class and the construction of cultural identity, his works comment on the tangled interrelationship between Africa and Europe, and their respective economic and political histories.<br><br>In 2004, he was nominated for the Turner Prize and in 2008, his mid-career survey began at Museum of Contemporary Art, Sydney, travelling in 2009 to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission \u2018Nelson\u2019s Ship in a Bottle\u2019 was displayed on the Fourth Plinth in Trafalgar Square, London and is in the permanent collection of the National Maritime Museum, Greenwich, London.<br>In 2013, he was elected a Royal Academician and was awarded the honour of \u2018Commander of the Order of the British Empire\u2019 in 2019. His installation \u2018The British Library\u2019 was acquired by Tate in 2019 and is currently on display at Tate Modern, London.<br>Shonibare was awarded the prestigious Whitechapel Gallery Art Icon Award in 2021. A major retrospective of his work opened at the Museum der Moderne, Salzburg in the same year followed by his co-ordination of The Royal Academy Summer Exhibition, London which opened in September 2021.<br>The survey solo exhibition, Yinka Shonibare CBE: Planets in My Head, opened in April 2022 at Frederik Meijer Gardens &amp; Sculpture Park, Grand Rapids, Michigan followed by the unveiling in June of a major new sculptural work, Wind Sculpture in Bronze I at Royal Djurg\u00e5rden, Stockholm.<br>In November 2022, Shonibare hosted the international launch of Guest Artists Space (G. A. S.) Foundation, a non-profit founded and developed by the artist. The Foundation is dedicated to facilitating cultural exchange through residencies, public programmes and exhibition opportunities for creative practitioners from around the world. The multi-use live/work residency spaces are set across sites in Lagos and a rural working farm in Ijebu, Ogun State.<br>Shonibare\u2019s works are in notable museum collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institute, Washington, D.C; Museum of Modern Art, New York; Moderna Museet, Stockholm; the Museum of Contemporary Art, Chicago; National Gallery of Modern Art in Rome and VandenBroek Foundation, The Netherlands", "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-12-04T05:00:00Z", "sortable_date": 2023, "date_added_to_oa": null, "date_text": "2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:21.747000"}, {"id": 171232, "accession_number": "2013.90", "share_license_status": "Copyrighted", "tombstone": "Tool Bones I-VI, 2013. Dami\u00e1n Ortega (Mexican, b. 1967). Plaster. The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2013.90", "current_location": null, "title": "Tool Bones I-VI", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Mexico, 21st century"], "technique": "plaster", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "2013 - purchased from the artist, Dami\u00e1n Ortega, by Cleveland Museum of Art", "citations": [], "footnotes": [], "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Each component of this artwork contains tools covered in fabric and white plaster.", "description": "Dami\u00e1n Ortega's <em>Tool Bones I-VI </em>comprises six objects. Each component is created with interlaced tools that are covered in fabric and white plaster, resulting in forms that resemble bones. Through this process, Ortega reconfigures ordinary items into organic-abstract objects that evoke questions of mortality and human existence.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781119"], "internet_archive": []}, "citations": [{"citation": "Th\u00fcring, Reto. \u201c2013 Acquisitions: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 2 (March/April 2014): 26-27.", "page_number": "Mentioned and Reproduced: p. 26-27", "url": "https://archive.org/details/CMAMM2014-02/page/n25/mode/2up"}], "url": "https://clevelandart.org/art/2013.90", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171232, "creators": [{"id": 63114, "description": "Dami\u00e1n Ortega (Mexican, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": "Lives in Mexico City and Berlin", "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-12-02T00:00:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:09.087000"}, {"id": 172579, "accession_number": "2015.65.b", "share_license_status": "Copyrighted", "tombstone": "Untitled (Basketball Drawing) - water bottle, 2002. David Hammons (American, b. 1943). Charcoal on paper with water bottle; water bottle; overall: 152.4 x 86.4 x 15.2 cm (60 x 34 x 6 in.). The Cleveland Museum of Art, Gift of Agnes Gund in honor of LeBron James, 2015.65.b", "current_location": null, "title": "Untitled (Basketball Drawing) - water bottle", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "charcoal on paper with water bottle; water bottle", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Drawing", "measurements": "Overall: 152.4 x 86.4 x 15.2 cm (60 x 34 x 6 in.)", "dimensions": {"overall": {"height": 1.524, "width": 0.864, "depth": 0.152}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": null, "date": "2002-?", "sortorder": 1}, {"description": "(Salon 94, NY, 2015, sold to Agnes Gund)", "citations": [], "footnotes": null, "date": "2015", "sortorder": 2}, {"description": "Agnes Gund, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2015", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2015-", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The gradations of the work were made by the artist repeatedly bouncing a basketball coated in charcoal on the surface of the paper.", "description": "Considered one of the most influential and enigmatic artists of the past 50 years, David Hammons consistently challenges social conventions. In this work, he made an abstract composition by bouncing a charcoal-covered basketball onto a sheet of white paper. The resulting drawing calls to mind the role professional sports such as basketball can play within contemporary culture, often seen as an aspirational road to fame and fortune that few achieve. This idea echoes the way the drawing was made; chance plays a prominent role in the outcome of the composition. The addition of an empty water bottle behind the frame gives the drawing sculptural dimension. This object, which normally would have been discarded after use, is elevated to the status of fine art as it props up the drawing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084743"], "internet_archive": []}, "citations": [{"citation": null, "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2015.65.b", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund in honor of LeBron James", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172579, "creators": [{"id": 66365, "description": "David Hammons (American, b. 1943)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-06-01T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2015.65", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:07.405000"}, {"id": 285498, "accession_number": "2016.301", "share_license_status": "Copyrighted", "tombstone": "Some Breathe Iron, 2016. Sharon Horvath (American, b. 1958). Pigment, ink, ash, polymer on paper; 101.6 x 127 cm (40 x 50 in.). The Cleveland Museum of Art, Gift of the Artist in memory of Sally and Ernest Horvath, 2016.301", "current_location": null, "title": "Some Breathe Iron", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["female"], "culture": ["America"], "technique": "pigment, ink, ash, polymer on paper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "101.6 x 127 cm (40 x 50 in.)", "dimensions": {"No Extent Specified": {"height": 1.016, "width": 1.27}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Horvath soaked the surface in sea water and dragged it through the sand.", "description": "Inspired by her father\u2019s final sketch in a Cleveland Clinic hospital room, Sharon Horvath combined acrylic, ink, ash, phosphorescent pigment, and collage to create a cosmic composition where paint swirls across the scraped and reworked surface. Spheres and disks float amid the black background, incised with symmetrical patterns and haloed with rays. Horvath contrasts small organisms that \u201cbreathe iron\u201d with the immensity of the universe, placing humans in between as observers.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60482823"], "internet_archive": []}, "citations": [{"citation": "Horvath, Sharon. \u201cSome Breath Iron and Notes About its Making.\u201d<em> Sharon Horvath</em>.", "page_number": "Reproduced.", "url": "https://sharonhorvath.com/some-breathe-iron-and-notes-about-its-making"}], "url": "https://clevelandart.org/art/2016.301", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist in memory of Sally and Ernest Horvath", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 285498, "creators": [{"id": 285495, "description": "Sharon Horvath (American, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": "American painter, born 1958", "name_in_original_language": null, "birth_year": "1958", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-12-05T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:33.677000"}, {"id": 314833, "accession_number": "2018.228", "share_license_status": "Copyrighted", "tombstone": "Urban Gardening: Stanard Farm, 2013. Greg Miller (American, b. 1967). Gelatin silver print; image: 26.8 x 33.4 cm (10 9/16 x 13 1/8 in.); paper: 27.9 x 35.6 cm (11 x 14 in.). 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The food grown and processed by Cleveland Crops is sold to restaurants and commercial kitchens and feeds 100 area households.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79874324"], "internet_archive": []}, "citations": [{"citation": "<em>The George Gund Foundation 2013 Annual Report</em>", "page_number": null, "url": "https://gundfoundation.org/news-publications/annual-reports/photography-portfolios/2013-urban-farming/"}], "url": "https://clevelandart.org/art/2018.228", "images": {}, "alternate_images": [], "creditline": "The George Gund Foundation Collection in honor of David Bergholz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 314833, "creators": [{"id": 314828, "description": "Greg Miller (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-09-04T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:48.754000"}, {"id": 314834, "accession_number": "2018.229", "share_license_status": "Copyrighted", "tombstone": "Urban Gardening: Ohio City Farm, 2013. 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It operates a farm stand and sells through a CSA subscription program managed by Refugee Response and hosts an educational and training program for low-income, public housing residents.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79874327"], "internet_archive": []}, "citations": [{"citation": "<em>The George Gund Foundation 2013 Annual Report</em>", "page_number": null, "url": "https://gundfoundation.org/news-publications/annual-reports/photography-portfolios/2013-urban-farming/"}], "url": "https://clevelandart.org/art/2018.229", "images": {}, "alternate_images": [], "creditline": "The George Gund Foundation Collection in honor of David Bergholz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 314834, "creators": [{"id": 314828, "description": "Greg Miller (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-09-04T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:16.030000"}, {"id": 314835, "accession_number": "2018.230", "share_license_status": "Copyrighted", "tombstone": "Urban Gardening: Stanard Farm, 2013. Greg Miller (American, b. 1967). Gelatin silver print; image: 26.7 x 33.4 cm (10 1/2 x 13 1/8 in.); paper: 27.9 x 35.6 cm (11 x 14 in.). 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Greg Miller (American, b. 1967). Gelatin silver print; image: 26.7 x 33.4 cm (10 1/2 x 13 1/8 in.); paper: 27.9 x 35.6 cm (11 x 14 in.). 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Lisa Kessler (American, b. 1962). Archival digital print; image: 20.3 x 30.5 cm (8 x 12 in.); paper: 28 x 35.5 cm (11 x 14 in.). 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Lisa Kessler (American, b. 1962). Archival digital print; image: 20.3 x 30.5 cm (8 x 12 in.); paper: 27.9 x 35.6 cm (11 x 14 in.). 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Michael Loderstedt (American, b. 1958). Color screenprint on Rives BFK paper; image: 76 x 30.2 cm (29 15/16 x 11 7/8 in.); sheet: 76.8 x 57 cm (30 1/4 x 22 7/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2019.247", "current_location": null, "title": "Apollo (Ascendant)", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male"], "culture": ["America"], "technique": "color screenprint on Rives BFK paper", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Image: 76 x 30.2 cm (29 15/16 x 11 7/8 in.); Sheet: 76.8 x 57 cm (30 1/4 x 22 7/16 in.)", "dimensions": {"image": {"height": 0.76, "width": 0.302}, "sheet": {"height": 0.768, "width": 0.57}}, "state_of_the_work": null, "edition_of_the_work": "B.A.T.", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Michael Loderstedt (the artist), Cleveland, OH", "citations": [], "footnotes": [], "date": "2018", "sortorder": 1}, {"description": "The Print Club of Cleveland, Cleveland, OH", "citations": [], "footnotes": [], "date": "2018-2019", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 2, 2019", "sortorder": 3}], "find_spot": null, "related_works": [{"id": 163448, "description": "The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, c. 350\u2013200 BCE. Attributed to Praxiteles (Greek, Athenian, c. 400\u2013330 BCE), or Follower. Bronze, copper, and stone inlay; base: 0.5 x 47.3 x 40.7 cm (3/16 x 18 5/8 x 16 in.); overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2004.30", "relationship": "based on"}], "former_accession_numbers": [], "did_you_know": "The artist Michael Loderstedt prepared for this print by making sketches of the CMA\u2019s <em>Apollo the Python Slayer</em>, attributed to Praxiteles (see Related Artwork).", "description": "<em>Apollo (Ascendant)</em>, is the Print Club of Cleveland\u2019s Publication No. 97 for the year 2019. Ohio artist Michael Loderstedt based the print on studies he made of the CMA\u2019s <em>Apollo the Python Slayer</em>, attributed to Praxiteles (see Related Artwork). In the print, he shows the Apollo as an artifact, vulnerable to the ravages of time as seen from a viewpoint looking down. At the same time, the vertical orientation of the print recalls the sculpture\u2019s original function as a Greek god.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84278781"], "internet_archive": []}, "citations": [{"citation": "<em>About the Artist: Michael Loderstedt</em>, by Darlene G. Michitsch, The Print Club of Cleveland, 2019.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2019.247", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 86403, "creators": [{"id": 45441, "description": "Michael Loderstedt (American, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": "Michael Loderstedt is Associate Professor of Fine Arts as well as the Division Coordinator for the School of Arts at Kent State and has also taught at the College of Wooster. 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Kent Krugh (American, b. 1955). Inkjet print. The Cleveland Museum of Art, Gift of the Artist, 2019.303. \u00a9 Kent Krugh", "current_location": null, "title": "Canon AE1", "series": "Speciation", "creation_date": "2016\u201317", "creation_date_earliest": 2016, "creation_date_latest": 2017, "artists_tags": ["male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kent Krugh", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Kent Krugh (the artist)", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 2, 2019", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Canon AE-1 was the first single lens reflex camera to incorporate a microprocessor.", "description": "By shooting the camera with a linear accelerator x-ray machine, Kent Krugh grants us access to the insides of the camera, a place we usually know only through intellect and imagination. He processes the raw X-ray, which is white on black, through Photoshop to reverse its values. This diminishes the X-ray\u2019s ghostly aspects and emphasizes instead a relationship to printed diagrams.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84280038"], "internet_archive": []}, "citations": [{"citation": "Kent Krugh, <em>Speciation: Still a Camera</em>, Albuquerque NM: Fraction Editions, 2018, with text by A.D. 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Kent Krugh (American, b. 1955). Inkjet print. 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Kent Krugh (American, b. 1955). Inkjet print. 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Coleman and Barbara Tannenbaum.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2019.305", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 374042, "creators": [{"id": 63794, "description": "Kent Krugh (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016\u201317", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:51.406000"}, {"id": 338408, "accession_number": "2019.47", "share_license_status": "Copyrighted", "tombstone": "Unspoken Conversations: Soraya and Tala, Yarze, Lebanon, 2014. Rania Matar (Lebanese, 1964-). Inkjet print; image: 71.1 x 91.4 cm (28 x 36 in.). 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D'Angelo Lovell Williams (American, b. 1992). Inkjet print; image: 126.7 x 84.6 cm (49 7/8 x 33 5/16 in.); paper: 131.5 x 89.5 cm (51 3/4 x 35 1/4 in.). The Cleveland Museum of Art, L. E. 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Aaron Rothman (American, b. 1974). Inkjet print; image: 64.8 x 81.3 cm (25 1/2 x 32 in.); frame: 76.8 x 92.7 cm (30 1/4 x 36 1/2 in.). The Cleveland Museum of Art, L. E. 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Thomas Roma (American, 1950-). Gelatin silver print; image: 24.3 x 32.2 cm (9 9/16 x 12 11/16 in.); paper: 27.7 x 35.3 cm (10 7/8 x 13 7/8 in.). 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The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2020.415", "current_location": null, "title": "Susan & Dean", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "screenprint and intaglio with chine coll\u00e9", "support_materials": [], "department": "Prints", "collection": "PR - Linocut", "type": "Print", "measurements": "Platemark: 23.5 x 28.9 cm (9 1/4 x 11 3/8 in.); Sheet: 38.1 x 48.3 cm (15 x 19 in.)", "dimensions": {"platemark": {"height": 0.235, "width": 0.289}, "sheet": {"height": 0.381, "width": 0.483}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \"Susan & Dean Ron Rumford (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Stamped in lower left, recto: \"Print Club of Cleveland\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Ron Rumford (the artist) [1962-]", "citations": [], "footnotes": [], "date": "2015-19", "sortorder": 1}, {"description": "The Print Club of Cleveland, Cleveland, OH", "citations": [], "footnotes": [], "date": "2019-20", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 7, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This print is named after a Cleveland couple who are friends of the artist.", "description": "Ron Rumford\u2019s color screenprint and intaglio print, <em>Susan and Dean</em>, was commissioned by the Print Club of Cleveland as its annual publication print for 2020. Rumford\u2019s work is inspired by the mid-century work of printmakers in the circle of Stanley William Hayter. The composition of <em>Susan and Dean </em>is comprised of overlapping blocks of gestural line and shape layered with the textures of color and combined printmaking techniques.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246444"], "internet_archive": []}, "citations": [{"citation": "<em>About the Artist: Ron Rumford</em>, by Darlene G. Michitsch, The Print Club of Cleveland, 2020.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2020.415", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 410848, "creators": [{"id": 56610, "description": "Ron Rumford (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:33.305000"}, {"id": 439263, "accession_number": "2021.111", "share_license_status": "Copyrighted", "tombstone": "Oasis, 2006. Joan Snyder (American, 1940-), Brodsky Center for Innovative Editions at Rutgers University, Print Club of New York. Color digital print, color screenprint, and hand-coloring on wove paper; image: 45.9 x 50.3 cm (18 1/16 x 19 13/16 in.); sheet: 52.7 x 57.1 cm (20 3/4 x 22 1/2 in.). The Cleveland Museum of Art, Gift of the Print Club of New York, 2021.111", "current_location": null, "title": "Oasis", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["female", "Jewish artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "color digital print, color screenprint, and hand-coloring on wove paper", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 45.9 x 50.3 cm (18 1/16 x 19 13/16 in.); Sheet: 52.7 x 57.1 cm (20 3/4 x 22 1/2 in.)", "dimensions": {"image": {"height": 0.459, "width": 0.503}, "sheet": {"height": 0.527, "width": 0.571}}, "state_of_the_work": "I/I", "edition_of_the_work": "edition of 200", "copyright": null, "inscriptions": [{"inscription": "inscribed, signed, and dated, in green colored pencil, along lower margin: 199/200 (arrow pointing up) OASIS Joan Snyder 2006; at lower left, unidentified chop mark", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Print Club of New York, New York, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2006-2021", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Joan Snyder experimented with the color used in this image, printing it in various combinations before settling on the one seen here.", "description": "Joan Snyder is among the most avid and committed printmakers of the Women\u2019s Art Movement, a loosely formed group of feminist artists active beginning in the late 1960s. Prints such as this explore issues related to womanhood through both personal and universal imagery and text. Here, Snyder used abstract, painterly forms to evoke a pond, which she tied broadly to the transitions of life, such as death and growth.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246733"], "internet_archive": []}, "citations": [{"citation": "Symmes, Marilyn. <em>Dancing with the Dark: Joan Snyder Prints, 1963-2010</em>. New Brunswick, NJ: Rutgers University Press, 2011.", "page_number": "Mentioned and reproduced: p. 165, no. 64.9", "url": ""}], "catalogue_raisonne": "Symmes 64.9", "url": "https://clevelandart.org/art/2021.111", "images": {}, "alternate_images": [], "creditline": "Gift of the Print Club of New York", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 439263, "creators": [{"id": 439260, "description": "Joan Snyder (American, 1940-)", "extent": null, "qualifier": null, "role": "artist", "biography": "American painter, born 1940", "name_in_original_language": null, "birth_year": "1940", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 447977, "description": "Brodsky Center for Innovative Editions at Rutgers University", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 447979, "description": "Print Club of New York", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "199", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:50.755000"}, {"id": 445058, "accession_number": "2021.151", "share_license_status": "Copyrighted", "tombstone": "Rust, 2014. Sara VanDerBeek (American, b. 1976). Digital C-print; image: 198.1 x 121.9 cm (78 x 48 in.). The Cleveland Museum of Art, Gift of the Artist, 2021.151", "current_location": null, "title": "Rust", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["female"], "culture": ["America"], "technique": "Digital C-print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 198.1 x 121.9 cm (78 x 48 in.)", "dimensions": {"image": {"height": 1.981, "width": 1.219}}, "state_of_the_work": null, "edition_of_the_work": "edition 1/3", "copyright": null, "inscriptions": [{"inscription": "Imprinted adhesive framer's label: \"EAST FRAMES/Fine Custom Framing//543 Union Street-Brooklyn-New York-11215/718-852-2652/www.eastframes.com/( ) Glass/( ) Plexiglass/ ( ) Ultraviolet filtering plexi glass/( ) ultraviolet filtering glass/( ) Optimum Plexiglass\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted on white gallery label on verso: \"METRO PICTURES/519 West 24th Street New York NY  10011/Sara VanDerBeek (signed)/Sara VanDerBeek/Rust, 2014/Digital c-print/78 x 48 inches (image)/198.1 x 121.9 cm/edition 1/3/(MP#214)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Sara VanDerBeek (the artist) [b. 1976]", "citations": [], "footnotes": null, "date": "2014\u201321", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 13, 2021-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Since cities are constantly in transition, Sara VanDerBeek bases her city \u201cportraits\u201d on areas that are historically important or have undergone dramatic shifts.", "description": "<em>Rust</em> was inspired by rusty metal roofing from the Alhambra apartments in the Cleveland neighborhood of Hough, which were demolished in 2011. VanDerBeek toned the image blue, a color that recalled for her \u201cthe quality of light and the presence of the sky and various materials throughout Cleveland,\u201d blueprints in the studio of the late architect Robert Little, and cyanotypes, an early photographic process related to blueprints. The horizontal lines and gradually deepening color could be read as a seascape or the sky at dusk, transforming an image of urban decay into an image of natural beauty.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246906"], "internet_archive": []}, "citations": [{"citation": "Steven Litt, \u201cSara VanDerBeek avoids \u2018ruin porn\u2019 cliches in MOCA Cleveland show on decay in Hough and East Cleveland \u2013 and growth in Uptown, <em>Cleveland Plain Dealer</em>, posted May 7, 2014, updated January 12, 2019,", "page_number": "", "url": "https://www.cleveland.com/arts/2014/05/the_art_of_sara_vanderbeek_at.html"}], "url": "https://clevelandart.org/art/2021.151", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 445058, "creators": [{"id": 445056, "description": "Sara VanDerBeek (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-09-13T04:00:00Z", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:16.703000"}, {"id": 449712, "accession_number": "2021.167", "share_license_status": "Copyrighted", "tombstone": "Raitra Marosoratra, 2021. Martin Rakotoarimanana (Malagasy, b. 1969), Hortensia Cecilia Harinjaka (Malagasy, b. 1975), Rija Ranarivelo (Malagasy, b. 1980), Daniel Rafidison (Malagasy, b. 1963), Rondro Faravololona (Malagasy, b. 1981), Joely Rasolomalala (Malagasy, b. 1989), Nathalie Rasoavololona (Malagasy, b. 1975), Colette Randrianasolo (Malagasy, b. 1991), Mbolatiana Raharimalala (Malagasy, b. 1993). Silk and dye; 231.1 x 247.7 cm (91 x 97 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.167", "current_location": null, "title": "Raitra Marosoratra", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "male", "African (from 1900 to present)"], "culture": ["Africa, Eastern Africa, Madagascar"], "technique": "silk and dye", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Textile", "measurements": "231.1 x 247.7 cm (91 x 97 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 2.311, "width": 2.477}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Lamba SARL Studio, Antananarivo, Madagascar, sold to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2021", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2021\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artists of the Lamba SARL workshop created this work especially for the CMA. It is their most complex to date.", "description": "This textile is a contemporary version of a <em>lamba akotifahana</em> (a weft-patterned silk mantle). These pricey garments were a fleeting, secular nineteenth-century fashion. Weavers created them for the elites of the Merina Kingdom (c. 1540\u20131897), whose royals gave them as diplomatic gifts. Though Malagasy weavers continued to make textiles with akotifahana motifs after the kingdom's fall, they became simpler and were mainly made in white. In the 1990s, Lamba SARL Studio revived the elaborate historical weaving practice. Its artists create innovative display textiles drawn from extensive studies of historical examples. Using over twelve colors, the many motifs were woven by adding extra weft (horizontal) threads. Its title translates to \"stunning with many patterns.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247091"], "internet_archive": []}, "citations": [{"citation": "Hanson, Robin. \u201cBehind the Scenes: A day in the textile conservation lab.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 1: 22-23.", "page_number": "Reproduced: P. 23; Mentioned: P. 22.", "url": ""}], "url": "https://clevelandart.org/art/2021.167", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. 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Martin Rakotoarimanana (Malagasy, b. 1969), Hortensia Cecilia Harinjaka (Malagasy, b. 1975), Rija Ranarivelo (Malagasy, b. 1980), Daniel Rafidison (Malagasy, b. 1963), Rondro Faravololona (Malagasy, b. 1981), Joely Rasolomalala (Malagasy, b. 1989), Nathalie Rasoavololona (Malagasy, b. 1975), Colette Randrianasolo (Malagasy, b. 1991), Mbolatiana Raharimalala (Malagasy, b. 1993). Silk and dye; 231.1 x 247.7 cm (91 x 97 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2021.167.a", "current_location": null, "title": "Raitra Marosoratra", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["female", "male", "African (from 1900 to present)"], "culture": ["Africa, Eastern Africa, Madagascar"], "technique": "silk and dye", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Textile", "measurements": "231.1 x 247.7 cm (91 x 97 1/2 in.)", "dimensions": {"No Extent Specified": {"height": 2.311, "width": 2.477}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Lamba SARL Studio, Antananarivo, Madagascar, sold to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2021", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2021\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artists of the Lamba SARL workshop created this work especially for the CMA. It is their most complex to date.", "description": "This textile is a contemporary version of a <em>lamba akotifahana</em> (a weft-patterned silk mantle). These pricey garments were a fleeting, secular nineteenth-century fashion. Weavers created them for the elites of the Merina Kingdom (c. 1540\u20131897), whose royals gave them as diplomatic gifts. Though Malagasy weavers continued to make textiles with akotifahana motifs after the kingdom's fall, they became simpler and were mainly made in white. In the 1990s, Lamba SARL Studio revived the elaborate historical weaving practice. Its artists create innovative display textiles drawn from extensive studies of historical examples. Using over twelve colors, the many motifs were woven by adding extra weft (horizontal) threads. Its title translates to \"stunning with many patterns.\"", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Hanson, Robin. \u201cBehind the Scenes: A day in the textile conservation lab.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>62, no. 1: 22-23.", "page_number": "Reproduced: P. 23; Mentioned: P. 22.", "url": null}], "url": "https://clevelandart.org/art/2021.167.a", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. 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Geoffrey James (British, 1942-). Gelatin silver print; image: 20 x 48.2 cm (7 7/8 x 19 in.); paper: 25.5 x 50.5 cm (10 1/16 x 19 7/8 in.). 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He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Wales, 1942- The garden panoramas for which Geoffrey James is best known depict utopian spaces that, since the height of their grandeur in centuries past, have fallen into decay and neglect. He uses a large-format camera fitted with a curved film plane to allow the dramatic curves of his architectural and natural subjects to speak most effectively. The resulting monochromatic panoramas are three times longer than they are high, which allows for multiple vantage points and the play of perspective. James's most obvious historical precedent is Eug\u00e8ne Atget, whose extensive series of Parisian gardens speak with a similar technical vocabulary. James (born in St. Asaph) was educated at Wellington College in Crowthorne, Berkshire, and at Wadham College, Oxford, where he studied modern history (B.A., 1962; M.A., 1964). He taught himself photography in 1965, then moved to Canada, working for several years as contributing editor of Time magazine in Montreal (1967-75), as head of the Visual Arts Section of the Canada Council, Ottawa (1975-82), and on various independent freelance projects. James has also taught at the University of Ottawa (1982-84) and has received a fellowship from the Graham Foundation in Fine Arts (1984) and an artist-in-residency from the Centre International de Recherche de Cr\u00e9ation et d'Animation, Villeneuve-les-Avignon, France (1985). A retrospective of his work, Genius Loci, was organized by the Canadian Museum of Contemporary Photography (1986). His publications include Transparent Things: The Artist's Use of Photography (1977), The Legacy of Atget (coauthor, 1977), Visions: Essays on Contemporary Canadian Art (coeditor, 1977), Entrances and Exits (1984), I Giardini Italiani (1985), Genius Loci (1986), and Morbid Symptoms (1987). James lives in Toronto. 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Working in Cambodia\u2019s capital city, Phnom Penh, Pich and his team of artisans have created a monumental sculptural pair based on the form of a local variety of seed pod. The smaller pod turns toward the larger, which seems to offer reassurance and affection. The gridwork consists of hand-shaved bamboo and rattan, fired into undulating shapes and secured by steel wire made from recycled bombs and mines\u2014remnants from the revolutions and civil wars in Cambodia throughout the 1970s and 1980s. The openwork quality of the sculptures recall the emptiness and hunger felt by those\u2014including Pich\u2014who suffered under the extremist Khmer Rouge regime from 1975 to 1979.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79859814"], "internet_archive": []}, "citations": [{"citation": "Quintanilla, Sonya Rhie. \u201dAcquisition Highlights 2016: Indian and Southeast Asian Art.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 21.", "page_number": "Reproduced: pp. 3, 21. Mentioned: pp. 7, 21", "url": "https://archive.org/details/CMAMM2017-02/page/n9/mode/2up"}], "url": "https://clevelandart.org/art/2016.37", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. 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John Sobczak. Iris print on watercolor paper, inkjet printer; image: 16.6 x 19.1 cm (6 9/16 x 7 1/2 in.); paper: 33.1 x 26.6 cm (13 1/16 x 10 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.204.3", "current_location": null, "title": "Jim Brown", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "iris print on watercolor paper, inkjet printer", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 16.6 x 19.1 cm (6 9/16 x 7 1/2 in.); Paper: 33.1 x 26.6 cm (13 1/16 x 10 1/2 in.)", "dimensions": {"image": {"height": 0.166, "width": 0.191}, "paper": {"height": 0.331, "width": 0.266}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \"2/25 John Sobczak (signed) 07\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Spike Lee made a film about Jim Brown\u2019s career and personal life in 2002.", "description": "Jim Brown, one of football\u2019s greatest running backs, led the National Football League in rushing for eight of his nine seasons with the Cleveland Browns. Before he retired in 1965, Brown began acting in movies and television; his 50-year career included leading roles in the 1970s. Detroit-area photographer John Sobczak photographed the football legend as part of a portfolio of <em>Cleveland Classics</em>\u2014people who made significant contributions to the cultural and sports history of the city.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79994019"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.204.3", "images": {}, "alternate_images": [], "creditline": "Andrew R. and Martha Holden Jennings Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165283, "creators": [{"id": 56259, "description": "John Sobczak", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1960", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-12-03T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2007.204", "is_nazi_era_provenance": false, "impression": "2", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:14.478000"}, {"id": 166787, "accession_number": "2008.75", "share_license_status": "Copyrighted", "tombstone": "Dinner Party, 2005. Julie Blackmon (American, b. 1966). Inkjet print, Epson ; image: 80.6 x 80.8 cm (31 3/4 x 31 13/16 in.); mounted: 80.6 x 80.8 cm (31 3/4 x 31 13/16 in.); paper: 80.6 x 80.8 cm (31 3/4 x 31 13/16 in.). 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In her images, which are both fictional and autobiographical, Blackmon strives \u201cto see the mythic amidst the chaos.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79997527"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.75", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166787, "creators": [{"id": 56953, "description": "Julie Blackmon (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "6", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:04.412000"}, {"id": 170750, "accession_number": "2013.27", "share_license_status": "Copyrighted", "tombstone": "On Thin Ice: Blizzard #9, 2011. 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McCartney discovered that she did not always need to be out in the cold to produce pictures of winter. This photograph and others in her book <em>On Thin Ice, in a Blizzard</em> were constructed entirely in the darkroom.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079885"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.27", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170750, "creators": [{"id": 63362, "description": "Paula McCartney (American, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": "Paula McCartney is best known for photographs and artists' books that explore the idea of constructed landscapes and the way people interact with and manipulate the natural world. She recently added ceramics to her list of media. McCartney grew up in Kansas City, received a Certificate in Photography from the International Center of Photography in 1996 and a BFA in Photography from Empire State College in 1998, both located in New York City. In 2002 she obtained an MFA in Photography from the San Francisco Art Institute, after which she moved to Minneapolis, where she teaches at the Minneapolis College of Art and Design.<br><br>McCartney\u2019s books and photographs have been widely exhibited and collected by museums and libraries throughout the United States including the Museum of Modern Art, New York; Brooklyn Museum; Museum of Fine Arts, Houston; and the Smithsonian American Art Museum. She has received fellowships from the Aaron Siskind Foundation, the McKnight Foundation, the Women\u2019s Studio Workshop, and the Minnesota State Arts Board.", "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00-05:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "18", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:19.279000"}, {"id": 171165, "accession_number": "2013.77", "share_license_status": "Copyrighted", "tombstone": "Spectral: Chatty Cathy, 2012. Kent Krugh (American, 1955-). 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The x-ray photogram and the digital photograph were combined in Photoshop to create an image that could not exist without photography.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80081085"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.78", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171166, "creators": [{"id": 63794, "description": "Kent Krugh (American, 1955-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-09-03T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:05.775000"}, {"id": 172578, "accession_number": "2015.65.a", "share_license_status": "Copyrighted", "tombstone": "Untitled (Basketball Drawing) - drawing, 2002. David Hammons (American, b. 1943). Charcoal on paper with water bottle; drawing; overall: 152.4 x 86.4 x 15.2 cm (60 x 34 x 6 in.). 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Greg Parma Smith (American, b. 1983). Oil paint, gesso, metallic leaf, canvas; 213.4 x 762 x 14 cm (84 x 300 x 5 1/2 in.). 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Greg Parma Smith (American, b. 1983). Oil paint, gesso, metallic leaf, canvas; panel: 213.4 x 127 x 14 cm (84 x 50 x 5 1/2 in.). 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Greg Parma Smith (American, b. 1983). Oil paint, gesso, metallic leaf, canvas; panel: 213.4 x 127 x 14 cm (84 x 50 x 5 1/2 in.). 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Greg Parma Smith (American, b. 1983). Oil paint, gesso, metallic leaf, canvas; panel: 213.4 x 127 x 14 cm (84 x 50 x 5 1/2 in.). 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Minol Araki (Japanese, 1928\u20132010). Ink on paper (unmounted); overall: 46.7 x 61.8 cm (18 3/8 x 24 5/16 in.). The Cleveland Museum of Art, Gift of David Tausig Frank and Kazukuni Sugiyama, 2016.305", "current_location": null, "title": "Deep Mountain Stream", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "Ink on paper (unmounted)", "support_materials": [], "department": "Japanese Art", "collection": "ASIAN - Hanging scroll", "type": "Painting", "measurements": "Overall: 46.7 x 61.8 cm (18 3/8 x 24 5/16 in.)", "dimensions": {"overall": {"height": 0.467, "width": 0.618}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "\u5be6  \n'01", "inscription_translation": "Arist's signature and date: Minol '01", "inscription_remark": null, "sortorder": null}, {"inscription": "\u8352\u6728\u5be6", "inscription_translation": "Artist's square seal: Araki Minoru", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "David Tausig Frank and Kazukuni Sugiyama, Santa Fe, NM, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "-2016", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2016-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist's signature, seal, and the date \u201c\u201901\u201d are in the bottom right corner of the painting.", "description": "This abstracted ink landscape, with its dramatic mountain stream, is captured with a bird\u2019s-eye view. It was produced late in the career of the artist, whose oeuvre includes landscapes, bird-and-flower and figure paintings in ink and sometimes bright colors. An industrial designer by profession, Araki\u2019s landscapes reveal his personal devotion to traditional Chinese brush methods, learned first as a youth in China, and later through emulation of famed painter Zhang Daqian (1899\u20131983) in Taiwan.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60482820"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2016.305", "images": {}, "alternate_images": [], "creditline": "Gift of David Tausig Frank and Kazukuni Sugiyama", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 284720, "creators": [{"id": 284703, "description": "Minol Araki (Japanese, 1928\u20132010)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u8352\u6728\u5be6", "birth_year": "1928", "death_year": "2010", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2016-12-05T00:00:00-05:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Winding Road"], "is_highlight": false, "updated_at": "2026-03-27 00:05:32.770000"}, {"id": 297508, "accession_number": "2017.77", "share_license_status": "Copyrighted", "tombstone": "Cleveland Indians All-Star Corey \"Klubot\" Kluber, Minneapolis, MN, 2013. Tabitha Soren (American, b. 1967). Tintype; unframed: 20.3 x 25.4 cm (8 x 10 in.); overall framed: 26.7 x 30.5 cm (10 1/2 x 12 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.77", "current_location": null, "title": "Cleveland Indians All-Star Corey \"Klubot\" Kluber, Minneapolis, MN", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["female"], "culture": ["America"], "technique": "Tintype", "support_materials": [], "department": "Photography", "collection": "Photography", "type": "Photograph", "measurements": "Unframed: 20.3 x 25.4 cm (8 x 10 in.); Overall framed: 26.7 x 30.5 cm (10 1/2 x 12 in.)", "dimensions": {"unframed": {"height": 0.203, "width": 0.254}, "overall framed": {"height": 0.267, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Soren regards baseball as a metaphor for fantasies of American culture.", "description": "\u201cThe fantasy that failure leads to success,\" remarks the artist, \"despite hitting the ball successfully only around a third of the time. The romantic myth of the restless wanderer, even as they cram in 162 major-league games a season. And the central American fantasy that says we have to do something extraordinary to lead a meaningful life.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872556"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.77", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 297508, "creators": [{"id": 297501, "description": "Tabitha Soren (American, b. 1967)", "extent": null, "qualifier": null, "role": "photographer", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2017-06-05T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:04.466000"}, {"id": 297509, "accession_number": "2017.78", "share_license_status": "Copyrighted", "tombstone": "Cleveland Indians beat the White Sox for the 17th time, Cleveland, OH, 2013. Tabitha Soren (American, b. 1967). Tintype; unframed: 20.3 x 25.4 cm (8 x 10 in.); framed: 26.7 x 30.5 cm (10 1/2 x 12 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.78", "current_location": null, "title": "Cleveland Indians beat the White Sox for the 17th time, Cleveland, OH", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["female"], "culture": ["America"], "technique": "Tintype", "support_materials": [], "department": "Photography", "collection": "Photography", "type": "Photograph", "measurements": "Unframed: 20.3 x 25.4 cm (8 x 10 in.); Framed: 26.7 x 30.5 cm (10 1/2 x 12 in.)", "dimensions": {"unframed": {"height": 0.203, "width": 0.254}, "framed": {"height": 0.267, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photograph was shot off the artist\u2019s television using a mid-nineteenth-century photographic process, the tintype.", "description": "The image shows All-Star Jason Giambi and outfielder Nick Swisher celebrating a season-saving win. Taken with equipment that imposes slow and deliberate picture making, Soren\u2019s action shots accept the blemishes of accident and chance rather than seeking perfection and clarity. This admission of a lack of total control is a metaphor for the vagaries of baseball.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872561"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.78", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 297509, "creators": [{"id": 297501, "description": "Tabitha Soren (American, b. 1967)", "extent": null, "qualifier": null, "role": "photographer", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2017-06-05T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:15.425000"}, {"id": 324696, "accession_number": "2018.295", "share_license_status": "Copyrighted", "tombstone": "Night Coming Tenderly, Black: Untitled #5 (Tree Trunk, Picket Fence and House), 2017. Dawoud Bey (American, b. 1953). Gelatin silver print; image: 121.9 x 149.9 cm (48 x 59 in.); framed: 122.7 x 151.1 x 5.1 cm (48 5/16 x 59 1/2 x 2 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund, 2018.295. \u00a9 Dawoud Bey", "current_location": null, "title": "Untitled #5 (Tree Trunk, Picket Fence and House)", "series": "Night Coming Tenderly, Black", "creation_date": "2017", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 121.9 x 149.9 cm (48 x 59 in.); Framed: 122.7 x 151.1 x 5.1 cm (48 5/16 x 59 1/2 x 2 in.)", "dimensions": {"image": {"height": 1.219, "width": 1.499}, "framed": {"height": 1.227, "width": 1.511, "depth": 0.051}}, "state_of_the_work": null, "edition_of_the_work": "edition of 6 with 2 artist's proofs", "copyright": "\u00a9 Dawoud Bey", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Dawoud Bey (the artist)", "citations": [], "footnotes": null, "date": "2017", "sortorder": 1}, {"description": "Stephen Daiter Gallery, Chicago, IL", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 3, 2018", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This series was shot in Northeast Ohio at real sites used by the Underground Railroad and in landscapes typical of the region.", "description": "Bey describes this series as \u201ca visual reimagining of the movement of fugitive slaves through the Cleveland and Hudson, Ohio, landscape as they approached Lake Erie and the final passage to freedom in Canada. . . . These photographs seek to approximate the spatial and sensory experience of those moving furtively through the darkness, and the landscapes they encountered.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79875680"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.295", "images": {}, "alternate_images": [], "creditline": "Dorothea Wright Hamilton Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 324696, "creators": [{"id": 42884, "description": "Dawoud Bey (American, b. 1953)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2018-12-03T00:00:00-05:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:48.506000"}, {"id": 317895, "accession_number": "2018.299", "share_license_status": "Copyrighted", "tombstone": "Strangers, 2018. Dana Schutz (American, b. 1976), Two Palms Press. 10 etchings and aquatint. The Cleveland Museum of Art, Alma Kroeger Fund, 2018.299", "current_location": null, "title": "Strangers", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["female", "Cleveland Institute of Art (alumni)"], "culture": ["America"], "technique": "10 etchings and aquatint", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Portfolio", "dimensions": {}, "state_of_the_work": "only state", "edition_of_the_work": "edition of 20 with 15 APs", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Two Palms, New York, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2018", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2018-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist prefers not to explain the narrative underlying these prints, leaving them open to the viewer\u2019s interpretation.", "description": "Brooklyn-based painter Dana Schutz is known for large-scale figurative painting, often drawing on narrative and humor. This print portfolio evokes Schutz\u2019s signature subject matter, but translates it to the monochromatic palette of etching. Working with contemporary publisher Two Palms, Schutz created dense, painterly layers of grainy aquatint. 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Ra\u00fal Eduardo Stolkiner (Argentine, b. 1957). Chromogenic print; overall: 100.3 x 74.9 cm (39 1/2 x 29 1/2 in.). The Cleveland Museum of Art, Gift of RES, 2019.158", "current_location": null, "title": "Fanatica", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Argentina"], "technique": "Chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Overall: 100.3 x 74.9 cm (39 1/2 x 29 1/2 in.)", "dimensions": {"overall": {"height": 1.003, "width": 0.749}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "RES (the artist)", "citations": [], "footnotes": null, "date": "2005", "sortorder": 1}, {"description": "Schneider Gallery, Chicago, IL", "citations": [], "footnotes": null, "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "In the biblical story, Judith saved her people by seducing and beheading the Assyrian general Holofernes.", "description": "The title of the photograph, which is based on Artemisia Gentileschi\u2019s painting of <em>Judith Slaying Holofernes</em>, c. 1614-20, suggests a different slant than the biblical version. Viewing the violent act before us, it is not hard to imagine Judith, traditionally seen as a heroine, as the fanatic, \u201ca person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics).\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877987"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.158", "images": {}, "alternate_images": [], "creditline": "Gift of RES", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 357644, "creators": [{"id": 357639, "description": "Ra\u00fal Eduardo Stolkiner (Argentine, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": "Argentine photographer, born 1957", "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-06-03T00:00:00-04:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:43.517000"}, {"id": 357645, "accession_number": "2019.159", "share_license_status": "Copyrighted", "tombstone": "LGP, 2000. Luis Gonz\u00e1lez Palma (Guatemalan, 1957-). Gelatin silver print painted with tusche with fabric and embroidery; overall: 116.7 x 53.2 cm (45 15/16 x 20 15/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2019.159. \u00a9 Luis Gonz\u00e1lez Palma", "current_location": null, "title": "LGP", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Guatemala, 21st century"], "technique": "gelatin silver print painted with tusche with fabric and embroidery", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Overall: 116.7 x 53.2 cm (45 15/16 x 20 15/16 in.)", "dimensions": {"overall": {"height": 1.167, "width": 0.532}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Luis Gonz\u00e1lez Palma", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Luis Gonz\u00e1lez Palma (the artist)", "citations": [], "footnotes": [], "date": "2000", "sortorder": 1}, {"description": "Schneider Gallery, Chicago, IL", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "the Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 3, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The \u00ae or \u201cregistered trademark\u201d symbol, suggests that the artist is aware that he is using another\u2019s identity for his own artistic purpose.", "description": "A fabric with an ornate European-style botanical design embroidered with the artist\u2019s initials is paired with a frontal portrait of an individual of indigenous heritage. Gonzalez Palma, who is a mix of European and indigenous heritage, has written that in his early portraits \u201cthe countenance served as a mirror in which I looked at myself, wondered and searched for meaning.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79877989"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.159", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 357645, "creators": [{"id": 63420, "description": "Luis Gonz\u00e1lez Palma (Guatemalan, 1957-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-06-03T00:00:00-04:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:56.075000"}, {"id": 370681, "accession_number": "2019.245", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2019. Carmel Buckley (American, b. 1956). Silver acrylic marker and graphite rubbing on Japanese paper; overall: 98.4 x 65.4 cm (38 3/4 x 25 3/4 in.). The Cleveland Museum of Art, Supporters of the Ohio Advisory Group - National Museum of Women and the Arts, 2019.245", "current_location": null, "title": "Untitled", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["female"], "culture": ["America"], "technique": "silver acrylic marker and graphite rubbing on Japanese paper", "support_materials": [], "department": "Prints", "collection": "PR - Embossing", "type": "Print", "measurements": "Overall: 98.4 x 65.4 cm (38 3/4 x 25 3/4 in.)", "dimensions": {"overall": {"height": 0.984, "width": 0.654}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carmel Buckley (the artist) [1956-]", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "Richard Blum and Harriet Warm, Cleveland, OH", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 2, 2019", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist Carmel Buckley made rubbings of three different Cleveland sewer drain covers, including this one, during the spring and summer of 2019.", "description": "Carmel Buckley\u2019s <em>Untitled</em> highlights the artist\u2019s imaginative approach to materials. In a series of work begun in 2008, Buckley makes graphite stick rubbings of mundane or industrial metal objects that often have ties with the industrial history of a place. These \u201cdrain drawings\u201d relate to her broader interest in the ways that urban architecture and artifacts link residents and visitors to the historical past and to everyday cultural artifacts. In this rubbing, she captured one of many sewer drain covers found around the city of Cleveland.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q84279664"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2019.245", "images": {}, "alternate_images": [], "creditline": "Supporters of the Ohio Advisory Group - National Museum of Women and the Arts", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 370681, "creators": [{"id": 370686, "description": "Carmel Buckley (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2019-12-02T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:19.016000"}, {"id": 383252, "accession_number": "2020.229", "share_license_status": "Copyrighted", "tombstone": "Liberty: Thiaroye 1944, 2016. Omar Victor Diop (Senegalese, b. 1980). Inkjet print on Hahnem\u00fcle paper; image: 80.5 x 109.8 cm (31 11/16 x 43 1/4 in.); paper: 92.5 x 111.8 cm (36 7/16 x 44 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2020.229", "current_location": null, "title": "Thiaroye 1944", "series": "Liberty", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["male", "African (from 1900 to present)"], "culture": ["South Africa, 21st century"], "technique": "inkjet print on Hahnem\u00fcle paper", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 80.5 x 109.8 cm (31 11/16 x 43 1/4 in.); Paper: 92.5 x 111.8 cm (36 7/16 x 44 in.)", "dimensions": {"image": {"height": 0.805, "width": 1.098}, "paper": {"height": 0.925, "width": 1.118}}, "state_of_the_work": null, "edition_of_the_work": "Artist Proof, 1/1", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Omar Victor Diop (the artist) [b. 1980]", "citations": [], "footnotes": null, "date": "2016", "sortorder": 1}, {"description": "(Galerie MAGNIN-A), Paris, France", "citations": [], "footnotes": null, "date": "2016-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 14, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Although the story of Thiaroye is one of violence, Diop emphasizes hope instead, symbolized by the flowers.", "description": "These men represent Senegalese Tirailleurs, West African soldiers serving in the French army. Those who had been prisoners of war in World War II learned that they would receive no back pay and smaller pensions than white prisoners of war. They protested at Thiaroye; some were killed and many imprisoned. That revolt sparked a nationalist movement in Senegal that eventually liberated the country from French colonial rule.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244766"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.229", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 383252, "creators": [{"id": 383246, "description": "Omar Victor Diop (Senegalese, b. 1980)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-09-14T00:00:00-04:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:31.078000"}, {"id": 383253, "accession_number": "2020.230", "share_license_status": "Copyrighted", "tombstone": "Diaspora: Frederick Douglass, 2015. Omar Victor Diop (Senegalese, b. 1980). Inkjet print on Hahnem\u00fcle paper; image: 90 x 90 cm (35 7/16 x 35 7/16 in.); paper: 91.8 x 91.9 cm (36 1/8 x 36 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2020.230", "current_location": null, "title": "Frederick Douglass", "series": "Diaspora", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["African (from 1900 to present)", "male"], "culture": ["South Africa, 21st century"], "technique": "inkjet print on Hahnem\u00fcle paper", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 90 x 90 cm (35 7/16 x 35 7/16 in.); Paper: 91.8 x 91.9 cm (36 1/8 x 36 3/16 in.)", "dimensions": {"image": {"height": 0.9, "width": 0.9}, "paper": {"height": 0.918, "width": 0.919}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 8 + 2 AP", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Omar Victor Diop (the artist) [b. 1980]", "citations": [], "footnotes": null, "date": "2016", "sortorder": 1}, {"description": "(Galerie MAGNIN-A), Paris, France", "citations": [], "footnotes": null, "date": "2016-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 14, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Abolitionist Frederick Douglass was the most photographed person of the mid-19th century.", "description": "The artist poses here as Frederick Douglass. Diop has replaced the fierce energy seen in photographs of the abolitionist with an elegance and languid grace, translating a diary of struggle into a civil rights hero. The yellow whistle is a reference to soccer because for Diop, that sport \u201creveals where society is in terms of race.\u201d In Europe, Diop has observed \u201can interesting blend of glory, hero-worship and exclusion.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244767"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.230", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 383253, "creators": [{"id": 383246, "description": "Omar Victor Diop (Senegalese, b. 1980)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-09-14T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-28 11:10:05.145000"}, {"id": 385967, "accession_number": "2020.240", "share_license_status": "Copyrighted", "tombstone": "Soldier, 2004. Jos\u00e9 Luis Cuevas (Mexican, 1934\u20132017). Lithograph; image: 53.3 x 38.1 cm (21 x 15 in.); sheet: 53.3 x 38.1 cm (21 x 15 in.). The Cleveland Museum of Art, Gift of Kay Kujala Deaux, 2020.240", "current_location": null, "title": "Soldier", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male", "Latine and Hispanic Artists", "gender unknown"], "culture": ["Mexico, 21st century"], "technique": "lithograph", "support_materials": [], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Image: 53.3 x 38.1 cm (21 x 15 in.); Sheet: 53.3 x 38.1 cm (21 x 15 in.)", "dimensions": {"sheet": {"height": 0.533, "width": 0.381}, "image": {"height": 0.533, "width": 0.381}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed and dated, in pencil, at lower right: Cuevas / 04", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "numbered in graphite: 14/25", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Kay Deaux, New York, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "?-2020", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Jos\u00e9 Luis Cuevas created this print at the Tamarind Lithography Workshop, one of several print shops that he was invited to work at internationally.", "description": "Jos\u00e9 Luis Cuevas was known for prints that drew from indigenous Mexican culture and traditions. The artist was a central member of the Ruptura movement, a generation of painters who reacted against the nationalism and idealism of the Mexican Muralist artists who had come before them. This print features the exaggerated, aggressive forms that characterized the artist\u2019s work, evoking his native culture but with greater ambivalence and, at times, pessimism.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244788"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.240", "images": {}, "alternate_images": [], "creditline": "Gift of Kay Kujala Deaux", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 385967, "creators": [{"id": 385964, "description": "Jos\u00e9 Luis Cuevas (Mexican, 1934\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": "Mexican painter, born 1934", "name_in_original_language": null, "birth_year": "1934", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 5646, "description": "Tamarind Institute", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2020-09-14T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:51.029000"}, {"id": 394860, "accession_number": "2020.280", "share_license_status": "Copyrighted", "tombstone": "Hieroglyph 1, 2018. D'Angelo Lovell Williams (American, b. 1992). Inkjet print; image: 114 x 76.1 cm (44 7/8 x 29 15/16 in.); paper: 118.6 x 80.9 cm (46 11/16 x 31 7/8 in.). The Cleveland Museum of Art, L. E. Holden Fund, 2020.280. \u00a9 D\u2019Angelo Lovell Williams", "current_location": null, "title": "Hieroglyph 1", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["Black American Artists", "male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 114 x 76.1 cm (44 7/8 x 29 15/16 in.); Paper: 118.6 x 80.9 cm (46 11/16 x 31 7/8 in.)", "dimensions": {"image": {"height": 1.14, "width": 0.761}, "paper": {"height": 1.186, "width": 0.809}}, "state_of_the_work": null, "edition_of_the_work": "Edition 1/6", "copyright": "\u00a9 D\u2019Angelo Lovell Williams", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "D'Angelo Lovell Williams (the artist) [1992-]", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "(Higher Pictures Generation, New York, NY)", "citations": [], "footnotes": [], "date": "?-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 7, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Touch\u2014black flesh meeting black flesh\u2014is a central theme in the art of D\u2019Angelo Lovell Williams.", "description": "These two men, whose arched backs and clasped hands form a symmetrical, abstracted character, are the artist and a lover. In this exploration of intimate gestures and connections, they balance and mirror each other. \u201cDiscovering the variations of intimacy is important for Black and queer people,\u201d says the artist, \u201cbecause that looks so different for many of us, and it doesn\u2019t even exist to others.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244879"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.280", "images": {}, "alternate_images": [], "creditline": "L. E. Holden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 394860, "creators": [{"id": 394853, "description": "D'Angelo Lovell Williams (American, b. 1992)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1992", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:59.680000"}, {"id": 401135, "accession_number": "2020.288", "share_license_status": "Copyrighted", "tombstone": "Architects of the Future, 2014. Chitra Ganesh (American, b. 1975), Durham Press. 4 color screenprint and woodblock prints. The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2020.288. \u00a9 Chitra Ganesh/Durham Press, 2014", "current_location": null, "title": "Architects of the Future", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["Asian American", "female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "4 color screenprint and woodblock prints", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "dimensions": {}, "state_of_the_work": "only state", "edition_of_the_work": "edition of 25", "copyright": "\u00a9 Chitra Ganesh/Durham Press, 2014", "inscriptions": [{"inscription": "each print inscribed, signed, and dated, at lower right, in graphite: 3/25 Chitra Ganesh 2014; embossed, at lower left: Durham Press chopmark; stamped on verso, in black ink: \u00a9 2014 Chitra Ganesh Durham Press, Inc.", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Durham Press, Durham, PA, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "2014-2020", "sortorder": 2}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Chitra Ganesh describes her desire that prints such as this one will \u201ccreate a mythology that poses questions rather than answers.\u201d", "description": "Chitra Ganesh mines her experiences as the daughter of Indian immigrants and the influence of Bollywood design throughout her work in various media, much of which explores feminist and queer issues. This print belongs to a series that forms a vague narrative related to desire and loss, set in a world outside of history and time. Ganesh drew from <em>Amar Chitra Katha</em>, comics published beginning in the 1960s to introduce Indian children to their cultural heritage. Placing the viewer in an unfamiliar context, the artist uses bodies, space, and history to invite questions about sexuality and power.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246383"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.288", "images": {}, "alternate_images": [], "creditline": "Alma and Robert D. Milne Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 401135, "creators": [{"id": 401133, "description": "Chitra Ganesh (American, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 394815, "description": "Durham Press", "extent": "printed and published by", "qualifier": null, "role": "printer and publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "3/25", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:21.637000"}, {"id": 412277, "accession_number": "2020.384", "share_license_status": "Copyrighted", "tombstone": "Ricky Williams, Davie, FL, 2002, 2002. Walter Iooss (American, 1943-). Archival pigment print; image: 55.8 x 44.3 cm (21 15/16 x 17 7/16 in.); paper: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Gift of the Marino Family, 2020.384. \u00a9 Walter Iooss Jr., Courtesy of Bruce Silverstein Gallery, New York", "current_location": null, "title": "Ricky Williams, Davie, FL, 2002", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America"], "technique": "archival pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 55.8 x 44.3 cm (21 15/16 x 17 7/16 in.); Paper: 61 x 50.8 cm (24 x 20 in.)", "dimensions": {"image": {"height": 0.558, "width": 0.443}, "paper": {"height": 0.61, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Walter Iooss Jr., Courtesy of Bruce Silverstein Gallery, New York", "inscriptions": [{"inscription": "Written in black ink on verso: \"Walter Iooss (signed)/2002\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This man is now a yoga instructor and has studied massage and traditional Asian medicine.", "description": "Heisman Trophy winner Ricky Williams (born 1977) was a running back who played in the National Football League for eleven seasons and in minor league baseball for four. When Walter Iooss took this riveting portrait, Williams had just joined the Miami Dolphins. Williams retired from football in 2012. He became a football analyst for the Longhorn Network and cofounded an herbal wellness company with his wife.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106617491"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.384", "images": {}, "alternate_images": [], "creditline": "Gift of the Marino Family", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 412277, "creators": [{"id": 412269, "description": "Walter Iooss (American, 1943-)", "extent": null, "qualifier": null, "role": "artist", "biography": "Walter Iooss (born 1943) is known as \u201cthe poet laureate of sports\u201d for his ability to combine artistry with capture of the right moment. Also noted for his portraiture, Iooss is the recipient of a Lifetime Achievement Award from The Lucie Awards, has 60 images in the National Museum of African American History and Culture, Smithsonian. His work was the subject of a dedicated auction at Christie\u2019s in 2003. <em>Sports Illustrated</em> has run his pictures for 58 years, with his photographs gracing over 300 of their covers.", "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Ricky Williams, Miami, FL"], "is_highlight": false, "updated_at": "2026-03-27 00:03:11.673000"}, {"id": 399512, "accession_number": "2020.434", "share_license_status": "Copyrighted", "tombstone": "Ritual II, 2000. Dexter Davis (American, b. 1965). Collage and monotype; image: 73.7 x 64.8 cm (29 x 25 1/2 in.). The Cleveland Museum of Art, Gift of Joan Tomkins and William Busta, 2020.434", "current_location": null, "title": "Ritual II", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "collage and monotype", "support_materials": [], "department": "Prints", "collection": "PR - Monotype", "type": "Print", "measurements": "Image: 73.7 x 64.8 cm (29 x 25 1/2 in.)", "dimensions": {"image": {"height": 0.737, "width": 0.648}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Dexter Davis (the artist) [1965-], Cleveland, OH", "citations": [], "footnotes": [], "date": "2000-?", "sortorder": 1}, {"description": "William Busta and Joan Tomkins, Cleveland, Heights, OH", "citations": [], "footnotes": [], "date": "?-2020", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 7, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist who made this print is also a security guard at the Cleveland Museum of Art.", "description": "In <em>Ritual II, </em>Dexter Davis combined collage with monotype, drawing with ink on the plate, printing, and then applying collage elements to the surface of the paper in a chine-coll\u00e9 method. In the center of the expressively fragmented composition is a masked-figure, a recurring part of Davis\u2019 visual vocabulary culled from African art. A snake wraps around the central figure while pushing down another masked head below. While the overall effect suggests trauma or suffering, Davis\u2019s title leaves open the potential for ritual solace and healing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106477565"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.434", "images": {}, "alternate_images": [], "creditline": "Gift of Joan Tomkins and William Busta", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 399512, "creators": [{"id": 57783, "description": "Dexter Davis (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:55.915000"}, {"id": 375080, "accession_number": "2020.96", "share_license_status": "Copyrighted", "tombstone": "Bare Arms: The Practice #1, 2019. Darius Steward (American, b. 1984). Drypoint on aluminum on Twinrocker All Purpose paper. The Cleveland Museum of Art, Gift of Thomas French in honor of Robert Getscher, PhD, 2020.96. \u00a9 Darius Steward", "current_location": null, "title": "The Practice #1", "series": "Bare Arms", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["Black American Artists", "female", "male", "Cleveland Institute of Art (alumni)"], "culture": ["America"], "technique": "drypoint on aluminum on Twinrocker All Purpose paper", "support_materials": [], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": "1 of 4 AP", "copyright": "\u00a9 Darius Steward", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Darius Steward [1984-] (the artist), Cleveland, OH", "citations": [], "footnotes": null, "date": "2019", "sortorder": 1}, {"description": "Thomas French Fine Art LLC, Fairlawn, OH", "citations": [], "footnotes": null, "date": "2019", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 2, 2020", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This print portrays the artist\u2019s children.", "description": "<em>Bare Arms (The Practice #1)</em>, one of a pair of drypoints by Darius Steward in the CMA\u2019s collection, forms part of the artist\u2019s ongoing exploration of his childhood in East Cleveland in juxtaposition to that of his own children, whom the work represents. He writes: \u201cMy portrayal of my children now borders on appropriation of many personal moments and memories. I recognize what they are experiencing and make connections between what I experienced some 30 years ago versus what I missed out on in East Cleveland. I have greater aspirations for a better life for my children and all people.\u201d In <em>Bare Arms (The Practice</em> <em>#1)</em> Steward\u2019s skilled draftsmanship and unusual, cropped composition conveys physical struggle in the guise of play.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244193"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.96", "images": {}, "alternate_images": [], "creditline": "Gift of Thomas French in honor of Robert Getscher, PhD", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 375080, "creators": [{"id": 375078, "description": "Darius Steward (American, b. 1984)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1984", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 6860, "description": "Thomas French Fine Art", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}, {"id": 58773, "description": "Rebekah A. Wilhelm", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1986", "use_in_caption": false, "include_extent": false, "weight": 3}], "legal_status": "accessioned", "accession_date": "2020-03-02T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:28.565000"}, {"id": 438751, "accession_number": "2021.106.1", "share_license_status": "Copyrighted", "tombstone": "American Monuments: Matthew Fontaine, Maury Monument, Richmond, Virginia, 2020. Kris Graves (American, b. 1982). Inkjet print; image: 45.7 x 34.3 cm (18 x 13 1/2 in.); paper: 50.9 x 40.7 cm (20 1/16 x 16 in.). The Cleveland Museum of Art, The Julius L. Greenfield Photography Acquisition Fund, 2021.106.1", "current_location": null, "title": "Matthew Fontaine, Maury Monument, Richmond, Virginia", "series": "American Monuments", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 45.7 x 34.3 cm (18 x 13 1/2 in.); Paper: 50.9 x 40.7 cm (20 1/16 x 16 in.)", "dimensions": {"image": {"height": 0.457, "width": 0.343}, "paper": {"height": 0.509, "width": 0.407}}, "state_of_the_work": null, "edition_of_the_work": "edition 2/15", "copyright": null, "inscriptions": [{"inscription": "Written in pencil on verso: \u201cKris Graves (signed) Matthew Fontaine Maury Monument, Richmond, Virginia, 2020 ed. 2/15\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Kris Graves (the artist) [1982-], New York, NY", "citations": [], "footnotes": null, "date": "2020-2021", "sortorder": 1}, {"description": "(Sasha Wolf Projects, New York, NY)", "citations": [], "footnotes": null, "date": "2021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 7, 2021", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Protests spurred by the death of George Floyd led to the removal of a number of monuments honoring the Confederacy in Richmond, Virginia, in 2020.", "description": "The memorials, which lined Richmond\u2019s Monument Avenue, became a focus of protests against White suprematism and police violence against Blacks. <em>National Geographic</em> commissioned Kris Graves to photograph these artworks, which were the center of debates about who and what ought to be memorialized. This monument honored oceanographer and Confederate States Navy officer Matthew Fontaine Maury, sometimes called the Father of Modern Oceanography and Naval Meteorology.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q107378453"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.106.1", "images": {}, "alternate_images": [], "creditline": "The Julius L. Greenfield Photography Acquisition Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 438751, "creators": [{"id": 438744, "description": "Kris Graves (American, b. 1982)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1982", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2021.106", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:24.441000"}, {"id": 438760, "accession_number": "2021.106.10", "share_license_status": "Copyrighted", "tombstone": "American Monuments: Tuskeegee Confederate Monument, Alabama, 2020. Kris Graves (American, b. 1982). Inkjet print; image: 36.5 x 45.7 cm (14 3/8 x 18 in.); paper: 40.7 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Julius L. Greenfield Photography Acquisition Fund, 2021.106.10", "current_location": null, "title": "Tuskeegee Confederate Monument, Alabama", "series": "American Monuments", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 36.5 x 45.7 cm (14 3/8 x 18 in.); Paper: 40.7 x 50.8 cm (16 x 20 in.)", "dimensions": {"image": {"height": 0.365, "width": 0.457}, "paper": {"height": 0.407, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": "edition 2/15", "copyright": null, "inscriptions": [{"inscription": "Written in pencil on verso: \u201cKris Graves (signed) Tuskeegee Confederate Monument, Alabama, 2020 ed. 2/15\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Kris Graves (the artist) [1982-], New York, NY", "citations": [], "footnotes": null, "date": "2020-2021", "sortorder": 1}, {"description": "(Sasha Wolf Projects, New York, NY)", "citations": [], "footnotes": null, "date": "2021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 7, 2021", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "When Tuskegee Confederate Monument was erected in 1906, the county\u2019s population was 82% Black; it is now 97% Black.", "description": "When Graves photographed the monument in Tuskegee, the statue of a Confederate soldier had already been removed from view through the use of a blue tarp installed by the city government. The monument had been painted with Civil Rights protest graffiti in 1966, 2015, and 2017. Its owners, the United Daughters of the Confederacy, had stopped having it cleaned. When more graffiti appeared in June 2020, the city enshrouded it and began looking for a way to relocate it.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q107378464"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.106.10", "images": {}, "alternate_images": [], "creditline": "The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 45.7 x 36.6 cm (18 x 14 7/16 in.); paper: 50.8 x 40.7 cm (20 x 16 in.). The Cleveland Museum of Art, The Julius L. 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Stuart Monument at Night, Richmond, Virginia, 2020 ed. 2/15\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Kris Graves (the artist) [1982-], New York, NY", "citations": [], "footnotes": null, "date": "2020-2021", "sortorder": 1}, {"description": "(Sasha Wolf Projects, New York, NY)", "citations": [], "footnotes": null, "date": "2021", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 7, 2021", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "For two months in 2020, the faces of Black citizens killed by police were projected on a monument to Confederate General Robert E. 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Greenfield Photography Acquisition Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 439377, "creators": [{"id": 438744, "description": "Kris Graves (American, b. 1982)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1982", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T00:00:00-04:00", "sortable_date": 2020, "date_added_to_oa": null, "date_text": "2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2021.106", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:44.133000"}, {"id": 439380, "accession_number": "2021.106.16", "share_license_status": "Copyrighted", "tombstone": "American Monuments: Self-Portrait at Stonewall Jackson Shrine, Woodford, Virginia, 2020. Kris Graves (American, b. 1982). Inkjet print; image: 36.5 x 45.7 cm (14 3/8 x 18 in.); paper: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Julius L. 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Returning to camp, Jackson and his staff were mistaken for Union cavalry and shot. He died of complications in the white building in the background. Graves squats so his body occupies the same space as the headstone-like monument, claiming equal space in the world for at least one Black man.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q107378472"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.106.16", "images": {}, "alternate_images": [], "creditline": "The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 45.7 x 34.2 cm (18 x 13 7/16 in.); paper: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 36.5 x 45.7 cm (14 3/8 x 18 in.); paper: 40.5 x 50.8 cm (15 15/16 x 20 in.). The Cleveland Museum of Art, The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 36.5 x 45.7 cm (14 3/8 x 18 in.); paper: 40.7 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 36.6 x 45.7 cm (14 7/16 x 18 in.); paper: 40.7 x 50.9 cm (16 x 20 1/16 in.). The Cleveland Museum of Art, The Julius L. 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Todd Hido (American, b. 1968). Inkjet print; image: 12.7 x 16.7 cm (5 x 6 9/16 in.); paper: 12.7 x 16.7 cm (5 x 6 9/16 in.). 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Dieter Daemen (Belgian, b. 1988). Inkjet print; image: 14.9 x 14.9 cm (5 7/8 x 5 7/8 in.); paper: 22.8 x 18.3 cm (9 x 7 3/16 in.). 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Lena C. Emery (German). Inkjet print; image: 21 x 26.6 cm (8 1/4 x 10 1/2 in.); paper: 23.1 x 28.6 cm (9 1/8 x 11 1/4 in.). 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De Waard felt that when violence against women seems omnipresent in the news and the world, her poems and Viertel\u2019s images could provide an antidote\u2014expressions of beauty, tenderness, love, and pleasant glamour.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q107378566"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.125", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 440562, "creators": [{"id": 440560, "description": "Gabriele Viertel (German, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-06-07T04:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:00.641000"}, {"id": 517470, "accession_number": "2021.167.b", "share_license_status": "Copyrighted", "tombstone": "Planning drawing, 2021. 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The Cleveland Museum of Art, Gift of Lamba SARL Studio, 2021.167.b", "current_location": null, "title": "Planning drawing", "creation_date": "2021", "creation_date_earliest": 2021, "creation_date_latest": 2021, "artists_tags": ["gender unknown"], "culture": ["Madagascar"], "technique": "paper, silk thread, paint, ink", "support_materials": [], "department": "African Art", "collection": "African Art", "type": "Apparatus", "dimensions": {"with frame": {"height": 0.581, "width": 0.732, "depth": 0.032}, "overall unframed": {"height": 0.5, "width": 0.648}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Real samples of silk threads are attached to this drawing.", "description": "The Lamba SARL studio used this drawing to plan out the patterns and colors of the large-scale weaving called <em>Raitra Marosoratra</em>, commissioned and acquired by the Cleveland Museum of Art in 2021.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q122836007"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.167.b", "images": {}, "alternate_images": [], "creditline": "Gift of Lamba SARL Studio", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 517470, "creators": [{"id": 449715, "description": "Lamba SARL Studio", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-12-06T05:00:00Z", "sortable_date": 2021, "date_added_to_oa": null, "date_text": "2021", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2021.167", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:29.396000"}, {"id": 447639, "accession_number": "2021.183", "share_license_status": "Copyrighted", "tombstone": "Rick Luce 01- 10 -03 1, 2003. Don Bachardy (American, 1934-). Watercolor; sheet: 56.8 x 76.4 cm (22 3/8 x 30 1/16 in.). 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Dave Jordano (American, b. 1948). Inkjet print; image: 121.9 x 95.3 cm (48 x 37 1/2 in.). 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Dave Jordano (American, b. 1948). Inkjet print; image: 121.9 x 95.3 cm (48 x 37 1/2 in.). 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Bruce Gilden (American, 1946-). Inkjet print; image: 20 x 30 cm (7 7/8 x 11 13/16 in.). 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There he captured these two dogs\u2014one relaxing in the sun and the other somewhat menacingly on the prowl. They are photographed with the same sense of intimacy and intrusion with which Gilden depicts his human subjects.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106477612"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.38", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 438473, "creators": [{"id": 438470, "description": "Bruce Gilden (American, 1946-)", "extent": null, "qualifier": null, "role": "artist", "biography": "American photographer, born 1946", "name_in_original_language": null, "birth_year": "1946", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:45.585000"}, {"id": 438556, "accession_number": "2021.39", "share_license_status": "Copyrighted", "tombstone": "Tourmaline, 2019, printed 2020. Yusuf Sevin\u00e7li (Turkish, b. 1980). Inkjet print; image: 17.1 x 22.2 cm (6 3/4 x 8 3/4 in.). 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A passage through an uninhabited world of whispers, reveries, and luminous metamorphoses.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q106477617"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2021.39", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 438556, "creators": [{"id": 438554, "description": "Yusuf Sevin\u00e7li (Turkish, b. 1980)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2021-03-01T00:00:00-05:00", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019, printed 2020", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:09.180000"}, {"id": 518789, "accession_number": "2022.118", "share_license_status": "Copyrighted", "tombstone": "Dexter Davis and Shadowman, 2016. Herbert Ascherman (American, b. 1947). Gelatin silver print; image: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Herbert Ascherman Jr., 2022.118", "current_location": null, "title": "Dexter Davis and Shadowman", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["May Show", "male", "Jewish artists", "Cleveland Institute of Art (faculty)"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 40.6 x 50.8 cm (16 x 20 in.)", "dimensions": {"image": {"height": 0.406, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Herbert Ascherman, Jr. [1947-] (the artist), Beachwood, OH, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2016\u201322", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 12, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Since the 2010s, an actor dressed in a dark bodysuit as Shadowman (and in other costumes as other characters) has shown up at various events in Cleveland.", "description": "In Herbert Ascherman\u2019s portrait of two Cleveland artists, Shadowman sits on a bench on the terrace of the Cleveland Museum of Art beside Dexter Davis, who holds his woodblock print <em>Face</em> (c. 2000). In addition to having art in the museum\u2019s collection, Davis has worked at the museum as a guard for many years. Shadowman prefers to keep his identity a mystery.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247371"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.118", "images": {}, "alternate_images": [], "creditline": "Gift of Herbert Ascherman Jr.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 518789, "creators": [{"id": 51596, "description": "Herbert Ascherman (American, b. 1947)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1947", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:47.561000"}, {"id": 518792, "accession_number": "2022.121", "share_license_status": "Copyrighted", "tombstone": "For\u00eat de Fontainebleau, 2005. Herbert Ascherman (American, b. 1947). Gelatin silver print; image: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Herbert Ascherman Jr., 2022.121", "current_location": null, "title": "For\u00eat de Fontainebleau", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["May Show", "male", "Jewish artists", "Cleveland Institute of Art (faculty)"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 40.6 x 50.8 cm (16 x 20 in.)", "dimensions": {"image": {"height": 0.406, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Herbert Ascherman, Jr. [1947-] (the artist), Beachwood, OH, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2005\u201322", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "September 12, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "In the mid-19th century, a group of French artists spent their summers painting in the forest of Fontainebleau, a former royal hunting preserve 45 miles from Paris.", "description": "Herbert Ascherman paid homage to photographers such as Gustave Le Gray (see 1988.64), Andr\u00e9 Giroux (1996.9), and Constant Famin (1988.167) in the photographs he made during a dozen excursions in the forest over a five-year period. He used an antique wood box camera similar to the large, heavy cameras his precursors had toted through the forest of Fontainebleau. The curved black border at the top of this picture echoes effects caused by 19th-century photographic technology.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247377"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.121", "images": {}, "alternate_images": [], "creditline": "Gift of Herbert Ascherman Jr.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 518792, "creators": [{"id": 51596, "description": "Herbert Ascherman (American, b. 1947)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1947", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T00:00:00-04:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:50.738000"}, {"id": 518620, "accession_number": "2022.125", "share_license_status": "Copyrighted", "tombstone": "Water Glass #3 (Variant 2), 2011. Amanda Means (American, b. 1948). Gelatin silver print; image: 55.9 x 45.7 cm (22 x 18 in.); mounted: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Gift of Amanda Means and Jayne H. Baum Gallery, 2022.125", "current_location": null, "title": "Water Glass #3 (Variant 2)", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 55.9 x 45.7 cm (22 x 18 in.); Mounted: 61 x 50.8 cm (24 x 20 in.)", "dimensions": {"image": {"height": 0.559, "width": 0.457}, "mounted": {"height": 0.61, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": "Edition 6/20", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Jayne H. Baum Gallery, New York, NY), given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?-2022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 12, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "\u201cMost photography represents the reflection of light back from an object\u2019s surface,\u201d explains Amanda Means.", "description": "In her <em>Water Glass </em>series,Means photographs the light that passes through her subject: partially filled water glasses. To make these images, Means pointed a photographic enlarger at a large sheet of photographic paper tacked on the wall. She created a light-proof chamber with a powerful lamp at one end and the enlarger lens at the other and placed the water glass in it. This process yielded a large paper negative from which she makes prints.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247353"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.125", "images": {}, "alternate_images": [], "creditline": "Gift of Amanda Means and Jayne H. Baum Gallery", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 518620, "creators": [{"id": 518610, "description": "Amanda Means (American, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:35.900000"}, {"id": 518621, "accession_number": "2022.126", "share_license_status": "Copyrighted", "tombstone": "Folded and Crushed (Toned) 77, 2017. Amanda Means (American, b. 1948). Gelatin silver print, toned; image: 50.8 x 50.8 cm (20 x 20 in.). The Cleveland Museum of Art, Gift of Amanda Means and Jayne H. Baum Gallery, 2022.126", "current_location": null, "title": "Folded and Crushed (Toned) 77", "creation_date": "2017", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["female"], "culture": ["America"], "technique": "gelatin silver print, toned", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 50.8 x 50.8 cm (20 x 20 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Jayne H. Baum Gallery, New York, NY), given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?-2022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 12, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photograph is one-of-a-kind and three-dimensional.", "description": "Amanda Means\u2019s <em>Folded and Crushed</em> pieces are made in the darkroom without a camera. Means scores gelatin silver photographic paper on alternate sides, folds it in a fan shape and exposes it to an enlarging light through a number of contrast filters. \u201cA myriad of different effects occur,\u201d says the artist, \u201cdepending on exactly how the paper is scored and folded, how it is exposed, how it is placed in the developer and how it is pulled out.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247354"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.126", "images": {}, "alternate_images": [], "creditline": "Gift of Amanda Means and Jayne H. Baum Gallery", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 518621, "creators": [{"id": 518610, "description": "Amanda Means (American, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:39.667000"}, {"id": 452711, "accession_number": "2022.30", "share_license_status": "Copyrighted", "tombstone": "Untitled (Apollo the Python-Slayer, Cleveland Museum of Art), 2016. Larry Merrill (American, b. 1948). Inkjet print; image: 33 x 48.3 cm (13 x 19 in.); paper: 43.2 x 55.9 cm (17 x 22 in.). The Cleveland Museum of Art, Gift of the Artist, 2022.30", "current_location": null, "title": "Untitled (Apollo the Python-Slayer, Cleveland Museum of Art)", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 33 x 48.3 cm (13 x 19 in.); Paper: 43.2 x 55.9 cm (17 x 22 in.)", "dimensions": {"image": {"height": 0.33, "width": 0.483}, "paper": {"height": 0.432, "width": 0.559}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Larry Merrill (the artist) [1948-], given to The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2016\u201322", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 7, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Larry Merrill\u2019s digital photograph is not the only contemporary interpretation of this ancient masterwork in the museum\u2019s collection.", "description": "Merrill\u2019s ongoing series of photographs, <em>Wards of Time</em>, comprises transformative, intimate views of Greek and Roman antiquities in museums around the United States. His close-up, two-dimensional representations focus our attention in ways not experienced in the galleries, allowing us to discover new and unexpected aspects of these ancient sculptures. Similarly, Cleveland artist Michael Loderstedt turned to screenprinting, another modern technique, to record his own interpretation of the sculpture (see 2019.247).", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247123"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.30", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 452711, "creators": [{"id": 452707, "description": "Larry Merrill (American, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-03-07T05:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:51.391000"}, {"id": 452712, "accession_number": "2022.31", "share_license_status": "Copyrighted", "tombstone": "Untitled (De Nion Head, on loan to Cleveland Museum of Art), 2016. Larry Merrill (American, b. 1948). Inkjet print; image: 33 x 48.3 cm (13 x 19 in.); paper: 43.2 x 55.9 cm (17 x 22 in.). The Cleveland Museum of Art, Gift of the Artist, 2022.31", "current_location": null, "title": "Untitled (De Nion Head, on loan to Cleveland Museum of Art)", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 33 x 48.3 cm (13 x 19 in.); Paper: 43.2 x 55.9 cm (17 x 22 in.)", "dimensions": {"image": {"height": 0.33, "width": 0.483}, "paper": {"height": 0.432, "width": 0.559}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Larry Merrill (the artist) [1948-], given to The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2016\u201322", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "March 7, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photograph is composed of two shots taken one-half hour apart.", "description": "\u201cDigital camera and computers,\u201d says Larry Merrill, \u201care obsessive data keepers.\u201d In looking at his files, the artist noticed that he first shot the marble head, and then thirty minutes later on the same day, photographed its reflection in the Plexiglas vitrine that protects the sculpture. Merrill combined the two images in Photoshop. In his depiction, the figure looks as if he is contemplating his own reflection.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247124"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.31", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 452712, "creators": [{"id": 452707, "description": "Larry Merrill (American, b. 1948)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-03-07T05:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:21.856000"}, {"id": 522829, "accession_number": "2022.312", "share_license_status": "Copyrighted", "tombstone": "Planned Parenthood, 2011. Rania Matar (Lebanese, 1964-). Gelatin silver print; sheet: 40.6 x 50.8 cm (16 x 20 in.). 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She was able to evoke the individual personalities of her sitters, despite their brief acquaintance and the institutional setting. 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Rania Matar (Lebanese, 1964-). Gelatin silver print; each sheet: 40.6 x 50.8 cm (16 x 20 in.). 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She was able to evoke the individual personalities of her sitters, despite their brief acquaintance and the institutional setting. 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The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2022.429.4", "current_location": null, "title": "fern-gm-1 (color proof 2)", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["gender unknown"], "culture": ["Japan"], "technique": "intaglio", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Platemark: 20.2 x 35.2 cm (7 15/16 x 13 7/8 in.); Sheet: 49.7 x 66.2 cm (19 9/16 x 26 1/16 in.)", "dimensions": {"platemark": {"height": 0.202, "width": 0.352}, "sheet": {"height": 0.497, "width": 0.662}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Signed in graphite, recto, lower right", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "When making this print, the artist Seiko Tachibana was inspired by the repeating reproductive patterns of ferns.", "description": "Tachibana\u2019s work combines Asian tradition with a modernist aesthetic through the exploration of shape, color, and spatial relationships. One of her primary explorations is that of fractals, or repeated patterns, an interest that brought her to a series of works on the self-replicating patterns of ferns. Here, she reduces the language of the fern to the simplicity of a circle, creating patterns that increase and decrease, from miniscule circular voids to commanding dark spheres, opaque to transparent.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q122583508"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.429.4", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 452550, "creators": [{"id": 66828, "description": "Seiko Tachibana (Japanese, 1946-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1946", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-12-05T05:00:00Z", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2022.429", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:31.699000"}, {"id": 452551, "accession_number": "2022.429.5", "share_license_status": "Copyrighted", "tombstone": "fern-gm-1 (color proof 3), 2015. Seiko Tachibana (Japanese, 1946-). Intaglio; platemark: 20.2 x 35.2 cm (7 15/16 x 13 7/8 in.); sheet: 49.7 x 66.2 cm (19 9/16 x 26 1/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2022.429.5", "current_location": null, "title": "fern-gm-1 (color proof 3)", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["gender unknown"], "culture": ["Japan"], "technique": "intaglio", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Platemark: 20.2 x 35.2 cm (7 15/16 x 13 7/8 in.); Sheet: 49.7 x 66.2 cm (19 9/16 x 26 1/16 in.)", "dimensions": {"platemark": {"height": 0.202, "width": 0.352}, "sheet": {"height": 0.497, "width": 0.662}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Signed in graphite, recto, lower right", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "When making this print, the artist Seiko Tachibana was inspired by the repeating reproductive patterns of ferns.", "description": "Tachibana\u2019s work combines Asian tradition with a modernist aesthetic through the exploration of shape, color, and spatial relationships. One of her primary explorations is that of fractals, or repeated patterns, an interest that brought her to a series of works on the self-replicating patterns of ferns. 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Adger Cowans (American, b. 1936). Platinum print; image: 15.8 x 24 cm (6 1/4 x 9 7/16 in.); paper: 21.3 x 28 cm (8 3/8 x 11 in.). The Cleveland Museum of Art, Transfer from Ingalls Library, 2022.82", "current_location": null, "title": "Three Shadows", "creation_date": "printed 2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "platinum print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 15.8 x 24 cm (6 1/4 x 9 7/16 in.); Paper: 21.3 x 28 cm (8 3/8 x 11 in.)", "dimensions": {"image": {"height": 0.158, "width": 0.24}, "paper": {"height": 0.213, "width": 0.28}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil, recto, lower right: \"Adger Cowans (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The photographer\u2019s viewpoint\u2014where the camera is placed\u2014can entirely change the meaning of an image.", "description": "<em>Three Shadows</em>, a view from above of three young girls walking in the Bronx, would have been an entirely different image if taken from ground level. From Adger Cowans\u2019 elevated viewpoint, the girls\u2019 shadows, stretch far in front of them, suggesting that whatever their actual height, they have the potential to be towering figures. One of Adger Cowans iconic images, <em>Three Shadows</em> presents a striking example of his ability to communicate through light and shadow, which are hallmarks of black-and-white photography.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247278"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.82", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 455650, "creators": [{"id": 455648, "description": "Adger Cowans (American, b. 1936)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1936", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-06-06T04:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "printed 2022", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:05.832000"}, {"id": 455651, "accession_number": "2022.83", "share_license_status": "Copyrighted", "tombstone": "Studio 75, printed 2022. Adger Cowans (American, b. 1936). Platinum print; image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.); paper: 21.4 x 28.1 cm (8 7/16 x 11 1/16 in.). The Cleveland Museum of Art, Transfer from Ingalls Library, 2022.83", "current_location": null, "title": "Studio 75", "creation_date": "printed 2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "platinum print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.); Paper: 21.4 x 28.1 cm (8 7/16 x 11 1/16 in.)", "dimensions": {"image": {"height": 0.186, "width": 0.233}, "paper": {"height": 0.214, "width": 0.281}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto, lower right: \"Adger Cowans (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Columbus, Ohio, native Adger Cowans was one of the first Black students to earn a degree in photography from Ohio University.", "description": "Cowans received his bachelor\u2019s degree there in 1958, just 15 years after the school became the first college to offer a major in photography. In the 1960s, Cowans was a founding member of the New York City photographic collective Kamoinge, which became an important part of the Black Arts Movement. A painter as well as photographer, Cowans was also a member of AfriCOBRA, the Chicago-based artists\u2019 group that helped define a Black aesthetic in art.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247280"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.83", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 455651, "creators": [{"id": 455648, "description": "Adger Cowans (American, b. 1936)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1936", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-06-06T04:00:00Z", "sortable_date": 2022, "date_added_to_oa": null, "date_text": "printed 2022", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:07.244000"}, {"id": 457190, "accession_number": "2022.84", "share_license_status": "Copyrighted", "tombstone": "Temple, December 2017, printed 2019. Lucie Rox. Chromogenic print; image: 23.3 x 18.4 cm (9 3/16 x 7 1/4 in.); paper: 25.6 x 20.2 cm (10 1/16 x 7 15/16 in.). The Cleveland Museum of Art, Transfer from Ingalls Library, 2022.84", "current_location": null, "title": "Temple", "creation_date": "December 2017, printed 2019", "creation_date_earliest": 2017, "creation_date_latest": 2017, "artists_tags": ["female", "Black Artists (non American)"], "culture": ["France"], "technique": "Chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 23.3 x 18.4 cm (9 3/16 x 7 1/4 in.); Paper: 25.6 x 20.2 cm (10 1/16 x 7 15/16 in.)", "dimensions": {"image": {"height": 0.233, "width": 0.184}, "paper": {"height": 0.256, "width": 0.202}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in black marker on verso: \"Lucie Rox (signed) 3/10\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted throughout verso of paper: \"FUJIFILM/FUJICOLOR/PROFESSIONAL PAPER/-IF COPYRIGHT APPLIES/PERMISSION TO REPRODUCE/REQUIRED/-COPYRIGHT ERFORDERT/EINE GENEHMIGUNG FUR/REPRODUKTIONEN\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This doorway is from a temple in Japan.", "description": "Lucie Rox, an artist of African descent, was born and raised in France and now splits her time between Paris and London. She shot this photograph while traveling through Japan in December 2017. Using chromogenic film which she processes by hand in the dark room allows Rox to deepen and enrich the colors, enhancing the mystery of this simple doorway. \u201cPhotography, which as a medium is, by essence a very simple thing and very matter-of-fact,\u201d says the artist, \u201ccan be stretched and pushed to create some form of abstracted reality.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247303"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.84", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 457190, "creators": [{"id": 452143, "description": "Lucie Rox", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-06-06T04:00:00Z", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "December 2017, printed 2019", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:47.999000"}, {"id": 617621, "accession_number": "2023.146", "share_license_status": "Copyrighted", "tombstone": "Pressed Iron Blossom No. 2, 2005. Willie Cole (American, b. 1955), published by Tamarind Press. Color lithograph; platemark: 56.5 x 76.5 cm (22 1/4 x 30 1/8 in.). 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This motif is one with longstanding interest to Willie Cole, who uses it to reference the domestic work undertaken by the women in his family employed as housekeepers, as well as the marks used to brand slaves during transport.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q123115907"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.146", "images": {}, "alternate_images": [], "creditline": "Gift of Joan Tomkins and William Busta", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 617621, "creators": [{"id": 23893, "description": "Willie Cole (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69290, "description": "Tamarind Press", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2023-09-11T04:00:00Z", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:32.852000"}, {"id": 617626, "accession_number": "2023.148", "share_license_status": "Copyrighted", "tombstone": "5 a.m., 2004. Sam Gilliam (American, 1933\u20132022). Cut and sewn color relief prints on wove paper, fabric, and felt; support: 71.1 x 51 cm (28 x 20 1/16 in.); sheet: 57.1 x 39.4 cm (22 1/2 x 15 1/2 in.). The Cleveland Museum of Art, Gift of Joan Tomkins and William Busta, 2023.148", "current_location": null, "title": "5 a.m.", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "Cut and sewn color relief prints on wove paper, fabric, and felt", "support_materials": [], "department": "Prints", "collection": "PR - Relief", "type": "Print", "measurements": "Support: 71.1 x 51 cm (28 x 20 1/16 in.); Sheet: 57.1 x 39.4 cm (22 1/2 x 15 1/2 in.)", "dimensions": {"sheet": {"height": 0.571, "width": 0.394}, "support": {"height": 0.711, "width": 0.51}}, "state_of_the_work": "Only", "edition_of_the_work": "Variable edition of 50", "copyright": null, "inscriptions": [{"inscription": "Inscribed, in pencil, lower right: 17/50; inscribed, signed, and dated, in pencil, bottom center: \u201c5 am\u201d Sam Gilliam \u201804", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "William Busta and Joan Tomkins, Cleveland Heights, OH, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132023", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 11, 2023\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Sam Gilliam created this print while working at the Experimental Printmaking Institute, founded by Curlee Raven Holton, a former Clevelander.", "description": "Beginning in the late 1970s, Sam Gilliam began to create works such as this print, in which he cut, arranged, and collaged geometric shapes. Their assembled compositions and varied patterns resembled quilts made by African American folk artists. 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Kumi Korf (American, b. 1937). Intaglio, sugar lift, aquatint, stencils, and inked threads on Akatosashi paper; image: 80.2 x 24.8 cm (31 9/16 x 9 3/4 in.); sheet: 93 x 24.8 cm (36 5/8 x 9 3/4 in.). 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Shahzia Sikander (Pakistani American, b. 1969), published by Pace Editions. Collaborative text; framed: 87.6 x 73 x 3.8 cm (34 1/2 x 28 3/4 x 1 1/2 in.); sheet: 68.5 x 53 cm (26 15/16 x 20 7/8 in.). 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Through their respective mediums, Sikander and Akhtar interpret the <em>Mi\u2019raj, </em>an Islamic narrative about the Prophet Muhammad\u2019s mystical night journey and ascent to heaven, in relation to the artistic pursuit.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q124251056"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.209.5", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 666814, "creators": [{"id": 54812, "description": "Shahzia Sikander (Pakistani American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 60491, "description": "Pace Editions", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2023-12-04T05:00:00Z", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2023.209", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:54.020000"}, {"id": 667182, "accession_number": "2023.212", "share_license_status": "Copyrighted", "tombstone": "Two Girls in Kimono with Rabbit Mask, Kyoto, Japan, 2022. Taisuke Sato (Japanese, b. 1969). Inkjet print; paper: 20 x 30 cm (7 7/8 x 11 13/16 in.). 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Vasantha Yogananthan (French, b. 1985). Inkjet print; image: 17 x 20.9 cm (6 11/16 x 8 1/4 in.); paper: 17.7 x 23.9 cm (6 15/16 x 9 7/16 in.). The Cleveland Museum of Art, Transfer from Ingalls Library, 2023.37", "current_location": null, "title": "Poles and Tree, Allahabad, Uttar Pradesh, India", "creation_date": "2013, printed 2017", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male"], "culture": ["France(?)"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 17 x 20.9 cm (6 11/16 x 8 1/4 in.); Paper: 17.7 x 23.9 cm (6 15/16 x 9 7/16 in.)", "dimensions": {"image": {"height": 0.17, "width": 0.209}, "paper": {"height": 0.177, "width": 0.239}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Vasantha Yogananthan views his photographic retelling of the ancient Indian epic the <em>Ramayana </em>(<em>Rama\u2019s Journey</em>) as a journey to his own self-discovery.", "description": "Yogananthan\u2019s version of the tale of the fourteen-year exile of the hero Rama from his homelandfreely merges fiction and reality. He juxtaposes photographs of historical settings from the <em>Ramayana </em>with glimpses of everyday life today on the subcontinent. In <em>Poles and Tree</em>, two people shelter under a tree in a non-descript urban setting. Mist obscures the view, echoing Yogananthan\u2019s blurring of past with present in his recasting of this classic Indian epic.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q118129896"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.37", "images": {}, "alternate_images": [], "creditline": "Transfer from Ingalls Library", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 536003, "creators": [{"id": 536001, "description": "Vasantha Yogananthan (French, b. 1985)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1985", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2023-03-06T05:00:00Z", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013, printed 2017", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:48.448000"}, {"id": 681231, "accession_number": "2024.100", "share_license_status": "Copyrighted", "tombstone": "Untitled (Venice Biennale), 2003. Fred Wilson (American, b. 1954). Chromogenic print; sheet: 76.2 x 103.5 cm (30 x 40 3/4 in.). 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Lewis, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 9, 2024\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Fred Wilson made this photographic print to complement his installation in the United States pavilion at the Venice Biennale, where he represented the US in 2003.", "description": "In this print,Wilson visually integrated African references into a Venetian view, suggesting that the two cultures are intertwined. \u201cThe African, the Black, the Negro, the Moor remains an unacknowledged yet constant and lingering presence in Venice,\u201d says Wilson, \u201cinhabiting both its past as seen in Venetian visual culture and its contemporary life by the active presence today of African immigrants, more specifically Senegalese, who now inhabit the margins of Venice.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.100", "images": {}, "alternate_images": [], "creditline": "Gift in Memory of Toby Devan Lewis", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 681231, "creators": [{"id": 63040, "description": "Fred Wilson (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:38.738000"}, {"id": 677047, "accession_number": "2024.138", "share_license_status": "Copyrighted", "tombstone": "Essay on Philipp Otto Runge, 2019\u201320. Anton W\u00fcrth (German, 1957-). Portfolio of four engravings; portfolio box: 48.5 x 33.2 x 1 cm (19 1/8 x 13 1/16 x 3/8 in.). The Cleveland Museum of Art, Gift of C. G. Boerner, 2024.138", "current_location": null, "title": "Essay on Philipp Otto Runge", "creation_date": "2019\u201320", "creation_date_earliest": 2019, "creation_date_latest": 2020, "artists_tags": ["male"], "culture": ["Germany"], "technique": "Portfolio of four engravings", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Portfolio", "measurements": "Portfolio Box: 48.5 x 33.2 x 1 cm (19 1/8 x 13 1/16 x 3/8 in.)", "dimensions": {"portfolio box": {"height": 0.485, "width": 0.332, "depth": 0.01}}, "state_of_the_work": null, "edition_of_the_work": "edition 5/12", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Anton W\u00fcrth works in copper plate engraving, a process often used in the past but rarely by artists today due to its laboriousness; it involves carving directly into the plate\u2019s resistant surface.", "description": "Anton W\u00fcrth is a contemporary German artist whose work engages with the syntax and symbolism of old master prints. 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Anton W\u00fcrth (German, 1957-). Engraving; plate: 32.7 x 23.4 cm (12 7/8 x 9 3/16 in.); sheet: 46.4 x 31.6 cm (18 1/4 x 12 7/16 in.). The Cleveland Museum of Art, Gift of C. G. Boerner, 2024.138.1", "current_location": null, "title": "Morning", "series": "Essay on Philipp Otto Runge", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["male"], "culture": ["Germany"], "technique": "engraving", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Plate: 32.7 x 23.4 cm (12 7/8 x 9 3/16 in.); Sheet: 46.4 x 31.6 cm (18 1/4 x 12 7/16 in.)", "dimensions": {"plate": {"height": 0.327, "width": 0.234}, "sheet": {"height": 0.464, "width": 0.316}}, "state_of_the_work": null, "edition_of_the_work": "edition 5/12", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "C.G. Boerner, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2020-2024", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Anton W\u00fcrth works in copper plate engraving, a process often used in the past but rarely by artists today due to its laboriousness; it involves carving directly into the plate\u2019s resistant surface.", "description": "Anton W\u00fcrth is a contemporary German artist whose work engages with the syntax and symbolism of old master prints. In this series to which this print belongs, he reinterpreted the <em>Times of Day</em>, a series by German Romantic artist Phillip Otto Runge. Reflecting on the earlier artist\u2019s symbolic vision two centuries later, W\u00fcrth sought to build upon Runge\u2019s distinctive use of ornament. 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Anton W\u00fcrth (German, 1957-). Engraving; plate: 32.7 x 22.8 cm (12 7/8 x 9 in.); sheet: 46.4 x 31.8 cm (18 1/4 x 12 1/2 in.). The Cleveland Museum of Art, Gift of C. G. Boerner, 2024.138.2", "current_location": null, "title": "Day", "series": "Essay on Philipp Otto Runge", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["male"], "culture": ["Germany"], "technique": "engraving", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Plate: 32.7 x 22.8 cm (12 7/8 x 9 in.); Sheet: 46.4 x 31.8 cm (18 1/4 x 12 1/2 in.)", "dimensions": {"plate": {"height": 0.327, "width": 0.228}, "sheet": {"height": 0.464, "width": 0.318}}, "state_of_the_work": null, "edition_of_the_work": "edition 5/12", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "C.G. Boerner, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2020-2024", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Anton W\u00fcrth works in copper plate engraving, a process often used in the past but rarely by artists today due to its laboriousness; it involves carving directly into the plate\u2019s resistant surface.", "description": "Anton W\u00fcrth is a contemporary German artist whose work engages with the syntax and symbolism of old master prints. In this series to which this print belongs, he reinterpreted the <em>Times of Day</em>, a series by German Romantic artist Phillip Otto Runge. Reflecting on the earlier artist\u2019s symbolic vision two centuries later, W\u00fcrth sought to build upon Runge\u2019s distinctive use of ornament. 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Anton W\u00fcrth (German, 1957-). Engraving; plate: 32.6 x 23.5 cm (12 13/16 x 9 1/4 in.); sheet: 46.1 x 31.8 cm (18 1/8 x 12 1/2 in.). The Cleveland Museum of Art, Gift of C. G. Boerner, 2024.138.3", "current_location": null, "title": "Evening", "series": "Essay on Philipp Otto Runge", "creation_date": "2019", "creation_date_earliest": 2019, "creation_date_latest": 2019, "artists_tags": ["male"], "culture": ["Germany"], "technique": "engraving", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Plate: 32.6 x 23.5 cm (12 13/16 x 9 1/4 in.); Sheet: 46.1 x 31.8 cm (18 1/8 x 12 1/2 in.)", "dimensions": {"plate": {"height": 0.326, "width": 0.235}, "sheet": {"height": 0.461, "width": 0.318}}, "state_of_the_work": null, "edition_of_the_work": "edition 5/12", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "C.G. Boerner, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2020-2024", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Anton W\u00fcrth works in copper plate engraving, a process often used in the past but rarely by artists today due to its laboriousness; it involves carving directly into the plate\u2019s resistant surface.", "description": "Anton W\u00fcrth is a contemporary German artist whose work engages with the syntax and symbolism of old master prints. In this series to which this print belongs, he reinterpreted the <em>Times of Day</em>, a series by German Romantic artist Phillip Otto Runge. Reflecting on the earlier artist\u2019s symbolic vision two centuries later, W\u00fcrth sought to build upon Runge\u2019s distinctive use of ornament. 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Anton W\u00fcrth (German, 1957-). Engraving; plate: 32.5 x 22.6 cm (12 13/16 x 8 7/8 in.); sheet: 46.4 x 31.4 cm (18 1/4 x 12 3/8 in.). The Cleveland Museum of Art, Gift of C. G. Boerner, 2024.138.4", "current_location": null, "title": "Night", "series": "Essay on Philipp Otto Runge", "creation_date": "2020", "creation_date_earliest": 2020, "creation_date_latest": 2020, "artists_tags": ["male"], "culture": ["Germany"], "technique": "engraving", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Plate: 32.5 x 22.6 cm (12 13/16 x 8 7/8 in.); Sheet: 46.4 x 31.4 cm (18 1/4 x 12 3/8 in.)", "dimensions": {"plate": {"height": 0.325, "width": 0.226}, "sheet": {"height": 0.464, "width": 0.314}}, "state_of_the_work": null, "edition_of_the_work": "edition 5/12", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "C.G. Boerner, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2020-2024", "sortorder": 1}, {"description": "Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Anton W\u00fcrth works in copper plate engraving, a process often used in the past but rarely by artists today due to its laboriousness; it involves carving directly into the plate\u2019s resistant surface.", "description": "Anton W\u00fcrth is a contemporary German artist whose work engages with the syntax and symbolism of old master prints. In this series to which this print belongs, he reinterpreted the <em>Times of Day</em>, a series by German Romantic artist Phillip Otto Runge. Reflecting on the earlier artist\u2019s symbolic vision two centuries later, W\u00fcrth sought to build upon Runge\u2019s distinctive use of ornament. 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Jacob Kassay (American, b. 1984). Acrylic and silver deposit on canvas; 152.4 x 121.9 cm (60 x 48 in.). The Cleveland Museum of Art, Gift of Agnes Gund and the artist, 2024.152. \u00a9 Jacob Kassay", "current_location": null, "title": "Untitled", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male"], "culture": ["America"], "technique": "acrylic and silver deposit on canvas", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "152.4 x 121.9 cm (60 x 48 in.)", "dimensions": {"No Extent Specified": {"height": 1.524, "width": 1.219}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Jacob Kassay", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "collection of the artist", "citations": [], "footnotes": null, "date": "2018\u20132024", "sortorder": 1}, {"description": "Agnes Gund [1938\u20132025] and the artist, New York, NY, gifted to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Electroplating, a process used to make this work, has historically been used in photography.", "description": "The monochrome silver surface of <em>Untitled</em> reflects the light, shadow, and colors of its surrounding environment. Lacking an image, it focuses the viewer\u2019s attention on the architectural and perceptual conditions in which art is seen. <em>Untitled</em> is part of a larger series of silver paintings by the artist. To create these paintings\u2019 reflective surfaces, Kassay primes the canvas with white acrylic paint and then applies a thin layer of silver on top through a process called electroplating.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.152", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 677387, "creators": [{"id": 677385, "description": "Jacob Kassay (American, b. 1984)", "extent": "execution", "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1984", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:08.482000"}, {"id": 686035, "accession_number": "2024.153", "share_license_status": "Copyrighted", "tombstone": "Bling Bat, 2007. Martin Kline (American, b. 1961). Bronze; 83.2 x 8.3 x 8.3 cm (32 3/4 x 3 1/4 x 3 1/4 in.). The Cleveland Museum of Art, Gift of the Artist, 2024.153", "current_location": null, "title": "Bling Bat", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["America"], "technique": "bronze", "support_materials": [], "department": "Contemporary Art", "collection": "Sculpture", "type": "Metalwork", "measurements": "83.2 x 8.3 x 8.3 cm (32 3/4 x 3 1/4 x 3 1/4 in.)", "dimensions": {"No Extent Specified": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Martin Kline, [b. 1961], Rhinebeck, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2007\u20132024", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The techniques that Kline uses for this sculpture were popular in ancient Greece, Rome, and Egypt.", "description": "Martin Kline is an American painter and sculptor whose work references Western and Eastern cultural practices. He often draws from art history, philosophy, and nature for the creation of his work. Trained in studio art with a focused study of Italian Renaissance painting, Kline moved to abstraction following his move to New York in the 1980s. Working in an abstracted style, Kline references flora, organisms, and mythological and literary characters. In <em>Bling Bat, </em>the artist draws on a technique of accumulated wax layers to build form, depth, and texture, giving objects a topographical quality, which is then cast in bronze.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.153", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 686035, "creators": [{"id": 51836, "description": "Martin Kline (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:37.096000"}, {"id": 685743, "accession_number": "2024.159", "share_license_status": "Copyrighted", "tombstone": "Hit Parade, 2024. Ken Aptekar (American, 1950-), published by Atelier du Livre d'Art et de l'Estampe. Letterpress, gold and silver leaf over archival inkjet print on Hahnem\u00fcle photo rag paper; sheet: 55.9 x 55.9 cm (22 x 22 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2024.159", "current_location": null, "title": "Hit Parade", "creation_date": "2024", "creation_date_earliest": 2024, "creation_date_latest": 2024, "artists_tags": ["male", "Jewish artists"], "culture": ["America"], "technique": "Letterpress, gold and silver leaf over archival inkjet print on Hahnem\u00fcle photo rag paper", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Sheet: 55.9 x 55.9 cm (22 x 22 in.)", "dimensions": {"sheet": {"height": 0.559, "width": 0.559}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The artist purposely combined references to old and new art forms, combining a reference to a medieval manuscript, gold leaf, and letterpress with that of digital printing and a smartphone.", "description": "The artist Ken Aptekar is known for meticulously re-creating canonical works of art and then overlaying them with text to activate what he sees as a partnership between the viewer and the artist in the creative process. In <em>Hit Parade</em>, a work commissioned by the Print Club of Cleveland, Aptekar repurposed the Cleveland Museum of Art\u2019s 1978 painting by Philip Guston, <em>Scroll</em> (1992.212), a work that alludes to Guston\u2019s Jewish identity. Aptekar miniaturized and altered Guston\u2019s composition to approximate a medieval illuminated manuscript. He then layered it with texts suggestive of a social media platform on a smartphone. The result is a suggestive work that centers around the ability of social media to both express and hide one\u2019s identity.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.159", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 685743, "creators": [{"id": 310149, "description": "Ken Aptekar (American, 1950-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 685742, "description": "Atelier du Livre d'Art et de l'Estampe", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2024, "date_added_to_oa": null, "date_text": "2024", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:43.328000"}, {"id": 540560, "accession_number": "2024.18", "share_license_status": "Copyrighted", "tombstone": "Grandson Menhir-2-Moonlight, Grandson, Switzerland, 2005. Barbara Yoshida (American, b. 1945). Inkjet print; framed: 37.8 x 29.5 cm (14 7/8 x 11 5/8 in.). The Cleveland Museum of Art, Gift of Sharon & Del Zogg, 2024.18", "current_location": null, "title": "Grandson Menhir-2-Moonlight, Grandson, Switzerland", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 37.8 x 29.5 cm (14 7/8 x 11 5/8 in.)", "dimensions": {"framed": {"height": 0.378, "width": 0.295}}, "state_of_the_work": null, "edition_of_the_work": "edition 1/10", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Del Zogg, Concord, NC, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132024", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "February 26, 2024\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The standing stones, or menhirs, of Grandson, Switzerland, are believed to have been installed there around 3000 to 2000 BCE.", "description": "Barbara Yoshida spent a decade researching and photographing Neolithic standing stones from Sweden to West Africa and eastward to Armenia. She shot in the moonlight. Long exposures necessitated by the dark caused the stars in the night sky to show up as lines\u2014visible measures of the time the shutter was open. How short that is compared to the millennia of the stone\u2019s existence.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q126084576"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.18", "images": {}, "alternate_images": [], "creditline": "Gift of Sharon & Del Zogg", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 540560, "creators": [{"id": 540558, "description": "Barbara Yoshida (American, b. 1945)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-02-26T05:00:00Z", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:59.510000"}, {"id": 674100, "accession_number": "2024.39", "share_license_status": "Copyrighted", "tombstone": "Self-Portrait/Cutting Contact Sheet, 2003, printed 2024. Catherine Opie (American, b. 1961). Pigment print; image: 50.8 x 40.6 cm (20 x 16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.39", "current_location": null, "title": "Self-Portrait/Cutting Contact Sheet", "creation_date": "2003, printed 2024", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 50.8 x 40.6 cm (20 x 16 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.406}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 5, 2 AP", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Opie is originally from Sandusky, Ohio.", "description": "<em>Self-Portrait/Cutting </em>is one of Opie\u2019s most iconic, and best known, works. Opie positions her back to the camera. Carved into it is a child-like picture showing two skirted stick figures holding hands, with a house and clouded sun behind them. Opie created the portrait after a failed relationship, her body literally marked with the pain and trauma she was feeling. The contrast between the idyllic, child-like drawing of domestic bliss and the method of its creation is intentionally exquisitely revealing and excruciating. Opie has included a series of four images in the format of a contact sheet, thus creating a conceptual window into her studio process.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q127274666"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.39", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674100, "creators": [{"id": 41917, "description": "Catherine Opie (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T04:00:00Z", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003, printed 2024", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:44.346000"}, {"id": 670802, "accession_number": "2024.4", "share_license_status": "Copyrighted", "tombstone": "Figure 1827, 2018. Gamaliel Rodriguez (Puerto Rican, b. 1977). Acrylic and ink on paper; sheet: 127 x 96.5 cm (50 x 38 in.). The Cleveland Museum of Art, Alma and Robert D. Milne Fund, 2024.4", "current_location": null, "title": "Figure 1827", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Puerto Rico"], "technique": "acrylic and ink on paper", "support_materials": [], "department": "Drawings", "collection": "DR - Misc. Countries", "type": "Drawing", "measurements": "Sheet: 127 x 96.5 cm (50 x 38 in.)", "dimensions": {"sheet": {"height": 1.27, "width": 0.965}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Nathalie Karg Gallery, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132024", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "February 26,2024\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Rodr\u00edguez often produces aerial views of artificial industrial, military, and civilian structures in Puerto Rico and US territories.", "description": "The artist\u2019s large-scale works on paper imagine landscapes inspired by his native Puerto Rico, which he describes as a mix of \u201cbeauty and chaos.\u201d \u202fOften, Rodr\u00edguez depicts abandoned structures overgrown with tropical plants. Devoid of a human presence, the overgrown buildings have a dystopic feel. Though the artist\u2019s subjects are fictitious, they are inspired by the accumulation of manufacturing projects in Puerto Rico established and ultimately abandoned by US companies lured by tax breaks and cheap labor in the mid-20th century.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q125360125"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.4", "images": {}, "alternate_images": [], "creditline": "Alma and Robert D. Milne Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 670802, "creators": [{"id": 670796, "description": "Gamaliel Rodriguez (Puerto Rican, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-02-26T05:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:53.587000"}, {"id": 674156, "accession_number": "2024.45", "share_license_status": "Copyrighted", "tombstone": "Metamorphoses, c. 2019. Anderson & Low. Portfolio of 10 salt prints, clamshell box, 6 printed text pages; overall: 5.1 x 39.4 x 33 cm (2 x 15 1/2 x 13 in.). The Cleveland Museum of Art, The Michael G. and C. Jane Wilson 2007 Trust, 2024.45. \u00a9 Anderson & Low", "current_location": null, "title": "Metamorphoses", "creation_date": "c. 2019", "creation_date_earliest": 2017, "creation_date_latest": 2024, "artists_tags": ["male"], "culture": ["America"], "technique": "Portfolio of 10 salt prints, clamshell box, 6 printed text pages", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Portfolio", "measurements": "Overall: 5.1 x 39.4 x 33 cm (2 x 15 1/2 x 13 in.)", "dimensions": {"overall": {"height": 0.051, "width": 0.394, "depth": 0.33}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "These 21st century images were inspired by photographs taken through a microscope by nineteenth-century British photographer Frederick Evans.", "description": "Evans\u2019s fascination with form and visionary translation of common natural objects resonated with Anderson &amp; Low. They decided to rework images from their <em>Chrysalis</em> series, in which they used digital technology to transform earlier analog architectural views into large-scale, exuberantly patterned, and colored abstract images. In contrast, the <em>Metamorphoses </em>are delicate monochromatic images\u2014intimately scaled salt prints, a complex printing process devised in the mid-1830s.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q127514770"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.45", "images": {}, "alternate_images": [], "creditline": "The Michael G. and C. Jane Wilson 2007 Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674156, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T04:00:00Z", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "c. 2019", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:50.289000"}, {"id": 674301, "accession_number": "2024.45.1", "share_license_status": "Copyrighted", "tombstone": "Metamorphoses: First title page, c. 2019. Anderson & Low. Text page. The Cleveland Museum of Art, The Michael G. and C. Jane Wilson 2007 Trust, 2024.45.1. \u00a9 Anderson & Low", "current_location": null, "title": "First title page", "series": "Metamorphoses", "creation_date": "c. 2019", "creation_date_earliest": 2017, "creation_date_latest": 2024, "artists_tags": ["male"], "culture": ["America"], "technique": "text page", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Print", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "These 21st century images were inspired by photographs taken through a microscope by nineteenth-century British photographer Frederick Evans.", "description": "Evans\u2019s fascination with form and visionary translation of common natural objects resonated with Anderson &amp; Low. They decided to rework images from their <em>Chrysalis</em> series, in which they used digital technology to transform earlier analog architectural views into large-scale, exuberantly patterned, and colored abstract images. In contrast, the <em>Metamorphoses </em>are delicate monochromatic images\u2014intimately scaled salt prints, a complex printing process devised in the mid-1830s.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.45.1", "images": {}, "alternate_images": [], "creditline": "The Michael G. and C. Jane Wilson 2007 Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674301, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "c. 2019", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.45", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:48.025000"}, {"id": 674295, "accession_number": "2024.45.10", "share_license_status": "Copyrighted", "tombstone": "Metamorphoses: Mandala Atrum, c. 2019. Anderson & Low. Salt print. The Cleveland Museum of Art, The Michael G. and C. Jane Wilson 2007 Trust, 2024.45.10. \u00a9 Anderson & Low", "current_location": null, "title": "Mandala Atrum", "series": "Metamorphoses", "creation_date": "c. 2019", "creation_date_earliest": 2017, "creation_date_latest": 2024, "artists_tags": ["male"], "culture": ["America"], "technique": "salt print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "These 21st century images were inspired by photographs taken through a microscope by nineteenth-century British photographer Frederick Evans.", "description": "Evans\u2019s fascination with form and visionary translation of common natural objects resonated with Anderson &amp; Low. They decided to rework images from their <em>Chrysalis</em> series, in which they used digital technology to transform earlier analog architectural views into large-scale, exuberantly patterned, and colored abstract images. In contrast, the <em>Metamorphoses </em>are delicate monochromatic images\u2014intimately scaled salt prints, a complex printing process devised in the mid-1830s.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.45.10", "images": {}, "alternate_images": [], "creditline": "The Michael G. and C. Jane Wilson 2007 Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674295, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "c. 2019", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.45", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:02.747000"}, {"id": 674296, "accession_number": "2024.45.11", "share_license_status": "Copyrighted", "tombstone": "Metamorphoses: Circus, c. 2019. Anderson & Low. Salt print. The Cleveland Museum of Art, The Michael G. and C. Jane Wilson 2007 Trust, 2024.45.11. \u00a9 Anderson & Low", "current_location": null, "title": "Circus", "series": "Metamorphoses", "creation_date": "c. 2019", "creation_date_earliest": 2017, "creation_date_latest": 2024, "artists_tags": ["male"], "culture": ["America"], "technique": "salt print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "These 21st century images were inspired by photographs taken through a microscope by nineteenth-century British photographer Frederick Evans.", "description": "Evans\u2019s fascination with form and visionary translation of common natural objects resonated with Anderson &amp; Low. 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Jane Wilson 2007 Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 674296, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-06-03T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "c. 2019", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.45", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:29.584000"}, {"id": 674297, "accession_number": "2024.45.12", "share_license_status": "Copyrighted", "tombstone": "Metamorphoses: Saltatio Animi, c. 2019. Anderson & Low. Salt print. The Cleveland Museum of Art, The Michael G. and C. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Amos Paul Kennedy, Jr. (American, b. 1948). Letterpress poster; image: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.84.9. \u00a9 Amos Paul Kennedy, Jr.", "current_location": null, "title": "Printing the Truth (How Trans is You?)", "creation_date": "2024", "creation_date_earliest": 2024, "creation_date_latest": 2024, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 22.9 x 30.5 cm (9 x 12 in.)", "dimensions": {"image": {"height": 0.229, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Amos Paul Kennedy, Jr.", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This series is one of several works in which Amos Kennedy Jr. has addressed the issue of trans rights, which he sees as being \u201cabout humanity.\u201d", "description": "Amos Kennedy Jr. is an American printmaker who is well-known for using letterpress technique to explore issues related to race and social justice. 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Laurie Simmons (American, 1949-). 10 digital color flexprints and mettex6 plated copper box. 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Stanley Whitney (American, 1946-), printed by Mette Ulstrup, Julie Dam, Thomas Jennions, published by BORCH Editions, Copenhagen. Open bite etching and sugar lift aquatint; plate: 49.5 x 62 cm (19 1/2 x 24 7/16 in.); sheet: 74 x 82.5 cm (29 1/8 x 32 1/2 in.). 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Cornelia Thomson (German, b. 1970). 8 color aquatints; sheet: 58.4 x 66 cm (23 x 26 in.); image: 38.1 x 45.7 cm (15 x 18 in.). The Cleveland Museum of Art, Gift of Nancy F. and Joseph P. 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Lynn Whitney (American, b. 1953). Gelatin silver print; image: 19.5 x 24.4 cm (7 11/16 x 9 5/8 in.); paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.). 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Didier William (Haitian American, b. 1983). Color relief from wood and polymer plates; sheet: 31.8 x 48.3 cm (12 1/2 x 19 in.). The Cleveland Museum of Art, Gift of the Print Club of New York, 2025.215. \u00a9 Didier William", "current_location": null, "title": "Vol", "creation_date": "2022", "creation_date_earliest": 2022, "creation_date_latest": 2022, "artists_tags": ["male"], "culture": ["Haiti"], "technique": "color relief from wood and polymer plates", "support_materials": [], "department": "Prints", "collection": "PR - Relief", "type": "Print", "measurements": "Sheet: 31.8 x 48.3 cm (12 1/2 x 19 in.)", "dimensions": {"sheet": {"height": 0.318, "width": 0.483}}, "state_of_the_work": "State I/I", "edition_of_the_work": "edition of 200", "copyright": "\u00a9 Didier William", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Print Club of New York, New York, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2022\u20132025", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 8, 2025\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Of his depictions of bodies\u2014such as the one seen in this print\u2014Didier William has commented, \u201cIt is interesting to think about imagining alternative states of being for anyone whose body has been criminalized, and not just in the context of the Caribbean, but for those of us who have tried to occupy bodies that have not been able to live freely in real time.\u201d", "description": "Contemporary Haitian American artist Didier William was born in Port-au-Prince and later moved to North Miami. Drawing from this experience, his work explores immigration and his cultural roots in Haiti. This print is titled for the word for \u201cflight\u201d in Krey\u00f2l, the official language of Haiti. It belongs to a body of work in which William depicted bodies in flight or suspended in air. Here, a contorted figure composed of overlapping, elongated eyes appears against a background that evokes both water and air. 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Cai Guo-Qiang (Chinese, b. 1957). Gunpowder, fuse, burned paper backed on wood panels; overall: 230 x 308 cm (90 9/16 x 121 1/4 in.). The Cleveland Museum of Art, Gift of Agnes Gund, 2006.134", "current_location": null, "title": "Pine Forest and Wolf", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China, 21st century"], "technique": "gunpowder, fuse, burned paper backed on wood panels", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Mixed Media", "measurements": "Overall: 230 x 308 cm (90 9/16 x 121 1/4 in.)", "dimensions": {"overall": {"height": 2.3, "width": 3.08}, "panel": {}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 222184, "title": "Cai Guo-Qiang: I Want to Believe", "description": "<i>Cai Guo-Qiang: I Want to Believe</i>. Solomon R. Guggenheim Museum, New York, NY (organizer) (February 22-May 28, 2008).", "opening_date": "2008-02-22T00:00:00"}, {"id": 318432, "title": "Cai Guo-Qiang: Cuyahoga River Lightning", "description": "<i>Cai Guo-Qiang: Cuyahoga River Lightning</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 25-September 22, 2019).", "opening_date": "2019-05-25T04:00:00"}], "legacy": [{"description": "<em>Main Gallery Rotation (Gallery 229)</em>. The Cleveland Museum of Art, Cleveland, OH (March 12, 2009-September 11, 2009).", "opening_date": "2009-03-12T00:00:00"}, {"description": "<em>Main Gallery Rotation (Gallery 224)</em>. The Cleveland Museum of Art, Cleveland, OH (March 21, 2014-October 27, 2014).", "opening_date": "2014-03-21T00:00:00"}]}, "provenance": [{"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2006-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The silhouette of a wolf is visible in a forest of pine trees. During the ignition, the cardboard stencil that defined the shape of the wolf slid out of place, leaving a blurred impression of the animal. The varying shades of black and brown are achieved by covering parts of the paper with stencils or gunpowder fuses that impact the oxidization process during the explosive event. In the spirit of traditional Chinese landscape paintings, this work presents nature in harmony with wildlife undisturbed by human interference.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79992386"], "internet_archive": []}, "citations": [{"citation": "Cai, Guo-qiang, Thomas Krens, and Alexandra Munroe. <em>Cai Guo-Qiang: I Want to Believe</em>. New York: Guggenheim Museum, 2008.", "page_number": "Reproduced: ex. cat. no. 17, pp. 126-127", "url": null}, {"citation": "Franklin, David and C. Griffith Mann. <em>Treasures from the Cleveland Museum of Art</em>. 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Suzette Bross (American, b. 1968). Archival inkjet print; image: 53.2 x 38 cm (20 15/16 x 14 15/16 in.); paper: 55.8 x 43.1 cm (21 15/16 x 16 15/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.26", "current_location": null, "title": "Brett", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["female"], "culture": ["America"], "technique": "Archival inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 53.2 x 38 cm (20 15/16 x 14 15/16 in.); Paper: 55.8 x 43.1 cm (21 15/16 x 16 15/16 in.)", "dimensions": {"image": {"height": 0.532, "width": 0.38}, "paper": {"height": 0.558, "width": 0.431}}, "state_of_the_work": null, "edition_of_the_work": "Edition 1/3", "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \u201cBrett\u201d\nWritten in pencil on recto: \u201cSuzette Bross (signed) 2016\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This portrait, made using a flatbed scanner as the camera, engages in a dialogue between contemporary technology and the early days of photography. The two-minute exposure time and shallow depth of field harken back to the limitations of the first photographic processes. Unlike the small-scale of historic images, Bross prints her image larger than life-size, enhancing the tension between the photograph\u2019s intimacy and its simultaneous sense of distance.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79871307"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.26", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 293468, "creators": [{"id": 293460, "description": "Suzette Bross (American, b. 1968)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-02-27T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:58.122000"}, {"id": 164292, "accession_number": "2005.38", "share_license_status": "Copyrighted", "tombstone": "Evidence of Things Seen: Untitled #102, 2001, printed 2004. Simen Johan (Norwegian, b. 1973). Chromogenic print; image: 112.7 x 112 cm (44 3/8 x 44 1/8 in.); paper: 119.8 x 126.9 cm (47 3/16 x 49 15/16 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2005.38. \u00a9 Simen Johan, Courtesy Yossi Milo Gallery, NYC", "current_location": null, "title": "Untitled #102", "series": "Evidence of Things Seen", "creation_date": "2001, printed 2004", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 112.7 x 112 cm (44 3/8 x 44 1/8 in.); Paper: 119.8 x 126.9 cm (47 3/16 x 49 15/16 in.)", "dimensions": {"image": {"height": 1.127, "width": 1.12}, "paper": {"height": 1.198, "width": 1.269}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Simen Johan, Courtesy Yossi Milo Gallery, NYC", "inscriptions": [], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 441481, "title": "Gallery One 2012", "description": "<i>Gallery One 2012</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).", "opening_date": "2012-12-12T05:00:00"}, {"id": 317308, "title": "Beyond Truth: Photography after the Shutter", "description": "<i>Beyond Truth: Photography after the Shutter</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2019).", "opening_date": "2019-02-10T05:00:00"}], "legacy": [{"description": "Gallery One rotation: April 21, 2015 - November 2, 2015.", "opening_date": "2015-04-21T00:00:00"}]}, "provenance": [{"description": "(Yossi Milo Gallery, New York, NY)", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "February 28, 2005", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Simen Johan's series <em>Evidence of Things Seen</em> depicts children who seem focused on ordinary play, yet something appears amiss. In this photograph, the eerie narrative in an urban setting was produced by digitally combining three separate negatives: two are from studio shoots, one of a blonde-haired girl whose body was replaced with a photograph of a similarly attired boy; the backdrop is from an outdoor shoot of a snowy cityscape. Describing the scene, the artist explains, \"The girl sees something magical and has a camera ready.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79991678"], "internet_archive": []}, "citations": [{"citation": "Snyder, Jill, Charles Venable, \"Cutting Edges, Past and Present\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 46 no. 01, January 2006", "page_number": "Mentioned & reproduced: p. 5", "url": "https://archive.org/details/CMAMM2006-01/page/4"}], "url": "https://clevelandart.org/art/2005.38", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164292, "creators": [{"id": 51190, "description": "Simen Johan (Norwegian, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": "Has lived in NYC since 1992", "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-02-28T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001, printed 2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:31.480000"}, {"id": 168466, "accession_number": "2010.225", "share_license_status": "Copyrighted", "tombstone": "Groton House, 2010. Storm Tharp (American, b. 1970). Ink, fabric dye and colored pencil; sheet: 147.3 x 108 cm (58 x 42 1/2 in.). The Cleveland Museum of Art, Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment, 2010.225", "current_location": null, "title": "Groton House", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["male"], "culture": ["America"], "technique": "ink, fabric dye and colored pencil", "support_materials": [{"description": "paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 147.3 x 108 cm (58 x 42 1/2 in.)", "dimensions": {"sheet": {"height": 1.473, "width": 1.08}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "in graphite, upper right: \"Mikus\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "in graphite, lower right: \"Groton House\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 231116, "title": "Storm Tharp: 20 Years", "description": "<i>Storm Tharp: 20 Years</i>. Herbert F. Johnson Museum of Art, Ithaca, NY (organizer) (January 19-April 7, 2013).", "opening_date": "2013-01-19T00:00:00"}], "legacy": [{"description": "<em>Hercules. </em>PDX Contemporary Art, Portland, OR (2010).", "opening_date": "2010-01-01T00:00:00"}, {"description": "Main Gallery Rotation (gallery 229): March 21, 2011 - June 27, 2011.", "opening_date": "2011-03-21T00:00:00"}, {"description": "Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (1/19/2013 - 4/7/2013): \"Storm Tharp: 20 Years\"", "opening_date": "2013-01-19T00:00:00"}]}, "provenance": [{"description": "Storm Tharp (the artist) [1970-]", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "(PDX Comtemporary Art, Portland, OR)", "citations": [], "footnotes": null, "date": "2010", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 7, 2010", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "More than an art of resemblance, portraiture for Tharp is an opportunity to tap into his own memories and fantasies. His artistic process combines the accidental with the intentional; the figure in Groton House was initiated with a few strokes of mineral ink that bled unpredictably on a damp sheet of paper, creating indistinct violet passages suggestive of pooling liquid visible in the figure\u2019s hair. Tharp then manipulated the image, adding a hyperrealist drawing of a woman shrouded by networks of fine pencil lines and painted in ink with a wide brush. The figure in Groton House seems to emerge as if from behind a scrim, shape-shifting before the viewer and cohering to Tharp\u2019s symbolic world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074387"], "internet_archive": []}, "citations": [{"citation": "Herbert F. Johnson Museum of Art, and Bibliowicz Family Gallery. <em>Storm Tharp: Third Person.</em> Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2022.", "page_number": "Reproduced: p. 60-61", "url": ""}], "url": "https://clevelandart.org/art/2010.225", "images": {}, "alternate_images": [], "creditline": "Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168466, "creators": [{"id": 60205, "description": "Storm Tharp (American, b. 1970)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1970", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:12.473000"}, {"id": 169556, "accession_number": "2011.38", "share_license_status": "Copyrighted", "tombstone": "War Series: Black Heads, 2010. Dexter Davis (American, b. 1965). Collage of prints (woodcut, etching and aquatint, stencil, and Xerox), charcoal, marker, crayon, pastel, gesso, paint, and found objects ; sheet: 126.5 x 96.6 cm (49 13/16 x 38 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 2011.38. \u00a9 Dexter Davis", "current_location": null, "title": "Black Heads", "series": "War Series", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["Black American Artists", "male"], "culture": ["America, Ohio, Cleveland"], "technique": "collage of prints (woodcut, etching and aquatint, stencil, and Xerox), charcoal, marker, crayon, pastel, gesso, paint, and found objects ", "support_materials": [{"description": "heavy weight machine-made Lennox paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 126.5 x 96.6 cm (49 13/16 x 38 1/16 in.)", "dimensions": {"sheet": {"height": 1.265, "width": 0.966}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Dexter Davis", "inscriptions": [{"inscription": "Inscribed verso, lower right, in graphite: Dexter Davis 010 / BLACK HEADS", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Main Gallery Rotation (Gallery 229): October 2011 - February 3, 2012.", "opening_date": "2012-02-03T00:00:00"}, {"description": "Main Gallery Rotation (Gallery 228): July 11, 2012- February 25, 2013.", "opening_date": "2012-07-11T00:00:00"}, {"description": "<em>Our Stories: African American Prints and Drawings. </em>The Cleveland Museum of Art, Cleveland, OH (January 26\u2013May 18, 2014).", "opening_date": "2014-01-26T00:00:00"}]}, "provenance": [{"description": "Dexter Davis (the artist) [1965\u2013], Cleveland, OH", "citations": [], "footnotes": null, "date": "2010", "sortorder": 1}, {"description": "(William Busta Gallery, Cleveland, OH), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2010\u201311", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2011\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Black Heads depicts a monster whose one eye is a target. Embryos float above a row of sharp teeth, their innate innocence corrupted by the gun inside of each. Incorporated into the top of the collage is a portion of Icarus, a print by H. Carroll Cassill, Davis\u2019s printmaking instructor at the Cleveland Institute of Art. It was salvaged from a fire that destroyed almost all of Davis\u2019s work and possessions. In Greek mythology Daedalus fashioned wings from feathers and wax for his son, Icarus, warning him not to fly too close to the sun. Icarus ignored his father\u2019s advice and fell to his death as the wax melted. \"The symbolism of the story and its parallel with my own life was scary,\" Davis said. \"But I am still trying to reach the heavens.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077015"], "internet_archive": []}, "citations": [{"citation": "Benay, Erin. \"Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest.\" <em>Panorama: Journal of the Association of Historians of American Art </em>10, no. 1 (Spring 2024).", "page_number": "Mentioned and reproduced: fig. 20", "url": "https://journalpanorama.org/article/peripheral-prints/"}, {"citation": "Benay, Erin. \"From Prints to Power: Karamu House and the Black Art Market in Cleveland, 1960-1980.\" In <em>Karamu Artists Inc.: Printmaking, Race, and Community, </em>Britany Salsbury and Erin Benay, 102-117. Cleveland, OH: Cleveland Museum of Art, 2025.", "page_number": "Mentioned and reproduced: p. 114, fig. 42", "url": ""}], "url": "https://clevelandart.org/art/2011.38", "images": {}, "alternate_images": [], "creditline": "Dudley P. Allen Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169556, "creators": [{"id": 57783, "description": "Dexter Davis (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-06-06T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:12.722000"}, {"id": 162501, "accession_number": "2003.15.1", "share_license_status": "Copyrighted", "tombstone": "Suit Shopping: An Engraved Narrative: Scenes 1 and 2, 2000\u20132002. Andrew Raftery (American, b. 1962). One sheet of paper printed with scenes 1 and 2; engraving from four plates on four sheets of paper (three joined); paper folder; sheet: 49.4 x 61.7 cm (19 7/16 x 24 5/16 in.); platemark: 37.8 x 52.8 cm (14 7/8 x 20 13/16 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15.1. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative: Scenes 1 and 2", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "one sheet of paper printed with scenes 1 and 2; engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [{"description": "Ruscombe Mills Queen Anne Pale laid paper", "watermarks": []}], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Sheet: 49.4 x 61.7 cm (19 7/16 x 24 5/16 in.); Platemark: 37.8 x 52.8 cm (14 7/8 x 20 13/16 in.)", "dimensions": {"sheet": {"height": 0.494, "width": 0.617}, "platemark": {"height": 0.378, "width": 0.528}}, "state_of_the_work": null, "edition_of_the_work": "30 + 10 AP", "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}, {"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans- the ordinary events of modern life-often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes.\r\nEngraving is exacting and difficult, so few artists today choose this printmaking method. Raftery, however, has mastered the art of cutting grooves into a copper plate. Since paper currency is printed from metal plates engraved in the same way, he likes the implied connection between the technique and monetary power and authority.\r\n", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986972"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.15.1", "images": {}, "alternate_images": [], "creditline": "Gift of friends in memory of Ann Bassett and Tom Johnson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162501, "creators": [{"id": 42701, "description": "Andrew Raftery (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000\u20132002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2003.15", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Suit Shopping: An Engraved Narrative"], "is_highlight": false, "updated_at": "2026-03-27 00:10:08.961000"}, {"id": 162503, "accession_number": "2003.15.2.a", "share_license_status": "Copyrighted", "tombstone": "Suit Shopping: An Engraved Narrative: Scene 3, 2000\u20132002. Andrew Raftery (American, b. 1962). One of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder; image: 33 x 20.2 cm (13 x 7 15/16 in.); platemark: 37.8 x 23.3 cm (14 7/8 x 9 3/16 in.); sheet: 49.4 x 48.7 cm (19 7/16 x 19 3/16 in.); matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15.2.a. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative: Scene 3", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "one of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Image: 33 x 20.2 cm (13 x 7 15/16 in.); Platemark: 37.8 x 23.3 cm (14 7/8 x 9 3/16 in.); Sheet: 49.4 x 48.7 cm (19 7/16 x 19 3/16 in.); Matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.)", "dimensions": {"sheet": {"height": 0.494, "width": 0.487}, "platemark": {"height": 0.378, "width": 0.233}, "image": {"height": 0.33, "width": 0.202}, "matted": {"height": 0.537, "width": 1.11, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}, {"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans- the ordinary events of modern life-often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes. 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Andrew Raftery (American, b. 1962). One of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder; image: 33.2 x 45.6 cm (13 1/16 x 17 15/16 in.); platemark: 37.9 x 46.4 cm (14 15/16 x 18 1/4 in.); sheet: 49.7 x 47.9 cm (19 9/16 x 18 7/8 in.); matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15.2.b. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative: Scene 4", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "one of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Image: 33.2 x 45.6 cm (13 1/16 x 17 15/16 in.); Platemark: 37.9 x 46.4 cm (14 15/16 x 18 1/4 in.); Sheet: 49.7 x 47.9 cm (19 9/16 x 18 7/8 in.); Matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.)", "dimensions": {"sheet": {"height": 0.497, "width": 0.479}, "platemark": {"height": 0.379, "width": 0.464}, "image": {"height": 0.332, "width": 0.456}, "matted": {"height": 0.537, "width": 1.11, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}, {"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans- the ordinary events of modern life-often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes. Engraving is exacting and difficult, so few artists today choose this printmaking method. Raftery, however, has mastered the art of cutting grooves into a copper plate. 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Andrew Raftery (American, b. 1962). One of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder; image: 33.3 x 20.3 cm (13 1/8 x 8 in.); platemark: 37.8 x 22.9 cm (14 7/8 x 9 in.); sheet: 49.2 x 29.8 cm (19 3/8 x 11 3/4 in.); matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15.2.c. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative: Scene 5", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "one of three printed scenes on three sheets of paper joined by tape; a engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Image: 33.3 x 20.3 cm (13 1/8 x 8 in.); Platemark: 37.8 x 22.9 cm (14 7/8 x 9 in.); Sheet: 49.2 x 29.8 cm (19 3/8 x 11 3/4 in.); Matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.)", "dimensions": {"sheet": {"height": 0.492, "width": 0.298}, "platemark": {"height": 0.378, "width": 0.229}, "image": {"height": 0.333, "width": 0.203}, "matted": {"height": 0.537, "width": 1.11, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}, {"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans- the ordinary events of modern life-often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes. Engraving is exacting and difficult, so few artists today choose this printmaking method. Raftery, however, has mastered the art of cutting grooves into a copper plate. Since paper currency is printed from metal plates engraved in the same way, he likes the implied connection between the technique and monetary power and authority.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986983"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.15.2.c", "images": {}, "alternate_images": [], "creditline": "Gift of friends in memory of Ann Bassett and Tom Johnson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162505, "creators": [{"id": 42701, "description": "Andrew Raftery (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000\u20132002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2003.15", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Suit Shopping: An Engraved Narrative"], "is_highlight": false, "updated_at": "2026-03-27 00:10:27.371000"}, {"id": 541308, "accession_number": "2012.51.b", "share_license_status": "Copyrighted", "tombstone": "Blow, 2009. Tabaimo (Japanese, b. 1975). Four-channel video installation on semicircular ramp with sound. The Cleveland Museum of Art, Dorothea Wright Hamilton Fund, 2012.51.b. \u00a9 Tabaimo", "current_location": null, "title": "Blow", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["female"], "culture": ["Japan"], "technique": "four-channel video installation on semicircular ramp with sound", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Tabaimo", "inscriptions": [], "exhibitions": {"current": [{"id": 539931, "title": "Tabaimo: Blow", "description": "<i>Tabaimo: Blow</i>. Transformer Station, Cleveland, OH (July 14-December 16, 2023).", "opening_date": "2023-07-14T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Tabaimo is actually a nickname, a convergence of the characters for the artist's family name, Tabata, and the word <em>imoto</em>, which means younger sister.", "description": "Fusing traditional Japanese art forms with contemporary digital animation, <em>Blow</em>, by the pioneering Japanese artist Tabaimo, is a four-channel, immersive video installation that blurs lines between fantasy and reality. Although the artist's mother, Shion Tabata, is a well-known ceramist, Tabaimo\u2019s decision to attend art school was not based on family tradition. She specialized in graphic design at Kyoto University of Art and Design, where she stumbled upon the expressive potential of animation. \u201cI just applied all the techniques that interested me\u20143-D computer imaging, printmaking, drawing, photography,\u201d she explains. The open-ended, fragmentary nature of her work is intentional, as the artist often draws from personal experiences and emotions; however, she says, \u201cI leave fifty percent up to the viewer. The core of my work is something to be thought through, experienced.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.51.b", "images": {}, "alternate_images": [], "creditline": "Dorothea Wright Hamilton Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 541308, "creators": [{"id": 62564, "description": "Tabaimo (Japanese, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-09-04T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2012.51", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:13.402000"}, {"id": 454226, "accession_number": "2022.310", "share_license_status": "Copyrighted", "tombstone": "Mother's Day at the Rivanna River, Charlottesville, Virginia, 2018. Matt Eich (American, b. 1986). Archival pigment print; unframed: 95.3 x 127 cm (37 1/2 x 50 in.). The Cleveland Museum of Art, Gift of the Artist and jdc Fine Art, 2022.310. \u00a9 Matt Eich 2022", "current_location": null, "title": "Mother's Day at the Rivanna River, Charlottesville, Virginia", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": [], "culture": ["United States"], "technique": "Archival pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Unframed: 95.3 x 127 cm (37 1/2 x 50 in.)", "dimensions": {"unframed": {"height": 0.953, "width": 1.27}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Matt Eich 2022", "inscriptions": [], "exhibitions": {"current": [{"id": 453010, "title": "Matt Eich and Tyler Mitchell: Sunlight, Shadow, and A Rainbow", "description": "<i>Matt Eich and Tyler Mitchell: Sunlight, Shadow, and A Rainbow</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 3-November 6, 2022).", "opening_date": "2022-07-16T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The woman precariously walking out to the river on the fallen tree is the artist\u2019s wife.", "description": "In this intimate, poetic glimpse of the daily lives of his family and friends, Matt Eich uses lighting, color, and point of view to transform a mundane occurrence and setting into a magical moment. He encourages us to delight in the senses and enjoy the engaging mystery of exploration and discovery. Beware of the photograph\u2019s beauty. Joy is present, but even in moments of bright sunlight, equilibrium is fragile.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117423949"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2022.310", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist and jdc Fine Art", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 454226, "creators": [{"id": 454214, "description": "Matt Eich (American, b. 1986)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-12-05T05:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:08.112000"}, {"id": 663670, "accession_number": "2024.134", "share_license_status": "Copyrighted", "tombstone": "Christmas Solar Eclipse in My Father's Hands, Sanibel, 2000, printed 2023. Barbara Bosworth (American, b. 1953). Gelatin silver print; sheet: 50.8 x 40.6 cm (20 x 16 in.); frame: 61 x 50.8 cm (24 x 20 in.). The Cleveland Museum of Art, Purchased with funds donated by Mark Schwartz + Bettina Katz, 2024.134. \u00a9 Barbara Bosworth", "current_location": null, "title": "Christmas Solar Eclipse in My Father's Hands, Sanibel", "creation_date": "2000, printed 2023", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["female"], "culture": ["America"], "technique": "Gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Sheet: 50.8 x 40.6 cm (20 x 16 in.); Frame: 61 x 50.8 cm (24 x 20 in.)", "dimensions": {"sheet": {"height": 0.508, "width": 0.406}, "frame": {"height": 0.61, "width": 0.508}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Barbara Bosworth", "inscriptions": [], "exhibitions": {"current": [{"id": 663666, "title": "Barbara Bosworth: Sun Light Moon Shadow", "description": "<i>Barbara Bosworth: Sun Light Moon Shadow</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 25-June 30, 2024).", "opening_date": "2024-02-25T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The final eclipse of the second millennium CE\u2014a partial solar eclipse\u2014took place on Christmas Day 2000.", "description": "Barbara Bosworth was visiting her parents in Sanibel, Florida during that eclipse. To make this photograph, the artist punched pinholes in a large cardboard sheet and held it between the sun and her father. During the eclipse, the pinholes projected images of the sun onto his hands, with part of its circle covered by the moon.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.134", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Mark Schwartz + Bettina Katz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 663670, "creators": [{"id": 10327, "description": "Barbara Bosworth (American, b. 1953)", "extent": null, "qualifier": null, "role": null, "biography": "Barbara Bosworth American, 1953- Barbara Bosworth explores the landscape with her camera in order to understand how we interact with nature's more untamed elements. Working in both color and black and white, she captures outdoor human activities, from swimming and sightseeing to hunting and building. Her distanced eye reveals the harmony and the irony of people and their surroundings. In her series on the sacred burial mounds of the Adena and Hopewell Indians in Ohio, exhibited in a one-person show at the Cleveland Museum of Art (1988), Bosworth expresses both concern and reverence for this ancient religious site, now threatened by the sprawl of an industrial park. Her photographs of National Champion Trees-the largest of each American species-reflect a similar interest. An ongoing series about modern-day hunters, for which Bosworth received a fellowship from the John Simon Guggenheim Memorial Foundation (1995), extends her investigations of primal interaction between man, animal, and woods. The black-and-white images are dense with personal and archetypal metaphors that address the continual cycles of life, death, and renewal. Born in Cleveland, Bosworth received a B.S. in accounting from Bowling Green State University (1973) and an M.F.A. in photography from the Rochester Institute of Technology (1983). Awards include a Polaroid Materials Grant (1985-89) and fellowships from the Friends of Photography (1985), the Bernheim Foundation (1986), and the New England Foundation for the Arts (1993). She has taught at Colorado College (1990-93) and the Massachusetts College of Art (since 1984). Bosworth lives in Carlisle, Massachusetts. A.W.", "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000, printed 2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:15.748000"}, {"id": 663696, "accession_number": "2024.135", "share_license_status": "Copyrighted", "tombstone": "Light of the Lunar Eclipse, 2007, printed 2023. Barbara Bosworth (American, b. 1953). Inkjet print; sheet: 142.2 x 177.8 cm (56 x 70 in.); frame: 145.4 x 181.9 x 5.2 cm (57 1/4 x 71 5/8 x 2 1/16 in.). The Cleveland Museum of Art, Purchased with funds donated by Mark Schwartz + Bettina Katz, 2024.135. \u00a9 Barbara Bosworth", "current_location": null, "title": "Light of the Lunar Eclipse", "creation_date": "2007, printed 2023", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["America"], "technique": "Inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Sheet: 142.2 x 177.8 cm (56 x 70 in.); Frame: 145.4 x 181.9 x 5.2 cm (57 1/4 x 71 5/8 x 2 1/16 in.)", "dimensions": {"sheet": {"height": 1.422, "width": 1.778}, "frame": {"height": 1.454, "width": 1.819, "depth": 0.052}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Barbara Bosworth", "inscriptions": [], "exhibitions": {"current": [{"id": 663666, "title": "Barbara Bosworth: Sun Light Moon Shadow", "description": "<i>Barbara Bosworth: Sun Light Moon Shadow</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 25-June 30, 2024).", "opening_date": "2024-02-25T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Lunar eclipses occur two to three times a year.", "description": "A lunar eclipse happens when there is a full moon, and the earth is positioned precisely between the moon and the sun. The earth\u2019s shadow falls on the moon, temporarily obscuring it from view. Having seen many lunar eclipses, Bosworth knew that during some lunar eclipses, the sky glows orange yellow. She was able to capture that moment in this photograph.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.135", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Mark Schwartz + Bettina Katz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 663696, "creators": [{"id": 10327, "description": "Barbara Bosworth (American, b. 1953)", "extent": null, "qualifier": null, "role": "artist", "biography": "Barbara Bosworth American, 1953- Barbara Bosworth explores the landscape with her camera in order to understand how we interact with nature's more untamed elements. Working in both color and black and white, she captures outdoor human activities, from swimming and sightseeing to hunting and building. Her distanced eye reveals the harmony and the irony of people and their surroundings. 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Awards include a Polaroid Materials Grant (1985-89) and fellowships from the Friends of Photography (1985), the Bernheim Foundation (1986), and the New England Foundation for the Arts (1993). She has taught at Colorado College (1990-93) and the Massachusetts College of Art (since 1984). Bosworth lives in Carlisle, Massachusetts. A.W.", "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007, printed 2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:58.949000"}, {"id": 663754, "accession_number": "2024.76", "share_license_status": "Copyrighted", "tombstone": "Moon Setting into Fog Bank over Cape Cod Bay, Morning of the Total Lunar Eclipse, 2007, printed 2023. Barbara Bosworth (American, b. 1953). Inkjet print; sheet: 142.2 x 177.8 cm (56 x 70 in.); frame: 145.4 x 181.9 x 5.2 cm (57 1/4 x 71 5/8 x 2 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2024.76. \u00a9 Barbara Bosworth", "current_location": null, "title": "Moon Setting into Fog Bank over Cape Cod Bay, Morning of the Total Lunar Eclipse", "creation_date": "2007, printed 2023", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["America"], "technique": "Inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Sheet: 142.2 x 177.8 cm (56 x 70 in.); Frame: 145.4 x 181.9 x 5.2 cm (57 1/4 x 71 5/8 x 2 1/16 in.)", "dimensions": {"sheet": {"height": 1.422, "width": 1.778}, "frame": {"height": 1.454, "width": 1.819, "depth": 0.052}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Barbara Bosworth", "inscriptions": [], "exhibitions": {"current": [{"id": 663666, "title": "Barbara Bosworth: Sun Light Moon Shadow", "description": "<i>Barbara Bosworth: Sun Light Moon Shadow</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 25-June 30, 2024).", "opening_date": "2024-02-25T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This photographic exposure lasted around 90 minutes and required careful timing.", "description": "Barbara Bosworth focused on the moon as it was setting and moving through the shadow phases of a total lunar eclipse. The shadow of the eclipse started at 4:50 a.m.; total eclipse began at 5:52 a.m.; and sunrise occurred at 6:05 a.m. Bosworth had to close the camera\u2019s shutter before the sun\u2019s brightness washed out the image.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.76", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 663754, "creators": [{"id": 10327, "description": "Barbara Bosworth (American, b. 1953)", "extent": null, "qualifier": null, "role": null, "biography": "Barbara Bosworth American, 1953- Barbara Bosworth explores the landscape with her camera in order to understand how we interact with nature's more untamed elements. Working in both color and black and white, she captures outdoor human activities, from swimming and sightseeing to hunting and building. Her distanced eye reveals the harmony and the irony of people and their surroundings. In her series on the sacred burial mounds of the Adena and Hopewell Indians in Ohio, exhibited in a one-person show at the Cleveland Museum of Art (1988), Bosworth expresses both concern and reverence for this ancient religious site, now threatened by the sprawl of an industrial park. Her photographs of National Champion Trees-the largest of each American species-reflect a similar interest. An ongoing series about modern-day hunters, for which Bosworth received a fellowship from the John Simon Guggenheim Memorial Foundation (1995), extends her investigations of primal interaction between man, animal, and woods. The black-and-white images are dense with personal and archetypal metaphors that address the continual cycles of life, death, and renewal. Born in Cleveland, Bosworth received a B.S. in accounting from Bowling Green State University (1973) and an M.F.A. in photography from the Rochester Institute of Technology (1983). Awards include a Polaroid Materials Grant (1985-89) and fellowships from the Friends of Photography (1985), the Bernheim Foundation (1986), and the New England Foundation for the Arts (1993). She has taught at Colorado College (1990-93) and the Massachusetts College of Art (since 1984). Bosworth lives in Carlisle, Massachusetts. A.W.", "name_in_original_language": null, "birth_year": "1953", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007, printed 2023", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:28.609000"}, {"id": 695894, "accession_number": "2025.156", "share_license_status": "Copyrighted", "tombstone": "Sh\u014dtoku Taishi at Sixteen, 2025. Takashi Murakami. Acrylic on canvas mounted on aluminum frame; 121.8 x 57.5 cm (47 15/16 x 22 5/8 in.). The Cleveland Museum of Art, Gift of Takashi Murakami/Kaikai Kiki Co., Ltd., 2025.156. \u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "current_location": null, "title": "Sh\u014dtoku Taishi at Sixteen", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan"], "technique": "acrylic on canvas mounted on aluminum frame", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "121.8 x 57.5 cm (47 15/16 x 22 5/8 in.)", "dimensions": {"No Extent Specified": {"height": 1.218, "width": 0.575}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 671920, "title": "Takashi Murakami: Stepping on the Tail of a Rainbow", "description": "<i>Takashi Murakami: Stepping on the Tail of a Rainbow</i>. The Cleveland Museum of Art, Cleveland, OH (May 16-September 7, 2025).", "opening_date": "2025-05-16T04:00:00"}], "legacy": []}, "provenance": [{"description": "Takashi Murakami", "citations": [], "footnotes": null, "date": "2025", "sortorder": 1}, {"description": "Takashi Murakami, Japan, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2025", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, Oh", "citations": [], "footnotes": null, "date": "2025", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Takashi Murakami also recreated a sculpture of Sh\u014dtoku at age two in the CMA\u2019s collection.", "description": "At the Cleveland Museum of Art, the exhibition <em>Takashi Murakami: Stepping on the Tail of a Rainbow</em> (2025) began with the artist\u2019s recreation of the Yumedono, or Dream Hall, from the H\u014dry\u016bji Temple complex near Nara, Japan. The Yumedono is thought to reside in the location of the home of Prince Sh\u014dtoku Taishi (c. 573\u2013c. 622), who played a significant role in introducing Buddhism to Japan. When Murakami discovered a painting of Sh\u014dtoku at age 16 in the CMA\u2019s Japanese collection, the artist decided to recreate it in the form of this homage work.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.156", "images": {}, "alternate_images": [], "creditline": "Gift of Takashi Murakami/Kaikai Kiki Co., Ltd.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 695894, "creators": [{"id": 65167, "description": "Takashi Murakami", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:11.075000"}, {"id": 694690, "accession_number": "2025.157", "share_license_status": "Copyrighted", "tombstone": "Surya, the Sun God, 2025. Takashi Murakami. Photopolymer resin, surface primer, lacquer paint, gold leaf, platinum leaf; 50.3 x 14.9 x 10.2 cm (19 13/16 x 5 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Takashi Murakami/Kaikai Kiki Co., Ltd., 2025.157. \u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "current_location": null, "title": "Surya, the Sun God", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["Asian (from 1900 to present)", "male"], "culture": ["Japan"], "technique": "Photopolymer resin, surface primer, lacquer paint, gold leaf, platinum leaf", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "50.3 x 14.9 x 10.2 cm (19 13/16 x 5 7/8 x 4 in.)", "dimensions": {"No Extent Specified": {"height": 0.503, "width": 0.149, "depth": 0.102}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 671920, "title": "Takashi Murakami: Stepping on the Tail of a Rainbow", "description": "<i>Takashi Murakami: Stepping on the Tail of a Rainbow</i>. The Cleveland Museum of Art, Cleveland, OH (May 16-September 7, 2025).", "opening_date": "2025-05-16T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Takashi Murakami perceives a striking resemblance between the original <em>Surya, the Sun God</em> and the title character in the 1970s Japanese television series <em>Ultraman</em>.", "description": "When contemporary artist Takashi Murakami discovered that the Cleveland Museum of Art holds many historic works by artists who have long inspired him, he decided to create a series of \u201chomages,\u201d by recreating new iterations of the original artworks. <em>Surya, the Sun God </em>(2025) is one of those works. In particular it celebrates the exchanges between Japan and India as reflected in art and popular culture alike.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.157", "images": {}, "alternate_images": [], "creditline": "Gift of Takashi Murakami/Kaikai Kiki Co., Ltd.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 694690, "creators": [{"id": 65167, "description": "Takashi Murakami", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-04 11:57:51.834000"}, {"id": 163859, "accession_number": "2005.257", "share_license_status": "Copyrighted", "tombstone": "Public Grain, 2004. Yun-Fei Ji (Chinese, b. 1963), published by Harlan & Weaver. Color etching and aquatint; platemark: 71 x 62 cm (27 15/16 x 24 7/16 in.); sheet: 92.5 x 72.6 cm (36 7/16 x 28 9/16 in.). The Cleveland Museum of Art, Gift of Judith and James A. Saks, 2005.257", "current_location": null, "title": "Public Grain", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China, 21th Century"], "technique": "color etching and aquatint", "support_materials": [{"description": "chine coll\u00e9 on wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 71 x 62 cm (27 15/16 x 24 7/16 in.); Sheet: 92.5 x 72.6 cm (36 7/16 x 28 9/16 in.)", "dimensions": {"sheet": {"height": 0.925, "width": 0.726}, "platemark": {"height": 0.71, "width": 0.62}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "lower margin, in graphite: 22/35; Yun-Fei Ji; 04", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203084, "title": "Ji Yun-Fei: Last Days of Village Wen", "description": "<i>Ji Yun-Fei: Last Days of Village Wen</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-July 31, 2016).", "opening_date": "2016-02-12T00:00:00"}, {"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (February 12, 2016 - July 31, 2016); \u201cJi Yunfei: Last Days of Village Wen\u201d", "opening_date": "2016-02-12T00:00:00"}]}, "provenance": [{"description": "Judith and James A. Saks, Cleveland, OH, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "?-2005", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2005-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Chinese-born, New York-based artist Yun-Fei Ji works in the style and format of classical Chinese landscape painting, combining it with contemporary references. Here villagers have gathered large baskets of grain, but foreboding images, such as skeletons or ghosts wearing headdresses at left, and strange hybrid creatures at right, imply imbalance in the world. The artist\u2019s memories from his childhood in Maoist China surface in the form of a portrait of the communist leader, and a red banner, signifying communist propaganda of the Cultural Revolution (1966\u20131976). During that time, the government transformed the agrarian economy through wide-scale industrialization, displacing farm communities into <br>collectives for the production of steel.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79990600"], "internet_archive": []}, "citations": [{"citation": "Chung, Anita. \"Last Days of Village Wen: Tensions and contradictions abound in the work of contemporary artist Ji Yun-Fei.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 1 (January/February 2016): 9-11.", "page_number": "Reproduced: p. 11; Mentioned: p. 10", "url": "https://archive.org/details/CMAMM2016-01/page/10/mode/2up"}], "url": "https://clevelandart.org/art/2005.257", "images": {}, "alternate_images": [], "creditline": "Gift of Judith and James A. Saks", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163859, "creators": [{"id": 52976, "description": "Yun-Fei Ji (Chinese, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u5b63\u4e91\u98de", "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 68210, "description": "Harlan & Weaver", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2005-12-05T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "22", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:52.042000"}, {"id": 171589, "accession_number": "2014.374", "share_license_status": "Copyrighted", "tombstone": "Ajyal (Generations), 2012. Maitha Demithan (Emirati, b. 1989). Inkjet print, made from scans processed through Photoshop; sheet: 120 x 101 cm (47 1/4 x 39 3/4 in.); framed: 119.4 x 137.8 x 5.8 cm (47 x 54 1/4 x 2 5/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2014.374", "current_location": null, "title": "Ajyal (Generations)", "creation_date": "2012", "creation_date_earliest": 2012, "creation_date_latest": 2012, "artists_tags": ["female"], "culture": ["United Arab Emirates, 21st century"], "technique": "Inkjet print, made from scans processed through Photoshop", "support_materials": [], "department": "Photography", "collection": "Photography", "type": "Photograph", "measurements": "Sheet: 120 x 101 cm (47 1/4 x 39 3/4 in.); Framed: 119.4 x 137.8 x 5.8 cm (47 x 54 1/4 x 2 5/16 in.)", "dimensions": {"sheet": {"height": 1.2, "width": 1.01}, "framed": {"height": 1.194, "width": 1.378, "depth": 0.058}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in white crayon on recto: \"3/3 (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 381078, "title": "Islamic art rotation", "description": "<i>Islamic art rotation</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 18, 2014-December 14, 2015).", "opening_date": "2014-12-18T05:00:00"}, {"id": 317308, "title": "Beyond Truth: Photography after the Shutter", "description": "<i>Beyond Truth: Photography after the Shutter</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2019).", "opening_date": "2019-02-10T05:00:00"}], "legacy": [{"description": "Houston Center for Photography, March 14, 2014 - May 4, 2014.", "opening_date": "2014-03-14T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In this portrait, Demithan\u2019s brother supports a tethered and hooded falcon while holding in his other hand the falcon\u2019s food, a quail, behind their father\u2019s outstretched arm, a metaphor for male elders passing their heritage to future generations. The black background and surreal presence of multiple limbs contribute to the photograph\u2019s formal grandeur and symbolic significance. Symbols of Emirati culture and the most treasured birds of prey, falcons acquired aristocratic status by the medieval Islamic era, fuelled by increased pageantry, professional trainers, and the availability of exotic birds. Falconry probably originated in Central Asia or Iran at least 4,000 years ago.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80082216"], "internet_archive": []}, "citations": [{"citation": "Tannenbaum, Barbara. \u201cAcquisition Highlights 2014: Photography.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 2 (March/April 2015): 23.", "page_number": "Reproduced and Mentioned: p. 23", "url": "https://archive.org/details/CMAMM2015-02"}], "url": "https://clevelandart.org/art/2014.374", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171589, "creators": [{"id": 65008, "description": "Maitha Demithan (Emirati, b. 1989)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1989", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2014-08-19T00:00:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:02.074000"}, {"id": 312725, "accession_number": "2018.29", "share_license_status": "Copyrighted", "tombstone": "The Intermediate--Naturalized Klangkoerper, 2016. Haegue Yang (Korean, b. 1971). Artificial straw, steel stand, powder coating, artificial plants, artificial fruits, artificial vegetables, plastic twine, Indian bells, fringes, casters; overall: 180 x 150 x 100 cm (70 7/8 x 59 1/16 x 39 3/8 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2018.29", "current_location": null, "title": "The Intermediate--Naturalized Klangkoerper", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2016, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["Korea"], "technique": "Artificial straw, steel stand, powder coating, artificial plants, artificial fruits, artificial vegetables, plastic twine, Indian bells, fringes, casters", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 180 x 150 x 100 cm (70 7/8 x 59 1/16 x 39 3/8 in.)", "dimensions": {"overall": {"height": 1.8, "width": 1.5, "depth": 1.0}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist", "citations": [], "footnotes": [], "date": "2016\u2013?", "sortorder": 1}, {"description": "(Greene Naftali Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132018", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 5, 2018\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "<em>The Intermediate \u2013 Naturalized Klangkoerper</em> uses contemporary mass-produced materials\u2014in the \u201creadymade\u201d tradition of modernist art\u2014to conjure folklore and history from the artist\u2019s native South Korea. Its anthropomorphic straw form is suggestive of Korean straw dolls popular in folklore rituals, and the bells integrated throughout the work evoke Korean shaman rituals in which the shaman, almost exclusively women in the Joseon dynasty (1392-1910), would ring bronze bells to communicate with the spiritual world.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873809"], "internet_archive": []}, "citations": [{"citation": "Smith, Roberta. \u201cHaegue Yang.\u201d <em>The New York Times</em>. April 1, 2016: C21", "page_number": null, "url": null}, {"citation": "Lemos, Sofia. \u201cHaegue Yang\u2019s \u2018Quasi-ESP.\u2019\u201d <em>Art Agenda </em>(December 1, 1997).", "page_number": null, "url": null}, {"citation": "Vergara, Leire. \"Haegue Yang: Untimely Histories.\" <em>Afterall</em> Autumn/Winter 2013.", "page_number": "P. 101-107", "url": null}, {"citation": "Voon, Claire. \u201cAt the Montreal Biennial, Lessons in How to Look.\u201d <em>Hyperallergic</em> (November 7, 2016).", "page_number": null, "url": "https://hyperallergic.com/332278/at-the-montreal-biennial-lessons-in-how-to-look/"}, {"citation": "Dziewior, Yilmaz, ed. <em>Haegue Yang: ETA 1994-2018</em>. exh. cat. Cologne: Museum Ludwig, 2018.", "page_number": "Reproduced and mentioned: p. 293, cat. 1187", "url": null}, {"citation": "Liebert, Emily. \u201cAcquisitions 2018: Contemporary Art.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>vol. 59, no. 2 (March/April 2019): 18-19.", "page_number": "Reproduced: P. 18; Mentioned: P. 18, 19.", "url": ""}], "url": "https://clevelandart.org/art/2018.29", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312725, "creators": [{"id": 312722, "description": "Haegue Yang (Korean, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": "Korean installation and video artist, born 1971, active in Berlin and Seoul", "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:23.093000"}, {"id": 163183, "accession_number": "2004.109", "share_license_status": "Copyrighted", "tombstone": "Enticing, 2004. Christopher Cook (British, b. 1959). Graphite, resin, and oil on coated paper; sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.). The Cleveland Museum of Art, Gift of Bob Kaye, 2004.109. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Enticing", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["May Show", "male"], "culture": ["England, 21st century"], "technique": "graphite, resin, and oil on coated paper", "support_materials": [{"description": "coated paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 20th Century", "type": "Drawing", "measurements": "Sheet: 102 x 72 cm (40 3/16 x 28 3/8 in.)", "dimensions": {"sheet": {"height": 1.02, "width": 0.72}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 203744, "title": "Themes and Variations: Musical Drawings and Prints", "description": "<i>Themes and Variations: Musical Drawings and Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 17, 2015).", "opening_date": "2015-01-25T00:00:00"}], "legacy": [{"description": "Main Gallery Rotation (gallery 229): June 27, 2011 - September 14, 2011.", "opening_date": "2011-06-27T00:00:00"}]}, "provenance": [{"description": "(Mary Ryan Gallery, New York, NY)", "citations": [], "footnotes": null, "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 6, 2004-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Old postcards and photographs serve as points of reference for Cook\u2019s drawings of theaters that combine a painterly surface with a photographic aesthetic. The upper portion of Enticing suggests the interior of a Baroque theater with forms that resemble extravagant chandeliers and balconies. The foreground is a shimmering, fluid surface evocative of pooling water. The contrast between the representational and the abstract passages of the composition reflects Cook\u2019s interest in both real and surreal imagery.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79988835"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2004.109", "images": {}, "alternate_images": [], "creditline": "Gift of Bob Kaye", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163183, "creators": [{"id": 50031, "description": "Christopher Cook (British, b. 1959)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1959", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-12-06T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:41.719000"}, {"id": 165175, "accession_number": "2007.170", "share_license_status": "Copyrighted", "tombstone": "Cleveland, OH (Disney), 2004. Brian Ulrich (American, b. 1971). Chromogenic process color print; image: 110.6 x 132.1 cm (43 9/16 x 52 in.). The Cleveland Museum of Art, Gift of Katherine Solender and William E. Katzin, 2007.170. \u00a9 Brian Ulrich", "current_location": null, "title": "Cleveland, OH (Disney)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 110.6 x 132.1 cm (43 9/16 x 52 in.)", "dimensions": {"image": {"height": 1.106, "width": 1.321}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Brian Ulrich", "inscriptions": [{"inscription": "On the verso of the mount, an adhesive label , with black type: \" JULIE SAUL GALLERY / 535 West 22nd Street / New York, NY 10011 / ( signed by artist in black ink) Brian Ulrich /  ( rest in black type) Brian Ulrich/ Cleveland  OH ( Disney) , 2003 / chromogenic print  /  2 of 4 / 40 x 50 inches . \"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}, {"id": 199618, "title": "Brian Ulrich: Copia\u2014Retail, Thrift, and Dark Stores, 2001\u201311", "description": "<i>Brian Ulrich: Copia\u2014Retail, Thrift, and Dark Stores, 2001\u201311</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27, 2011-January 16, 2012); Virginia Museum of Fine Arts, Richmond, VA (January 18-March 10, 2013); North Carolina Museum of Art, Raleigh, NC (October 15, 2013-January 5, 2014); Haggerty Museum of Art, Marquette University, Milwaukee, WI (January 18-May 15, 2014).", "opening_date": "2013-01-18T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "From the artist to Julie Saul Gallery in New York.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Soon after the tragic events of 9/11 in 2001, Ulrich began to photograph American citizens throughout the Midwest who, as he wrote, \u201cwere encouraged to take to the malls to boost the U.S. economy through shopping, thereby equating consumerism with patriotism.\u201d Unobtrusively, he recorded\u2014with wit and empathy\u2014people of all ages and from all strata of society caught in the process of deciding what to buy in the environments of vast shopping malls and big box stores. In this vivid image, the former Cleveland resident isolated a young consumer seemingly overwhelmed by an overabundance of appealing toys stocked in the Disney Store located in Cleveland\u2019s Terminal Tower.\r\nGift of Katherine Solender and William E. Katzin 2007.170", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993737"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.170", "images": {}, "alternate_images": [], "creditline": "Gift of Katherine Solender and William E. Katzin", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165175, "creators": [{"id": 55809, "description": "Brian Ulrich (American, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": "Brian Ulrich is an artist photographer (b. 1971 in Northport, NY) living in Chicago, IL. His work has been exhibited at the Art Institute of Chicago; the Museum of Contemporary Photography; the Museum of Contemporary Art, Chicago; the Museum of Contemporary art, San Diego; the Robert Koch Gallery, San Francisco; the Rhona Hoffman Gallery, Chicago; the Sean Kelly Gallery, NY; Spencer Brownstone Gallery, NY; the Festival d\u2019Arles, Arles, France; the Contemporary American Photography Festival, Mannheim, Germany; the Armory Show [2006]; and ArtBasel, Miami, [2006]. You can see his work in the permanent collections of the Art Institute of Chicago, the Museum of Fine Arts Houston, the Museum of Contemporary Art San Diego, the Milwaukee Art Museum, the Museum of Contemporary Photography, the Martin Margulies Collection, and the LaSalle Bank Photography Collection. His first monograph, Copia was published in 2006 by Aperture as part of the MP3: Midwest Photographers Project. Brian is a frequent contributor to Adbusters Magazine, and includes the New York Times Magazine, New York Magazine, Wired, Fortune, Seed, Spin, and The Salvation Army in his editorial portfolio. Other recent publications featuring his work include the exhibition catalogue for Universal Experience: Art, Life, and the Tourist\u2019s Eye (MCA Chicago), the New Yorker, Harper\u2019s Magazine, the Photoeye Booklist, the Chicago Tribune Magazine, Leica World Magazine, Photo District News, Time Out Chicago, Fotopozytyw Magazine (Poland), and Mouvement Magazine (France). Brian is represented by Rhona Hoffman Gallery in Chicago, Robert Koch Gallery in San Francisco, and Julie Saul Gallery in New York. He teaches photography, web design, and visual literacy at the School of the Art Institute of Chicago, and Columbia Colle", "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-06-04T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "2", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:32.641000"}, {"id": 169230, "accession_number": "2011.135.a", "share_license_status": "Copyrighted", "tombstone": "Rediscovery of Poems, 2011. Sungsoo Kim (Korean, b. 1974). Cast glass. 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Martin Soto Climent (Mexican, b. 1977). 108 framed photographs, digital prints on fine art cotton paper; framed: 22.9 x 30.5 cm (9 x 12 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller, 2013.91", "current_location": null, "title": "\u00c0 Mon Seul D\u00e9sir", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Mexico, 21st century"], "technique": "108 framed photographs, digital prints on fine art cotton paper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Photograph", "measurements": "Framed: 22.9 x 30.5 cm (9 x 12 in.)", "dimensions": {"framed": {"height": 0.229, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 201946, "title": "The Unicorn", "description": "<i>The Unicorn</i>. Transformer Station, Cleveland, OH (September 7-November 30, 2013).", "opening_date": "2013-09-07T00:00:00"}], "legacy": [{"description": "\"The Unicorn\" The Cleveland Museum of Art/Transformer Station (September 7-November 30, 2013)", "opening_date": "2013-09-07T00:00:00"}, {"description": "Main Gallery Rotation (Gallery 229): April 14, 2014 -", "opening_date": "2014-04-14T00:00:00"}]}, "provenance": [{"description": "2013 - purchased from the artist, Martin Soto Climent, by the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "In A Mon Seul Desir (To My Sole Desire), Climent was inspired by a series of 15th-century tapestries known as The Lady with the Unicorn. Five of them illustrate the known senses, while one may be about a more interior sixth sense. Climent illustrates this here in what he calls \"a heart-brain where all the experience is mixed and integrated.\"", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80081284"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.91", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Scott Mueller", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171239, "creators": [{"id": 63894, "description": "Martin Soto Climent (Mexican, b. 1977)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1977", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-12-02T00:00:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Untitled"], "is_highlight": false, "updated_at": "2026-03-27 00:06:17.224000"}, {"id": 172616, "accession_number": "2015.95", "share_license_status": "Copyrighted", "tombstone": "The Saint in the Marketplace, Meenakshi Temple, Madurai, India, 2003. Masumi Hayashi (American, 1945\u20132006). Panoramic photo collage, chromogenic prints; image: 60.9 x 187.9 cm (24 x 74 in.); framed: 74.3 x 198.4 cm (29 1/4 x 78 1/8 in.). The Cleveland Museum of Art, Gift of Dean A. Keesey (Estate of Dr. Masumi Hayashi), 2015.95. \u00a9 Masumi Hayashi", "current_location": null, "title": "The Saint in the Marketplace, Meenakshi Temple, Madurai, India", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["Asian American", "female"], "culture": ["America"], "technique": "Panoramic photo collage, chromogenic prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 60.9 x 187.9 cm (24 x 74 in.); Framed: 74.3 x 198.4 cm (29 1/4 x 78 1/8 in.)", "dimensions": {"image": {"height": 0.609, "width": 1.879}, "framed": {"height": 0.743, "width": 1.984}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Masumi Hayashi", "inscriptions": [{"inscription": "Masumi Hayashi-lower right corner\r\nWritten in ink in lower left corner of the image: \"The Saint in the Market\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 674335, "title": "Temples and Worship in South Asia", "description": "<i>Temples and Worship in South Asia</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 14, 2024-March 9, 2025).", "opening_date": "2024-09-14T04:00:00"}], "legacy": [{"description": "<em>Indian Temples: Masumi Hayashi Photographs</em>. The Cleveland Museum of Art, Cleveland, OH (2003).", "opening_date": "2003-01-01T00:00:00"}, {"description": "<em>Masumi Hayashi, Meditations: Two Pilgrimages</em>. Akron Art Museum, Akron, OH (2007-08).", "opening_date": "2007-01-01T00:00:00"}]}, "provenance": [{"description": "Artist's studio", "citations": [], "footnotes": [], "date": "2003\u20132006", "sortorder": 1}, {"description": "Estate of the artist, given to the Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "2006\u20132015", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2015\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The artist presents the pillared hall of a temple dedicated to the Hindu god Shiva and his wife Minakshi (also known as Meenakshi, Parvati, or Devi) in a more-than-360-degree panorama. The same corridor appears at both ends, but at different moments in time. A yellow donation box is foregrounded, suggesting that Hayashi intended to comment on the role of finances in institutional religion. The bearded holy man in front of the sculpture of the bull Nandi, Shiva\u2019s mount, is probably the \u201csaint\u201d in Hayashi\u2019s title. The shops sell items used in devotional rites: brass vessels, sacred images, sweets, powdered spices, and aromatic pastes. The recently repainted ceilings were a pious gift for temple renewal.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084856"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.95", "images": {}, "alternate_images": [], "creditline": "Gift of Dean A. Keesey (Estate of Dr. Masumi Hayashi)", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172616, "creators": [{"id": 473, "description": "Masumi Hayashi (American, 1945\u20132006)", "extent": null, "qualifier": null, "role": "artist", "biography": "Masumi Hayashi American, 1945-2006 Masumi Hayashi (born in Rivers, Arizona) is recognized for her panoramic photocollages -- pictures of space \"remapped\" to address cultural, political, and environmental concerns. She chooses as subjects toxic waste sites, abandoned industrial structures, and prisons, photographing with a rotating camera to produce dozens of small images. Commercially developed, the photographs are then reconfigured into large-scale grids. In 1995 Hayashi began work on a project to photograph her birthplace at the Gila River Relocation Center. Because the center was an internment camp for Japanese Americans during World War II, the subject is charged with both personal and political associations for the artist, who has expanded her single-medium approach to incorporate tape-recorded oral histories with the intent of translating the project onto cd-rom. Hayashi has worked as a freelance artist and graphic designer since 1977, operating her own company, Custom Picture Post Card Co. Educated at Florida State University (B.A., 1975; M.F.A., photography, 1977), she has taught at Loyola Marymount College (1983), the Cleveland Institute of Art (1986), and, since 1982, Cleveland State University. A regular participant and award-winner in the Cleveland Museum of Art's May Show, a regional juried exhibition, Hayashi has also received the Florida Craftsman Award (1976), an artist-in-residency at the J. M. Kohler Art Center, Sheboygan, Wisconsin (1985), and a Cleveland Visual Artist's Award (1994). She has also been awarded a number of grants from the arts councils of Florida (1980) and Ohio (1988, 1989, 1995, 1996). Hayashi is active as a curator and lecturer, frequently participating in panel discussions across the United States. She lives in Cleveland. A.W.", "name_in_original_language": null, "birth_year": "1945", "death_year": "2006", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-09-08T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:40.577000"}, {"id": 457058, "accession_number": "2022.123", "share_license_status": "Copyrighted", "tombstone": "#40.805716, Bronx, NY (2007), 2011. Doug Rickard (American, 1968\u20132021). Inkjet print; paper: 52.7 x 84.5 cm (20 3/4 x 33 1/4 in.). The Cleveland Museum of Art, Gift of Fred and Laura Ruth Bidwell in memory of Doug Rickard, 2022.123", "current_location": null, "title": "#40.805716, Bronx, NY (2007)", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": [], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 52.7 x 84.5 cm (20 3/4 x 33 1/4 in.)", "dimensions": {"paper": {"height": 0.527, "width": 0.845}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Fred and Laura Bidwell, Cleveland, OH, given to The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "?-2022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The potential for an encounter between these two men is suggested in the image, even though it may not have been sensed by the men in real life.", "description": "This image falls into the tradition of street photography, practiced in the 20th century by Walker Evans, Helen Levitt, Robert Frank, and Garry Winogrand. Doug Rickard found this image on Google Street View and re-photographed it from his computer screen. Google\u2019s cameras, intended to document buildings and streets, often capture daily life on those streets. By re-framing and re-contextualizing digital images from the web, Rickard brings street photography into the digital information era.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247300"], "internet_archive": []}, "citations": [{"citation": "Rickard, Doug, David Campany, and Erin O'Toole. Doug Rickard: A New American Picture. New York: Aperture, 2012.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2022.123", "images": {}, "alternate_images": [], "creditline": "Gift of Fred and Laura Ruth Bidwell in memory of Doug Rickard", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 457058, "creators": [{"id": 457057, "description": "Doug Rickard (American, 1968\u20132021)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "death_year": "2021", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:19.123000"}, {"id": 457059, "accession_number": "2022.124", "share_license_status": "Copyrighted", "tombstone": "#27.144277, Okeechobee, FL, 2011. Doug Rickard (American, 1968\u20132021). Inkjet print; paper: 52.7 x 84.5 cm (20 3/4 x 33 1/4 in.). The Cleveland Museum of Art, Gift of Fred and Laura Ruth Bidwell in memory of Doug Rickard, 2022.124", "current_location": null, "title": "#27.144277, Okeechobee, FL", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": [], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 52.7 x 84.5 cm (20 3/4 x 33 1/4 in.)", "dimensions": {"paper": {"height": 0.527, "width": 0.845}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Fred and Laura Bidwell, Cleveland, OH, given to The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": "?-2022", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2022-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This image was re-photographed from Google Street View by Doug Rickard.", "description": "Without leaving his house, Rickard took a virtual road trip across America. He explored the country on his computer through Google Street View, seeking \u201cforgotten, economically devastated, and largely abandoned places. . . . scenes of urban and rural decay.\u201d He used a camera on a tripod to re-photograph his chosen images off the computer screen. He opted for low-resolution images that impart a painterly feel to these otherwise harsh views.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117247301"], "internet_archive": []}, "citations": [{"citation": "Rickard, Doug, David Campany, and Erin O'Toole. Doug Rickard: A New American Picture. New York: Aperture, 2012.", "page_number": "", "url": ""}], "url": "https://clevelandart.org/art/2022.124", "images": {}, "alternate_images": [], "creditline": "Gift of Fred and Laura Ruth Bidwell in memory of Doug Rickard", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 457059, "creators": [{"id": 457057, "description": "Doug Rickard (American, 1968\u20132021)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "death_year": "2021", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2022-09-12T04:00:00Z", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:01.614000"}, {"id": 684445, "accession_number": "2025.12", "share_license_status": "Copyrighted", "tombstone": "Betsy, Lake Ediza, 2015, printed 2024. Kelli Connell (American, b. 1974). Inkjet print; image: 101.6 x 127 cm (40 x 50 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2025.12", "current_location": null, "title": "Betsy, Lake Ediza", "creation_date": "2015, printed 2024", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 101.6 x 127 cm (40 x 50 in.)", "dimensions": {"image": {"height": 1.016, "width": 1.27}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "It requires a strenuous hike of more than seven miles to reach Lake Ediza, an alpine lake near Mammoth Lakes, California.", "description": "Connell and her then-wife Betsy Odom were searching for the exact rock against which Edward Weston had photographed his lover and collaborator Charis Wilson in 1937 but had to settle for this more dramatic backdrop. Connell photographed Odom at locales in California where Wilson and Weston had lived and made work together. By interweaving the stories of that couple and her own relationship with Odom, Connell enriches our understanding of these partnerships from her contemporary, queer, and feminist perspective.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Chujun, Xu. \"Imagining a Radical Photography.\" <em>Artist Magazine</em> 600 (May 2025): 300-303.", "page_number": "Reproduced: p. 302", "url": ""}], "url": "https://clevelandart.org/art/2025.12", "images": {}, "alternate_images": [], "creditline": "The Jane B. Tripp Charitable Lead Annuity Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684445, "creators": [{"id": 665665, "description": "Kelli Connell (American, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-03-03T05:00:00Z", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015, printed 2024", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:59.921000"}, {"id": 684446, "accession_number": "2025.13", "share_license_status": "Copyrighted", "tombstone": "April, 2009, printed 2024. Kelli Connell (American, b. 1974). Inkjet print; image: 76.2 x 101.6 cm (30 x 40 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2025.13", "current_location": null, "title": "April", "creation_date": "2009, printed 2024", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 76.2 x 101.6 cm (30 x 40 in.)", "dimensions": {"image": {"height": 0.762, "width": 1.016}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "<em>April </em>depicts the intimacy of gaze between lovers.", "description": "Kelli Connell writes, \u201ca portrait not only documents the likeness of someone at a particular time in a particular place, but it also records the photographer and model\u2019s relationship to one another in that moment. Their combined energies are projected and preserved. The most captivating portraits contain an energy that is palpable\u2014an intense desire or an active and revealing awkwardness that peels off a surface layer to show something raw underneath.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [{"citation": "Chujun, Xu. \"Imagining a Radical Photography.\" <em>Artist Magazine</em> 600 (May 2025): 300-303.", "page_number": "Reproduced: p. 303", "url": ""}], "url": "https://clevelandart.org/art/2025.13", "images": {}, "alternate_images": [], "creditline": "The Jane B. Tripp Charitable Lead Annuity Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684446, "creators": [{"id": 665665, "description": "Kelli Connell (American, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-03-03T05:00:00Z", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009, printed 2024", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:38.563000"}, {"id": 162237, "accession_number": "2002.13", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2001. Till Freiwald (German, b. 1963). Watercolor over graphite; sheet: 76.8 x 54 cm (30 1/4 x 21 1/4 in.). The Cleveland Museum of Art, Gift of the artist and Jack Shainman Gallery, 2002.13", "current_location": null, "title": "Untitled", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male"], "culture": ["Germany, 21st century"], "technique": "watercolor over graphite", "support_materials": [{"description": "white wove paper", "watermarks": []}], "department": "Drawings", "collection": "DR - German", "type": "Drawing", "measurements": "Sheet: 76.8 x 54 cm (30 1/4 x 21 1/4 in.)", "dimensions": {"sheet": {"height": 0.768, "width": 0.54}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Freiwald's approach to painting portraits is unique. Working as other artists have for centuries, he paints small-scale sketches and studies of his subject from a live model. But then, breaking from tradition, he dispenses with the model, sets his studies aside, and executes his monumental watercolors solely from memory. In this way, Freiwald creates a work that seems simultaneously realistic and dreamlike. Untitled is reminiscent of a passport picture, but Freiwald used a successive series of watercolor washes to impart an otherworldly glow to the figure's simplified features. A contemplative portrait, Untitled is equally expressive of the mind of the artist. The drawing encourages reflection on the nature of portraiture, identity, and personal memory.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986111"], "internet_archive": []}, "citations": [{"citation": "Snyder, Jill, Charles Venable, \"Cutting Edges, Past and Present\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 46 no. 01, January 2006", "page_number": "Mentioned & reproduced: p. 4", "url": "https://archive.org/details/CMAMM2006-01/page/4/"}], "url": "https://clevelandart.org/art/2002.13", "images": {}, "alternate_images": [], "creditline": "Gift of the artist and Jack Shainman Gallery", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162237, "creators": [{"id": 42100, "description": "Till Freiwald (German, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-03-04T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:29.285000"}, {"id": 162346, "accession_number": "2002.74", "share_license_status": "Copyrighted", "tombstone": "Stump, 2000. Neil Welliver (American, 1929\u20132005), Alexandre Fine Art, Inc.. Color woodcut; sheet: 91 x 88.4 cm (35 13/16 x 34 13/16 in.); image: 76.2 x 76.4 cm (30 x 30 1/16 in.). The Cleveland Museum of Art, Carole W. and Charles B. Rosenblatt Endowment Fund, 2002.74. \u00a9 Neil Welliver", "current_location": null, "title": "Stump", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male"], "culture": ["America"], "technique": "color woodcut", "support_materials": [{"description": "Nishinouchi Japanese wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 91 x 88.4 cm (35 13/16 x 34 13/16 in.); Image: 76.2 x 76.4 cm (30 x 30 1/16 in.)", "dimensions": {"sheet": {"height": 0.91, "width": 0.884}, "image": {"height": 0.762, "width": 0.764}}, "state_of_the_work": null, "edition_of_the_work": "100", "copyright": "\u00a9 Neil Welliver", "inscriptions": [{"inscription": "numbered 22/100 and signed in graphite, lower right: Welliver 30 colors printed from 27 blocks by Shigemitsu Tsukaguchi", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 184690, "title": "Against the Grain: Woodcuts from the Collection", "description": "<i>Against the Grain: Woodcuts from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003).", "opening_date": "2003-08-17T00:00:00"}, {"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A full-time resident of Lincolnville, Maine, for more than twenty-five years, Welliver has made the rugged coastal landscape his subject. His art follows in the American landscape tradition which artists like Albert Pinkham Ryder and Winslow Homer developed in the late 19th century and Marsden Hartley and John Marin continued in the early 20th century. In his images of quiet, dense woods and glistening streams, Welliver communicates nature's closeness and singularity. He often contemplates a single element in the landscape. Here, a stump, engulfed by ferns and mosses with glimpses of saplings in the background, indicates the artist's concern with nature in its various stages of birth and decay. Welliver's woodcuts follow in the tradition of Japanese ukiyo-e woodblock prints. They are printed using water-based inks, which give the layers of color a delicate, translucent quality. Trained in Japanese woodcut print methods, Shigemitsu Tsukaguchi assists Welliver in his production of color woodcuts. This technique requires a separate block for each color; <em>Stump</em> needed twenty-seven intricately cut blocks.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986421"], "internet_archive": []}, "citations": [{"citation": "Snyder, Jill, Charles Venable, \"Cutting Edges, Past and Present\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 46 no. 01, January 2006", "page_number": "Mentioned & reproduced: p. 3", "url": "https://archive.org/details/CMAMM2006-01/page/n1"}], "url": "https://clevelandart.org/art/2002.74", "images": {}, "alternate_images": [], "creditline": "Carole W. and Charles B. Rosenblatt Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162346, "creators": [{"id": 42858, "description": "Neil Welliver (American, 1929\u20132005)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1929", "death_year": "2005", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67358, "description": "Alexandre Fine Art, Inc.", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2002-09-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "22", "alternate_titles": ["Stumpy"], "is_highlight": false, "updated_at": "2026-03-27 00:07:11.262000"}, {"id": 163290, "accession_number": "2004.144", "share_license_status": "Copyrighted", "tombstone": "Cubes for M.C. 2004, 2004. James Bassler (American, 1933-). Tapestry and scaffold weaves; waxed linen; wood; overall: 9.5 x 20.3 x 20.3 cm (3 3/4 x 8 x 8 in.). The Cleveland Museum of Art, Gift of Mildred Constantine, 2004.144", "current_location": null, "title": "Cubes for M.C. 2004", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "Tapestry and scaffold weaves; waxed linen; wood", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 9.5 x 20.3 x 20.3 cm (3 3/4 x 8 x 8 in.)", "dimensions": {"overall": {"height": 0.095, "width": 0.203, "depth": 0.203}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Inscribed in ink on the inside of a checkered-board beam: Jim Bassler 2004, Cubes For M.C.\r\n\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 540067, "title": "Contemporary Art Rotation \u2013 Fall 2023", "description": "<i>Contemporary Art Rotation \u2013 Fall 2023</i>. The Cleveland Museum of Art (organizer) (October 20, 2023-April 7, 2024).", "opening_date": "2023-10-20T04:00:00"}], "legacy": [{"description": "Exhibited in a one man show of work by James Bassler, Thirteen Moons Gallery, Santa Fe, NM, summer 2004. Thereafter sent to Mildred Constantine who sent it to CMA.", "opening_date": "2004-01-01T00:00:00"}]}, "provenance": [{"description": "Thirteen Moons Gallery, Santa Fe, NM; Mildred Constantine", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Jim Bassler made these hollow cubes to celebrate the 90th birthday of Mildred Constantine, the pioneering fiber art curator who donated over 100 works to the Cleveland Museum of Art. The cubes can be arranged to show the number 90 or rotated to form other numbers or letters as illustrated on the card, such as \u201cCC\u201d (Connie Constantine as Mildred is called) and \u201cJS\u201d (for the artist Jane Sauer). The cubes were inspired by digital clocks and were made using a technique Bassler studied in ancient Peruvian textiles, combining the old and the new.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989089"], "internet_archive": []}, "citations": [{"citation": "Phipps, Elena. \u201cAn Artist\u2019s Journey.\u201d <em>HALI; the International Journal of Oriental Carpets and Textiles. </em>Issue 219 Spring 2024.", "page_number": "p. 138-147", "url": ""}], "url": "https://clevelandart.org/art/2004.144", "images": {}, "alternate_images": [], "creditline": "Gift of Mildred Constantine", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163290, "creators": [{"id": 47226, "description": "James Bassler (American, 1933-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1933", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-12-06T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:58.556000"}, {"id": 163507, "accession_number": "2004.66", "share_license_status": "Copyrighted", "tombstone": "The River (State), 2003. Ellsworth Kelly (American, 1923\u20132015). Lithograph; sheet: 101.6 x 276.9 cm (40 x 109 in.); framed: 120.6 x 295.8 x 8.9 cm (47 1/2 x 116 7/16 x 3 1/2 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2004.66. \u00a9 Ellsworth Kelly", "current_location": null, "title": "The River (State)", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "lithograph", "support_materials": [{"description": "Arches cover paper laminated on Sintra aluminum panel", "watermarks": []}], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Sheet: 101.6 x 276.9 cm (40 x 109 in.); Framed: 120.6 x 295.8 x 8.9 cm (47 1/2 x 116 7/16 x 3 1/2 in.)", "dimensions": {"sheet": {"height": 1.016, "width": 2.769}, "framed": {"height": 1.206, "width": 2.958, "depth": 0.089}}, "state_of_the_work": null, "edition_of_the_work": "10", "copyright": "\u00a9 Ellsworth Kelly", "inscriptions": [], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "During a visit to Basel, Switzerland, Ellsworth Kelly stood on the balcony of his hotel room one evening and became mesmerized by the reflections of the lights from a nearby bridge onto the rapid and rugged flow of the Rhine River. The scene inspired Kelly to execute <em>The River (State)</em> at Gemini G.E.L., an important printmaking workshop in Los Angeles which has a press large enough to produce this monumental lithograph printed in gray and two shades of black. Juxtaposing four equal vertical sections, each of which depicts the river at a different angle, intensifies the sensations of shimmering light and rushing water. Kelly is most well-known for paintings, prints, and sculptures that are brightly colored, free-form shapes. These, as well as all of his work, have their initial basis in nature, in actual perceptions of the world. A particular configuration\u2014an open doorway, the gentle curve of a hill, light reflected on water\u2014will seize his attention. He distills this observed form into pure, abstract shape.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989687"], "internet_archive": []}, "citations": [{"citation": "Glaubinger, Jane. \"Fresh Prints: Take a look at the museum's contemporary print acquisitions over the past 25 years.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 55, no. 2 (March/April 2015): 4-5.", "page_number": "Reproduced: p. 4; Mentioned: p. 4, 5", "url": "https://archive.org/details/CMAMM2015-02"}], "url": "https://clevelandart.org/art/2004.66", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163507, "creators": [{"id": 3488, "description": "Ellsworth Kelly (American, 1923\u20132015)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1923", "death_year": "2015", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-09-07T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:11.788000"}, {"id": 163673, "accession_number": "2005.147", "share_license_status": "Copyrighted", "tombstone": "View of Waccamaw Neck, SC, Site of First European Colonial Attempt in America (1526), 2004. Michael Loderstedt (American, b. 1958). Chromogenic process color print; image: 101.6 x 126.7 cm (40 x 49 7/8 in.); framed: 113 x 138.3 cm (44 1/2 x 54 7/16 in.); paper: 101.6 x 126.7 cm (40 x 49 7/8 in.). The Cleveland Museum of Art, Robert A. Mann Fund, 2005.147", "current_location": null, "title": "View of Waccamaw Neck, SC, Site of First European Colonial Attempt in America (1526)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America, Ohio, 21st century"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 101.6 x 126.7 cm (40 x 49 7/8 in.); Framed: 113 x 138.3 cm (44 1/2 x 54 7/16 in.); Paper: 101.6 x 126.7 cm (40 x 49 7/8 in.)", "dimensions": {"image": {"height": 1.016, "width": 1.267}, "framed": {"height": 1.13, "width": 1.383}, "paper": {"height": 1.016, "width": 1.267}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "no inscription located on photograph", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 179295, "title": "The NEO Show ", "description": "<i>The NEO Show </i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 10-September 4, 2005).", "opening_date": "2005-07-10T00:00:00"}, {"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although few traces remain in the landscape or in common memory of the ill-fated Spanish colony of 1526, Waccamaw Neck has not escaped human alteration. Here, Loderstedt revealed its enduring beauty, despite its tragic past and marred present. By photographing this and other sites of early European contact with the New World, the artist explores how these forgotten sites once contributed to the formation of the American identity.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79990112"], "internet_archive": []}, "citations": [{"citation": "Farver, Jane, Louis Grachos, and Jeffrey D. Grove. <em>The NEO Show: A Juried Exhibition of Artists of Northeast Ohio. </em>[Cleveland, Ohio]: Cleveland Museum of Art, 2005.", "page_number": "cat. no. 58, p. 130, p.179; color repr. p. 130-131", "url": null}], "url": "https://clevelandart.org/art/2005.147", "images": {}, "alternate_images": [], "creditline": "Robert A. Mann Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163673, "creators": [{"id": 45441, "description": "Michael Loderstedt (American, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": "Michael Loderstedt is Associate Professor of Fine Arts as well as the Division Coordinator for the School of Arts at Kent State and has also taught at the College of Wooster. He has exhibited at the Akron Art Museum, SPACES, the Cleveland Center for Contemporary Art, and the Cleveland Museum of Art May Show. Loderstedt received a BFA from East Carolina University in Greenville and MFA from Kent State University.", "name_in_original_language": null, "birth_year": "1958", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-09-06T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:48.629000"}, {"id": 301455, "accession_number": "2017.113", "share_license_status": "Copyrighted", "tombstone": "Ming with Sword, 2009 (printed 2011). Anderson & Low. Digital inkjet print; image: 50.8 x 67.6 cm (20 x 26 5/8 in.); framed: 61 x 77.8 cm (24 x 30 5/8 in.). The Cleveland Museum of Art, Sundry Purchase Fund, 2017.113. \u00a9 Anderson & Low", "current_location": null, "title": "Ming with Sword", "creation_date": "2009 (printed 2011)", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male"], "culture": ["Britain"], "technique": "Digital inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 50.8 x 67.6 cm (20 x 26 5/8 in.); Framed: 61 x 77.8 cm (24 x 30 5/8 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.676}, "framed": {"height": 0.61, "width": 0.778}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [{"id": 317308, "title": "Beyond Truth: Photography after the Shutter", "description": "<i>Beyond Truth: Photography after the Shutter</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2019).", "opening_date": "2019-02-10T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "<em>Manga Dreams </em>captures an Asian street culture in which youths make themselves look like characters in Japanese manga (comics and graphic novels) and anime (animated films). Anderson &amp; Low combined studio portraiture with digital postproduction in Photoshop to allow these individuals to be seen inhabiting the fictional worlds they adore. In these images, art imitates life, while life imitates art.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872932"], "internet_archive": []}, "citations": [{"citation": null, "page_number": null, "url": "http://www.hamiltonsgallery.com/artists/anderson-and-low/series/manga-dreams/"}, {"citation": "Anderson, Jonathan, Edwin Low, and Yasufumi Nakamori. Manga Dreams: A Homage to the Manga and Anime Creators and Artists. [London?]: Lucky Panda Press, 2010.", "page_number": null, "url": null}, {"citation": "Tannenbaum, Barbara. \u201cBeyond Truth: The camera may never lie but the photographer might.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>59, no. 1 (January/February 2019): 8-9.", "page_number": "Reproduced: P. 9", "url": "https://archive.org/details/CMAMM2019-01/page/n3/mode/2up"}], "url": "https://clevelandart.org/art/2017.113", "images": {}, "alternate_images": [], "creditline": "Sundry Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301455, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009 (printed 2011)", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:08.147000"}, {"id": 541701, "accession_number": "2023.111", "share_license_status": "Copyrighted", "tombstone": "Untitled #135, 2022. Hendrik Zeitler (German, b. 1975). Photogram; image: 29.5 x 20.8 cm (11 5/8 x 8 3/16 in.); paper: 29.5 x 20.8 cm (11 5/8 x 8 3/16 in.). 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Jim Hodges (American, b. 1957), published by CRG Gallery. Screenprint with archival pigment print on paper; sheet: 144.8 x 96.5 cm (57 x 38 in.). 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Published by Hodges\u2019s longtime gallery, CRG, the five prints in this series feature natural imagery inspired by the artist\u2019s origins in the Pacific Northwest and incorporate a range of techniques and objects, such as pieces of cardboard and tape.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q124353999"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2023.207.5", "images": {}, "alternate_images": [], "creditline": "Gift of Judi Roaman in memory of Toby Devan Lewis", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 665606, "creators": [{"id": 39600, "description": "Jim Hodges (American, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 47814, "description": "CRG Gallery", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2023-12-04T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": true, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2023.207", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:20.841000"}, {"id": 687547, "accession_number": "2024.142", "share_license_status": "Copyrighted", "tombstone": "Lakshmana Temple, Khajuraho, Madhya Pradesh, India, 2000. Masumi Hayashi (American, 1945\u20132006). Panoramic photocollage of Fuji Crystal Archive prints; image: 95.9 x 59.7 cm (37 3/4 x 23 1/2 in.); mount: 114.9 x 78.7 cm (45 1/4 x 31 in.). The Cleveland Museum of Art, Gift of Dean A. Keesey (Estate of Dr. Masumi Hayashi), 2024.142. \u00a9 Masumi Hayashi Foundation 2023", "current_location": null, "title": "Lakshmana Temple, Khajuraho, Madhya Pradesh, India", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["Asian American", "female"], "culture": ["America"], "technique": "Panoramic photocollage of Fuji Crystal Archive prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 95.9 x 59.7 cm (37 3/4 x 23 1/2 in.); Mount: 114.9 x 78.7 cm (45 1/4 x 31 in.)", "dimensions": {"image": {"height": 0.959, "width": 0.597}, "mount": {"height": 1.149, "width": 0.787}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Masumi Hayashi Foundation 2023", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Lakshmana temple at Khajuraho is one of the most ideal examples of medieval north Indian temple architecture still standing.", "description": "Masumi Hayashi\u2019s image provides an experiential view of the context from which many sculptures in the museum\u2019s historical South Asian collections have come. The meaning of the Hindu temple as an abstraction of the creation of the cosmos through time, as manifest in moldings and \u201cvibrations\u201d of the architecture, resonates with the way Hayashi creates a single image by combining a number of individual shots, each a different slice of time.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.142", "images": {}, "alternate_images": [], "creditline": "Gift of Dean A. Keesey (Estate of Dr. Masumi Hayashi)", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 687547, "creators": [{"id": 473, "description": "Masumi Hayashi (American, 1945\u20132006)", "extent": null, "qualifier": null, "role": "artist", "biography": "Masumi Hayashi American, 1945-2006 Masumi Hayashi (born in Rivers, Arizona) is recognized for her panoramic photocollages -- pictures of space \"remapped\" to address cultural, political, and environmental concerns. She chooses as subjects toxic waste sites, abandoned industrial structures, and prisons, photographing with a rotating camera to produce dozens of small images. Commercially developed, the photographs are then reconfigured into large-scale grids. In 1995 Hayashi began work on a project to photograph her birthplace at the Gila River Relocation Center. Because the center was an internment camp for Japanese Americans during World War II, the subject is charged with both personal and political associations for the artist, who has expanded her single-medium approach to incorporate tape-recorded oral histories with the intent of translating the project onto cd-rom. Hayashi has worked as a freelance artist and graphic designer since 1977, operating her own company, Custom Picture Post Card Co. Educated at Florida State University (B.A., 1975; M.F.A., photography, 1977), she has taught at Loyola Marymount College (1983), the Cleveland Institute of Art (1986), and, since 1982, Cleveland State University. A regular participant and award-winner in the Cleveland Museum of Art's May Show, a regional juried exhibition, Hayashi has also received the Florida Craftsman Award (1976), an artist-in-residency at the J. M. Kohler Art Center, Sheboygan, Wisconsin (1985), and a Cleveland Visual Artist's Award (1994). She has also been awarded a number of grants from the arts councils of Florida (1980) and Ohio (1988, 1989, 1995, 1996). Hayashi is active as a curator and lecturer, frequently participating in panel discussions across the United States. She lives in Cleveland. A.W.", "name_in_original_language": null, "birth_year": "1945", "death_year": "2006", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-12-17T05:00:00Z", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:15.672000"}, {"id": 684438, "accession_number": "2024.163", "share_license_status": "Copyrighted", "tombstone": "The Source, 2005. Robert ParkeHarrison (American, 1968-), and Shana ParkeHarrison (American, 1964-). Photogravure; image: 56.5 x 47.6 cm (22 1/4 x 18 3/4 in.); paper: 69.8 x 58.4 cm (27 1/2 x 23 in.). The Cleveland Museum of Art, Gift of Catherine Edelman, 2024.163", "current_location": null, "title": "The Source", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female", "male"], "culture": ["America"], "technique": "photogravure", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 56.5 x 47.6 cm (22 1/4 x 18 3/4 in.); Paper: 69.8 x 58.4 cm (27 1/2 x 23 in.)", "dimensions": {"image": {"height": 0.565, "width": 0.476}, "paper": {"height": 0.698, "width": 0.584}}, "state_of_the_work": null, "edition_of_the_work": "edition 19/40", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Robert ParkeHarrison [1968\u2013] and Shana ParkeHarrison [1964\u2013] (the artists), to Catherine Edelman Gallery, Chicago, IL", "citations": [], "footnotes": null, "date": "?\u2013?", "sortorder": 1}, {"description": "Catherine Edelman, Chicago, IL, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132024", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 9, 2024\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This image is a staged scene created by the artists to dramatize the damage humans have done to the earth.", "description": "Since the 1990s, husband-and-wife team Robert ParkeHarrison and Shana ParkeHarrison have created photographic tableaux that address our responsibility for healing the harm that humans have inflicted on planet Earth. \u201cOur photographs offer visual poems of loss, human struggle, and personal exploration within landscapes scarred by technology and overuse,\u201d relate the artists. The man represents an Everyman who is earth\u2019s protector. Note how low-tech his tools are.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.163", "images": {}, "alternate_images": [], "creditline": "Gift of Catherine Edelman", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684438, "creators": [{"id": 684431, "description": "Robert ParkeHarrison (American, 1968-)", "extent": null, "qualifier": null, "role": "artist", "biography": "American photographer and photogravurist, born 1968", "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 684434, "description": "Shana ParkeHarrison (American, 1964-)", "extent": null, "qualifier": "and", "role": "artist", "biography": "American photographer and photogravurist, born 1964", "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2024-12-09T05:00:00Z", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:14.589000"}, {"id": 684439, "accession_number": "2024.164", "share_license_status": "Copyrighted", "tombstone": "The Guardian, 2002. Robert ParkeHarrison (American, 1968-), and Shana ParkeHarrison (American, 1964-). Photogravure; image: 56.5 x 47.6 cm (22 1/4 x 18 3/4 in.); paper: 69.8 x 58.4 cm (27 1/2 x 23 in.). 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The man represents an Everyman who is earth\u2019s protector. Note how low-tech his tools are.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.164", "images": {}, "alternate_images": [], "creditline": "Gift of Catherine Edelman", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684439, "creators": [{"id": 684431, "description": "Robert ParkeHarrison (American, 1968-)", "extent": null, "qualifier": null, "role": "artist", "biography": "American photographer and photogravurist, born 1968", "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 684434, "description": "Shana ParkeHarrison (American, 1964-)", "extent": null, "qualifier": "and", "role": "artist", "biography": "American photographer and photogravurist, born 1964", "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2024-12-09T00:00:00-05:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:12.968000"}, {"id": 680509, "accession_number": "2024.38", "share_license_status": "Copyrighted", "tombstone": "Four Freedoms Photographs, 2018. Hank Willis Thomas (American, b. 1976), Emily Shur (American, b. 1976), Eric Gottesman (American, b. 1976), Wyatt Gallery (American, b. 1976), published by For Freedoms (American, founded 2016). Four archival pigment prints; each: 101.6 x 127 cm (40 x 50 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2024.38. \u00a9 For Freedoms", "current_location": null, "title": "Four Freedoms Photographs", "creation_date": "2018", "creation_date_earliest": 2018, "creation_date_latest": 2018, "artists_tags": ["Black American Artists", "non-binary", "female", "male"], "culture": ["America"], "technique": "Four archival pigment prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Each: 101.6 x 127 cm (40 x 50 in.)", "dimensions": {"each": {"height": 1.016, "width": 1.27}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 For Freedoms", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "The Four Freedoms, laid out by President Franklin Roosevelt in a 1941 speech, were illustrated in 1942-43 in paintings by Norman Rockwell.", "description": "Rockwell\u2019s depictions of the Four Freedoms\u2014freedom of speech, freedom of worship, freedom from want, and freedom from fear\u2014were idealized scenes of everyday life in Caucasian America. In 2018, a group of artists decided to reimagine Rockwell\u2019s paintings as photographs that \u201crepresent the multitudes of American identities that make us who we are today.\u201d The artists preserved Rockwell\u2019s compositions and narratives but invited a diverse group of models to pose, transforming and updating Rockwell\u2019s vision.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.38", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 680509, "creators": [{"id": 62427, "description": "Hank Willis Thomas (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born March 17, 1976", "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 676632, "description": "Emily Shur (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 2}, {"id": 676635, "description": "Eric Gottesman (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 3}, {"id": 676638, "description": "Wyatt Gallery (American, b. 1976)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 4}, {"id": 672045, "description": "For Freedoms (American, founded 2016)", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 5}], "legal_status": "accessioned", "accession_date": "2024-06-03T04:00:00Z", "sortable_date": 2018, "date_added_to_oa": null, "date_text": "2018", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:42.823000"}, {"id": 677692, "accession_number": "2024.92", "share_license_status": "Copyrighted", "tombstone": "Shaded Infected Lattice, 2004. James Siena (American, b. 1957). Colored pencil and graphite; sheet: 26.7 x 21.3 cm (10 1/2 x 8 3/8 in.). The Cleveland Museum of Art, Gift in Memory of Toby Devan Lewis, 2024.92", "current_location": null, "title": "Shaded Infected Lattice", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "colored pencil and graphite", "support_materials": [], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 26.7 x 21.3 cm (10 1/2 x 8 3/8 in.)", "dimensions": {"sheet": {"height": 0.267, "width": 0.213}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Toby Devan Lewis [1934-2022], Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132022", "sortorder": 1}, {"description": "Estate of Toby Devan Lewis, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u201324", "sortorder": 2}, {"description": "Adam Joseph Lewis, Ivy Beth Lewis, and Mark C. Lewis, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 9, 2024\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Before becoming a visual artist, James Siena was an actor known for his television appearances.", "description": "This drawing exemplifies James Siena\u2019s interest in compositions that feature complex and dense geometric abstractions. These forms are often determined by pre-established rules or what the artist terms \u201cvisual algorithms.\u201d To create this drawing, Siena created a single form and copied it by hand to explore how it appeared and changed through repetition.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.92", "images": {}, "alternate_images": [], "creditline": "Gift in Memory of Toby Devan Lewis", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 677692, "creators": [{"id": 54804, "description": "James Siena (American, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T04:00:00Z", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-01 14:45:32.470000"}, {"id": 687884, "accession_number": "2024.96.13", "share_license_status": "Copyrighted", "tombstone": "New York Pictures, 1976\u20132002, 2002. Laurie Simmons (American, 1949-). Mettex6 plated copper box lid; box: 15.2 x 22.9 cm (6 x 9 in.). The Cleveland Museum of Art, Gift in Memory of Toby Devan Lewis, 2024.96.13", "current_location": null, "title": "New York Pictures, 1976\u20132002", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["female", "Jewish artists"], "culture": ["America"], "technique": "mettex6 plated copper box lid", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Portfolio", "measurements": "Box: 15.2 x 22.9 cm (6 x 9 in.)", "dimensions": {"box": {"height": 0.152, "width": 0.229}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Toby Devan Lewis [1934\u20132022], Cleveland, OH", "citations": [], "footnotes": null, "date": "?\u20132022", "sortorder": 1}, {"description": "Estate of Toby Lewis, Cleveland, OH", "citations": [], "footnotes": null, "date": "2022\u201324", "sortorder": 2}, {"description": "Adam Joseph Lewis, Ivy Beth Lewis, and Mark C. Lewis, given to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2024", "sortorder": 3}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "September 9, 2024\u2013", "sortorder": 4}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Laurie Simmons\u2019s staged, constructed images address societal issues including the objectification of women and the evils of consumerism.", "description": "This set of five black-and-white and five color images survey a quarter-century of Simmons\u2019s photography. Her use of pop culture, everyday objects, and humor to question identity and gender roles is playful yet potent. This portfolio was created on the occasion of the twenty-fifth anniversary of the New Museum in New York, which was founded in 1977 to show art that was truly contemporary\u2014made within the last ten years.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2024.96.13", "images": {}, "alternate_images": [], "creditline": "Gift in Memory of Toby Devan Lewis", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 687884, "creators": [{"id": 39597, "description": "Laurie Simmons (American, 1949-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2024-09-09T00:00:00-04:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2024.96", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:30.329000"}, {"id": 684447, "accession_number": "2025.14", "share_license_status": "Copyrighted", "tombstone": "Picnic, 2002, printed 2024. Kelli Connell (American, b. 1974). Inkjet print; image: 76.2 x 101.6 cm (30 x 40 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2025.14", "current_location": null, "title": "Picnic", "creation_date": "2002, printed 2024", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 76.2 x 101.6 cm (30 x 40 in.)", "dimensions": {"image": {"height": 0.762, "width": 1.016}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Both characters here are portrayed by a single model.", "description": "Kelli Connell describes her staged, fabricated series as appearing \u201cto document the lives of two women in a relationship, but the images are digitally created montages of the same model. . . . This work is a representation of the fluidity of the self in regard to decisions about intimate relationships, sexuality, gender, family, belief systems, and lifestyle options.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.14", "images": {}, "alternate_images": [], "creditline": "The Jane B. Tripp Charitable Lead Annuity Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684447, "creators": [{"id": 665665, "description": "Kelli Connell (American, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-03-03T05:00:00Z", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002, printed 2024", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:19.353000"}, {"id": 684448, "accession_number": "2025.15", "share_license_status": "Copyrighted", "tombstone": "The Valley, 2006, printed 2024. Kelli Connell (American, b. 1974). Inkjet print; image: 76.2 x 101.6 cm (30 x 40 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust, 2025.15", "current_location": null, "title": "The Valley", "creation_date": "2006, printed 2024", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["female", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 76.2 x 101.6 cm (30 x 40 in.)", "dimensions": {"image": {"height": 0.762, "width": 1.016}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Both characters here are portrayed by a single model.", "description": "Kelli Connell describes her staged, fabricated series as appearing \u201cto document the lives of two women in a relationship, but the images are digitally created montages of the same model. . . . This work is a representation of the fluidity of the self in regard to decisions about intimate relationships, sexuality, gender, family, belief systems, and lifestyle options.\u201d", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.15", "images": {}, "alternate_images": [], "creditline": "The Jane B. Tripp Charitable Lead Annuity Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 684448, "creators": [{"id": 665665, "description": "Kelli Connell (American, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-03-03T05:00:00Z", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006, printed 2024", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:49.494000"}, {"id": 694120, "accession_number": "2025.165", "share_license_status": "Copyrighted", "tombstone": "Martin Luther King, Jr., Letter from Birmingham City Jail, 2007. Faith Ringgold (American, 1930\u20132024), printed by Curlee Raven Holton (American, b. 1951), published by Raven Fine Arts Editions. Color screenprint; image: 29.4 x 22.1 cm (11 9/16 x 8 11/16 in.); sheet: 45.5 x 35.6 cm (17 15/16 x 14 in.). The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund, 2025.165. \u00a9 Faith Ringgold", "current_location": null, "title": "Martin Luther King, Jr., Letter from Birmingham City Jail", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male", "Black American Artists", "female"], "culture": ["America"], "technique": "color screenprint", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 29.4 x 22.1 cm (11 9/16 x 8 11/16 in.); Sheet: 45.5 x 35.6 cm (17 15/16 x 14 in.)", "dimensions": {"image": {"height": 0.294, "width": 0.221}, "sheet": {"height": 0.455, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Faith Ringgold", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This print is the product of a collaboration between Ringgold and her longtime master printer, Curlee Raven Holton. The two met in Harlem in 1992 and worked together from that point until her death in 2024.", "description": "This print belongs to a series based on Martin Luther King Jr.\u2019s 1963 \u201cLetter from Birmingham Jail,\u201d drafted while King was imprisoned after participating in a nonviolent demonstration against segregation. Produced in flat planes of color that evoke the aesthetic of quilts, a medium in which Faith Ringgold had a lifelong interest, the print presents King looking outward past the bars of a jail cell while holding his pen and a draft of his letter. The image aligns with Ringgold\u2019s aim to address issues of race throughout American history through her work as an artist, educator, and activist.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.165", "images": {}, "alternate_images": [], "creditline": "Sundry Art - Miscellaneous Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 694120, "creators": [{"id": 311747, "description": "Faith Ringgold (American, 1930\u20132024)", "extent": null, "qualifier": null, "role": "artist", "biography": "American painter and sculptor", "name_in_original_language": null, "birth_year": "1930", "death_year": "2024", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 33321, "description": "Curlee Raven Holton (American, b. 1951)", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "birth_year": "1951", "use_in_caption": true, "include_extent": true, "weight": 2}, {"id": 709062, "description": "Raven Fine Arts Editions", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 3}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-01 15:16:00.449000"}, {"id": 697945, "accession_number": "2025.266", "share_license_status": "Copyrighted", "tombstone": "Shiprock, 2002, printed 2012. William Clift (American, b. 1944). Digital inkjet print, Epsom; image: 19.4 x 25.1 cm (7 5/8 x 9 7/8 in.); paper: 25.7 x 33 cm (10 1/8 x 13 in.). The Cleveland Museum of Art, Gift of Diana S. Tittle in memory of Tom E. Hinson, 2025.266", "current_location": null, "title": "Shiprock", "creation_date": "2002, printed 2012", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America"], "technique": "Digital inkjet print, Epsom", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 19.4 x 25.1 cm (7 5/8 x 9 7/8 in.); Paper: 25.7 x 33 cm (10 1/8 x 13 in.)", "dimensions": {"image": {"height": 0.194, "width": 0.251}, "paper": {"height": 0.257, "width": 0.33}}, "state_of_the_work": null, "edition_of_the_work": "Edition 3/50", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "William Clift (the artist), Santa Fe, NM", "citations": [], "footnotes": null, "date": null, "sortorder": 1}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "William Clift, born and raised in Boston, has lived and worked in New Mexico since 1971.", "description": "Shiprock, a barren, isolated peak rising 1,583 feet above the New Mexico desert, has been one of Clift\u2019s major subjects. It is governed by the Navaho Nation. Shiprock is one of two monolithic sites that Clift has photographed repeatedly over four decades. The other is Mont-Saint-Michel, a tidal island in France capped by a medieval abbey (see 2025.265). Both sites are beautiful but also potentially dangerous.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.266", "images": {}, "alternate_images": [], "creditline": "Gift of Diana S. Tittle in memory of Tom E. Hinson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 697945, "creators": [{"id": 29900, "description": "William Clift (American, b. 1944)", "extent": null, "qualifier": null, "role": "artist", "biography": "William Clift American, 1944- Throughout his career, William Brooks Clift III has photographed the land and architecture as quiet yet complex subjects filled with cultural and spiritual metaphor. Celebrating the nuances of light and composition in his images, which are primarily black and white, he is a careful and thoughtful technician. He digests, rather than dramatizes, his subjects, often spending several years exploring a theme before completing it. Born in Boston, Clift first took an interest in photography at age 10, building his own darkroom. As a teenager, he attended a workshop with Paul Caponigro. Beginning in 1962, Clift spent eight years specializing in architectural subjects, commissioned on a freelance basis by various organizations -- including the Massachusetts Council on the Arts for an extensive documentation of Old Boston City Hall (1970). He moved to Santa Fe in 1971 and began to photograph the landscape that continues to inspire his work. He has been awarded fellowships from the National Endowment for the Arts (1972, 1979) and the John Simon Guggenheim Memorial Foundation (1973, 1980). Returning to Boston in 1975, Clift photographed the architecture of Beacon Hill. During 1975-76 he worked for the Joseph Seagram and Son's bicentennial project on American county courthouses. In 1977 he traveled to France to take pictures of Mont-Saint-Michel and began an ongoing project picturing the sculpture of Juan Hamilton. Commissions followed from AT&amp;T for their American Images project (1978) and from the Reader's Digest Association (1985-86) to photograph the Hudson River Highlands with Steven Shore, who eventually discontinued the endeavor. A one-person exhibition of Clift's work, Certain Places, was on view at the Art Institute of Chicago and the Amon Carter Museum, Fort Worth (1987). That same year he received the Governor's Award for Excellence and Achievement in the Arts in New Mexico and began a color project with Polaroid materials, making family pictures that were exhibited in the Equitable Gallery, New York (1992). He has produced and distributed two books, Certain Places (1987) and A Hudson Landscape (1994). Clift continues to photograph the mountain and desert landscape throughout the southwestern United States. He lives in Santa Fe. A.W.", "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002, printed 2012", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:08.934000"}, {"id": 701489, "accession_number": "2025.552", "share_license_status": "Copyrighted", "tombstone": "Portrait of William Griswold, 2025. Takashi Murakami. Marker (UNI PX 30) on silkscreen print (J\u016bj\u014d Chemical screen-printing ink on Kakita print paper). The Cleveland Museum of Art, Purchased by the Cleveland Museum of Art on the Occasion of  the Exhibition Takashi Murakami: Stepping on the Tail of a Rainbow, 2025, 2025.552. \u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "current_location": null, "title": "Portrait of William Griswold", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["Asian (from 1900 to present)", "male"], "culture": ["Japan"], "technique": "Marker (UNI PX 30) on silkscreen print (J\u016bj\u014d Chemical screen-printing ink on Kakita print paper)", "support_materials": [], "department": "Drawings", "collection": "DR - Japanese", "type": "Drawing", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "inscriptions": [{"inscription": "Signed and dated, in marker, on image at lower right: [illegible] / 2025; signed, dated, and inscribed, in pencil, at lower right: Takashi Murakami 2025 8/50", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Takashi Murakami (the artist) [1962\u2013], Japan", "citations": [], "footnotes": null, "date": "2025", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 8, 2025\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "In 2008, Takashi Murakami was named one of <em>Time </em>magazine\u2019s 100 most influential people.", "description": "Contemporary Japanese artist Takashi Murakami is known for his unique style that examines the cultural energies of present-day Japan\u2014such as anime, manga, and the otaku culture that grew around these popular art forms\u2014against the backdrop of Japanese traditions. The artist uses his art to interpret historical events and their lasting effects, such as the end of World War II, the 2011 T\u014dhoku earthquake and tsunami, and the COVID-19 pandemic. His practice was the subject of the CMA\u2019s major 2025 exhibition <em>Takashi Murakami: Stepping on the Tail of a Rainbow</em>, and this portrait of Sarah S. and Alexander M. Cutler Director William M. Griswold was created on the occasion of that project.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.552", "images": {}, "alternate_images": [], "creditline": "Purchased by the Cleveland Museum of Art on the Occasion of  the Exhibition Takashi Murakami: Stepping on the Tail of a Rainbow, 2025", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 701489, "creators": [{"id": 65167, "description": "Takashi Murakami", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 16:30:51.310000"}, {"id": 694025, "accession_number": "2025.553", "share_license_status": "Copyrighted", "tombstone": "Fire Crown, 2025. Karen Kunc (American, 1952-). Color-reduction woodblock on Japanese archival handmade paper; sheet: 38.1 x 27.9 cm (15 x 11 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2025.553. \u00a9 Karen Kunc", "current_location": null, "title": "Fire Crown", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["female"], "culture": ["America"], "technique": "Color-reduction woodblock on Japanese archival handmade paper", "support_materials": [], "department": "Prints", "collection": "PR - Woodblock", "type": "Print", "measurements": "Sheet: 38.1 x 27.9 cm (15 x 11 in.)", "dimensions": {"sheet": {"height": 0.381, "width": 0.279}}, "state_of_the_work": null, "edition_of_the_work": "edition of 235 + 15 APs", "copyright": "\u00a9 Karen Kunc", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Making a reduction woodcut requires the artist to carve away parts of the block to \u201creduce\u201d the surface after printing each color, such that the block is essentially destroyed as the print is made.", "description": "Karen Kunc\u2019s art, rooted in the landscape of the Great Plains, explores nature\u2019s strength and fragility. <em>Fire Crown</em> is a color-reduction woodblock print depicting a fiery, personified tree that symbolizes creation, destruction, and renewal. Evolving from a spontaneous sketch, the image conveys bursts of energy and movement. As Kunc carves, prints, and reworks her blocks, she simultaneously destroys and transforms them, mirroring natural cycles of growth and decay. The tree\u2019s entreating, entwining, and ensnaring gestures suggest both resilience and vulnerability.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.553", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 694025, "creators": [{"id": 56991, "description": "Karen Kunc (American, 1952-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1952", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:31.477000"}, {"id": 535426, "accession_number": "2025.554", "share_license_status": "Copyrighted", "tombstone": "Fire Crown (CTP/BAT), 2025. Karen Kunc (American, 1952-). Color-reduction woodblock on Japanese archival handmade paper. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2025.554. \u00a9 Karen Kunc", "current_location": null, "title": "Fire Crown (CTP/BAT)", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["female"], "culture": ["America"], "technique": "Color-reduction woodblock on Japanese archival handmade paper", "support_materials": [], "department": "Prints", "collection": "PR - Apparatus", "type": "Print", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Karen Kunc", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [{"id": 694025, "description": "Fire Crown, 2025. Karen Kunc (American, 1952-). Color-reduction woodblock on Japanese archival handmade paper; sheet: 38.1 x 27.9 cm (15 x 11 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2025.553. \u00a9 Karen Kunc", "relationship": "related impression"}], "former_accession_numbers": [], "did_you_know": "Making a reduction woodcut requires the artist to carve away parts of the block to \u201creduce\u201d the surface after printing each color, such that the block is essentially destroyed as the print is made.", "description": "Karen Kunc\u2019s art, rooted in the landscape of the Great Plains, explores nature\u2019s strength and fragility. <em>Fire Crown</em> is a color-reduction woodblock print depicting a fiery, personified tree that symbolizes creation, destruction, and renewal. Evolving from a spontaneous sketch, the image conveys bursts of energy and movement. As Kunc carves, prints, and reworks her blocks, she simultaneously destroys and transforms them, mirroring natural cycles of growth and decay. The tree\u2019s entreating, entwining, and ensnaring gestures suggest both resilience and vulnerability.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.554", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 535426, "creators": [{"id": 56991, "description": "Karen Kunc (American, 1952-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1952", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:28.713000"}, {"id": 703405, "accession_number": "2025.555", "share_license_status": "Copyrighted", "tombstone": "Fire Crown, 2025. Karen Kunc (American, 1952-). Graphite on tracing paper. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2025.555. \u00a9 Karen Kunc", "current_location": null, "title": "Fire Crown", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["female"], "culture": ["America"], "technique": "graphite on tracing paper", "support_materials": [], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Karen Kunc", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "Making a reduction woodcut requires the artist to carve away parts of the block to \u201creduce\u201d the surface after printing each color, such that the block is essentially destroyed as the print is made.", "description": "Karen Kunc\u2019s art, rooted in the landscape of the Great Plains, explores nature\u2019s strength and fragility. <em>Fire Crown</em> is a color-reduction woodblock print depicting a fiery, personified tree that symbolizes creation, destruction, and renewal. Evolving from a spontaneous sketch, the image conveys bursts of energy and movement. As Kunc carves, prints, and reworks her blocks, she simultaneously destroys and transforms them, mirroring natural cycles of growth and decay. The tree\u2019s entreating, entwining, and ensnaring gestures suggest both resilience and vulnerability.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.555", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 703405, "creators": [{"id": 56991, "description": "Karen Kunc (American, 1952-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1952", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-12-08T05:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:49.657000"}, {"id": 162459, "accession_number": "2003.12", "share_license_status": "Copyrighted", "tombstone": "Free Element V, 2001. DoDo Jin Ming (Chinese, b. 1955). Gelatin silver print; image: 37.4 x 48.7 cm (14 3/4 x 19 3/16 in.); paper: 40.3 x 50.5 cm (15 7/8 x 19 7/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2003.12", "current_location": null, "title": "Free Element V", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female"], "culture": ["China"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Image: 37.4 x 48.7 cm (14 3/4 x 19 3/16 in.); Paper: 40.3 x 50.5 cm (15 7/8 x 19 7/8 in.); Matted: 55.9 x 66 cm (22 x 26 in.)", "dimensions": {"image": {"height": 0.374, "width": 0.487}, "paper": {"height": 0.403, "width": 0.505}, "matted": {"height": 0.559, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "written in pencil on verso: \"Free Element Plate V 9/15/ Jin Ming [signed] 2001\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": []}, "provenance": [{"description": "(Laurence Miller Gallery,  New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2003\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A concert violinist turned photographer, DoDo Jin Ming is attracted to nature, both native and cultivated, rendering it in viscerally appealing pictures. This photograph is from <em>Free Element</em>, a series of seascapes produced between 2001 and 2003 depicting the awesome power and drama of the sea. <br><br>The coasts of Maine and Nova Scotia, and the outskirts of Hong Kong have been her primary locales. She created these compelling black-and-white images by combining two negatives, one of the sea and the other of the sky. In each composition, all indications of land and humanity are eliminated, allowing Ming to concentrate on the sea and sky and their junction. Within these confines, she featured the conditions that make each negative unique, such as geographic location, atmosphere, light, and wind and wave patterns. Her camera angle seemingly places the viewer in a position to be submerged by a cascade of water.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986772"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.12", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162459, "creators": [{"id": 43824, "description": "DoDo Jin Ming (Chinese, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "9", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:34.727000"}, {"id": 162500, "accession_number": "2003.15", "share_license_status": "Copyrighted", "tombstone": "Suit Shopping: An Engraved Narrative, 2000\u20132002. Andrew Raftery (American, b. 1962). Engraving from four plates on four sheets of paper (three joined); paper folder; sheet: 49.4 x 61.7 cm (19 7/16 x 24 5/16 in.); platemark: 37.8 x 52.8 cm (14 7/8 x 20 13/16 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Sheet: 49.4 x 61.7 cm (19 7/16 x 24 5/16 in.); Platemark: 37.8 x 52.8 cm (14 7/8 x 20 13/16 in.)", "dimensions": {"sheet": {"height": 0.494, "width": 0.617}, "platemark": {"height": 0.378, "width": 0.528}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans\u2014the ordinary events of modern life\u2014often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes. Engraving is exacting and difficult, so few artists today choose this printmaking method. Raftery, however, has mastered the art of cutting grooves into a copper plate. Since paper currency is printed from metal plates engraved in the same way, he likes the implied connection between the technique and monetary power and authority.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986970"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.15", "images": {}, "alternate_images": [], "creditline": "Gift of friends in memory of Ann Bassett and Tom Johnson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162500, "creators": [{"id": 42701, "description": "Andrew Raftery (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000\u20132002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:45.869000"}, {"id": 162502, "accession_number": "2003.15.2", "share_license_status": "Copyrighted", "tombstone": "Suit Shopping: An Engraved Narrative: Scenes 3, 4, and 5, 2000\u20132002. Andrew Raftery (American, b. 1962). Three sheets of paper joined by tape, each with a printed scene; engraving from four plates on four sheets of paper (three joined); paper folder; sheet: 49.5 x 107 cm (19 1/2 x 42 1/8 in.); matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.). The Cleveland Museum of Art, Gift of friends in memory of Ann Bassett and Tom Johnson, 2003.15.2. \u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "current_location": null, "title": "Suit Shopping: An Engraved Narrative: Scenes 3, 4, and 5", "creation_date": "2000\u20132002", "creation_date_earliest": 2000, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America, late 20th-early 21st century"], "technique": "three sheets of paper joined by tape, each with a printed scene; engraving from four plates on four sheets of paper (three joined); paper folder", "support_materials": [], "department": "Prints", "collection": "PR - Engraving", "type": "Print", "measurements": "Sheet: 49.5 x 107 cm (19 1/2 x 42 1/8 in.); Matted: 53.7 x 111 x 0.3 cm (21 1/8 x 43 11/16 x 1/8 in.)", "dimensions": {"sheet": {"height": 0.495, "width": 1.07}, "matted": {"height": 0.537, "width": 1.11, "depth": 0.003}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of the Artist and Mary Ryan Gallery, New York, NY", "inscriptions": [{"inscription": "1 plate, single sheet: in graphite, lower margin: 9/30 Andrew Raftery 2002.\r\n3 plates on 3 sheets joined together:  in graphite, lower margin: 9/30 Andrew Raftery 2002\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Raftery depicts the habits and mores of average Americans\u2014the ordinary events of modern life\u2014often humorously. \"Shopping for a suit is a cultural remnant, it is an event in a man's life,\" the artist explains. \"I was thinking about male vanity.\" Raftery presents such mundane situations as straightforward, old-fashioned narratives, allowing the story to unfold in a series of related scenes. Engraving is exacting and difficult, so few artists today choose this printmaking method. Raftery, however, has mastered the art of cutting grooves into a copper plate. Since paper currency is printed from metal plates engraved in the same way, he likes the implied connection between the technique and monetary power and authority.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986975"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.15.2", "images": {}, "alternate_images": [], "creditline": "Gift of friends in memory of Ann Bassett and Tom Johnson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162502, "creators": [{"id": 42701, "description": "Andrew Raftery (American, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000\u20132002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2003.15", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Suit Shopping: An Engraved Narrative"], "is_highlight": false, "updated_at": "2026-03-27 00:07:55.152000"}, {"id": 163066, "accession_number": "2003.8", "share_license_status": "Copyrighted", "tombstone": "Common Egret (Casmerodius albus), 2001. Jayne Hinds Bidaut (American, b. 1965). Tintype; image: 25.5 x 20.3 cm (10 1/16 x 8 in.); framed: 40 x 34.9 x 3.2 cm (15 3/4 x 13 3/4 x 1 1/4 in.); mounted: 26.4 x 21.2 cm (10 3/8 x 8 3/8 in.). The Cleveland Museum of Art, Gift of William S. Lipscomb in memory of his father, James S. Lipscomb, 2003.8", "current_location": null, "title": "Common Egret (Casmerodius albus)", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female"], "culture": ["America"], "technique": "tintype", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 25.5 x 20.3 cm (10 1/16 x 8 in.); Framed: 40 x 34.9 x 3.2 cm (15 3/4 x 13 3/4 x 1 1/4 in.); Mounted: 26.4 x 21.2 cm (10 3/8 x 8 3/8 in.)", "dimensions": {"image": {"height": 0.255, "width": 0.203}, "framed": {"height": 0.4, "width": 0.349, "depth": 0.032}, "mounted": {"height": 0.264, "width": 0.212}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "typed label on verso of mount: \"FROM/ Jayne Hinds Bidaut/ Ferrotype Studio/ N.Y.C./ Plate No. 01 2001/ \"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "written in black: \"COMMON EgREt/ Casmerodius albus\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 184271, "title": "Inventing the Past: Jayne Hinds Bidaut Tintypes", "description": "<i>Inventing the Past: Jayne Hinds Bidaut Tintypes</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 11-July 17, 2002).", "opening_date": "2002-05-11T00:00:00"}, {"id": 178383, "title": "Trophies of the Hunt: Capturing Nature as Art", "description": "<i>Trophies of the Hunt: Capturing Nature as Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 24-November 3, 2004).", "opening_date": "2004-07-24T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "One of a number of contemporary artists employing 19th-century photographic techniques, Jayne Hinds Bidaut relies on the antique tintype process to create images with creamy tones, raised surfaces, and a distressed appearance. This striking, elegant portrait of a common egret with a twisted and elongated neck is from a body of work recording taxidermized birds in the collection of the Peabody Museum of Natural History at Yale University. Bidaut\u2019s works combine her interest in natural history with her enthusiasm for creating physical objects. Her beguiling portraits are filled with references to collecting and history, intricacy and beauty, decay and preservation. The photograph\u2019s frame, chosen by the artist, evokes the period when her photographic process was developed.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79988508"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.8", "images": {}, "alternate_images": [], "creditline": "Gift of William S. Lipscomb in memory of his father, James S. Lipscomb", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163066, "creators": [{"id": 42515, "description": "Jayne Hinds Bidaut (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:48.859000"}, {"id": 163165, "accession_number": "2004.101", "share_license_status": "Copyrighted", "tombstone": "Predator's View, 2004. Michael Berman (American, b. 1956). Gelatin silver print; image: 46.1 x 58.1 cm (18 1/8 x 22 7/8 in.); paper: 57 x 60.2 cm (22 7/16 x 23 11/16 in.); matted: 71.1 x 81.3 cm (28 x 32 in.). The Cleveland Museum of Art, Gift of William S. Lipscomb in memory of his father, James S. Lipscomb, 2004.101", "current_location": null, "title": "Predator's View", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 46.1 x 58.1 cm (18 1/8 x 22 7/8 in.); Paper: 57 x 60.2 cm (22 7/16 x 23 11/16 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.)", "dimensions": {"image": {"height": 0.461, "width": 0.581}, "paper": {"height": 0.57, "width": 0.602}, "matted": {"height": 0.711, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto:  \"Michael P. Berman 2004\"\r\nWritten in ink on verso:  \"Michael P. Berman 2004/Predator View 04W-982\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}, {"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "\"If I could do anything,\" Berman said, \"I\u2019d spend my days in the wilderness.\" Berman\u2019s interest lies not in spectacular vistas but in quieter scenes where the landscape remains devoid of human presence. Taken from a hilltop vantage in the deserts of southwestern Arizona, this image captures the empty, desolate character of the uninhabited desert wilderness.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79988789"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2004.101", "images": {}, "alternate_images": [], "creditline": "Gift of William S. Lipscomb in memory of his father, James S. Lipscomb", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163165, "creators": [{"id": 50390, "description": "Michael Berman (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-12-06T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:55.592000"}, {"id": 163510, "accession_number": "2004.69", "share_license_status": "Copyrighted", "tombstone": "Ohio 1 (Museum of Contemporary Art Cleveland), 2004. Spencer Tunick (American, b. 1967). Chromogenic process color print; overall: 180.3 x 228.5 cm (71 x 89 15/16 in.). The Cleveland Museum of Art, Gift of Timothy and Nancy Callahan, Stewart and Donna Kohl and Mark Schwart and Bettina Katz, 2004.69", "current_location": null, "title": "Ohio 1 (Museum of Contemporary Art Cleveland)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Overall: 180.3 x 228.5 cm (71 x 89 15/16 in.)", "dimensions": {"overall": {"height": 1.803, "width": 2.285}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Since the early 1990s, Tunick has organized more than 75 temporary installations in public spaces worldwide. He deftly positions dozens, hundreds, or thousands of nude volunteers to define and expand his chosen locations, and then takes photographs. In Cleveland on June 26, 2004, Tunick created his largest North American installation to date. As part of an exhibition of his work at the Museum of Contemporary Art Cleveland (MOCA), Tunick positioned more than 2,700 people along East 9th Street. The figures rhythmically define this urban space while adding a sense of humanity. The project was a compelling union of sculpture, performance, and public art beautifully captured in this striking color image. The elongated, abstract mass of flesh challenges one\u2019s notion of nudity and privacy.\r\nGift of Timothy and Nancy Callahan, Stewart and Donna Kohl, and\r\nMark Schwartz and Bettina Katz 2004.69", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989698"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2004.69", "images": {}, "alternate_images": [], "creditline": "Gift of Timothy and Nancy Callahan, Stewart and Donna Kohl and Mark Schwart and Bettina Katz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163510, "creators": [{"id": 49976, "description": "Spencer Tunick (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2004-09-07T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:15.487000"}, {"id": 163591, "accession_number": "2005.103", "share_license_status": "Copyrighted", "tombstone": "The Artist Project: Rev. Albert Wagner, Painter, 2001. Herbert Ascherman (American, b. 1947). Gelatin silver print; image: 23.3 x 23.2 cm (9 3/16 x 9 1/8 in.); paper: 31.7 x 27.9 cm (12 1/2 x 11 in.); matted: 45.7 x 45.7 cm (18 x 18 in.). The Cleveland Museum of Art, Gift of the Artist, 2005.103", "current_location": null, "title": "Rev. Albert Wagner, Painter", "series": "The Artist Project", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["May Show", "male", "Jewish artists", "Cleveland Institute of Art (faculty)"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 23.3 x 23.2 cm (9 3/16 x 9 1/8 in.); Paper: 31.7 x 27.9 cm (12 1/2 x 11 in.); Matted: 45.7 x 45.7 cm (18 x 18 in.)", "dimensions": {"image": {"height": 0.233, "width": 0.232}, "paper": {"height": 0.317, "width": 0.279}, "matted": {"height": 0.457, "width": 0.457}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "written in black marker on recto: \"Reverand Albert Wagner Herbert Ascherman, Jr. (signed)\"\r\nwritten in black marer on verso: \"\u00a92001\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "Herbert Ascherman, Jr. [1947-] (the artist), Shaker Heights, OH", "citations": [], "footnotes": [], "date": "2001-2005", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 6, 2005", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In 2001, Cleveland portrait photographer Herb Ascherman began an ambitious personal project to document 105 of Northeast Ohio\u2019s most prominent visual artists in their studios. For this animated portrait, Reverend Albert Wagner (1924\u20132006)\u2014a prolific folk artist of many media\u2014was positioned in front of a fraction of his artworks that completely filled his three-story home in East Cleveland. One can easily sense the lively interaction between the photographer and his charismatic subject.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989889"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2005.103", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163591, "creators": [{"id": 51596, "description": "Herbert Ascherman (American, b. 1947)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1947", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-06-06T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:34.431000"}, {"id": 164211, "accession_number": "2005.346", "share_license_status": "Copyrighted", "tombstone": "Ohio 4 (Museum of Contemporary Art Cleveland), 2004. Spencer Tunick (American, b. 1967). Chromogenic process color print; image: 76.2 x 95.3 cm (30 x 37 1/2 in.); paper: 76.2 x 95.3 cm (30 x 37 1/2 in.). The Cleveland Museum of Art, Gift of Mark Schwartz and Bettina Katz, 2005.346", "current_location": null, "title": "Ohio 4 (Museum of Contemporary Art Cleveland)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 76.2 x 95.3 cm (30 x 37 1/2 in.); Paper: 76.2 x 95.3 cm (30 x 37 1/2 in.)", "dimensions": {"image": {"height": 0.762, "width": 0.953}, "paper": {"height": 0.762, "width": 0.953}}, "state_of_the_work": null, "edition_of_the_work": "AP", "copyright": null, "inscriptions": [{"inscription": "written in black marker on verso: \"Spencer Tunick (signed)/ 2004/ A/P\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}], "legacy": [{"description": "MOCA Cleveland (1/20/2006 - 5/7/2006):  \"Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleveland Museum of Art,\" no catalogue.", "opening_date": "2006-01-20T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Since 1994, Tunick has organized over sixty-five temporary site-related installations in public places worldwide. He deftly positions nude male and female volunteers to define and expand his chosen locations, then photographs and videotapes the installations. In early 2004, the Museum of Contemporary Art Cleveland organized an exhibition surveying Tunick's photographs in preparation for his June 26, 2004, installation in Cleveland. The shoot involved some 2,754 individuals-the largest installation in North America. For Ohio 4 (Museum of Contemporary Art Cleveland), he posed just the men-all 1,387-kneeling in Voinovich Park, North Coast Harbor, at the end of East 9th Street. This outstanding image showcases Tunick's impressive creative and aesthetic talents to orchestrate and record a complex public installation. The undulating figures rhythmically define the vast urban\r\nspace while adding a haunting sense of humanity. The color photograph beautifully captures a compelling union of sculpture, performance art, and public art, with Cleveland Browns Stadium punctuating the bright, early morning sky in the background.\r\n", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79991471"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2005.346", "images": {}, "alternate_images": [], "creditline": "Gift of Mark Schwartz and Bettina Katz", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164211, "creators": [{"id": 49976, "description": "Spencer Tunick (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2006-02-27T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:38.582000"}, {"id": 164802, "accession_number": "2006.190.8", "share_license_status": "Copyrighted", "tombstone": "The Oscar Photographs: Women Appraising One Another, printed 2005. Larry Fink (American, 1941\u20132023). Inkjet print; image: 81.3 x 81.3 cm (32 x 32 in.); paper: 91.4 x 91.4 cm (36 x 36 in.). The Cleveland Museum of Art, Gift of Mark Schwartz and Bettina Katz in honor of Timothy Rub, 2006.190.8. \u00a9 Larry Fink", "current_location": null, "title": "Women Appraising One Another", "series": "The Oscar Photographs", "creation_date": "printed 2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male", "Jewish artists"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 81.3 x 81.3 cm (32 x 32 in.); Paper: 91.4 x 91.4 cm (36 x 36 in.)", "dimensions": {"image": {"height": 0.813, "width": 0.813}, "paper": {"height": 0.914, "width": 0.914}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Larry Fink", "inscriptions": [], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "Mark Schwartz [1956-2014], Cleveland, OH", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 4, 2006", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Acclaimed social documentary photographer Larry Fink is best known for his revealing images of American rituals of pleasure and leisure, observing all social classes with equal interest and clarity. Using a handheld camera, Fink captures an immediacy in his images that helped define a shift from formal documentary photography to a more casual examination of contemporary culture. This photograph from his Oscar Award Portfolio records a starlet\u2019s unabashed critique of her companion. Fink\u2019s snapshot style encourages viewers to read his photographs as neutral observations of public and private moments.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79992852"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2006.190.8", "images": {}, "alternate_images": [], "creditline": "Gift of Mark Schwartz and Bettina Katz in honor of Timothy Rub", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164802, "creators": [{"id": 30827, "description": "Larry Fink (American, 1941\u20132023)", "extent": null, "qualifier": null, "role": "artist", "biography": "Larry Fink American, 1941\u20132023 Laurence B. Fink is a social documentarian who describes himself as \"political, but not polemical.\" Among the photographers who have influenced his work are Robert Frank, Garry Winogrand, Diane Arbus, and Fink's teacher, Lisette Model. His most recognized subjects, published in the monograph Social Graces (1984), are family celebrations and gatherings of the upper, middle, and lower-middle classes. Fascinated by the rituals of pleasure and leisure, Fink has photographed baptisms, birthdays, weddings, and picnics -- focusing in particular on the Sabatine family, his friends and neighbors in Martins Creek, Pennsylvania. He has also used his camera to explore the sport of boxing, investigating its corruption and violence as intriguing and complex indices of a greater social power structure. Born in New York City, Fink first recognized the transformative power of photography at age 13 when, as a way to make friends, he set out to photograph his Brooklyn school's football team. He was a rebellious teenager whose interests centered on beatnik poetry and photography. After briefly attending college, he became a freelance fashion photographer in New York. Frustrated by the vacuity of commercial work, he began to pursue his own projects, supporting himself through magazine assignments and teaching photography at Parsons School of Design (1968-72), Yale Summer School of Art and Music (1978), Cooper Union (1978-83), Lehigh University (1985-88), and Bard College (1988-present). Fink's photographs have appeared regularly in the New York Times Magazine, Life, and American Photo. He has received many grants and awards, including fellowships from the New York State Council on the Arts (1970, 1974), the John Simon Guggenheim Memorial Foundation (1977, 1979), and the National Endowment for the Arts (1978, 1986), a grant from the Seattle Arts Council (1980), and the Pennsylvania Hazlett Memorial Award for Excellence in the Arts (1985). His one-person exhibitions include a retrospective at the American Cultural Embassy, Brussels (1987), and shows at the Museum of Modern Art, New York (1979), the San Francisco Museum of Modern Art (1981), and Mus\u00e9e de L'Elys\u00e9e, Lausanne (1994). Fink lives in Martins Creek. A.W.", "name_in_original_language": null, "birth_year": "1941", "death_year": "2023", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2006-12-04T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "printed 2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2006.190", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:19.805000"}, {"id": 165183, "accession_number": "2007.178", "share_license_status": "Copyrighted", "tombstone": "1200 Meditation, Things My Mother Gave Me, 2005. Cecil McDonald (American, b. 1965). Inkjet print, Epson; image: 43.5 x 59.9 cm (17 1/8 x 23 9/16 in.); paper: 51.3 x 70 cm (20 3/16 x 27 9/16 in.); matted: 71.1 x 81.3 cm (28 x 32 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2007.178. \u00a9 Cecil McDonald Jr.", "current_location": null, "title": "1200 Meditation, Things My Mother Gave Me", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "inkjet print, Epson", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 43.5 x 59.9 cm (17 1/8 x 23 9/16 in.); Paper: 51.3 x 70 cm (20 3/16 x 27 9/16 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.)", "dimensions": {"image": {"height": 0.435, "width": 0.599}, "paper": {"height": 0.513, "width": 0.7}, "matted": {"height": 0.711, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Cecil McDonald Jr.", "inscriptions": [{"inscription": "written in pencil on verso: \"1200 Meditation, things my mother gave me/Cecil McDonald (signed)/ 1 of 12, 2005\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "From the artist to the Catherine Edelman Gallery, Chicago.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The Chicago-based artist Cecil McDonald utilizes his training in fashion and photography to restage scenes from his family\u2019s domestic life. His purposefully arranged, carefully lit scenes give the viewer a glimpse into the private world of the photographer\u2019s family while calling attention to the themes of gender, race, and class. This colorful photograph, from McDonald\u2019s well-known series \u201cDomestic Observations and Occurrences,\u201d portrays\r\nhis two teenaged daughters interacting in their home. He complicates the boundaries between public and private for viewers by stylizing his family\u2019s\r\ndaily routine.\r\nGift of Friends of Photography 2007.178", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993759"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.178", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165183, "creators": [{"id": 55841, "description": "Cecil McDonald (American, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-06-04T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:26.381000"}, {"id": 165371, "accession_number": "2007.235", "share_license_status": "Copyrighted", "tombstone": "Misty, 2005. Alec Soth (American, b. 1969). Chromogenic process color print; image: 91.4 x 76.2 cm (36 x 30 in.); mounted: 91.3 x 76.1 cm (35 15/16 x 29 15/16 in.); matted: 96.5 x 78.7 cm (38 x 31 in.). The Cleveland Museum of Art, Gift of the Contemporary Art Society, 2007.235", "current_location": null, "title": "Misty", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 91.4 x 76.2 cm (36 x 30 in.); Mounted: 91.3 x 76.1 cm (35 15/16 x 29 15/16 in.); Matted: 96.5 x 78.7 cm (38 x 31 in.)", "dimensions": {"image": {"height": 0.914, "width": 0.762}, "mounted": {"height": 0.913, "width": 0.761}, "matted": {"height": 0.965, "width": 0.787}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Using an 8-by-10-inch view camera, Soth photographed along the Canadian and American borders of Niagara Falls for his second acclaimed\r\nseries and book, NIAGARA, making ordinary scenes of places and people extraordinary. Guided by \u201cfreedom and lucky coincidences,\u201d he was magnetically drawn, as seen in this portrait of Misty, to striking subjects and evocative details. He was attracted to this stranger whom he met in Canada by her compelling presence, set off by piercing eyes and a brilliant blue bathing cap.\r\nGift of the Contemporary Art Society 2007.235", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79994256"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.235", "images": {}, "alternate_images": [], "creditline": "Gift of the Contemporary Art Society", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165371, "creators": [{"id": 56451, "description": "Alec Soth (American, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-12-03T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "7", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:35.945000"}, {"id": 166212, "accession_number": "2008.153", "share_license_status": "Copyrighted", "tombstone": "Narcissus (Pool), 2008. TR Ericsson (American, b. 1972). Powdered graphite on paper; sheet: 126.8 x 95.8 cm (49 15/16 x 37 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2008.153", "current_location": null, "title": "Narcissus (Pool)", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America, Ohio, Cleveland"], "technique": "powdered graphite on paper", "support_materials": [{"description": "paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 126.8 x 95.8 cm (49 15/16 x 37 11/16 in.)", "dimensions": {"sheet": {"height": 1.268, "width": 0.958}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "\"Narcissus,\" SHAHEEN modern and contemporary art, Cleveland, Ohio (Nov. 15 - Dec. 20, 2008).", "opening_date": "2008-11-15T00:00:00"}, {"description": "Main Gallery Rotation (gallery 229): April 29, 2009 - September 11, 2009.", "opening_date": "2009-04-29T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Oblivious to the surrounding natural world, the figure depicted here (Ericsson himself) is absorbed in conversation with an absent companion, aware only of his private experience. The process used in the drawing is labor intensive: a silkscreen is made from a photograph, and graphite is rubbed by hand through the mesh, using erasure, stumping, and even vacuuming to transfer the image onto paper. The screen is then destroyed, resulting in a unique drawing.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79996176"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.153", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166212, "creators": [{"id": 65496, "description": "TR Ericsson (American, b. 1972)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1972", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-12-08T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:09.842000"}, {"id": 166753, "accession_number": "2008.46", "share_license_status": "Copyrighted", "tombstone": "Before the Storm, from the series \"Domestic Vacations\", 2007. Julie Blackmon (American, b. 1966). Inkjet print, Epson; image: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.); mounted: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.); paper: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.). The Cleveland Museum of Art, Judith K. and S. Sterling McMillan III Photography Purchase Fund, 2008.46", "current_location": null, "title": "Before the Storm, from the series \"Domestic Vacations\"", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["America"], "technique": "inkjet print, Epson", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.); Mounted: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.); Paper: 80.7 x 80.5 cm (31 3/4 x 31 11/16 in.)", "dimensions": {"image": {"height": 0.807, "width": 0.805}, "mounted": {"height": 0.807, "width": 0.805}, "paper": {"height": 0.807, "width": 0.805}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in black pen in lower margin on recto: \"Before the Storm, 07/#9/10 Julie Blackmon (signed)\"\r\nWhite adhesive label on verso of mount: \"Before the Storm, 07/#9/10 Julie Blackmon (signed)\"\t\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "Artist; Catherine Edelman Gallery, Chicago, IL", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "For the past several years, Blackmon has explored the visual dynamics of merging art and life by photographing the everyday activities of her family, as well as those of her eight siblings, in domestic settings. This engaging series is inspired by 17th-century Dutch painter Jan Steen, known for\r\nhis scenes of boisterous family gatherings. In this wry personal narrative, Blackmon digitally constructed a carefully orchestrated and multilayered composition, containing both fictional and autobiographical elements.\r\nJudith K. and S. Sterling McMillan III Photography Purchase Fund 2008.46", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79997433"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.46", "images": {}, "alternate_images": [], "creditline": "Judith K. and S. Sterling McMillan III Photography Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166753, "creators": [{"id": 56953, "description": "Julie Blackmon (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:53.704000"}, {"id": 166800, "accession_number": "2008.87", "share_license_status": "Copyrighted", "tombstone": "Untitled 17, 2005. Jen Davis (American, b. 1978). Chromogenic process color print; image: 45.4 x 55.6 cm (17 7/8 x 21 7/8 in.); paper: 55.2 x 60.9 cm (21 3/4 x 24 in.); matted: 71.1 x 81.3 cm (28 x 32 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2008.87", "current_location": null, "title": "Untitled 17", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 45.4 x 55.6 cm (17 7/8 x 21 7/8 in.); Paper: 55.2 x 60.9 cm (21 3/4 x 24 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.)", "dimensions": {"image": {"height": 0.454, "width": 0.556}, "paper": {"height": 0.552, "width": 0.609}, "matted": {"height": 0.711, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in black marker on verso: \"Jen Davis (signed) Untitled\r\n no.17 2006 2/10\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "Artist; Lee Marks Fine Art, Shelbyville, IN; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Beginning in 2002, Akron-born Jen Davis turned the camera on herself, making a probing and unembellished personal diary. Photographed\r\nprimarily in her home, the images seek to reveal personal and private aspects of her daily life that are reconstructed for the camera. Standing with her back to the viewer, lost in thought, Davis skillfully used light and shade as well as her immediate environment to enhance the presentation of her personal narrative, which she has described as a \u201cprocess of self-exploration . . . finding my voice and recognizing my actions and insecurities.\u201d\r\nGift of Friends of Photography 2008.87", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79997558"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.87", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166800, "creators": [{"id": 57057, "description": "Jen Davis (American, b. 1978)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1978", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:25.574000"}, {"id": 166801, "accession_number": "2008.88", "share_license_status": "Copyrighted", "tombstone": "Soldier Bruno: 355 Days in Iraq, 2006. Suzanne Opton (American, 1950\u20132024). Chromogenic print; image: 36.8 x 46 cm (14 1/2 x 18 1/8 in.); mounted: 40.5 x 50.5 cm (15 15/16 x 19 7/8 in.); paper: 40.5 x 50.5 cm (15 15/16 x 19 7/8 in.); matted: 61 x 71.1 cm (24 x 28 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2008.88", "current_location": null, "title": "Soldier Bruno: 355 Days in Iraq", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["female"], "culture": ["America"], "technique": "Chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 36.8 x 46 cm (14 1/2 x 18 1/8 in.); Mounted: 40.5 x 50.5 cm (15 15/16 x 19 7/8 in.); Paper: 40.5 x 50.5 cm (15 15/16 x 19 7/8 in.); Matted: 61 x 71.1 cm (24 x 28 in.)", "dimensions": {"image": {"height": 0.368, "width": 0.46}, "mounted": {"height": 0.405, "width": 0.505}, "paper": {"height": 0.405, "width": 0.505}, "matted": {"height": 0.61, "width": 0.711}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 197898, "title": "Portraiture: American Photography 1960 to the Present", "description": "<i>Portraiture: American Photography 1960 to the Present</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 1-September 13, 2009).", "opening_date": "2009-06-01T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (06/01/2009 - 09/13/2009); \"Portraiture: American Photography 1960 to the Present\"", "opening_date": "2009-06-01T00:00:00"}]}, "provenance": [{"description": "Stephen Cohen Gallery, Los Angeles", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "During 2004 and 2005, New York-based photographer Suzanne Opton received permission to photograph soldiers at Fort Drum who had recently returned from at least 100 days in Iraq or Afghanistan. In some of her most compelling close-up portraits, she asked her subjects to lay their heads on a table in front of a large-format, 4-by-5-inch camera. Bathed in eerie light, soldier Bruno stares intensely into the lens, unaware of just when Opton might release the shutter. There is, however, a sense of vulnerability contained within his unblinking gaze. This image is an evocative mix of traditional, straightforward portraiture combined with an unexpected, uncommon approach to making a portrait. Her intimate viewpoint, as if staring across a bed, prevents the viewer from quickly comprehending the sitter\u2019s visage.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79997560"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.88", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166801, "creators": [{"id": 57060, "description": "Suzanne Opton (American, 1950\u20132024)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "death_year": "2024", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-06-23T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:29.171000"}, {"id": 169852, "accession_number": "2012.106", "share_license_status": "Copyrighted", "tombstone": "An Actress of Heibei Opera, Huoshentai, Henan Province, 2000. Liu Zheng (Chinese, b. 1969). Gelatin silver print; paper: 45.7 x 45.7 cm (18 x 18 in.); matted: 71.1 x 66 cm (28 x 26 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.106. Courtesy of the artist and Eli Klein Gallery \u00a9 Liu Zheng", "current_location": null, "title": "An Actress of Heibei Opera, Huoshentai, Henan Province", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male"], "culture": ["China, late 20th century"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Paper: 45.7 x 45.7 cm (18 x 18 in.); Matted: 71.1 x 66 cm (28 x 26 in.)", "dimensions": {"paper": {"height": 0.457, "width": 0.457}, "matted": {"height": 0.711, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "Courtesy of the artist and Eli Klein Gallery \u00a9 Liu Zheng", "inscriptions": [], "exhibitions": {"current": [{"id": 336424, "title": "Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c", "description": "<i>Facing the Ancestors: Chinese Portraits and Figure Painting \u2013 Chinese Gallery Rotation 240a, 241c</i>. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020).", "opening_date": "2019-08-12T04:00:00"}, {"id": 524148, "title": "Refocusing Photography: China at the Millenium", "description": "<i>Refocusing Photography: China at the Millenium</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-November 16, 2025).", "opening_date": "2025-06-08T04:00:00"}], "legacy": []}, "provenance": [{"description": "Artist; Michael Mattis and Judith Hochberg; Cleveland Museum of Art", "citations": [], "footnotes": [], "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Liu Zheng worked for a newspaper in 1991\u201397, creating images that were supposedly documentary but instead presented a fictional, idealized view of life in China. The burgeoning individual prosperity and increasing openness to the West, meanwhile, was contributing to the rise of the photographer-artist in China, whose work fulfilled personal expressive needs rather than governmental ends. In 1994, Liu took on this new role as he began <em>The Chinese</em>, a seven-year independent project chronicling Chinese society that may have been inspired by German photographer August Sander\u2019s comprehensive catalogue of his country\u2019s people. Like American portraitist Diane Arbus, Liu emphasized dispossessed and marginalized citizens, the type of subjects he had been forbidden to shoot as a photojournalist.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077666"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.106", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169852, "creators": [{"id": 63024, "description": "Liu Zheng (Chinese, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:00.353000"}, {"id": 170687, "accession_number": "2013.22.3", "share_license_status": "Copyrighted", "tombstone": "A Suite Set of Dance, Dance, Dance: Dance, Dance, Dance. #3, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.3 x 38.8 cm (21 3/8 x 15 1/4 in.); platemark: 14.6 x 25.4 cm (5 3/4 x 10 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.3. \u00a9 Kakyoung Lee", "current_location": null, "title": "Dance, Dance, Dance. #3", "series": "A Suite Set of Dance, Dance, Dance", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.3 x 38.8 cm (21 3/8 x 15 1/4 in.); Platemark: 14.6 x 25.4 cm (5 3/4 x 10 in.)", "dimensions": {"sheet": {"height": 0.543, "width": 0.388}, "platemark": {"height": 0.146, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #3; verso in graphite, lower right: K. L. '11", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}, {"id": 443874, "title": "Creating Urgency: Modern and Contemporary Korean Art", "description": "<i>Creating Urgency: Modern and Contemporary Korean Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-October 23, 2022).", "opening_date": "2022-04-22T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the Artist", "citations": [], "footnotes": null, "date": "2011\u2013?", "sortorder": 1}, {"description": "(Mary Ryan Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Created by the Seoul- and New York-based artist Kakyung Lee, <em>Dance, Dance, Dance</em> is a suite of ten prints made using drypoint, a printmaking process in which a design is drawn on a plate with a sharp, needle-like instrument. Each print is a self-portrait featuring her repetitive gestural movements. Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079735"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.3", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170687, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:24.160000"}, {"id": 170690, "accession_number": "2013.22.6", "share_license_status": "Copyrighted", "tombstone": "A Suite Set of Dance, Dance, Dance: Dance, Dance, Dance. #6, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.4 x 38.8 cm (21 7/16 x 15 1/4 in.); platemark: 14.5 x 25.3 cm (5 11/16 x 9 15/16 in.). 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The results are impressions of remarkable variety in texture, monochrome ink shades, and shapes. The title, <em>Neither Mountain nor Water, </em>negates the subject of mountains and water (<em>shan shui</em>) in favor of and with an emphasis on graphic abstraction. <br><br>He Shanqing was born in Hunan Province. 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He is the First Prize Winner of the Third Muban Printmaking Award 2017.", "name_in_original_language": "\u4f55\u4e09\u9752", "birth_year": "1988", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2020.278", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Neither Mountain Nor Water 4"], "is_highlight": false, "updated_at": "2026-03-27 00:02:42.776000"}, {"id": 417491, "accession_number": "2020.278.5", "share_license_status": "Copyrighted", "tombstone": " (\u975e\u5c71\u975e\u6c34\u7cfb): Neither Mountain nor Water 5 (\u975e\u5c71\u975e\u6c34\u4e4b\u4e94), 2016. He Sanqing (Chinese, b. 1988). Woodblock print, printed on xuan paper with water-soluble ink; 61 x 97 cm (24 x 38 3/16 in.). The Cleveland Museum of Art, The Sarah Stern Michael Fund, 2020.278.5", "current_location": null, "title": "Neither Mountain nor Water 5", "title_in_original_language": "\u975e\u5c71\u975e\u6c34\u4e4b\u4e94", "series_in_original_language": "\u975e\u5c71\u975e\u6c34\u7cfb", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2020, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Woodblock print, printed on xuan paper with water-soluble ink", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "61 x 97 cm (24 x 38 3/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.61, "width": 0.97}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "9/30 / \u975e\u5c71\u975e\u6c34\u4e4b\u4e94 / \u4f55\u4e09\u9752 / 2018.6", "inscription_translation": "9/30 / Neither Mountain nor Water 5 / He Sanqing / 2018.6", "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 453169, "title": "Modern Impressions\u2014Light and Water in Chinese Prints", "description": "<i>Modern Impressions\u2014Light and Water in Chinese Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 2022-May 7, 2023).", "opening_date": "2022-11-04T04:00:00"}], "legacy": [{"description": "<em>Chinese Woodblock Prints: Context and Practice</em>. The Muban Educational Trust, St. Paul's School, London (January 17-February 5, 2019).", "opening_date": "2019-01-17T00:00:00"}]}, "provenance": [{"description": "He Shanqing \u4f55\u4e09\u9752 [He Sanqing] [b. 1988], Wuhan, Hubei province, China, sold to the Cleveland Museum of Art through the mediation of the Muban Educational Trust, London", "citations": [], "footnotes": [], "date": "2016-2020", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This series of five prints transforms landscape elements into abstract patterns while referencing the monochrome tradition of classical ink landscape painting. He Shanqing presses differently shaped and textured, black inked blocks of wood over a grid of preconfigured lines on a sheet of <em>xuan</em> paper. The results are impressions of remarkable variety in texture, monochrome ink shades, and shapes. The title, <em>Neither Mountain nor Water, </em>negates the subject of mountains and water (<em>shan shui</em>) in favor of and with an emphasis on graphic abstraction. <br><br>He Shanqing was born in Hunan Province. The first prize winner of the Third Muban Printmaking Award in 2017, he graduated from the China Academy of Fine Arts in Beijing with an MA degree one year later.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117246585"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.278.5", "images": {}, "alternate_images": [], "creditline": "The Sarah Stern Michael Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 417491, "creators": [{"id": 374730, "description": "He Sanqing (Chinese, b. 1988)", "extent": null, "qualifier": null, "role": "artist", "biography": "He Sanqing was born in Hunan province in 1988. He was awarded his BA degree in 2014 and an MA degree from China Academy of Fine Arts in Beijing in 2018. Now he teaches at Huazhong Normal University in Wuhan. He is the First Prize Winner of the Third Muban Printmaking Award 2017.", "name_in_original_language": "\u4f55\u4e09\u9752", "birth_year": "1988", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2020.278", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Neither Mountain Nor Water 5"], "is_highlight": false, "updated_at": "2026-03-27 00:08:06.739000"}, {"id": 170794, "accession_number": "2013.30", "share_license_status": "Copyrighted", "tombstone": "Heiligenfigur (St. Michael)\r\n, 2008. Katharina Fritsch (German, b. 1956). Polyester and paint; overall: 169 x 66 x 57 cm (66 9/16 x 26 x 22 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2013.30", "current_location": null, "title": "Heiligenfigur (St. Michael)\r\n", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["female"], "culture": ["Germany, 21st century"], "technique": "polyester and paint", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 169 x 66 x 57 cm (66 9/16 x 26 x 22 7/16 in.)", "dimensions": {"overall": {"height": 1.69, "width": 0.66, "depth": 0.57}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079993"], "internet_archive": []}, "citations": [{"citation": "\u201cA Walking Tour: The entire new museum wing by wing, with curators calling out a few favorite works in the collection.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 54, no. 1 (January/February 2014): 8-33.", "page_number": "Reproduced and Mentioned: p. 23", "url": "https://archive.org/details/CMAMM2014-01/page/n21/mode/2up"}, {"citation": "Cleveland Museum of Art. <em>Museum Masters: 2016-17 Companion Guide.</em> [Cleveland, Ohio]: Cleveland Museum of Art, 2016.", "page_number": "Mentioned and reproduced: P. 25", "url": ""}], "url": "https://clevelandart.org/art/2013.30", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170794, "creators": [{"id": 63620, "description": "Katharina Fritsch (German, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-05-28T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Figure of a Saint (St. Michael)"], "is_highlight": false, "updated_at": "2026-03-26 23:59:55.310000"}, {"id": 162194, "accession_number": "2002.100", "share_license_status": "Copyrighted", "tombstone": "A-19 Door, 2000. Kyoko Murakami (Japanese, b. 1972). Color aquatint; sheet: 72.8 x 60.3 cm (28 11/16 x 23 3/4 in.); platemark: 55.4 x 49.9 cm (21 13/16 x 19 5/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William E. Ward Collection Fund, 2002.100", "current_location": null, "title": "A-19 Door", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["Japan, Heisei period (1989\u20132019)"], "technique": "color aquatint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Sheet: 72.8 x 60.3 cm (28 11/16 x 23 3/4 in.); Platemark: 55.4 x 49.9 cm (21 13/16 x 19 5/8 in.)", "dimensions": {"sheet": {"height": 0.728, "width": 0.603}, "platemark": {"height": 0.554, "width": 0.499}}, "state_of_the_work": null, "edition_of_the_work": "25", "copyright": null, "inscriptions": [{"inscription": "lower margin, in graphite: 9/25 door Kyoko 2000", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [{"description": "(Yoseido Gallery, Tokyo, Japan, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132002", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2002\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The artist explains, \"Each of us is snug in an individual vaporous cloak, but there should be no sense of isolation and loneliness. We are separate but not alienated from one another.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79985992"], "internet_archive": []}, "citations": [{"citation": "Glaubinger, Jane, Nancy Grossman and Marjorie Williams. \"Visions of Japan.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 44, no. 10 (December 2004): 4\u20135.", "page_number": "Mentioned and Reproduced: p. 4", "url": "https://archive.org/details/CMAMM2004-10/page/n3/mode/2up"}], "url": "https://clevelandart.org/art/2002.100", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. William E. Ward Collection Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162194, "creators": [{"id": 43326, "description": "Kyoko Murakami (Japanese, b. 1972)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1972", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:48.540000"}, {"id": 167665, "accession_number": "2009.343", "share_license_status": "Copyrighted", "tombstone": "Mapa estelar en \u00e1rbol, 2009. Gabriel Orozco (Mexican, b. 1962). Calcium sulfate (plaster), animal glue, graphite and mango tree trunk; overall: 72.6 x 69.7 x 40 cm (28 9/16 x 27 7/16 x 15 3/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2009.343. \u00a9 Gabriel Orozco ", "current_location": null, "title": "Mapa estelar en \u00e1rbol", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["Mexico, 21st century"], "technique": "calcium sulfate (plaster), animal glue, graphite and mango tree trunk", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 72.6 x 69.7 x 40 cm (28 9/16 x 27 7/16 x 15 3/4 in.)", "dimensions": {"overall": {"height": 0.726, "width": 0.697, "depth": 0.4}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Gabriel Orozco ", "inscriptions": [], "exhibitions": {"current": [{"id": 673632, "title": "Gabriel Orozco: Polit\u00e9cnico Nacional", "description": "<i>Gabriel Orozco: Polit\u00e9cnico Nacional</i>. Museo Jumex, Mexico City, Mexico (organizer) (February 1-August 3, 2025) https://www.fundacionjumex.org/en/exposiciones/327-gabriel-orozco-politecnico-nacional.", "opening_date": "2025-02-01T05:00:00"}], "legacy": []}, "provenance": [{"description": "The work was made during the first months of the year 2009.  It was exhibited for the first time as part of Orozco's solo exhibition at Kurimanzutto gallery in Mexico City, which opened on April 25, 2009 (April 29 to the public) and closed on June 13th, 2009.  The work was put on hold for consideration of the Cleveland Museum of Art on April 26th, 2009.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Orozco incorporates objects from urban and natural settings in his artwork. A fallen mango tree found in the state of Morelos in southern Mexico acts as the base for Mapa estelar en \u00e1rbol. Indigenous inhabitants of Morelos use wood from mango trees for cooking and heating. Orozco has covered one side of the trunk with an even layer of animal glue, or gesso, on top of which he applied a layer of graphite that he fastidiously etched with a compass point. This process references an old master technique, one of many that Orozco has resurrected as part of his work.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60780805"], "internet_archive": []}, "citations": [{"citation": "Orozco, Gabriel, Briony Fer, and Museo Jumex. <em>Gabriel Orozco : Polite\u0301Cnico Nacional</em>. [Ciudad de Me\u0301xico]: Fundacio\u0301n Jumex Arte Contempora\u0301neo, 2025.", "page_number": "Reproduced: p. 73", "url": ""}], "url": "https://clevelandart.org/art/2009.343", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167665, "creators": [{"id": 41920, "description": "Gabriel Orozco (Mexican, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-11-30T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:12.483000"}, {"id": 167676, "accession_number": "2009.353", "share_license_status": "Copyrighted", "tombstone": "Marie Laveau, 2009. Ren\u00e9e Stout (American, b. 1958), Zanatta Editions and Derriere L\u2019Etoile Studios. Color lithograph; image: 53.6 x 53.6 cm (21 1/8 x 21 1/8 in.); sheet: 58 x 57 cm (22 13/16 x 22 7/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2009.353. \u00a9 Ren\u00e9e Stout", "current_location": null, "title": "Marie Laveau", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "color lithograph", "support_materials": [{"description": "Philippine Kozo paper", "watermarks": []}], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Image: 53.6 x 53.6 cm (21 1/8 x 21 1/8 in.); Sheet: 58 x 57 cm (22 13/16 x 22 7/16 in.)", "dimensions": {"sheet": {"height": 0.58, "width": 0.57}, "image": {"height": 0.536, "width": 0.536}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Ren\u00e9e Stout", "inscriptions": [{"inscription": "In pencil, lower margin: 29/36 Marie Laveau  Renee Stout 2009\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Ren\u00e9e Stout often explores African-derived spiritual belief systems to highlight the ancestry of African American culture. Here, she portrays the New Orleans Creole Marie Laveau (1801\u20131881), an herbalist and priestess of Louisiana vodou (a set of spiritual practices created by enslaved African people from various African and European spiritualities). She looks piercingly at the viewer as a ghostlike snake emerges from her hair, referring to reports that Laveau wore an enchanted python around her neck. Though historical portraits portray Laveau as a light-skinned woman with a carefully pinned hairstyle, Stout reimagines her with dark skin and an Afro, emphasizing the African roots of Laveau\u2019s spiritual practice.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80072475"], "internet_archive": []}, "citations": [{"citation": "Muse\u0301e de Pont-Aven. <em>Sorcie\u0300Res</em>. Edited by Antoine Ullmann. Paris: E\u0301ditions Arola, 2025.", "page_number": "Reproduced: p. 31", "url": ""}], "url": "https://clevelandart.org/art/2009.353", "images": {}, "alternate_images": [], "creditline": "Purchase from the Karl B. Goldfield Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167676, "creators": [{"id": 58721, "description": "Ren\u00e9e Stout (American, b. 1958)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1958", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69572, "description": "Zanatta Editions and Derriere L\u2019Etoile Studios", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2009-11-30T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "29", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:55.418000"}, {"id": 168184, "accession_number": "2009.8", "share_license_status": "Copyrighted", "tombstone": "The Casting, 2007. Omer Fast (American, b. 1972). Four-channel video installation, color, sound; 14 minutes; edition 4/6 (Commissioned by the Museum Moderner Kunst Stiftung Ludwig Wien). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2009.8. \u00a9 Omer Fast ", "current_location": null, "title": "The Casting", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male", "Jewish artists"], "culture": ["America, born Israel, 21st century"], "technique": "Four-channel video installation, color, sound; 14 minutes; edition 4/6 (Commissioned by the Museum Moderner Kunst Stiftung Ludwig Wien)", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Omer Fast ", "inscriptions": [], "exhibitions": {"current": [{"id": 204150, "title": "Omer Fast: The Casting", "description": "<i>Omer Fast: The Casting</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 5, 2010).", "opening_date": "2010-06-20T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Omer Fast\u2019s work examines mass media\u2019s alteration of memory as it interweaves personal and universal experiences against the background of immediate historical events, such as the Holocaust, the Israeli-Palestinian conflict, the Iraq war, or postcolonial global migrations. The Casting is based on an actual interview with a U.S. Army sergeant who had been stationed in Germany and then served in Iraq. In the installation, the soldier\u2019s recollections provide a unifying soundtrack to the tableaux vivants that reenact disparate moments. The seamless narration, however, has been spliced together and extended to include the artist\u2019s process of auditioning actors for his work. Positioned at the back of the installation, the interview plays the role of \"reality\" as the more theatrical images are projected at the front. While the narrator\u2019s speech remains casual, the tightly rendered tableaux vivants borrow from the stereotypical language of mass media even as the segments represent an ongoing human drama. Partitioned screens in The Casting encourage an open-ended experience of the video, offering a perspective on the Iraqi conflict that takes into account actual lives as opposed to only the political content.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80073698"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 125", "url": ""}], "url": "https://clevelandart.org/art/2009.8", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168184, "creators": [{"id": 57809, "description": "Omer Fast (American, b. 1972)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1972", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-03-02T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:33.366000"}, {"id": 169499, "accession_number": "2011.33", "share_license_status": "Copyrighted", "tombstone": "Bacon's Not the Only Thing That Is Cured by Hanging from a String, 2011. Geoffrey Farmer (Canadian, b. 1967). Printed material, wood, metal, paint, tape, foam, fabric, computer programmed LEDs; part 1: 245.1 x 45.7 x 58.4 cm (96 1/2 x 18 x 23 in.); part 2: 245.1 x 45.7 x 45.7 cm (96 1/2 x 18 x 18 in.). The Cleveland Museum of Art, Sundry Art-Contemporary Fund, 2011.33", "current_location": null, "title": "Bacon's Not the Only Thing That Is Cured by Hanging from a String", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male", "LGBTQ+ (after 1900)"], "culture": ["Canada, 21st century"], "technique": "printed material, wood, metal, paint, tape, foam, fabric, computer programmed LEDs", "support_materials": [], "department": "Contemporary Art", "collection": "Sculpture", "type": "Mixed Media", "measurements": "Part 1: 245.1 x 45.7 x 58.4 cm (96 1/2 x 18 x 23 in.); Part 2: 245.1 x 45.7 x 45.7 cm (96 1/2 x 18 x 18 in.)", "dimensions": {"part 1": {"height": 2.451, "width": 0.457, "depth": 0.584}, "part 2": {"height": 2.451, "width": 0.457, "depth": 0.457}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Main Gallery Rotation (Gallery 229): September 19, 2011 - March 12, 2012.", "opening_date": "2011-09-19T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Geoffrey Farmer equates sculpture with photography in that the latter has impacted society as an influential visual record of social and cultural events. In this piece, cut-out images from vintage issues of <em>LIFE</em> magazine dangle freely, curing in a darkroom, inviting open-ended metaphors and narratives in the interplay with other found objects. In addition, subtle light effects in this work emphasize another aspect of the medium of sculpture\u2014its inherent theatrical nature. Illuminated lamp posts evoke an urban street corner where people connect and intersect, imagined here in an intimate and magical nocturnal moment. The title also refers to photography, as evidenced in Susan Sontag\u2019s popular book <em>On</em> <em>Photography</em>: to hang something is to make it visible.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076870"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.", "page_number": "Mentioned and reproduced: P. 127", "url": ""}], "url": "https://clevelandart.org/art/2011.33", "images": {}, "alternate_images": [], "creditline": "Sundry Art-Contemporary Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169499, "creators": [{"id": 61472, "description": "Geoffrey Farmer (Canadian, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-06-06T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:59.447000"}, {"id": 169848, "accession_number": "2012.102", "share_license_status": "Copyrighted", "tombstone": "My Left Hand (with Young Mao), 2004. Qi Sheng (Chinese, b. 1965). Chromogenic print; framed: 99.1 x 68.6 cm (39 x 27 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.102. \u00a9 Qi Sheng", "current_location": null, "title": "My Left Hand (with Young Mao)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["China, 21st century"], "technique": "chromogenic print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Framed: 99.1 x 68.6 cm (39 x 27 in.)", "dimensions": {"framed": {"height": 0.991, "width": 0.686}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Qi Sheng", "inscriptions": [], "exhibitions": {"current": [{"id": 524148, "title": "Refocusing Photography: China at the Millenium", "description": "<i>Refocusing Photography: China at the Millenium</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-November 16, 2025).", "opening_date": "2025-06-08T04:00:00"}], "legacy": []}, "provenance": [{"description": "Unknown, probably purchased through a gallery; Michael Mattis and Judith Hochberg; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In 1989, a pro-democracy protest in Tiananmen Square was brutally quashed by government forces, followed by suppression of avant-garde art activities and exhibitions. Performance artist Qi Sheng chose self-imposed exile when he could not continue making his art. Before leaving, he cut off the little finger of his left hand. He buried it in a flowerpot so that when his body went to Europe, his soul would remain rooted in China. Returning after ten years away, he photographed that hand cradling tiny portraits. This image of Mao Zedong suggests the origins of the political forces that led him to such a desperate act. \u201cI am not only an artist,\u201d said Qi, \u201cI am an observer and recorder of history.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077656"], "internet_archive": []}, "citations": [{"citation": "Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. Vol. 53 no. 02, March/April 2013", "page_number": "Mentioned & reproduced: p. 15", "url": "https://archive.org/details/CMAMM2013-02/page/n13"}], "url": "https://clevelandart.org/art/2012.102", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169848, "creators": [{"id": 63016, "description": "Qi Sheng (Chinese, b. 1965)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u76db\u5947", "birth_year": "1965", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "7", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:39.845000"}, {"id": 169861, "accession_number": "2012.114", "share_license_status": "Copyrighted", "tombstone": "Third Front\u2014Train, 2006. Chen Jiagang (Chinese, b. 1962). Inkjet print; framed: 177.8 x 218.4 cm (70 x 86 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.114", "current_location": null, "title": "Third Front\u2014Train", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China, 21st century"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Framed: 177.8 x 218.4 cm (70 x 86 in.)", "dimensions": {"framed": {"height": 1.778, "width": 2.184}}, "state_of_the_work": null, "edition_of_the_work": "edition of 8", "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 524148, "title": "Refocusing Photography: China at the Millenium", "description": "<i>Refocusing Photography: China at the Millenium</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-November 16, 2025).", "opening_date": "2025-06-08T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In the 1960s, Mao Zedong ordered construction of the Third Front: a massive build-up of military and industrial manufacturing in remote areas of southwest China. In the 1980s, when the Cold War ended and China shifted its focus from defense to economic development, those factories and towns were largely abandoned. Early in his career, architect Chen Jiagang designed and built an atomic plant on the Third Front. After he turned to photography in 2001, his first major series used the Third Front ghost towns as the settings for staged, theatrical scenes. Young women dressed in <em>cheongsam </em>(form-fitting dresses popular in China from the1920s to the 1940s) wander through mid-century industrial ruins, serving as spirits of an even more distant past.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077685"], "internet_archive": []}, "citations": [{"citation": "\"Exhibitions Through November 2025.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>65, no. 3 (2025): 16-17.", "page_number": "Mentioned and reproduced: p. 17", "url": "https://archive.org/details/CMAMM-2025-03"}], "url": "https://clevelandart.org/art/2012.114", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169861, "creators": [{"id": 63027, "description": "Chen Jiagang (Chinese, b. 1962)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9673\u5bb6\u525b", "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:05.779000"}, {"id": 306988, "accession_number": "2017.196", "share_license_status": "Copyrighted", "tombstone": "Better be watching the clouds_Plate 438, 2000, printed 2017. Walid Raad (Lebanese, b. 1967). Pigmented inkjet print mounted to Dibond; sheet: 76.2 x 50.8 cm (30 x 20 in.); secondary support: 76.2 x 50.8 cm (30 x 20 in.); frame: 78.1 x 52.7 x 3.5 cm (30 3/4 x 20 3/4 x 1 3/8 in.). The Cleveland Museum of Art, Alma Kroeger Fund, 2017.196. \u00a9 Walid Raad", "current_location": null, "title": "Better be watching the clouds_Plate 438", "creation_date": "2000, printed 2017", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male"], "culture": [], "technique": "pigmented inkjet print mounted to Dibond", "support_materials": [], "department": "Prints", "collection": "PR - Computer", "type": "Print", "measurements": "Sheet: 76.2 x 50.8 cm (30 x 20 in.); Secondary Support: 76.2 x 50.8 cm (30 x 20 in.); Frame: 78.1 x 52.7 x 3.5 cm (30 3/4 x 20 3/4 x 1 3/8 in.)", "dimensions": {"sheet": {"height": 0.762, "width": 0.508}, "secondary support": {"height": 0.762, "width": 0.508}, "frame": {"height": 0.781, "width": 0.527, "depth": 0.035}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Walid Raad", "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 18, 2018-March 24, 2019).", "opening_date": "2018-11-18T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Walid Raad uses storytelling and surreal images to ask questions about political history and what is true. Here, herbs in a Middle Eastern botanical guidebook bloom with the face of Lebanese politician Kamal Joumblatt. According to Raad, the collaged page belonged to a former Lebanese intelligence officer and botanist who assigned floral code names to world leaders during the Lebanese Civil War (1975-1991).", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60759851"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Wehn, James. \u201cAcquisition Highlights: Prints.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 58, no. 2 (March/April 2018): 14-15.", "page_number": "Reproduced and Mentioned: P. 15", "url": "https://archive.org/details/CMAMM2018-02/page/n7/mode/2up"}], "url": "https://clevelandart.org/art/2017.196", "images": {}, "alternate_images": [], "creditline": "Alma Kroeger Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 306988, "creators": [{"id": 66368, "description": "Walid Raad (Lebanese, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-12-04T00:00:00-05:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000, printed 2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:39.213000"}, {"id": 312281, "accession_number": "2018.33.85", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: People Got More Unknown Than Known, 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.85", "current_location": null, "title": "The Bad Air Smelled of Roses: People Got More Unknown Than Known", "creation_date": "2004-ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "48.3 x 35.6 cm (19 x 14 in.)", "dimensions": {"No Extent Specified": {"height": 0.483, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 18, 2018-March 24, 2019).", "opening_date": "2018-11-18T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. To date, the work comprises 108 posters that present texts from a range of sources, including modern Black literature, Ren\u00e9 Descartes, jazz and rap music, Sigmund Freud, Malcolm X, Dolly Parton, movie dialogue from <em>Casablanca</em> and <em>The Matrix,</em> and a TV commercial for bubble bath. For Pope, Blackness is not limited to African American identity, but encompasses all that is unseen, unknown, oppressed, forgotten, or rejected. The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60759306"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Wehn, James. \"Who RU2 Day?: Exposing mass media as a manufactured experience.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 6 (November/December 2018): 14-15.", "page_number": "Reproduced: P. 15; Mentioned: P. 14", "url": "https://archive.org/details/CMAMM2018-06/page/n7/mode/2up"}], "url": "https://clevelandart.org/art/2018.33.85", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312281, "creators": [{"id": 310168, "description": "Carl Pope Jr. (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 312267, "description": "the artist at York Show Print, York, Alabama", "extent": "printed by", "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004-ongoing", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.33", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:10.231000"}, {"id": 312282, "accession_number": "2018.33.86", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: In Their Minds. The Unknown IS Great! It\u2019s Like the Darkness., 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.86", "current_location": null, "title": "The Bad Air Smelled of Roses: In Their Minds. The Unknown IS Great! It\u2019s Like the Darkness.", "creation_date": "2004-ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "48.3 x 35.6 cm (19 x 14 in.)", "dimensions": {"No Extent Specified": {"height": 0.483, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 18, 2018-March 24, 2019).", "opening_date": "2018-11-18T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. To date, the work comprises 108 posters that present texts from a range of sources, including modern Black literature, Ren\u00e9 Descartes, jazz and rap music, Sigmund Freud, Malcolm X, Dolly Parton, movie dialogue from <em>Casablanca</em> and <em>The Matrix,</em> and a TV commercial for bubble bath. For Pope, Blackness is not limited to African American identity, but encompasses all that is unseen, unknown, oppressed, forgotten, or rejected. The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60749992"], "internet_archive": []}, "citations": [{"citation": "Peters, Emily J. and Wehn, James. \"Who RU2 Day?: Exposing mass media as a manufactured experience.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>58, no. 6 (November/December 2018): 14-15.", "page_number": "Reproduced: P. 15; Mentioned: P. 14", "url": "https://archive.org/details/CMAMM2018-06/page/n7/mode/2up"}], "url": "https://clevelandart.org/art/2018.33.86", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312282, "creators": [{"id": 310168, "description": "Carl Pope Jr. (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 312267, "description": "the artist at York Show Print, York, Alabama", "extent": "printed by", "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004-ongoing", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.33", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:10.242000"}, {"id": 302092, "accession_number": "2017.190", "share_license_status": "Copyrighted", "tombstone": "Heart of the Dragon, 2010. Beth Moon (American, b. 1955). Platinum print; image: 43.2 cm (17 in.); paper: 55.9 x 76.2 cm (22 x 30 in.). 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L. at Joni Moisant Weyl", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.53", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-01 19:07:11.972000"}, {"id": 161515, "accession_number": "2000.161.7", "share_license_status": "Copyrighted", "tombstone": "1989. A Portfolio of 11 Images Honoring Artists Lost to AIDS: All that Glitters is Gold, 2000. Lari Pittman (American, 1952-), published by Alliance for the Arts, The Estate Project for Artists wih AIDS. Pigment ink jet; overall: 51.1 x 61.4 cm (20 1/8 x 24 3/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2000.161.7", "current_location": null, "title": "All that Glitters is Gold", "series": "1989. A Portfolio of 11 Images Honoring Artists Lost to AIDS", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male", "Latine and Hispanic Artists", "LGBTQ+ (after 1900)"], "culture": ["America, late 20th Century"], "technique": "pigment ink jet", "support_materials": [{"description": "Hahnemuhle paper", "watermarks": []}], "department": "Prints", "collection": "PR - Computer", "type": "Portfolio", "measurements": "Overall: 51.1 x 61.4 cm (20 1/8 x 24 3/16 in.)", "dimensions": {"overall": {"height": 0.511, "width": 0.614}}, "state_of_the_work": null, "edition_of_the_work": "75 plus 12 artist's proofs", "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 541557, "title": "New Narratives: Contemporary Works on Paper", "description": "<i>New Narratives: Contemporary Works on Paper</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2023-April 14, 2024).", "opening_date": "2023-11-19T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Lari Pittman made this print as part of a portfolio honoring visual and performing artists lost to the AIDS epidemic. Dedicated to pianist and singer Liberace (1919\u20131987), Pittman referenced the performer\u2019s renowned love for glitz and glamour through what he calls over-decoration. The male profile (perhaps representing a young Liberace), diamonds, sunbursts, and undefined architectural elements in layers of bright, complementary colors celebrate artificiality, or in the artist\u2019s words, \u201cfrippery,\u201d that defines both Pittman\u2019s practice and Liberace\u2019s public persona.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79984320"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2000.161.7", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 161515, "creators": [{"id": 22243, "description": "Lari Pittman (American, 1952-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1952", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67364, "description": "Alliance for the Arts, The Estate Project for Artists wih AIDS", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2001-03-05T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2000.161", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:48.667000"}, {"id": 162073, "accession_number": "2001.28", "share_license_status": "Copyrighted", "tombstone": "Burning River Intaglio, 2000. Laurence Channing (American, b. 1942), The Print Club of Cleveland Publication No. 79, 2001. Etching and aquatint; sheet: 37.5 x 50.9 cm (14 3/4 x 20 1/16 in.); platemark: 15.1 x 29.7 cm (5 15/16 x 11 11/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2001.28. \u00a9 Laurence Channing", "current_location": null, "title": "Burning River Intaglio", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male"], "culture": ["America, late 20th Century"], "technique": "etching and aquatint", "support_materials": [{"description": "wove lana gravure paper", "watermarks": []}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Sheet: 37.5 x 50.9 cm (14 3/4 x 20 1/16 in.); Platemark: 15.1 x 29.7 cm (5 15/16 x 11 11/16 in.)", "dimensions": {"sheet": {"height": 0.375, "width": 0.509}, "platemark": {"height": 0.151, "width": 0.297}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Laurence Channing", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Gallery One - 1G: May 16, 2016-October 17, 2016", "opening_date": "2016-05-16T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Laurence Channing\u2019s artistic process includes taking long walks through Cleveland and capturing unassuming urban images with his 35 mm camera. Back in the studio, he works directly from photographs to create his odes to the city. After more than 25 years of depicting this region, Channing has garnered numerous awards, including the Cleveland Arts Prize. In this still, quiet image of the city, deep shadows are punctuated by moments of bright light.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79985689"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2001.28", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162073, "creators": [{"id": 15589, "description": "Laurence Channing (American, b. 1942)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1942", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69371, "description": "The Print Club of Cleveland Publication No. 79, 2001", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2001-03-05T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:30.880000"}, {"id": 162201, "accession_number": "2002.106.a", "share_license_status": "Copyrighted", "tombstone": "Division-Work No. 100, 2002. Hamanishi Katsunori (Japanese, b. 1949). Mezzotint with gold leaf; sheet: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); platemark: 59.7 x 45.1 cm (23 1/2 x 17 3/4 in.). 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Hamanishi '02; Center: Division-Work No. 100; Left: 37/50\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although mezzotint is primarily a European technique,  Hamanishi\u2019s work is traditionally Japanese in many respects.  The use of gold, which emphasizes the flatness of the scene  and adds a wonderful decorative element, began in Japanese  printmaking in the late 17th century. One hundred years  earlier, gold paper served as a background for folding screens  (see examples in gallery 121), also referenced in the tripartite  arrangement of Division-Work No. 100.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986011"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.106.a", "images": {}, "alternate_images": [], "creditline": "Gift of Gloria and Leon Plevin in memory of Fred Schmidt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162201, "creators": [{"id": 34416, "description": "Hamanishi Katsunori (Japanese, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ed2\u7530\u8302\u6a39", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2002.106", "is_nazi_era_provenance": false, "impression": "37", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:36.510000"}, {"id": 162202, "accession_number": "2002.106.b", "share_license_status": "Copyrighted", "tombstone": "Division-Work No. 100, 2002. Hamanishi Katsunori (Japanese, b. 1949). Mezzotint with gold leaf; sheet: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); platemark: 59.6 x 44.7 cm (23 7/16 x 17 5/8 in.). The Cleveland Museum of Art, Gift of Gloria and Leon Plevin in memory of Fred Schmidt, 2002.106.b", "current_location": null, "title": "Division-Work No. 100", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["Japan"], "technique": "mezzotint with gold leaf", "support_materials": [{"description": "MUSE MAT THUNDERS watermarked wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Mezzotint", "type": "Print", "measurements": "Sheet: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); Platemark: 59.6 x 44.7 cm (23 7/16 x 17 5/8 in.)", "dimensions": {"sheet": {"height": 0.742, "width": 0.498}, "platemark": {"height": 0.596, "width": 0.447}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed lower right, in graphite:  K. Hamanishi '02; Center: Division-Work No. 100; Left: 37/50\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although mezzotint is primarily a European technique,  Hamanishi\u2019s work is traditionally Japanese in many respects.  The use of gold, which emphasizes the flatness of the scene  and adds a wonderful decorative element, began in Japanese  printmaking in the late 17th century. One hundred years  earlier, gold paper served as a background for folding screens  (see examples in gallery 121), also referenced in the tripartite  arrangement of Division-Work No. 100.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986014"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.106.b", "images": {}, "alternate_images": [], "creditline": "Gift of Gloria and Leon Plevin in memory of Fred Schmidt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162202, "creators": [{"id": 34416, "description": "Hamanishi Katsunori (Japanese, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ed2\u7530\u8302\u6a39", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2002.106", "is_nazi_era_provenance": false, "impression": "37", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:51.355000"}, {"id": 162203, "accession_number": "2002.106.c", "share_license_status": "Copyrighted", "tombstone": "Division-Work No. 100, 2002. Hamanishi Katsunori (Japanese, b. 1949). Mezzotint with gold leaf; sheet: 74.2 x 50 cm (29 3/16 x 19 11/16 in.); platemark: 59.7 x 45.1 cm (23 1/2 x 17 3/4 in.). The Cleveland Museum of Art, Gift of Gloria and Leon Plevin in memory of Fred Schmidt, 2002.106.c", "current_location": null, "title": "Division-Work No. 100", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["Japan"], "technique": "mezzotint with gold leaf", "support_materials": [{"description": "MUSE MAT THUNDERS watermarked wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Mezzotint", "type": "Print", "measurements": "Sheet: 74.2 x 50 cm (29 3/16 x 19 11/16 in.); Platemark: 59.7 x 45.1 cm (23 1/2 x 17 3/4 in.)", "dimensions": {"sheet": {"height": 0.742, "width": 0.5}, "platemark": {"height": 0.597, "width": 0.451}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed lower right, in graphite:  K. Hamanishi '02; Center: Division-Work No. 100; Left: 37/50\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although mezzotint is primarily a European technique,  Hamanishi\u2019s work is traditionally Japanese in many respects.  The use of gold, which emphasizes the flatness of the scene  and adds a wonderful decorative element, began in Japanese  printmaking in the late 17th century. One hundred years  earlier, gold paper served as a background for folding screens  (see examples in gallery 121), also referenced in the tripartite  arrangement of Division-Work No. 100.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986016"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.106.c", "images": {}, "alternate_images": [], "creditline": "Gift of Gloria and Leon Plevin in memory of Fred Schmidt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162203, "creators": [{"id": 34416, "description": "Hamanishi Katsunori (Japanese, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ed2\u7530\u8302\u6a39", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2002.106", "is_nazi_era_provenance": false, "impression": "37", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:56.221000"}, {"id": 162204, "accession_number": "2002.107", "share_license_status": "Copyrighted", "tombstone": "Nene, 2002. Daniel Kelly (American, 1947-). Woodcut hand colored with white paint; sheet: 77.5 x 94 cm (30 1/2 x 37 in.). The Cleveland Museum of Art, Gift of Gloria and Leon Plevin in memory of Fred Schmidt, 2002.107", "current_location": null, "title": "Nene", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["America"], "technique": "woodcut hand colored with white paint", "support_materials": [{"description": "hand-made paper", "watermarks": []}], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 77.5 x 94 cm (30 1/2 x 37 in.)", "dimensions": {"sheet": {"height": 0.775, "width": 0.94}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "lower left, in white paint: 82/85 K-y 2002", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [{"description": "(The Verne Collection, Cleveland)", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Koi, appreciated in Japan for their pretty gold and red\r\nmarkings, are often found in ponds and streams. This\r\noversized specimen is named after the artist\u2019s neighbor.\r\n\r\nKelly learned traditional Japanese woodcut procedures\r\nand black ink painting from the master Tokuriki in Kyoto.\r\nTokuriki taught him to start again rather than to correct\r\na painting, and Kelly learned \"that immediate touch--the\r\nmoment you\u2019re doing it--is important.\" Kelly\u2019s work always\r\nappears spontaneous, an effect reinforced by adding accents\r\nin white paint.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986020"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.107", "images": {}, "alternate_images": [], "creditline": "Gift of Gloria and Leon Plevin in memory of Fred Schmidt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162204, "creators": [{"id": 32813, "description": "Daniel Kelly (American, 1947-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1947", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "82", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:31.786000"}, {"id": 162418, "accession_number": "2003.10", "share_license_status": "Copyrighted", "tombstone": "Free Element IX, 2001. DoDo Jin Ming (Chinese, b. 1955). Gelatin silver print; image: 36.7 x 48.2 cm (14 7/16 x 19 in.); paper: 40.5 x 50.4 cm (15 15/16 x 19 13/16 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2003.10", "current_location": null, "title": "Free Element IX", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female"], "culture": ["China"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Image: 36.7 x 48.2 cm (14 7/16 x 19 in.); Paper: 40.5 x 50.4 cm (15 15/16 x 19 13/16 in.); Matted: 55.9 x 66 cm (22 x 26 in.)", "dimensions": {"image": {"height": 0.367, "width": 0.482}, "paper": {"height": 0.405, "width": 0.504}, "matted": {"height": 0.559, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "written in pencil on verso: \"Free Element Plate IX 1/15/ Jin Ming [signed] 2001\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}], "legacy": []}, "provenance": [{"description": "(Laurence Miller Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2003\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A concert violinist turned photographer, DoDo Jin Ming is attracted to nature, both native and cultivated, rendering it in viscerally appealing pictures. This photograph is from <em>Free Element</em>, a series of seascapes produced between 2001 and 2003 depicting the awesome power and drama of the sea. <br><br>The coasts of Maine and Nova Scotia, and the outskirts of Hong Kong have been her primary locales. She created these compelling black-and-white images by combining two negatives, one of the sea and the other of the sky. In each composition, all indications of land and humanity are eliminated, allowing Ming to concentrate on the sea and sky and their junction. Within these confines, she featured the conditions that make each negative unique, such as geographic location, atmosphere, light, and wind and wave patterns. Her camera angle seemingly places the viewer in a position to be submerged by a cascade of water.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986603"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.10", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162418, "creators": [{"id": 43824, "description": "DoDo Jin Ming (Chinese, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:57.681000"}, {"id": 162440, "accession_number": "2003.11", "share_license_status": "Copyrighted", "tombstone": "Free Element XXIX, 2001. DoDo Jin Ming (Chinese, b. 1955). Gelatin silver print; image: 36.9 x 48.6 cm (14 1/2 x 19 1/8 in.); paper: 40.2 x 50.5 cm (15 13/16 x 19 7/8 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2003.11", "current_location": null, "title": "Free Element XXIX", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female"], "culture": ["China"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "Image: 36.9 x 48.6 cm (14 1/2 x 19 1/8 in.); Paper: 40.2 x 50.5 cm (15 13/16 x 19 7/8 in.); Matted: 55.9 x 66 cm (22 x 26 in.)", "dimensions": {"image": {"height": 0.369, "width": 0.486}, "paper": {"height": 0.402, "width": 0.505}, "matted": {"height": 0.559, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "written in pencil on verso: \"Free Element Plate XXIX 1/15/ Jin Ming [signed] 2001\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 183983, "title": "Drawn, Exposed and Impressed", "description": "<i>Drawn, Exposed and Impressed</i>. MOCA Cleveland, OH (January 20-May 7, 2006).", "opening_date": "2006-01-20T00:00:00"}], "legacy": []}, "provenance": [{"description": "(Laurence Miller Gallery, New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "?\u20132003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2003\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A concert violinist turned photographer, DoDo Jin Ming is attracted to nature, both native and cultivated, rendering it in viscerally appealing pictures. This photograph is from <em>Free Element</em>, a series of seascapes produced between 2001 and 2003 depicting the awesome power and drama of the sea. <br><br>The coasts of Maine and Nova Scotia, and the outskirts of Hong Kong have been her primary locales. She created these compelling black-and-white images by combining two negatives, one of the sea and the other of the sky. In each composition, all indications of land and humanity are eliminated, allowing Ming to concentrate on the sea and sky and their junction. Within these confines, she featured the conditions that make each negative unique, such as geographic location, atmosphere, light, and wind and wave patterns. Her camera angle seemingly places the viewer in a position to be submerged by a cascade of water.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986686"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.11", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162440, "creators": [{"id": 43824, "description": "DoDo Jin Ming (Chinese, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-03-03T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:12.760000"}, {"id": 162831, "accession_number": "2003.322", "share_license_status": "Copyrighted", "tombstone": "Limantour 2: Evensong, 2001. Micah Schwaberow (American, 1948\u20132022). Color woodcut; sheet: 16.3 x 28.5 cm (6 7/16 x 11 1/4 in.); image: 12.6 x 25.5 cm (4 15/16 x 10 1/16 in.). The Cleveland Museum of Art, Gift of The Verne Collection, 2003.322. \u00a9 Courtesy of Micah Schwaberow", "current_location": null, "title": "Limantour 2: Evensong", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male"], "culture": ["United States"], "technique": "color woodcut", "support_materials": [], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 16.3 x 28.5 cm (6 7/16 x 11 1/4 in.); Image: 12.6 x 25.5 cm (4 15/16 x 10 1/16 in.)", "dimensions": {"sheet": {"height": 0.163, "width": 0.285}, "image": {"height": 0.126, "width": 0.255}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Courtesy of Micah Schwaberow", "inscriptions": [{"inscription": "lower margin, in pencil: Limantour 2: Evensong 39/ 121 Micah 2001", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. \"Visions of Japan: Prints and Paintings from Cleveland Collections\".", "opening_date": "2004-12-12T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Schwaberow spent a year in Japan studying the color woodcut technique in the workshop of Toshi Yoshida (also in this exhibition). Schwaberow works on a small scale because \"it forces me to condense what I\u2019m trying to say. If you only have a small space to work in, you have to choose carefully and everything matters. I think of my work as...intimate glimpses through small windows.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79987936"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2003.322", "images": {}, "alternate_images": [], "creditline": "Gift of The Verne Collection", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162831, "creators": [{"id": 57085, "description": "Micah Schwaberow (American, 1948\u20132022)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "death_year": "2022", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2003-12-01T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:13.396000"}, {"id": 164976, "accession_number": "2006.69", "share_license_status": "Copyrighted", "tombstone": "Kiss on a Rope, 2001. Alison Saar (American, b. 1956), Blumenfeld Fine Art. Color woodcut; sheet: 130.6 x 59.8 cm (51 7/16 x 23 9/16 in.); image: 130.6 x 59.8 cm (51 7/16 x 23 9/16 in.). The Cleveland Museum of Art, Dr. Gerard and Phyllis Seltzer Fund, 2006.69", "current_location": null, "title": "Kiss on a Rope", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["female", "Black American Artists", "gender unknown"], "culture": ["America"], "technique": "color woodcut", "support_materials": [{"description": "Nepal Cloud paper", "watermarks": []}], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 130.6 x 59.8 cm (51 7/16 x 23 9/16 in.); Image: 130.6 x 59.8 cm (51 7/16 x 23 9/16 in.)", "dimensions": {"sheet": {"height": 1.306, "width": 0.598}, "image": {"height": 1.306, "width": 0.598}}, "state_of_the_work": null, "edition_of_the_work": "20", "copyright": null, "inscriptions": [{"inscription": "lower left, in graphite:   1/20\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "The Cleveland Museum of Art (1/26/2014 - 5/18/2014); \"Our Stories: African American Prints and Drawings\"", "opening_date": "2014-01-26T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Saar, a sculptor who carves wood, also chisels flat boards to make prints. Like her three-dimensional works, Kiss on a Rope has a handmade look-an expressive roughness. The image could describe an affectionate moment between two individuals, but the disembodied heads also recall the history of violence against African Americans, in particular lynchings. The child of a racially mixed couple, the artist interpreted the two heads as representing a psychological severing from the body, much like the isolation felt by a couple during a passionate kiss.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993309"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2006.69", "images": {}, "alternate_images": [], "creditline": "Dr. Gerard and Phyllis Seltzer Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164976, "creators": [{"id": 53621, "description": "Alison Saar (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 53627, "description": "Blumenfeld Fine Art", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2006-02-27T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:56.651000"}, {"id": 164979, "accession_number": "2006.70.1", "share_license_status": "Copyrighted", "tombstone": "Suite #2: Faithful Manipulation, 2005. Clarence Morgan (American, b. 1950). Lithograph, spitbite etching, and aquatint with chine coll\u00e9; sheet: 39.5 x 39.5 cm (15 9/16 x 15 9/16 in.); image: 25.4 x 25.4 cm (10 x 10 in.). The Cleveland Museum of Art, Gift of Deborah G. and Kenneth S. Cohen, 2006.70.1", "current_location": null, "title": "Suite #2: Faithful Manipulation", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "lithograph, spitbite etching, and aquatint with chine coll\u00e9", "support_materials": [{"description": "white Hahnemuhle German Etching paper and Gampi chine coll\u00e9", "watermarks": []}], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Sheet: 39.5 x 39.5 cm (15 9/16 x 15 9/16 in.); Image: 25.4 x 25.4 cm (10 x 10 in.)", "dimensions": {"sheet": {"height": 0.395, "width": 0.395}, "image": {"height": 0.254, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "below image, in graphite: 5/20 Faithful Manipulation Clarence Morgan 2005", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "The Cleveland Museum of Art (1/26/2014 - 5/18/2014); \"Our Stories: African American Prints and Drawings\"", "opening_date": "2014-01-26T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although Morgan began working on Suite #2 with a general idea of the outcome, each composition is largely the product of intuitive decisions. The prints were made at Highpoint Editions, a printmaking workshop in Minneapolis where Morgan found that \"working in the environment of a print studio and having access to a Master Printer and print assistants allowed me to bounce ideas around . . . and make known my thoughts no matter how wacky.\" A free-flowing approach may seem risky, but Morgan found it thoroughly rewarding: \"My artistic actions and choices are based on conceptual assumptions, which remained best slippery, elusive, and forever mutable,\" he said. \"Despite everything, out of this mode of working come moments of absolute clarity and sublimity.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993316"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2006.70.1", "images": {}, "alternate_images": [], "creditline": "Gift of Deborah G. and Kenneth S. Cohen", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164979, "creators": [{"id": 53630, "description": "Clarence Morgan (American, b. 1950)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2006-02-27T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2006.70", "is_nazi_era_provenance": false, "impression": "5", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:53.058000"}, {"id": 165173, "accession_number": "2007.169", "share_license_status": "Copyrighted", "tombstone": "Green Goddess, 2005. John Jackson (American, 1955\u20132006). Watercolor, gouache, charcoal, and graphite with collage; sheet: 91 x 124.9 cm (35 13/16 x 49 3/16 in.). The Cleveland Museum of Art, Gift of Achala Wali in memory of the artist, 2007.169", "current_location": null, "title": "Green Goddess", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["America, Ohio, Cleveland"], "technique": "watercolor, gouache, charcoal, and graphite with collage", "support_materials": [{"description": "sturdy weight, wove paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American - Cleveland School", "type": "Drawing", "measurements": "Sheet: 91 x 124.9 cm (35 13/16 x 49 3/16 in.)", "dimensions": {"sheet": {"height": 0.91, "width": 1.249}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Lower right, in graphite: J. Jackson 05", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "The NEO Show, CMA, July 10-September 4, 2005; catalogue pp.100-101 (unpaginated); John Jackson '77: Unfinished Work, The Cleveland Institute of Art, February 16-March 16, 2007 (no catalogue)", "opening_date": "2005-07-10T00:00:00"}]}, "provenance": [{"description": "The drawing has been in the artist's estate since it's creation in 2005.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A graduate of the Cleveland Institute of Art, Jackson enjoyed working with his hands as a professional carpenter. In his free time he painted, sculpted, drew, and made prints. A complex abstraction, Green Goddess features compositional elements that suggest both the natural world and the built environment.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993732"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.169", "images": {}, "alternate_images": [], "creditline": "Gift of Achala Wali in memory of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165173, "creators": [{"id": 52242, "description": "John Jackson (American, 1955\u20132006)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "death_year": "2006", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-06-04T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:52.073000"}, {"id": 165265, "accession_number": "2007.199", "share_license_status": "Copyrighted", "tombstone": "Goatlegs, 2007. Stacey Davidson (American, b. 1961). Gouache ; image: 21.5 x 15.9 cm (8 7/16 x 6 1/4 in.); sheet: 22.6 x 17.3 cm (8 7/8 x 6 13/16 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 2007.199", "current_location": null, "title": "Goatlegs", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["America"], "technique": "gouache ", "support_materials": [{"description": "140 lb. watercolor paper", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Image: 21.5 x 15.9 cm (8 7/16 x 6 1/4 in.); Sheet: 22.6 x 17.3 cm (8 7/8 x 6 13/16 in.)", "dimensions": {"sheet": {"height": 0.226, "width": 0.173}, "image": {"height": 0.215, "width": 0.159}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "lower right, in graphite: \"SRD '07\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Main Gallery Rotation (gallery 229), The Cleveland Museum of Art, Cleveland, OH (March 21 - June 27, 2011).", "opening_date": "2011-03-21T00:00:00"}]}, "provenance": [{"description": "Stacey Davidson (the artist) [1961\u2013], to Marlborough Fine Arts, New York, NY", "citations": [], "footnotes": null, "date": "2007", "sortorder": 1}, {"description": "(Marlborough Gallery, Inc., New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2007", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "December 3, 2007\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Stacey Davidson describes herself as \"a painter who makes dolls.\" Intricate handmade dolls fashioned from clay, leather, and cloth form the subject matter of her painting. <em>Goatlegs</em> is one of Davidson\u2019s more psychologically ambiguous creations. Wearing a blonde wig, red lipstick, and rouge with what appears to be a chiffon scarf tied around his neck, Goatlegs peers at the viewer with beady eyes and a crooked smile. The dolls\u2019 distinct personalities are suggested in Davidson\u2019s haunting \"portraits.\" While her eerie, evocative drawings are for sale, Davidson\u2019s quasi-human dolls are not.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993981"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.199", "images": {}, "alternate_images": [], "creditline": "Andrew R. and Martha Holden Jennings Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165265, "creators": [{"id": 56384, "description": "Stacey Davidson (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-12-03T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:11.399000"}, {"id": 165357, "accession_number": "2007.234.19", "share_license_status": "Copyrighted", "tombstone": "Aran, from Walls of Aran, 2005. Sean Scully (American, 1945-). Gelatin silver print; image: 32.6 x 48.3 cm (12 13/16 x 19 in.); paper: 16 x 20 cm (6 5/16 x 7 7/8 in.). The Cleveland Museum of Art, Gift of an anonymous donor, 2007.234.19. \u00a9 Artists Rights Society, (ARS), New York/ Sean Scully", "current_location": null, "title": "Aran, from Walls of Aran", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 32.6 x 48.3 cm (12 13/16 x 19 in.); Paper: 16 x 20 cm (6 5/16 x 7 7/8 in.)", "dimensions": {"image": {"height": 0.326, "width": 0.483}, "paper": {"height": 0.16, "width": 0.2}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Artists Rights Society, (ARS), New York/ Sean Scully", "inscriptions": [{"inscription": "Written in black marker on verso: \"4/6 Inis Oreain #19 (P)/ Sean Scully (signed) 05\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Primarily known as an abstract painter, Scully is also an accomplished photographer whose images echo the strong geometric lines of his paintings. On the Aran Islands west of Ireland, he documented ancient stone walls rambling through the countryside. Monumental and enduring, the walls exude a serene sense of timelessness, merging so seamlessly into the landscape they seem naturally a part of it.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79994223"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2007.234.19", "images": {}, "alternate_images": [], "creditline": "Gift of an anonymous donor", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 165357, "creators": [{"id": 22166, "description": "Sean Scully (American, 1945-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2007-12-03T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2007.234", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:00.736000"}, {"id": 166303, "accession_number": "2008.162", "share_license_status": "Copyrighted", "tombstone": "Date Grove, Haifa Street, Baghdad, 2003. Simon Norfolk (British, b. 1963). Chromogenic process color print; image: 48.6 x 60.8 cm (19 1/8 x 23 15/16 in.); paper: 58.5 x 70.7 cm (23 1/16 x 27 13/16 in.); matted: 71.1 x 81.3 cm (28 x 32 in.). The Cleveland Museum of Art, The Julius L. Greenfield Photography Acquisition Fund, 2008.162. \u00a9 Simon Norfolk, Courtesy Bonni Benrubi Gallery, NYC", "current_location": null, "title": "Date Grove, Haifa Street, Baghdad", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male"], "culture": ["England, 21st century"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - British 20th Century", "type": "Photograph", "measurements": "Image: 48.6 x 60.8 cm (19 1/8 x 23 15/16 in.); Paper: 58.5 x 70.7 cm (23 1/16 x 27 13/16 in.); Matted: 71.1 x 81.3 cm (28 x 32 in.)", "dimensions": {"image": {"height": 0.486, "width": 0.608}, "paper": {"height": 0.585, "width": 0.707}, "matted": {"height": 0.711, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Simon Norfolk, Courtesy Bonni Benrubi Gallery, NYC", "inscriptions": [], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In his explorations of war, Norfolk seeks to capture its impact on humanity and the environment. In this image, the peaceful, sun-drenched date grove belies the presence of conflict. Shadowed on the ground, however, are spent shells, abandoned boots, and a crumpled tarpaulin. Norfolk sees it as his duty to make the viewer examine the scene more closely and recognize its true nature: a site of war.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79996378"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.162", "images": {}, "alternate_images": [], "creditline": "The Julius L. Greenfield Photography Acquisition Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166303, "creators": [{"id": 57796, "description": "Simon Norfolk (British, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-12-08T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:42.801000"}, {"id": 167172, "accession_number": "2009.158.35", "share_license_status": "Copyrighted", "tombstone": "West 5th Street Alley, Tremont, 2002. Andrew Borowiec (American, b. 1956). Gelatin silver print; image: 32.3 x 47.8 cm (12 11/16 x 18 13/16 in.); paper: 40.4 x 50.4 cm (15 7/8 x 19 13/16 in.). The Cleveland Museum of Art, Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett, 2009.158.35. \u00a9 Andrew Borowiec 2008", "current_location": null, "title": "West 5th Street Alley, Tremont", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["May Show", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 32.3 x 47.8 cm (12 11/16 x 18 13/16 in.); Paper: 40.4 x 50.4 cm (15 7/8 x 19 13/16 in.)", "dimensions": {"image": {"height": 0.323, "width": 0.478}, "paper": {"height": 0.404, "width": 0.504}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Andrew Borowiec 2008", "inscriptions": [{"inscription": "Written in pencil on verso: \"WEST 5TH ALLEY, CLEVELAND, 2003 Andrew Borowiec (signed) 1/25 03043-8\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197811, "title": "Andrew Borowiec: Cleveland Photographs", "description": "<i>Andrew Borowiec: Cleveland Photographs</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 13-October 17, 2010).", "opening_date": "2010-06-13T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Borowiec, who has been teaching photography at the University of Akron since the mid 1980s, has often turned his attention to the residential, commercial, and industrial landscapes of Ohio.This image belongs to a series of more than 40 commissioned works interpreting the Cleveland Flats, as well as the nearby neighborhoods of Tremont, Ohio City, and Slavic Village.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79998397"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.158.35", "images": {}, "alternate_images": [], "creditline": "Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167172, "creators": [{"id": 34186, "description": "Andrew Borowiec (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Andrew Borowiec American, 1956- Andrew Borowiec is a photographer, educator, and arts administrator. His black-and-white photographs of factory towns in the Ohio River Valley, a series that he has worked on extensively since the early 1990s, reveal an uneasy coexistence between residential and industrial sites, and between humans and their environment. Borowiec cites as influences the geographical writings of J. B. Jackson and the philosophies of photographer Frank Gohlke, with whom he studied in the early 1980s while a graduate student at Yale University School of Art. Born in New York City, Borowiec attended high school at the \u00c9cole Internationale in Geneva, Switzerland, and moved back across the Atlantic to earn a B.A. in Russian from Haverford College (1979). That same year, he took a workshop with Garry Winogrand at the International Center of Photography, where he also worked as a staff photographer (1979-80). Borowiec received his M.F.A. from Yale (1982); in addition to Gohlke, his teachers included Richard Benson, Jan Groover, Ben Lifson, and Tod Papageorge. In 1980 Borowiec served as assistant director of the Workshop Program for the Rencontres Internationales de la Photographie in Arles, France. Throughout his career he has completed various commissions for academic periodicals as well as civic and cultural institutions. Borowiec has held faculty positions at the New School for Social Research (1982-84), Parsons School of Design (1983-84), and Oberlin College (1990). His numerous awards include fellowships from the National Endowment for the Arts (1985, 1988) and the Folk Endowment Grant (1993). Since 1984 he has taught at the University of Akron School of Art. A.W.<br>Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-06-08T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2009.158", "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:42.882000"}, {"id": 167175, "accession_number": "2009.158.38", "share_license_status": "Copyrighted", "tombstone": "Thurman Avenue, Tremont, 2002. Andrew Borowiec (American, b. 1956). Gelatin silver print; image: 32.5 x 47.8 cm (12 13/16 x 18 13/16 in.); paper: 32.5 x 48.8 cm (12 13/16 x 19 3/16 in.). The Cleveland Museum of Art, Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett, 2009.158.38. \u00a9 Andrew Borowiec 2008", "current_location": null, "title": "Thurman Avenue, Tremont", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["May Show", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 32.5 x 47.8 cm (12 13/16 x 18 13/16 in.); Paper: 32.5 x 48.8 cm (12 13/16 x 19 3/16 in.)", "dimensions": {"image": {"height": 0.325, "width": 0.478}, "paper": {"height": 0.325, "width": 0.488}, "mat size": {"height": 0.559, "width": 0.711}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Andrew Borowiec 2008", "inscriptions": [{"inscription": "Written in pencil on verso: \"THURMAN STREET, TREMONT, CLEVELAND, 2002 Andrew Borowiec (signed) 1/25 02171-1\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Main Gallery Rotation (Gallery 228): February 25, 2013 - August 12, 2013.", "opening_date": "2013-02-25T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Borowiec, who has been teaching photography at the University of Akron since the mid 1980s, has often turned his attention to the residential, commercial, and industrial landscapes of Ohio. This image belongs to a series of more than 40 commissioned works interpreting the Cleveland Flats, as well as the nearby neighborhoods of Tremont, Ohio City, and Slavic Village.\r\n", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79998405"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.158.38", "images": {}, "alternate_images": [], "creditline": "Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167175, "creators": [{"id": 34186, "description": "Andrew Borowiec (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Andrew Borowiec American, 1956- Andrew Borowiec is a photographer, educator, and arts administrator. His black-and-white photographs of factory towns in the Ohio River Valley, a series that he has worked on extensively since the early 1990s, reveal an uneasy coexistence between residential and industrial sites, and between humans and their environment. Borowiec cites as influences the geographical writings of J. B. Jackson and the philosophies of photographer Frank Gohlke, with whom he studied in the early 1980s while a graduate student at Yale University School of Art. Born in New York City, Borowiec attended high school at the \u00c9cole Internationale in Geneva, Switzerland, and moved back across the Atlantic to earn a B.A. in Russian from Haverford College (1979). That same year, he took a workshop with Garry Winogrand at the International Center of Photography, where he also worked as a staff photographer (1979-80). Borowiec received his M.F.A. from Yale (1982); in addition to Gohlke, his teachers included Richard Benson, Jan Groover, Ben Lifson, and Tod Papageorge. In 1980 Borowiec served as assistant director of the Workshop Program for the Rencontres Internationales de la Photographie in Arles, France. Throughout his career he has completed various commissions for academic periodicals as well as civic and cultural institutions. Borowiec has held faculty positions at the New School for Social Research (1982-84), Parsons School of Design (1983-84), and Oberlin College (1990). His numerous awards include fellowships from the National Endowment for the Arts (1985, 1988) and the Folk Endowment Grant (1993). Since 1984 he has taught at the University of Akron School of Art. A.W.<br>Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-06-08T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2009.158", "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:02.502000"}, {"id": 167201, "accession_number": "2009.17", "share_license_status": "Copyrighted", "tombstone": "Secret Butterfly Heaven, 2008. Tam Van Tran (American, b. 1966). Acrylic, staples, color pencil on canvas and paper; overall: 253.9 x 233.6 x 129.5 cm (99 15/16 x 91 15/16 x 51 in.). The Cleveland Museum of Art, Gift of the Contemporary Art Society and Sundry Art-Contemporary Fund, 2009.17", "current_location": null, "title": "Secret Butterfly Heaven", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "acrylic, staples, color pencil on canvas and paper", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Painting", "type": "Painting", "measurements": "Overall: 253.9 x 233.6 x 129.5 cm (99 15/16 x 91 15/16 x 51 in.)", "dimensions": {"overall": {"height": 2.539, "width": 2.336, "depth": 1.295}, "crated": {"height": 3.251, "width": 2.515, "depth": 1.346}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Tam Van Tran:  Luminosity, Cohan and Leslie, New York, September 5-October 4, 2008", "opening_date": "2008-09-05T00:00:00"}]}, "provenance": [{"description": "The artist, through his New York gallery, Cohan and Leslie.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The topographies of Tam Van Tran\u2019s painted constructions evoke wavy landscapes and disrupted surfaces. The large-scale works are made of paper strips stapled into tectonic waves, pixilated with lines of punched holes. With this technique, the artist explores the language of painting by blurring the boundaries between the two-dimensional plane of the canvas and the three-dimensionality of sculpture. The combination of references to Western and Eastern aesthetics and the hybrid form reflect Tran\u2019s disparate personal background: his escape from Vietnam in 1975 and his encounter with another culture and society in the United States.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60480471"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.17", "images": {}, "alternate_images": [], "creditline": "Gift of the Contemporary Art Society and Sundry Art-Contemporary Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167201, "creators": [{"id": 57883, "description": "Tam Van Tran (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": "Vietnamese-American", "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-03-02T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:37.145000"}, {"id": 168447, "accession_number": "2010.219", "share_license_status": "Copyrighted", "tombstone": "Abandoned Apartment, Dresden-Cotta, 2005. Fredrik Marsh (American, b. 1957). Inkjet print; image: 50.8 x 62.1 cm (20 x 24 7/16 in.); paper: 61.1 x 74.4 cm (24 1/16 x 29 5/16 in.); matted: 81.3 x 96.5 cm (32 x 38 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2010.219. \u00a9 2005, Fredrik Marsh", "current_location": null, "title": "Abandoned Apartment, Dresden-Cotta", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 50.8 x 62.1 cm (20 x 24 7/16 in.); Paper: 61.1 x 74.4 cm (24 1/16 x 29 5/16 in.); Matted: 81.3 x 96.5 cm (32 x 38 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.621}, "paper": {"height": 0.611, "width": 0.744}, "matted": {"height": 0.813, "width": 0.965}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2005, Fredrik Marsh", "inscriptions": [{"inscription": "Written in pencil on verso: \"1/15 Abandoned Apartment, Cotta District, Dresden, 2005 Fredrik Marsh (signed) 2010\" \t", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "As part of an ongoing series, Columbus-based photographer Marsh began to photograph vacant, unassuming apartment building interiors in Dresden, Germany, in 2005. In his exploration of the city, he discovered that the inhabitants, after the fall of the Berlin Wall, just walked away from their apartments and former lives. While decay, vandalism, and graffiti now occupy this room, its most prominent feature, located where a window might be, is a mural-sized color poster depicting an idyllic landscape bathed in fall colors, attesting to a former tenant\u2019s desire to be exposed to nature\u2019s beauty.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074341"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.219", "images": {}, "alternate_images": [], "creditline": "The Charlotte Ekker and Charlotte Van der Veer Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168447, "creators": [{"id": 59768, "description": "Fredrik Marsh (American, b. 1957)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1957", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:35.040000"}, {"id": 168450, "accession_number": "2010.221", "share_license_status": "Copyrighted", "tombstone": "I-93 near Mile Marker 12, Lakeside, MT, 2008. Susan Berger (American, 1943-). Gelatin silver print; image: 37.9 x 38.2 cm (14 15/16 x 15 1/16 in.); paper: 50.6 x 40.5 cm (19 15/16 x 15 15/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2010.221", "current_location": null, "title": "I-93 near Mile Marker 12, Lakeside, MT", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["May Show", "female"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 37.9 x 38.2 cm (14 15/16 x 15 1/16 in.); Paper: 50.6 x 40.5 cm (19 15/16 x 15 15/16 in.)", "dimensions": {"image": {"height": 0.379, "width": 0.382}, "paper": {"height": 0.506, "width": 0.405}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Berger travelled the United States documenting roadside memorials for five years. Created throughout the country, these shrines have simply become part of the natural landscape. \"There has been much debate over whether these monuments are a nuisance that should be removed, or whether they are sacred items to be respected,\" she has said. \"I see these as little works of art that enhance the scenery.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074348"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.221", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168450, "creators": [{"id": 59781, "description": "Susan Berger (American, 1943-)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:33.034000"}, {"id": 168451, "accession_number": "2010.222", "share_license_status": "Copyrighted", "tombstone": "St. Stefan im Lavanttal, Austria, 2007 . Robert Voit (German, b. 1969). Chromogenic process color; image: 51.8 x 41.3 cm (20 3/8 x 16 1/4 in.); paper: 90.5 x 74.1 cm (35 5/8 x 29 3/16 in.); matted: 96.5 x 81.3 cm (38 x 32 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2010.222. \u00a9 Robert Voit courtesy Amador Gallery New York", "current_location": null, "title": "St. Stefan im Lavanttal, Austria", "creation_date": "2007 ", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["Germany, 21st century"], "technique": "chromogenic process color", "support_materials": [], "department": "Photography", "collection": "PH - German 20th Century", "type": "Photograph", "measurements": "Image: 51.8 x 41.3 cm (20 3/8 x 16 1/4 in.); Paper: 90.5 x 74.1 cm (35 5/8 x 29 3/16 in.); Matted: 96.5 x 81.3 cm (38 x 32 in.)", "dimensions": {"image": {"height": 0.518, "width": 0.413}, "paper": {"height": 0.905, "width": 0.741}, "matted": {"height": 0.965, "width": 0.813}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Robert Voit courtesy Amador Gallery New York", "inscriptions": [], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [{"description": "Artist; Amador Gallery, New York", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In the series New Trees, Voit documents seemingly commonplace \"trees\" in urban and rural settings. Here, the central tree, overly tall for its surroundings and strangely symmetrical, seems ludicrously out of place. On closer inspection it reveals itself to be not a tree at all but a cleverly disguised cell phone tower, inexplicably camouflaged despite the numerous unaltered manmade structures around it.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074350"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.222", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168451, "creators": [{"id": 59760, "description": "Robert Voit (German, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007 ", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "2", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:26.088000"}, {"id": 168469, "accession_number": "2010.228", "share_license_status": "Copyrighted", "tombstone": "Untitled (#228), 2007. Christine Laptuta (Canadian, 1951-). Platinum/palladium print; image: 9 x 40.9 cm (3 9/16 x 16 1/8 in.); paper: 20 x 51 cm (7 7/8 x 20 1/16 in.); matted: 45.7 x 66 cm (18 x 26 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2010.228. \u00a9 2007 Christine Laptuta", "current_location": null, "title": "Untitled (#228)", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["Canada, 21st century"], "technique": "platinum/palladium print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 9 x 40.9 cm (3 9/16 x 16 1/8 in.); Paper: 20 x 51 cm (7 7/8 x 20 1/16 in.); Matted: 45.7 x 66 cm (18 x 26 in.)", "dimensions": {"image": {"height": 0.09, "width": 0.409}, "paper": {"height": 0.2, "width": 0.51}, "matted": {"height": 0.457, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2007 Christine Laptuta", "inscriptions": [{"inscription": "Written in pencil on margin of recto: \"A.P. 2/3 #228.2007 Christine Laptuta (signed)\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "These two images (with 2010.229), from the same negative but printed with different processes, are outstanding examples of Laptuta\u2019s fictional cinematic panoramas. The entire image is accomplished from memory, for the photographer does not take consecutive images, as in a conventional panorama, but may turn 180 degrees for the next exposure, and then walk 100 feet or more before taking another shot. Laptuta employs a primitive toy camera with a manual winder that enables her to fashion multiple, slightly distorted images without interruption. She is attracted to fleeting light as well as deconstructing the horizon line, both interests beautifully explored in this dense forest scene where the elongated tree trunks become a maze of standing sentinels.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074396"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.228", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168469, "creators": [{"id": 59791, "description": "Christine Laptuta (Canadian, 1951-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1951", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "AP 1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:14.036000"}, {"id": 168470, "accession_number": "2010.229", "share_license_status": "Copyrighted", "tombstone": "Untitled (#228), 2007. Christine Laptuta (Canadian, 1951-). Inkjet print; image: 22.5 x 103.8 cm (8 7/8 x 40 7/8 in.); paper: 34 x 114 cm (13 3/8 x 44 7/8 in.). The Cleveland Museum of Art, Gift of Friends of Photography, 2010.229. \u00a9 2007 Christine Laptuta", "current_location": null, "title": "Untitled (#228)", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female"], "culture": ["Canada, 21st century"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 22.5 x 103.8 cm (8 7/8 x 40 7/8 in.); Paper: 34 x 114 cm (13 3/8 x 44 7/8 in.)", "dimensions": {"image": {"height": 0.225, "width": 1.038}, "paper": {"height": 0.34, "width": 1.14}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2007 Christine Laptuta", "inscriptions": [{"inscription": "Written in pencil on margin of recto: \"1/15 Christine Laptuta (signed)\"\r\nWritten in pencil on verso: \"image #228, 2007\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "These two images (with 2010.228), from the same negative but printed with different processes, are outstanding examples of Laptuta\u2019s fictional cinematic panoramas. The entire image is accomplished from memory, for the photographer does not take consecutive images, as in a conventional panorama, but may turn 180 degrees for the next exposure, and then walk 100 feet or more before taking another shot. Laptuta employs a primitive toy camera with a manual winder that enables her to fashion multiple, slightly distorted images without interruption. She is attracted to fleeting light as well as deconstructing the horizon line, both interests beautifully explored in this dense forest scene where the elongated tree trunks become a maze of standing sentinels.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074399"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.229", "images": {}, "alternate_images": [], "creditline": "Gift of Friends of Photography", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168470, "creators": [{"id": 59791, "description": "Christine Laptuta (Canadian, 1951-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1951", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:56.385000"}, {"id": 168510, "accession_number": "2010.258", "share_license_status": "Copyrighted", "tombstone": "New Mexico Hwy 90 near Mile Marker 19 to Silver City, NM, 2009. Susan Berger (American, 1943-). Gelatin silver print; image: 37.9 x 38.2 cm (14 15/16 x 15 1/16 in.); paper: 50.5 x 40.5 cm (19 7/8 x 15 15/16 in.); matted: 66 x 55.9 cm (26 x 22 in.). The Cleveland Museum of Art, Gift of the Artist, 2010.258", "current_location": null, "title": "New Mexico Hwy 90 near Mile Marker 19 to Silver City, NM", "creation_date": "2009", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["May Show", "female"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 37.9 x 38.2 cm (14 15/16 x 15 1/16 in.); Paper: 50.5 x 40.5 cm (19 7/8 x 15 15/16 in.); Matted: 66 x 55.9 cm (26 x 22 in.)", "dimensions": {"image": {"height": 0.379, "width": 0.382}, "paper": {"height": 0.505, "width": 0.405}, "matted": {"height": 0.66, "width": 0.559}}, "state_of_the_work": null, "edition_of_the_work": "20", "copyright": null, "inscriptions": [{"inscription": "Written in pencil on verso: \"Susan Berger 2010 New Mexico Hwy 90 near Mile Marker 19 to Silver City, NM 2009\"\r\nWritten in pencil on verso: \"1/20\"\r\nWritten in pencil on verso: \"4-1/4/9\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Berger travelled the United States documenting roadside memorials for five years. Created throughout the country, these shrines have simply become part of the natural landscape. \"There has been much debate over whether these monuments are a nuisance that should be removed, or whether they are sacred items to be respected,\" she has said. \"I see these as little works of art that enhance the scenery.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074489"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.258", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168510, "creators": [{"id": 59781, "description": "Susan Berger (American, 1943-)", "extent": null, "qualifier": null, "role": "artist", "biography": "Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1943", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:17.662000"}, {"id": 168524, "accession_number": "2010.267", "share_license_status": "Copyrighted", "tombstone": "The Transfagarasan Highway, Romania, 2007. David Leventi (American, b. 1978). Chromogenic process color print; image: 103 x 132 cm (40 9/16 x 51 15/16 in.); mounted: 260.9 x 502.3 x 0.4 cm (102 11/16 x 197 3/4 x 3/16 in.); paper: 260.9 x 502.3 cm (102 11/16 x 197 3/4 in.). The Cleveland Museum of Art, Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment, 2010.267. \u00a9 David Leventi, Courtesy Bonni Benrubi Gallery, NYC", "current_location": null, "title": "The Transfagarasan Highway, Romania", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 103 x 132 cm (40 9/16 x 51 15/16 in.); Mounted: 260.9 x 502.3 x 0.4 cm (102 11/16 x 197 3/4 x 3/16 in.); Paper: 260.9 x 502.3 cm (102 11/16 x 197 3/4 in.)", "dimensions": {"image": {"height": 1.03, "width": 1.32}, "mounted": {"height": 2.609, "width": 5.023, "depth": 0.004}, "paper": {"height": 2.609, "width": 5.023}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 David Leventi, Courtesy Bonni Benrubi Gallery, NYC", "inscriptions": [{"inscription": "Imprinted on adhesive label on verso of mount: \"BONNI BENRUBI GALLERY/David Leventi/(American, born 1978)/Tranfagarasan Highway, Transylvania, Romania, 2007/Fuji Crystal Archive print mounted to Dibond/Edition 1/8/50 x 60 inches/Signed in ink on label on verso/David Leventi (signed)/41 East 57th Street, New York, NY 10022 Tel 212 888 6007 Fax 212 751 0819\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [{"description": "Artist; Bonni Benrubi Gallery, New York; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Since 2006 Leventi has photographed many parts of Romania in order to retrace and understand his family\u2019s history in that country. In this large, vivid vista of the Transfagarasan Highway, he dramatically recorded how the highway twists, turns, and sharply descends through the scenic mountain valley, framed by the two highest peaks in the country. Numerous hiking trails are visible in the foreground, attesting to the popularity of this area as a leisure destination. The road was constructed between 1970 and 1974 by the Romanian government to ensure quick military access across the mountains in the event of a Soviet Union invasion, similar to the one mounted against Czechoslovakia in 1968. Many regard the highway as \"the best road in the world,\" and it was featured in a 2009 episode of the popular BBC television show Top Gear.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074526"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.267", "images": {}, "alternate_images": [], "creditline": "Judith and James Saks in memory of Lynn and Dr. Joseph Tomarkin Endowment", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168524, "creators": [{"id": 60167, "description": "David Leventi (American, b. 1978)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1978", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:25.695000"}, {"id": 168530, "accession_number": "2010.272", "share_license_status": "Copyrighted", "tombstone": "Desert Houses: California #11A, 2007. Mark Ruwedel (American, b. 1954). Gelatin silver print, gold-toned; paper: 20.4 x 25.4 cm (8 1/16 x 10 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2010.272", "current_location": null, "title": "California #11A", "series": "Desert Houses", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print, gold-toned", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 20.4 x 25.4 cm (8 1/16 x 10 in.)", "dimensions": {"paper": {"height": 0.204, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-August 14, 2011).", "opening_date": "2011-03-26T00:00:00"}], "legacy": []}, "provenance": [{"description": "Mark Ruwedel (the artist) [1954-]", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "(Gallery Luisotti, Santa Monica, CA)", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "November 29, 2010", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In his photographs, Ruwedel explores the impact of humanity on the American West in both the distant and recent past. In the series Desert Houses, ruins of houses inhabit the arid landscape. Similarly, Ice Age documents traces of human activity on the landscape, from worn footpaths to ancient campsites. These fading records of interaction with the land stand as a testament to both human endeavor and geological process.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074542"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.272", "images": {}, "alternate_images": [], "creditline": "Severance and Greta Millikin Purchase Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168530, "creators": [{"id": 60651, "description": "Mark Ruwedel (American, b. 1954)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1954", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:11.519000"}, {"id": 168531, "accession_number": "2010.273", "share_license_status": "Copyrighted", "tombstone": "Desert Houses: Antelope Valley #207B, 2008. Mark Ruwedel (American, b. 1954). Gelatin silver print, gold-toned; paper: 20.4 x 25.4 cm (8 1/16 x 10 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2010.273", "current_location": null, "title": "Antelope Valley #207B", "series": "Desert Houses", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print, gold-toned", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 20.4 x 25.4 cm (8 1/16 x 10 in.)", "dimensions": {"paper": {"height": 0.204, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. 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Bob Herbst (American, b. 1956). Platinum/palladium print; image: 30.2 x 49.4 cm (11 7/8 x 19 7/16 in.); paper: 50.8 x 61.9 cm (20 x 24 3/8 in.); matted: 61 x 76.2 cm (24 x 30 in.); image with black margin: 31 x 51.2 cm (12 3/16 x 20 3/16 in.). 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Jem Southam (British, 1950-). Chromogenic dye coupler print; image: 68.3 x 86.5 cm (26 7/8 x 34 1/16 in.); mounted: 91.3 x 107.8 cm (35 15/16 x 42 7/16 in.); paper: 91.3 x 107.8 cm (35 15/16 x 42 7/16 in.). The Cleveland Museum of Art, Gift of William and Margaret Lipscomb in honor of Tom Hinson, 2010.417. \u00a9 Jem Southam.  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Courtesy Charles Isaacs Photographs and Robert Mann Gallery, New York", "inscriptions": [{"inscription": "Written in pencil on verso of mount: \"1569c\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 199873, "title": "Contemporary Landscape Photography", "description": "<i>Contemporary Landscape Photography</i>. 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First a tree-lined bucolic nature retreat, then a stereotypical suburban garden complete with swing set and plastic lawn ornaments, the pond represents for Southam a microcosmic vision of the ever-shifting balance between human intervention and natural transformation.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80075010"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.417", "images": {}, "alternate_images": [], "creditline": "Gift of William and Margaret Lipscomb in honor of Tom Hinson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168709, "creators": [{"id": 49946, "description": "Jem Southam (British, 1950-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2010-11-29T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:51.923000"}, {"id": 169137, "accession_number": "2010.789", "share_license_status": "Copyrighted", "tombstone": "Night Term, 2003. Thomas R. Roese, University Print Club. Linocut; sheet: 42.1 x 31 cm (16 9/16 x 12 3/16 in.); platemark: 30.7 x 23 cm (12 1/16 x 9 1/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2010.789", "current_location": null, "title": "Night Term", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male", "LGBTQ+ (after 1900)"], "culture": ["America, Ohio, Cleveland"], "technique": "linocut", "support_materials": [{"description": "Japan paper", "watermarks": []}], "department": "Prints", "collection": "PR - Linocut", "type": "Print", "measurements": "Sheet: 42.1 x 31 cm (16 9/16 x 12 3/16 in.); Platemark: 30.7 x 23 cm (12 1/16 x 9 1/16 in.)", "dimensions": {"sheet": {"height": 0.421, "width": 0.31}, "platemark": {"height": 0.307, "width": 0.23}}, "state_of_the_work": null, "edition_of_the_work": "27", "copyright": null, "inscriptions": [{"inscription": "Center, under image in graphite: 19/27 Night Term Roese '03", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "Gallery One - 1G: May 16, 2016-October 17, 2016", "opening_date": "2016-05-16T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Thomas Roese reframes the industrial architecture of Cleveland into visually appealing plays of pattern, space, and line. His compositions diverge from more familiar illustrations of the Terminal Tower, placing the Cleveland landmark in compelling and surprising dialogue with its architectural surroundings. Drawing is particularly central to Roese\u2019s practice, as he states: \u201cThe grit of my hometown, Cleveland, flows from the gritty, graphite pencil.\u201d This graphic sensibility is translated into his printmaking, through which he illuminates the elemental qualities of buildings.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076007"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.789", "images": {}, "alternate_images": [], "creditline": "Gift of Carole W. and Charles B. Rosenblatt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169137, "creators": [{"id": 59451, "description": "Thomas R. Roese", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 69485, "description": "University Print Club", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:02.588000"}, {"id": 169202, "accession_number": "2011.12.3", "share_license_status": "Copyrighted", "tombstone": "Crown Imperial Suite, 2007. Matthew Barney (American, b. 1967). Gelatin silver print; framed: 47.6 x 47.6 x 2.5 cm (18 3/4 x 18 3/4 x 1 in.); paper: 37.5 x 37.5 cm (14 3/4 x 14 3/4 in.). The Cleveland Museum of Art, Gift of Scott Cutler and Sundry Art-Contemporary Fund, 2011.12.3", "current_location": null, "title": "Crown Imperial Suite", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 47.6 x 47.6 x 2.5 cm (18 3/4 x 18 3/4 x 1 in.); Paper: 37.5 x 37.5 cm (14 3/4 x 14 3/4 in.)", "dimensions": {"framed": {"height": 0.476, "width": 0.476, "depth": 0.025}, "paper": {"height": 0.375, "width": 0.375}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Main gallery rotation (gallery 229): April 20, 2015 - October 19, 2015.", "opening_date": "2015-04-20T00:00:00"}]}, "provenance": [{"description": "Regen Projects Gallery, Los Angeles; Scott Cutler, Los Angeles; The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "The automobile is a staple of recent American history in terms of both industry and culture-from Henry Ford's revolutionary implementation of the assembly line to recent government bailouts in the wake of the financial crisis. During the late 1950s, Chamberlain emerged with sculptures made of scrap metal, most often from discarded cars, yet he treated this everyday detritus with the reverence reserved for fine art materials. By reconfiguring car parts into sculpture with whimsy and formal rigor, his works evoke the notion of beauty and meaning hiding in the overlooked and discarded. Matthew Barney's most famous body of work is The Cremaster Cycle, an overwhelmingly grand gesamtkunstwerk (a total work of art) featuring videos, sculptural installations, and photographs that interweave mythology, psychosexual narratives, and mass culture. By showing damaged Crown Imperials within the lobby of the iconic Chrysler building in Cremaster 3, Barney evokes the ways in which cultural legacies can either fade in time or remain emblematic. ", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076161"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.12.3", "images": {}, "alternate_images": [], "creditline": "Gift of Scott Cutler and Sundry Art-Contemporary Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169202, "creators": [{"id": 41815, "description": "Matthew Barney (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2011.12", "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:27.220000"}, {"id": 169458, "accession_number": "2011.295", "share_license_status": "Copyrighted", "tombstone": "Radiocarbon Dating , 2000. Patrick Nagatani (American, 1945\u20132017). Chromogenic (Fujicolor Crystal Archive) print; image: 18.1 x 23.8 cm (7 1/8 x 9 3/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2011.295. \u00a9 Patrick Nagatani", "current_location": null, "title": "Radiocarbon Dating ", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "chromogenic (Fujicolor Crystal Archive) print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 18.1 x 23.8 cm (7 1/8 x 9 3/8 in.)", "dimensions": {"image": {"height": 0.181, "width": 0.238}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Patrick Nagatani", "inscriptions": [{"inscription": "Signed, titled, dated and numbered 27/30 in ink in the margin ", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203510, "title": "Constructed Identities", "description": "<i>Constructed Identities</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 14, 2014-April 26, 2015).", "opening_date": "2014-12-14T00:00:00"}], "legacy": []}, "provenance": [{"description": "George Stephanopoulos", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Which is more useful to humanity: fact or myth, science or faith? This question is central to the saga imagined and brought to life by Nagatani of the archeological explorations led by the artist\u2019s alter ego, Japanese scientist Ryoichi. Traveling the globe between 1985 and 2000, Ryoichi\u2019s team locates and documents 13 of 30 archeological sites, each of which contains a remarkably well-preserved, low-mileage automobile that must have been buried there centuries earlier. Photographs, stills from video documentation, artifacts, and pages from Ryoichi\u2019s journal serve as scientific \"proof\" that time may not be linear. \"If fiction has given more to us than fact, then this is the greatest truth,\" writes Ryoichi/Nagatani in his journal at the thirteenth and final site.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076778"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.295", "images": {}, "alternate_images": [], "creditline": "Gift of George Stephanopoulos", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169458, "creators": [{"id": 61852, "description": "Patrick Nagatani (American, 1945\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:33.492000"}, {"id": 169460, "accession_number": "2011.296", "share_license_status": "Copyrighted", "tombstone": "Dendrochronology, 2001. Patrick Nagatani (American, 1945\u20132017). Chromogenic (Fujicolor Crystal Archive) print; image: 18.1 x 23.8 cm (7 1/8 x 9 3/8 in.); paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2011.296. \u00a9 Patrick Nagatani", "current_location": null, "title": "Dendrochronology", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "chromogenic (Fujicolor Crystal Archive) print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 18.1 x 23.8 cm (7 1/8 x 9 3/8 in.); Paper: 20.2 x 25.3 cm (7 15/16 x 9 15/16 in.)", "dimensions": {"image": {"height": 0.181, "width": 0.238}, "paper": {"height": 0.202, "width": 0.253}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Patrick Nagatani", "inscriptions": [{"inscription": "Signed, titled, dated and numbered 27/30 in ink in the margin ", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203510, "title": "Constructed Identities", "description": "<i>Constructed Identities</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 14, 2014-April 26, 2015).", "opening_date": "2014-12-14T00:00:00"}], "legacy": []}, "provenance": [{"description": "George Stephanopoulos", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Which is more useful to humanity: fact or myth, science or faith? This question is central to the saga imagined and brought to life by Nagatani of the archeological explorations led by the artist\u2019s alter ego, Japanese scientist Ryoichi. Traveling the globe between 1985 and 2000, Ryoichi\u2019s team locates and documents 13 of 30 archeological sites, each of which contains a remarkably well-preserved, low-mileage automobile that must have been buried there centuries earlier. Photographs, stills from video documentation, artifacts, and pages from Ryoichi\u2019s journal serve as scientific \"proof\" that time may not be linear. \"If fiction has given more to us than fact, then this is the greatest truth,\" writes Ryoichi/Nagatani in his journal at the thirteenth and final site.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076782"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.296", "images": {}, "alternate_images": [], "creditline": "Gift of George Stephanopoulos", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169460, "creators": [{"id": 61852, "description": "Patrick Nagatani (American, 1945\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:25.618000"}, {"id": 169464, "accession_number": "2011.299", "share_license_status": "Copyrighted", "tombstone": "Artifact 17:8 1992 R17/++  Artifact 13:3 1990 R13/+= , 2001. Patrick Nagatani (American, 1945\u20132017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2011.299", "current_location": null, "title": "Artifact 17:8 1992 R17/++  Artifact 13:3 1990 R13/+= ", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.)", "dimensions": {"paper": {"height": 0.202, "width": 0.252}, "right image": {"height": 0.15, "width": 0.111}, "left image": {"height": 0.15, "width": 0.111}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Signed, titled, dated and numbered 27/30 in ink in the margin ", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203510, "title": "Constructed Identities", "description": "<i>Constructed Identities</i>. 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Photographs, stills from video documentation, artifacts, and pages from Ryoichi\u2019s journal serve as scientific \"proof\" that time may not be linear. \"If fiction has given more to us than fact, then this is the greatest truth,\" writes Ryoichi/Nagatani in his journal at the thirteenth and final site.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076790"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.299", "images": {}, "alternate_images": [], "creditline": "Gift of George Stephanopoulos", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169464, "creators": [{"id": 61852, "description": "Patrick Nagatani (American, 1945\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:56.526000"}, {"id": 169467, "accession_number": "2011.300", "share_license_status": "Copyrighted", "tombstone": "Artifact 29:5  1998 R29/=+ Artifact 26:2 1997 R26/=+, 2001. Patrick Nagatani (American, 1945\u20132017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2011.300. \u00a9 Patrick Nagatani", "current_location": null, "title": "Artifact 29:5  1998 R29/=+ Artifact 26:2 1997 R26/=+", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.)", "dimensions": {"paper": {"height": 0.202, "width": 0.252}, "right image": {"height": 0.15, "width": 0.111}, "left image": {"height": 0.15, "width": 0.111}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Patrick Nagatani", "inscriptions": [{"inscription": "Signed, titled, dated and numbered 27/30 in ink in the margin ", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203510, "title": "Constructed Identities", "description": "<i>Constructed Identities</i>. 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Photographs, stills from video documentation, artifacts, and pages from Ryoichi\u2019s journal serve as scientific \"proof\" that time may not be linear. \"If fiction has given more to us than fact, then this is the greatest truth,\" writes Ryoichi/Nagatani in his journal at the thirteenth and final site.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076797"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.300", "images": {}, "alternate_images": [], "creditline": "Gift of George Stephanopoulos", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169467, "creators": [{"id": 61852, "description": "Patrick Nagatani (American, 1945\u20132017)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "death_year": "2017", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:06.156000"}, {"id": 169468, "accession_number": "2011.301", "share_license_status": "Copyrighted", "tombstone": "Artifact 3:4  1986 R3/= Artifact 25:9 1996 R25/=+, 2001. Patrick Nagatani (American, 1945\u20132017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2011.301. \u00a9 Patrick Nagatani", "current_location": null, "title": "Artifact 3:4  1986 R3/= Artifact 25:9 1996 R25/=+", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.)", "dimensions": {"paper": {"height": 0.202, "width": 0.252}, "right image": {"height": 0.15, "width": 0.111}, "left image": {"height": 0.15, "width": 0.111}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Patrick Nagatani", "inscriptions": [{"inscription": "Signed, titled, dated and numbered 27/30 in ink in the margin ", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203510, "title": "Constructed Identities", "description": "<i>Constructed Identities</i>. 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Patrick Nagatani (American, 1945\u20132017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). 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Patrick Nagatani (American, 1945\u20132017). Gelatin silver print; paper: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.); right image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.); left image: 15 x 11.1 cm (5 7/8 x 4 3/8 in.). 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Ellen Heck (American, b. 1983). Color woodcut and drypoint; sheet: 56.6 x 38 cm (22 5/16 x 14 15/16 in.); platemark: 45.6 x 30.5 cm (17 15/16 x 12 in.). The Cleveland Museum of Art, Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer, 2011.405", "current_location": null, "title": "The Robe", "creation_date": "2010", "creation_date_earliest": 2010, "creation_date_latest": 2010, "artists_tags": ["female"], "culture": ["America"], "technique": "color woodcut and drypoint", "support_materials": [{"description": "Somerset wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 56.6 x 38 cm (22 5/16 x 14 15/16 in.); Platemark: 45.6 x 30.5 cm (17 15/16 x 12 in.)", "dimensions": {"sheet": {"height": 0.566, "width": 0.38}, "platemark": {"height": 0.456, "width": 0.305}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Lower margin, in pencil: \"6/7 The Robe Ellen Heck 10\"\t\t\t \t \r\nEmbossed EH in circle\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 200460, "title": "Mary Cassatt and the Feminine Ideal in 19th-Century Paris", "description": "<i>Mary Cassatt and the Feminine Ideal in 19th-Century Paris</i>. 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With its focus on a full-length, standing figure rendered in a palette of pale pink, green, and beige, The Robe is reminiscent of Cassatt\u2019s The Fitting.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077071"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.405", "images": {}, "alternate_images": [], "creditline": "Gift of Elizabeth Carroll Shearer in memory of Robert Lundie Shearer", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169585, "creators": [{"id": 63807, "description": "Ellen Heck (American, b. 1983)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1983", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2010, "date_added_to_oa": null, "date_text": "2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:23.434000"}, {"id": 169850, "accession_number": "2012.104", "share_license_status": "Copyrighted", "tombstone": "A Rural Boy in School Uniform, Fengxiang, Shaanxi Province, 2000. Liu Zheng (Chinese, b. 1969). Gelatin silver print; paper: 45.7 x 45.7 cm (18 x 18 in.); matted: 71.1 x 66 cm (28 x 26 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2012.104. 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Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169850, "creators": [{"id": 63024, "description": "Liu Zheng (Chinese, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:21.655000"}, {"id": 169855, "accession_number": "2012.109", "share_license_status": "Copyrighted", "tombstone": "Three Country Strippers, Huoshentai, Henan Province, 2000. 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The Cleveland Museum of Art, Cleveland, OH (organizer) (June 8-November 16, 2025).", "opening_date": "2025-06-08T04:00:00"}], "legacy": []}, "provenance": [{"description": "Artist; Michael Mattis and Judith Hochberg; Cleveland Musuem of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Liu Zheng worked for a newspaper in 1991\u201397, creating images that were supposedly documentary but instead presented a fictional, idealized view of life in China. The burgeoning individual prosperity and increasing openness to the West, meanwhile, was contributing to the rise of the photographer-artist in China, whose work fulfilled personal expressive needs rather than governmental ends. In 1994, Liu took on this new role as he began <em>The Chinese</em>, a seven-year independent project chronicling Chinese society that may have been inspired by German photographer August Sander\u2019s comprehensive catalogue of his country\u2019s people. Like American portraitist Diane Arbus, Liu emphasized dispossessed and marginalized citizens, the type of subjects he had been forbidden to shoot as a photojournalist.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077673"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.109", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169855, "creators": [{"id": 63024, "description": "Liu Zheng (Chinese, b. 1969)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1969", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-12-03T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:57.744000"}, {"id": 170686, "accession_number": "2013.22.2", "share_license_status": "Copyrighted", "tombstone": "Dance, Dance, Dance (Suite Set): Dance, Dance, Dance. #2, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 54.4 x 39 cm (21 7/16 x 15 3/8 in.); platemark: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.2. \u00a9 Kakyoung Lee", "current_location": null, "title": "Dance, Dance, Dance. #2", "series": "Dance, Dance, Dance (Suite Set)", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 54.4 x 39 cm (21 7/16 x 15 3/8 in.); Platemark: 14.5 x 25.5 cm (5 11/16 x 10 1/16 in.)", "dimensions": {"sheet": {"height": 0.544, "width": 0.39}, "platemark": {"height": 0.145, "width": 0.255}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #2; verso in graphite, lower right: K. 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Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079733"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.2", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170686, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:29.600000"}, {"id": 170693, "accession_number": "2013.22.9", "share_license_status": "Copyrighted", "tombstone": "A Suite Set of Dance, Dance, Dance: Dance, Dance, Dance. #9, 2011. Kakyoung Lee (Korean, b. 1975), Created and Printed by the artist with the help of Master Printer Tatiana Simonova. Drypoint; sheet: 53.9 x 39 cm (21 1/4 x 15 3/8 in.); platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.22.9. \u00a9 Kakyoung Lee", "current_location": null, "title": "Dance, Dance, Dance. #9", "series": "A Suite Set of Dance, Dance, Dance", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["America"], "technique": "drypoint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Drypoint", "type": "Print", "measurements": "Sheet: 53.9 x 39 cm (21 1/4 x 15 3/8 in.); Platemark: 14.6 x 25.3 cm (5 3/4 x 9 15/16 in.)", "dimensions": {"sheet": {"height": 0.539, "width": 0.39}, "platemark": {"height": 0.146, "width": 0.253}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Kakyoung Lee", "inscriptions": [{"inscription": "verso, in graphite, lower left:  3/8; verso, in graphite, lower center:  A Suite Set of Dance, Dance, Dance, #9; verso in graphite, lower right: K. 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Rather than the traditional copperplate, Lee used a single Plexiglas plate known for its fragile and unforgiving nature, turning her fleeting, mundane, or perhaps frustrating moments into a series of intimate spectacles.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079751"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.22.9", "images": {}, "alternate_images": [], "creditline": "Jo Hershey Selden Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170693, "creators": [{"id": 62916, "description": "Kakyoung Lee (Korean, b. 1975)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\uc774 \uac00\uacbd", "birth_year": "1975", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67745, "description": "Created and Printed by the artist with the help of Master Printer Tatiana Simonova", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.22", "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:40.580000"}, {"id": 171242, "accession_number": "2013.94", "share_license_status": "Copyrighted", "tombstone": "Martin Luther King, Jr. , 2002. John Wilson (American, 1922\u20132015). Etching and aquatint on chine coll\u00e9; sheet: 90.2 x 75.4 cm (35 1/2 x 29 11/16 in.); matted: 110.6 x 93.3 cm (43 9/16 x 36 3/4 in.). The Cleveland Museum of Art, Karl B. Goldfield Trust, 2013.94. \u00a9  Estate of John Woodrow Wilson / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": null, "title": "Martin Luther King, Jr. ", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "etching and aquatint on chine coll\u00e9", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Sheet: 90.2 x 75.4 cm (35 1/2 x 29 11/16 in.); Matted: 110.6 x 93.3 cm (43 9/16 x 36 3/4 in.)", "dimensions": {"sheet": {"height": 0.902, "width": 0.754}, "platemark": {"height": 0.75, "width": 0.689}, "matted": {"height": 1.106, "width": 0.933}}, "state_of_the_work": null, "edition_of_the_work": "working proof (the only impression on this particular chine coll\u00e9)", "copyright": "\u00a9  Estate of John Woodrow Wilson / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [{"inscription": "below platemark, in graphite, lower left: WP; lower right: Wilson 02; verso, bottom right corner, in graphite: PRINTED W/ COPPERPLATE/CHINE", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": [{"description": "The Cleveland Museum of Art (1/26/2014 - 5/18/2014); \"Our Stories: African American Prints and Drawings\"", "opening_date": "2014-01-26T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "In 1985 Wilson won a prestigious national competition to create a memorial statue of Martin Luther King Jr. for the United States Capitol's rotunda in Washington, DC. While the print, based on studies for the sculpture, faithfully describes the features of one of the 20th century's most famous and revered black leaders, it also captures the inner spirit of its subject. The near-life-sized, imposing frontality of the figure suggests strength and stability while his tilted head, slightly downturned eyes, and sloping shoulders convey weariness and vulnerability. Wilson explained, \"You couldn't possibly grow up a black person without understanding the conflicts and anxieties in King.\" Here, the artist rendered King as both a hero and a man.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80081294"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.94", "images": {}, "alternate_images": [], "creditline": "Karl B. Goldfield Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171242, "creators": [{"id": 7996, "description": "John Wilson (American, 1922\u20132015)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1922", "death_year": "2015", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:31.969000"}, {"id": 171604, "accession_number": "2014.386", "share_license_status": "Copyrighted", "tombstone": "Waltz, 2007. Mitsuko Asakura (Japanese, b. 1950). Silk; overall: 41 x 166.5 cm (16 1/8 x 65 9/16 in.). The Cleveland Museum of Art, Gift of The Textile Art Alliance, 2014.386", "current_location": null, "title": "Waltz", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["Japan"], "technique": "silk", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Overall: 41 x 166.5 cm (16 1/8 x 65 9/16 in.)", "dimensions": {"overall": {"height": 0.41, "width": 1.665}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 536086, "title": "Contemporary Art Rotation - Spring 2023", "description": "<i>Contemporary Art Rotation - Spring 2023</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-September 24, 2023).", "opening_date": "2023-04-07T04:00:00"}], "legacy": []}, "provenance": [{"description": "Collection of the artist, Kyoto, Japan", "citations": [], "footnotes": null, "date": "2007\u201314", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2014\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Alternating densely woven surfaces with suspended threads, Mitsuko Asakura\u2019s piece is made of dyed strands of silk, a process the artist has perfected over her career. She says, \u201cThe structure of weaving is comparable to that of pointillism (the technique of applying small dots of color) in painting. Colors never really mix together in textile, they keep their distinct colors and fresh transparency under light.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80082247"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2014.386", "images": {}, "alternate_images": [], "creditline": "Gift of The Textile Art Alliance", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 171604, "creators": [{"id": 65286, "description": "Mitsuko Asakura (Japanese, b. 1950)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2014-08-19T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:32.838000"}, {"id": 172596, "accession_number": "2015.79", "share_license_status": "Copyrighted", "tombstone": "Greek Vase with Yellow Plums and Carolina Parrot, 2014. Jane Hammond (American, 1950-). Collage with lithography, linocut, relief printing, digital printing, colored pencil, watercolor, and gouache; sheet: 127 x 96.5 cm (50 x 38 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2015.79", "current_location": null, "title": "Greek Vase with Yellow Plums and Carolina Parrot", "creation_date": "2014", "creation_date_earliest": 2014, "creation_date_latest": 2014, "artists_tags": ["female"], "culture": ["America"], "technique": "collage with lithography, linocut, relief printing, digital printing, colored pencil, watercolor, and gouache", "support_materials": [{"description": "collaged wood grained papers", "watermarks": []}], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Sheet: 127 x 96.5 cm (50 x 38 in.)", "dimensions": {"sheet": {"height": 1.27, "width": 0.965}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 203083, "title": "The Flowering of the Botanical Print", "description": "<i>The Flowering of the Botanical Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-July 3, 2016).", "opening_date": "2016-03-26T00:00:00"}], "legacy": []}, "provenance": [{"description": "The work went directly from the artist's studio to her London dealer, Sims Reed for the 2014 exhibition.", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Jane Hammond searches through bookshops and flea markets in search of printed material including manuals, scientific texts, stamps, cards, and cartoons. She assembles these varied elements adding examples of her own printmaking to construct collages with layers of meaning and new narratives. Greek Vase with Yellow Plums and Carolina Parrot is bursting with flowers gathered from the artist\u2019s supply of source material, including antique botanical prints, but closer inspection also reveals animals and insects amid the foliage, lending the work a much more complicated and ambiguous character.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80084789"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2015.79", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 172596, "creators": [{"id": 57799, "description": "Jane Hammond (American, 1950-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2015-09-08T00:00:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:59.739000"}, {"id": 301453, "accession_number": "2017.111", "share_license_status": "Copyrighted", "tombstone": "Alan with Gun, 2009 (printed 2011). Anderson & Low. Digital inkjet print; image: 50.8 x 81.9 cm (20 x 32 1/4 in.); framed: 61 x 92.7 cm (24 x 36 1/2 in.). The Cleveland Museum of Art, Purchased with funds donated by Amy and Neil Viny, 2017.111. \u00a9 Anderson & Low", "current_location": null, "title": "Alan with Gun", "creation_date": "2009 (printed 2011)", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male"], "culture": ["Britain"], "technique": "Digital inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Image: 50.8 x 81.9 cm (20 x 32 1/4 in.); Framed: 61 x 92.7 cm (24 x 36 1/2 in.)", "dimensions": {"image": {"height": 0.508, "width": 0.819}, "framed": {"height": 0.61, "width": 0.927}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Anderson & Low", "inscriptions": [], "exhibitions": {"current": [{"id": 317308, "title": "Beyond Truth: Photography after the Shutter", "description": "<i>Beyond Truth: Photography after the Shutter</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2019).", "opening_date": "2019-02-10T05:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "<em>Manga Dreams </em>captures an Asian street culture in which youths make themselves look like characters in Japanese manga (comics and graphic novels) and anime (animated films). Anderson &amp; Low combined studio portraiture with digital postproduction in Photoshop to allow these individuals to be seen inhabiting the fictional worlds they adore. In these images, art imitates life, while life imitates art.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872928"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.111", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Amy and Neil Viny", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301453, "creators": [{"id": 323633, "description": "Anderson & Low", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1990", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009 (printed 2011)", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:45.043000"}, {"id": 301454, "accession_number": "2017.112", "share_license_status": "Copyrighted", "tombstone": "Dragon Archer, 2009 (printed 2011). Anderson & Low. Digital inkjet print; image: 50.8 x 67.6 cm (20 x 26 5/8 in.); framed: 61 x 77.8 cm (24 x 30 5/8 in.). 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Trevor Paglen (American, b. 1974). Dye sublimation metal print; image: 121.9 x 152.4 cm (48 x 60 in.); framed: 126 x 156.2 cm (49 5/8 x 61 1/2 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. 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Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 311940, "creators": [{"id": 311933, "description": "Trevor Paglen (American, b. 1974)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1974", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2017, "date_added_to_oa": null, "date_text": "2017", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:48.103000"}, {"id": 310180, "accession_number": "2018.33.1", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: This Project Started in Confusion and Will End in Disarray, 2004\u2013ongoing. Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.1", "current_location": null, "title": "The Bad Air Smelled of Roses: This Project Started in Confusion and Will End in Disarray", "creation_date": "2004\u2013ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["United States"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Sheet: 55.9 x 35.6 cm (22 x 14 in.)", "dimensions": {"sheet": {"height": 0.559, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. 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Carl Pope Jr. (American, b. 1961). Letterpress poster; sheet: 68.6 x 40.6 cm (27 x 16 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60759656"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.13", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60759106"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.15", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60746754"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.16", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Hatch Show Print, Nashville, TN. Letterpress poster; 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60754257"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.51", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60761044"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.53", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60754329"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.58", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60751216"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.59", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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The posters therefore present varied and often conflicting voices that the artist hopes will challenge viewers to look beyond mainstream preconceptions and experience Blackness as a natural, expansive realm of alternative possibilities. The letterpress medium links this work with ephemeral printed materials typically used to create advertisements, flyers, and picket signs. Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60761571"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.99", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Allen Rawson Ruppersberg (American, 1944-). Color screenprint on two sheets of black wove paper. The Cleveland Museum of Art, Gift of Stephen Dull, 2018.52. \u00a9 Allen Ruppersberg, Courtesy of the artist and Greene Naftali, New York", "current_location": null, "title": "Self-Portrait as Record Collector", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male"], "culture": ["United States"], "technique": "Color screenprint on two sheets of black wove paper", "support_materials": [], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "dimensions": {"framed": {"height": 0.914, "width": 1.146}}, "state_of_the_work": null, "edition_of_the_work": "Edition: 2/5", "copyright": "\u00a9 Allen Ruppersberg, Courtesy of the artist and Greene Naftali, New York", "inscriptions": [], "exhibitions": {"current": [{"id": 312384, "title": "Who RU2 Day: Mass Media and the Fine Art Print", "description": "<i>Who RU2 Day: Mass Media and the Fine Art Print</i>. 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Referring to his practice of making art from his collection of ephemeral media, Ruppersberg said: \u201cThe formal aspect of my work involves copying; the emotional aspect is dying.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q60781152"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.52", "images": {}, "alternate_images": [], "creditline": "Gift of Stephen Dull", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 309481, "creators": [{"id": 9294, "description": "Allen Rawson Ruppersberg (American, 1944-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "`", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-01 19:07:11.911000"}, {"id": 374725, "accession_number": "2020.278", "share_license_status": "Copyrighted", "tombstone": " (\u975e\u5c71\u975e\u6c34\u7cfb): Neither Mountain nor Water 1\u20135 (\u975e\u5c71\u975e\u6c34\u4e4b\u4e00), 2016. He Sanqing (Chinese, b. 1988). Series of 5 woodblock prints, printed on xuan paper with water-soluble ink; 61 x 97 cm (24 x 38 3/16 in.). The Cleveland Museum of Art, The Sarah Stern Michael Fund, 2020.278. \u00a9 He Sanqing", "current_location": null, "title": "Neither Mountain nor Water 1\u20135", "title_in_original_language": "\u975e\u5c71\u975e\u6c34\u4e4b\u4e00", "series_in_original_language": "\u975e\u5c71\u975e\u6c34\u7cfb", "creation_date": "2016", "creation_date_earliest": 2016, "creation_date_latest": 2020, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["China"], "technique": "Series of 5 woodblock prints, printed on xuan paper with water-soluble ink", "support_materials": [], "department": "Chinese Art", "collection": "Chinese Art", "type": "Print", "measurements": "61 x 97 cm (24 x 38 3/16 in.)", "dimensions": {"No Extent Specified": {"height": 0.61, "width": 0.97}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 He Sanqing", "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "<em>Chinese Woodblock Prints: Context and Practice</em>. The Muban Educational Trust, St. Paul's School, London (January 17-February 5, 2019).", "opening_date": "2019-01-17T00:00:00"}]}, "provenance": [{"description": "He Shanqing \u4f55\u4e09\u9752 [He Sanqing] [b. 1988], Wuhan, Hubei province, China, sold to the Cleveland Museum of Art through the mediation of the Muban Educational Trust, London", "citations": [], "footnotes": [], "date": "2016-2020", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2020-", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This series of five prints transforms landscape elements into abstract patterns while referencing the monochrome tradition of classical ink landscape painting. He Shanqing presses differently shaped and textured, black inked blocks of wood over a grid of preconfigured lines on a sheet of <em>xuan</em> paper. The results are impressions of remarkable variety in texture, monochrome ink shades, and shapes. The title, <em>Neither Mountain nor Water</em>, negates the subject of mountains and water (<em>shan shui</em>) in favor of and with an emphasis on graphic abstraction. <br><br>He Shanqing was born in Hunan Province. The first prize winner of the Third Muban Printmaking Award in 2017, he graduated from the China Academy of Fine Arts in Beijing with an MA degree one year later.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q117244022"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2020.278", "images": {}, "alternate_images": [], "creditline": "The Sarah Stern Michael Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 374725, "creators": [{"id": 374730, "description": "He Sanqing (Chinese, b. 1988)", "extent": null, "qualifier": null, "role": "artist", "biography": "He Sanqing was born in Hunan province in 1988. He was awarded his BA degree in 2014 and an MA degree from China Academy of Fine Arts in Beijing in 2018. Now he teaches at Huazhong Normal University in Wuhan. He is the First Prize Winner of the Third Muban Printmaking Award 2017.", "name_in_original_language": "\u4f55\u4e09\u9752", "birth_year": "1988", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2020-12-07T00:00:00-05:00", "sortable_date": 2016, "date_added_to_oa": null, "date_text": "2016", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": ["Neither Mountain Nor Water 1-5"], "is_highlight": false, "updated_at": "2026-03-27 00:01:31.693000"}, {"id": 301061, "accession_number": "2017.110.2", "share_license_status": "Copyrighted", "tombstone": "Stateless 2014-2015: Untitled #2, 2014\u201315. Gohar Dashti (Iranian, b. 1980). Archival pigment print; image: 37 x 55.4 cm (14 9/16 x 21 13/16 in.); paper: 40.9 x 57.3 cm (16 1/8 x 22 9/16 in.). 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The sky becomes the ceiling and the mountains become the walls of their new homes, because Nature is the only place that promises shelter, an eternal and everlasting refuge.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872906"], "internet_archive": []}, "citations": [{"citation": "Gohar Dashti, Gohar Dashti Photos:2005-2015, Tehran: Mohsen Gallery, 2015.", "page_number": null, "url": null}, {"citation": "Gohar Dashti, Stateless, Milan: Vanillaedizioni, 2016.", "page_number": null, "url": null}, {"citation": "Beate Cegielska and Anne-Lone Krog, eds., In Between/George Awde, Gohar Dashti, Tanya Habjouqa, Omar Imam and Stefanie Zofia Schulz, Aarhus, Denmark: Galleri Image, 2016.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2017.110.2", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Amy and Neil Viny", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301061, "creators": [{"id": 300889, "description": "Gohar Dashti (Iranian, b. 1980)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 4367, "description": "Robert Klein Gallery", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014\u201315", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2017.110", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:53.684000"}, {"id": 301062, "accession_number": "2017.110.3", "share_license_status": "Copyrighted", "tombstone": "Stateless 2014-2015: Untitled #3, 2014\u201315. Gohar Dashti (Iranian, b. 1980). Archival pigment print; image: 37 x 55.4 cm (14 9/16 x 21 13/16 in.); paper: 40.9 x 57.3 cm (16 1/8 x 22 9/16 in.). 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The sky becomes the ceiling and the mountains become the walls of their new homes, because Nature is the only place that promises shelter, an eternal and everlasting refuge.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872909"], "internet_archive": []}, "citations": [{"citation": "Gohar Dashti, Gohar Dashti Photos:2005-2015, Tehran: Mohsen Gallery, 2015.", "page_number": null, "url": null}, {"citation": "Gohar Dashti, Stateless, Milan: Vanillaedizioni, 2016.", "page_number": null, "url": null}, {"citation": "Beate Cegielska and Anne-Lone Krog, eds., In Between/George Awde, Gohar Dashti, Tanya Habjouqa, Omar Imam and Stefanie Zofia Schulz, Aarhus, Denmark: Galleri Image, 2016.", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2017.110.3", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Amy and Neil Viny", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301062, "creators": [{"id": 300889, "description": "Gohar Dashti (Iranian, b. 1980)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 4367, "description": "Robert Klein Gallery", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014\u201315", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2017.110", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:38.209000"}, {"id": 301063, "accession_number": "2017.110.4", "share_license_status": "Copyrighted", "tombstone": "Stateless 2014-2015: Untitled #4, 2014\u201315. 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Fred Lonidier (American, b. 1942). Digital inkjet print mounted on Sintex panel; each panel: 91.4 x 304.8 cm (36 x 120 in.). The Cleveland Museum of Art, Purchased with funds donated by the Buddy Taub Foundation, Dennis A. 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Erik Desmazi\u00e8res (French, born Morocco, 1948-). One from a suite of five etchings with aquatint and roulette; platemark: 23.7 x 56.6 cm (9 5/16 x 22 5/16 in.); sheet: 38.1 x 69 cm (15 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. 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Rosenblatt, 2018.60", "current_location": null, "title": "Square d\u2019Orl\u00e9ans, Paris", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["France"], "technique": "etching, aquatint, roulette", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 32.5 x 23.5 cm (12 13/16 x 9 1/4 in.); Sheet: 45.3 x 29.8 cm (17 13/16 x 11 3/4 in.)", "dimensions": {"platemark": {"height": 0.325, "width": 0.235}, "sheet": {"height": 0.453, "width": 0.298}}, "state_of_the_work": null, "edition_of_the_work": "Museum Het Rembrandthuis, Amsterdam", "copyright": null, "inscriptions": [{"inscription": "below image, left, in graphite: 46/60", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "below image, center: - Square d\u2019Orl\u00e9ans, Paris -", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "lower right, in graphite: Erik Desmazi\u00e8res - 2005", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. 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Erik Desmazi\u00e8res (French, 1948-). Etching, aquatint, and roulette; platemark: 28.2 x 20.5 cm (11 1/8 x 8 1/16 in.); sheet: 30.1 x 21.8 cm (11 7/8 x 8 9/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2018.65", "current_location": null, "title": "Description of Amsterdam in Two Volumes", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["France, 21st century"], "technique": "Etching, aquatint, and roulette", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 28.2 x 20.5 cm (11 1/8 x 8 1/16 in.); Sheet: 30.1 x 21.8 cm (11 7/8 x 8 9/16 in.)", "dimensions": {"sheet": {"height": 0.301, "width": 0.218}, "platemark": {"height": 0.282, "width": 0.205}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Lower left, in graphite: 44/100", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "lower center, in graphite: Beschrijving van Amsterdam in twee deelen", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "lower right, in graphite: Erik Desmazi\u00e8res  2004", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. Rosenblatt, Pepper Pike, OH", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 4, 2018", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Erik Desmazi\u00e8res\u2019 etchings and aquatints represent libraries, city views, cabinets of wonder, and other spaces rich with meaning, history, and content, both real and imagined. Through virtuoso draftsmanship and his consummate command of the technical aspects of etching, Desmazi\u00e8res renders his architectural spaces and cityscapes with hardened reality, simultaneously imbuing them with an uncanny sense of the fantastic and the surreal.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873525"], "internet_archive": []}, "citations": [{"citation": "Rassieur, Thomas E., Anne-Marie Garcia, and Andrew Fitch. Erik Desmazie\u0300res Prints 2001-2011 [Catalogue Raisonne\u0301]. New York: Fitch-Febvrel Gallery, 2012.", "page_number": "cat. no. 228", "url": null}, {"citation": "Rassieur, Thomas E., Anne-Marie Garcia, and Andrew Fitch. Erik Desmazie\u0300res Prints 2001-2011 [Catalogue Raisonne\u0301]. New York: Fitch-Febvrel Gallery, 2012.", "page_number": "cat. no. 2187", "url": null}], "catalogue_raisonne": "R/G/F 187", "url": "https://clevelandart.org/art/2018.65", "images": {}, "alternate_images": [], "creditline": "Gift of Carole W. and Charles B. Rosenblatt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 309876, "creators": [{"id": 29728, "description": "Erik Desmazi\u00e8res (French, 1948-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:52.933000"}, {"id": 162335, "accession_number": "2002.64", "share_license_status": "Copyrighted", "tombstone": "Magic People, 2002. Elizabeth Catlett (American, 1915\u20132012). Color linoleum cut; sheet: 37.4 x 35.7 cm (14 3/4 x 14 1/16 in.); image: 25.7 x 24.4 cm (10 1/8 x 9 5/8 in.). The Cleveland Museum of Art, Gift of the Artist, 2002.64. \u00a9 Catlett Mora Family Trust / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": null, "title": "Magic People", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["female", "Black American Artists"], "culture": ["America"], "technique": "color linoleum cut", "support_materials": [], "department": "Prints", "collection": "PR - Linocut", "type": "Print", "measurements": "Sheet: 37.4 x 35.7 cm (14 3/4 x 14 1/16 in.); Image: 25.7 x 24.4 cm (10 1/8 x 9 5/8 in.)", "dimensions": {"sheet": {"height": 0.374, "width": 0.357}, "image": {"height": 0.257, "width": 0.244}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Catlett Mora Family Trust / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [{"inscription": "lower right, in pencil: \"E. Catlett 2002\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "A mother of three sons, a grandmother, and a lifelong teacher, Elizabeth Catlett has always been involved with young people. She made <em>Magic People</em> for the Museum Ambassadors, a group of Cleveland-area high-school students who are exposed to the museum environment to encourage an ongoing relationship with the arts in their communities. Catlett has been working for six decades as a printmaker and sculptor. She produces compassionate, heroic images of ordinary people, rendered in a style of simplified realism, which celebrate her African American identity as well as her adopted Mexican homeland. Catlett went to Mexico in 1946 to work at the printmaking workshop Taller de Gr\u00e1fica Popular (People's Art Workshop). While there, she met her husband, artist Francisco Mora.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986390"], "internet_archive": []}, "citations": [{"citation": "\"Museums Ambassadors\", Cleveland Museum of Art. <em>Cleveland Art: The Cleveland Museum of Art Members Magazine</em>. 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Vik Muniz (American, b. 1961). Chromogenic process color print; image: 182.8 x 214.6 cm (71 15/16 x 84 1/2 in.); framed: 190.5 x 222.2 cm (75 x 87 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 2004.68. \u00a9  Vik Muniz / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": null, "title": "Still Life after Morandi (from Pictures of Magazines)", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male", "Latine and Hispanic Artists"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 182.8 x 214.6 cm (71 15/16 x 84 1/2 in.); Framed: 190.5 x 222.2 cm (75 x 87 1/2 in.)", "dimensions": {"image": {"height": 1.828, "width": 2.146}, "framed": {"height": 1.905, "width": 2.222}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9  Vik Muniz / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Vik Muniz combines his skills as a painter, sculptor, draftsman, performance artist, and photographer to create exquisite visual objects that affect the way people view images. From his unlikely inventory of materials - chocolate syrup, ketchup, sugar, wire, sewing thread, dust - he constructs ephemeral works that range from masterpieces of art history to simulated cumulus clouds, Hollywood film stills to iconic photographs from popular culture. Still Life after Morandi is from the latest, critically acclaimed series in which Muniz explores unconventional modes of rendering and the mechanics of perception in this age of visual overload. From a photograph, he laboriously recreated a still-life painting by 20th-century master Giorgio Morandi by meticulously assembling a small collage (roughly 8 x 11-1/2 inches) of 1/4-inch disks punched from color magazines. He then photographed the trompe l\u2019oeil object and made immense color prints from the resulting negative. In a mosaic, pointillist technique, Muniz skillfully rendered the soft light, the narrow band of subtle warm tones, and the textured surface associated with his easily identifiable, appropriated subject matter. Enticed by a seemingly familiar image, the viewer\u2019s interest is sustained by the work\u2019s visual beauty and perceptual ambiguity.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79989695"], "internet_archive": []}, "citations": [{"citation": "Lago, Pedro Corre\u0302a do. <em>Vik Muniz: Catalogue Raisonne\u0301, 1987-2015: Everything So Far = Tudo Ate\u0301 Agora.</em> [Rio de Janeiro, Brazil]: Capivara, 2015.", "page_number": "Reproduced: Vol. 2, P. 524", "url": ""}], "url": "https://clevelandart.org/art/2004.68", "images": {}, "alternate_images": [], "creditline": "John L. 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Barney Taxel (American, b. 1949). Archival pigment print (printed 2015); image: 33.9 x 50.3 cm (13 3/8 x 19 13/16 in.); paper: 43.2 x 55.8 cm (17 x 21 15/16 in.). 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The Lake View Cemetery: Photographs from Cleveland's Historic Landmark. 2014", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2017.135", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 300871, "creators": [{"id": 66961, "description": "Barney Taxel (American, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born August 12, 1949", "name_in_original_language": null, "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:04:50.154000"}, {"id": 300872, "accession_number": "2017.136", "share_license_status": "Copyrighted", "tombstone": "Andrews, 2003, printed 2015. Barney Taxel (American, b. 1949). Archival pigment print; image: 33.5 x 50.8 cm (13 3/16 x 20 in.); paper: 43.1 x 55.8 cm (16 15/16 x 21 15/16 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.136", "current_location": null, "title": "Andrews", "creation_date": "2003, printed 2015", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male"], "culture": ["America"], "technique": "archival pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 33.5 x 50.8 cm (13 3/16 x 20 in.); Paper: 43.1 x 55.8 cm (16 15/16 x 21 15/16 in.)", "dimensions": {"image": {"height": 0.335, "width": 0.508}, "paper": {"height": 0.431, "width": 0.558}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \u201cANDREWS 2003 BARNEY TAXEL (signed) 2015\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Written in pencil on verso: \u201cANDREWS/LAKE VIEW CEMETARY/JANUARY 6, 2003/PRINTED 2015/Barney Taxel (signed)\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This elegant neoclassical mausoleum in Cleveland\u2019s Lake View Cemetery houses the body of Samuel Andrews (1836\u20131904), an English candle maker with little education who arrived in Cleveland in 1857. One of the earliest involved in refining kerosene from crude oil, Andrews ended up cofounding the Standard Oil Company. He built one of the city\u2019s largest homes, which was torn down in 1923.<br><br><br><br>\ufffd", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872891"], "internet_archive": []}, "citations": [{"citation": "Taxel, Barney, and Laura Taxel. 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Barney Taxel (American, b. 1949). Archival pigment print (printed 2015); image: 48.9 x 38.1 cm (19 1/4 x 15 in.); paper: 55.8 x 43.2 cm (21 15/16 x 17 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.137", "current_location": null, "title": "Louise Van Cleve Strong", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "archival pigment print (printed 2015)", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 48.9 x 38.1 cm (19 1/4 x 15 in.); Paper: 55.8 x 43.2 cm (21 15/16 x 17 in.)", "dimensions": {"image": {"height": 0.489, "width": 0.381}, "paper": {"height": 0.558, "width": 0.432}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \u201cLOUISE VAN CLEVE STRONG 2004 BARNEY TAXEL (signed) 2015\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Written in pencil on verso: \u201cLOUISE VAN CLEVE STRONG/LAKE VIEW CEMETARY/SEPTEMBER 28, 2004/PRINTED 2015/BARNEY TAXEL (signed)\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This altar-like crypt, reminiscent of a ruined fragment of a Gothic church, is the resting place of Louise Van Cleve (1872\u20131920) in Cleveland\u2019s Lake View Cemetery. Little is known about her, but her husband, Charles H. Strong, was an eminent merchant from an old Cleveland family. Years after her death, he remarried and is buried elsewhere.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872895"], "internet_archive": []}, "citations": [{"citation": "Taxel, Barney, and Laura Taxel. 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Barney Taxel (American, b. 1949). Archival pigment print (printed 2015); image: 48.4 x 38.1 cm (19 1/16 x 15 in.); paper: 55.8 x 43.2 cm (21 15/16 x 17 in.). The Cleveland Museum of Art, Gift of the Artist, 2017.138", "current_location": null, "title": "Otis", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "archival pigment print (printed 2015)", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 48.4 x 38.1 cm (19 1/16 x 15 in.); Paper: 55.8 x 43.2 cm (21 15/16 x 17 in.)", "dimensions": {"image": {"height": 0.484, "width": 0.381}, "paper": {"height": 0.558, "width": 0.432}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on recto: \u201cOTIS 2008 BARNEY TAXEL (signed) 2015\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Written in pencil on verso: \u201cOTIS/LAKE VIEW CEMETARY/May 27, 2008/PRINTED 2015/BARNEY TAXEL (signed)\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This mourning woman with draped and bowed head decorates the tomb in Cleveland\u2019s Lake View Cemetery of Charles Augustus Otis Sr. (1827\u20131905), a prominent businessman who served as the city\u2019s mayor in 1873\u201374.<br>Sculpted at the beginning of the 20th century, the figure\u2019s pose, drapery, and wreath refer to ancient classical sculpture, while her dress evokes 19th-century fashion.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872897"], "internet_archive": []}, "citations": [{"citation": "Taxel, Barney, and Laura Taxel. The Lake View Cemetery: Photographs from Cleveland's Historic Landmark. 2014", "page_number": null, "url": null}], "url": "https://clevelandart.org/art/2017.138", "images": {}, "alternate_images": [], "creditline": "Gift of the Artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 300874, "creators": [{"id": 66961, "description": "Barney Taxel (American, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born August 12, 1949", "name_in_original_language": null, "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:13.224000"}, {"id": 78879, "accession_number": "2018.20", "share_license_status": "Copyrighted", "tombstone": "Mount Ballyhoo (Elevation 1,634 Feet) Above Dutch Harbor, Aleutian Islands, Alaska , 2011. David Freese (American, 1945-). Digital pigment print; image: 9.3 x 14 cm (3 11/16 x 5 1/2 in.); paper: 21.5 x 27.8 cm (8 7/16 x 10 15/16 in.). The Cleveland Museum of Art, Gift of Bill Press and Elana Auerbach, 2018.20", "current_location": null, "title": "Mount Ballyhoo (Elevation 1,634 Feet) Above Dutch Harbor, Aleutian Islands, Alaska ", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["America"], "technique": "digital pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 9.3 x 14 cm (3 11/16 x 5 1/2 in.); Paper: 21.5 x 27.8 cm (8 7/16 x 10 15/16 in.)", "dimensions": {"image": {"height": 0.093, "width": 0.14}, "paper": {"height": 0.215, "width": 0.278}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on verso: \u201cMOUNT BALLYHOO ABOVE DUTCH HARBOR,/ALEUTIAN ISLANDS, ALASKA, 2011\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Written in pencil on verso: \u201cDavid Freese (signed) 4/20\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Mount Ballyhoo, a modest peak on the Alaskan island of Amaknak in the Aleutians, is seen here dwarfed by a cloud moving in from the composition\u2019s left edge. The detail visible on the hillside contrasts with the vaporous cloud that despite its porous nature, is powerful enough to obscure the mountain.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79490823"], "internet_archive": []}, "citations": [{"citation": "Freese, David, and Simon Winchester. <em>West Coast: Bering to Baja. </em>Staunton, VA: George F. Thompson Publishing, 2012", "page_number": "37", "url": null}], "url": "https://clevelandart.org/art/2018.20", "images": {}, "alternate_images": [], "creditline": "Gift of Bill Press and Elana Auerbach ", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 78879, "creators": [{"id": 65269, "description": "David Freese (American, 1945-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1945", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-02-26T00:00:00-05:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:07.945000"}, {"id": 78880, "accession_number": "2018.21", "share_license_status": "Copyrighted", "tombstone": "Mount St. Elias (Elevation 18,008 Feet) From the Gulf of Alaska , 2004. David Freese (American, 1945-). Digital pigment print; image: 11.8 x 56 cm (4 5/8 x 22 1/16 in.); paper: 20 x 61 cm (7 7/8 x 24 in.). The Cleveland Museum of Art, Gift of Bill Press and Elana Auerbach, 2018.21", "current_location": null, "title": "Mount St. Elias (Elevation 18,008 Feet) From the Gulf of Alaska ", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["America"], "technique": "digital pigment print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 11.8 x 56 cm (4 5/8 x 22 1/16 in.); Paper: 20 x 61 cm (7 7/8 x 24 in.)", "dimensions": {"image": {"height": 0.118, "width": 0.56}, "paper": {"height": 0.2, "width": 0.61}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Written in pencil on verso: \u201cMOUNT ST. ELIAS FROM THE GULF OF ALASKA, 2004\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Written in pencil on verso: \u201cDavid Freese (signed) 1/20\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "It took David Freese a dozen years to document the majesty of the Pacific Coast from Alaska to Baja Mexico. He chose a panoramic format to convey the breadth and grandeur of Mount Saint Elias, the second highest peak in the United States. 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Erik Desmazi\u00e8res (French, born Morocco, 1948-). Etching; platemark: 14.2 x 23.8 cm (5 9/16 x 9 3/8 in.); sheet: 38.2 x 69 cm (15 1/16 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2018.57.1", "current_location": null, "title": "Views of Amsterdam: Cartouche on Title Page", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["France, 21st century"], "technique": "etching", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 14.2 x 23.8 cm (5 9/16 x 9 3/8 in.); Sheet: 38.2 x 69 cm (15 1/16 x 27 3/16 in.)", "dimensions": {"platemark": {"height": 0.142, "width": 0.238}, "sheet": {"height": 0.382, "width": 0.69}}, "state_of_the_work": null, "edition_of_the_work": "Museum Het Rembrandthuis, Amsterdam", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. 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Erik Desmazi\u00e8res (French, born Morocco, 1948-). One from a suite of five etchings with aquatint and roulette; platemark: 21.7 x 56.6 cm (8 9/16 x 22 5/16 in.); sheet: 38.3 x 69 cm (15 1/16 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2018.57.3", "current_location": null, "title": "Views of Amsterdam: Herengracht", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["France, 21st century"], "technique": "One from a suite of five etchings with aquatint and roulette", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 21.7 x 56.6 cm (8 9/16 x 22 5/16 in.); Sheet: 38.3 x 69 cm (15 1/16 x 27 3/16 in.)", "dimensions": {"platemark": {"height": 0.217, "width": 0.566}, "sheet": {"height": 0.383, "width": 0.69}}, "state_of_the_work": null, "edition_of_the_work": "Edition 25/90", "copyright": null, "inscriptions": [{"inscription": "Below image, left, in graphite: 25/90", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "below image, center, in graphite: - Herengracht -", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "below image, right, in graphite: Erik Desmazi\u00e8res 2004", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. 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Erik Desmazie\u0300res Prints 2001-2011 [Catalogue Raisonne\u0301]. New York: Fitch-Febvrel Gallery, 2012.", "page_number": "cat. no. 190", "url": null}], "catalogue_raisonne": "FF 190", "url": "https://clevelandart.org/art/2018.57.3", "images": {}, "alternate_images": [], "creditline": "Gift of Carole W. and Charles B. Rosenblatt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 309601, "creators": [{"id": 29728, "description": "Erik Desmazi\u00e8res (French, born Morocco, 1948-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.57", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:35.246000"}, {"id": 309617, "accession_number": "2018.57.4", "share_license_status": "Copyrighted", "tombstone": "Views of Amsterdam: Entrepotdok, 2004. Erik Desmazi\u00e8res (French, born Morocco, 1948-). One from a suite of five etchings with aquatint and roulette; platemark: 21.3 x 56.6 cm (8 3/8 x 22 5/16 in.); sheet: 38.3 x 69 cm (15 1/16 x 27 3/16 in.). The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2018.57.4", "current_location": null, "title": "Views of Amsterdam: Entrepotdok", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["France, 21st century"], "technique": "One from a suite of five etchings with aquatint and roulette", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Platemark: 21.3 x 56.6 cm (8 3/8 x 22 5/16 in.); Sheet: 38.3 x 69 cm (15 1/16 x 27 3/16 in.)", "dimensions": {"platemark": {"height": 0.213, "width": 0.566}, "sheet": {"height": 0.383, "width": 0.69}}, "state_of_the_work": null, "edition_of_the_work": "Edition 25/90", "copyright": null, "inscriptions": [{"inscription": "Below image, left, in graphite: 25/90", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "below image, center, in graphite: - s' Lands Zeemagazijn -", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "below image, right, in graphite: Erik Desmazi\u00e8res 2004", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. Rosenblatt, Pepper Pike, OH", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "June 4, 2018", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Erik Desmazi\u00e8res\u2019 etchings and aquatints represent libraries, city views, cabinets of wonder, and other spaces rich with meaning, history, and content, both real and imagined. Through virtuoso draftsmanship and his consummate command of the technical aspects of etching, Desmazi\u00e8res renders his architectural spaces and cityscapes with hardened reality, simultaneously imbuing them with an uncanny sense of the fantastic and the surreal.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873497"], "internet_archive": []}, "citations": [{"citation": "Rassieur, Thomas E., Anne-Marie Garcia, and Andrew Fitch. Erik Desmazie\u0300res Prints 2001-2011 [Catalogue Raisonne\u0301]. New York: Fitch-Febvrel Gallery, 2012.", "page_number": "cat. no. 191", "url": null}], "catalogue_raisonne": "FF 191", "url": "https://clevelandart.org/art/2018.57.4", "images": {}, "alternate_images": [], "creditline": "Gift of Carole W. and Charles B. Rosenblatt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 309617, "creators": [{"id": 29728, "description": "Erik Desmazi\u00e8res (French, born Morocco, 1948-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1948", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.57", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:30.488000"}, {"id": 290440, "accession_number": "2016.37.1", "share_license_status": "Copyrighted", "tombstone": "Seed Pods, 2015. Sopheap Pich (Cambodian, b. 1971). Bamboo, rattan, steel wire; 166 x 70 x 17 cm (65 3/8 x 27 9/16 x 6 11/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2016.37.1. \u00a9 Sopheap Pich", "current_location": "242A Ancient India", "title": "Seed Pods", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Cambodia"], "technique": "Bamboo, rattan, steel wire", "support_materials": [], "department": "Indian and Southeast Asian Art", "collection": "Cambodian Art", "type": "Mixed Media", "measurements": "166 x 70 x 17 cm (65 3/8 x 27 9/16 x 6 11/16 in.)", "dimensions": {"No Extent Specified": {"height": 1.66, "width": 0.7, "depth": 0.17}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Sopheap Pich", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Tyler Rollins Fine Art Ltd., New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132016", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2016\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79870680"], "internet_archive": []}, "citations": [{"citation": "Quintanilla, Sonya Rhie. \u201dAcquisition Highlights 2016: Indian and Southeast Asian Art.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 21.", "page_number": "Reproduced: pp. 3, 21. Mentioned: pp. 7, 21", "url": "https://archive.org/details/CMAMM2017-02/page/n9/mode/2up"}], "url": "https://clevelandart.org/art/2016.37.1", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 290440, "creators": [{"id": 283613, "description": "Sopheap Pich (Cambodian, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-06-09T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2016.37", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:18.121000"}, {"id": 290441, "accession_number": "2016.37.2", "share_license_status": "Copyrighted", "tombstone": "Seed Pods, 2015. Sopheap Pich (Cambodian, b. 1971). Bamboo, rattan, steel wire; 260 x 130 x 30 cm (102 3/8 x 51 3/16 x 11 13/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2016.37.2. \u00a9 Sopheap Pich", "current_location": "242A Ancient India", "title": "Seed Pods", "creation_date": "2015", "creation_date_earliest": 2015, "creation_date_latest": 2015, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Cambodia"], "technique": "Bamboo, rattan, steel wire", "support_materials": [], "department": "Indian and Southeast Asian Art", "collection": "Cambodian Art", "type": "Mixed Media", "measurements": "260 x 130 x 30 cm (102 3/8 x 51 3/16 x 11 13/16 in.)", "dimensions": {"No Extent Specified": {"height": 2.6, "width": 1.3, "depth": 0.3}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Sopheap Pich", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Tyler Rollins Fine Art Ltd., New York, NY, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": [], "date": "?\u20132016", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "2016\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79870684"], "internet_archive": []}, "citations": [{"citation": "Quintanilla, Sonya Rhie. \u201dAcquisition Highlights 2016: Indian and Southeast Asian Art.\" <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 57, no. 2 (March/April 2017): 21.", "page_number": "Reproduced: pp. 3, 21. Mentioned: pp. 7, 21", "url": "https://archive.org/details/CMAMM2017-02/page/n9/mode/2up"}], "url": "https://clevelandart.org/art/2016.37.2", "images": {}, "alternate_images": [], "creditline": "Norman O. Stone and Ella A. Stone Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 290441, "creators": [{"id": 283613, "description": "Sopheap Pich (Cambodian, b. 1971)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1971", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-06-09T00:00:00-04:00", "sortable_date": 2015, "date_added_to_oa": null, "date_text": "2015", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2016.37", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:21.388000"}, {"id": 162117, "accession_number": "2001.54", "share_license_status": "Copyrighted", "tombstone": "The Collector, 2000. Robert ParkeHarrison (American, b. 1968). Photograph with mixed media on panel; image: 103.2 x 137.6 cm (40 5/8 x 54 3/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2001.54", "current_location": null, "title": "The Collector", "creation_date": "2000", "creation_date_earliest": 2000, "creation_date_latest": 2000, "artists_tags": ["male"], "culture": ["America"], "technique": "photograph with mixed media on panel", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 103.2 x 137.6 cm (40 5/8 x 54 3/16 in.)", "dimensions": {"image": {"height": 1.032, "width": 1.376}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "written in pencil on verso: \" The Collector #2/4 Robert ParkeHarrison [signed]\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "For the past several years, Robert ParkeHarrison, assisted by his wife, has created black-and-white photographs of carefully staged scenes incorporating constructed sets and props around his home and studio in Worcester, Massachusetts. The resulting images are manipulated through darkroom techniques and are then altered by paints and varnishes.\r\nAlways wearing a natty dark suit with a white shirt, the artist appears in each composition, representing the archetype of the modern man. He has stated, \"In my images I become a character who is inventor, scientist, caretaker, and fool.\" In this large-scale composition, an outstanding example of ParkeHarrison's inventiveness, the artist tends an odd assortment of collected items that fill infinite rows of tall storage units located in an isolated field. He succeeds in drawing us into the scene while simultaneously encouraging a subjective interpretation of the image.\r\n", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79985791"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2001.54", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162117, "creators": [{"id": 40028, "description": "Robert ParkeHarrison (American, b. 1968)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1968", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2001-06-04T00:00:00", "sortable_date": 2000, "date_added_to_oa": null, "date_text": "2000", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "2", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:45.835000"}, {"id": 162200, "accession_number": "2002.106", "share_license_status": "Copyrighted", "tombstone": "Division-Work No. 100, 2002. Hamanishi Katsunori (Japanese, b. 1949). Mezzotint with gold leaf; center: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); left: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); right: 74.2 x 50 cm (29 3/16 x 19 11/16 in.). The Cleveland Museum of Art, Gift of Gloria and Leon Plevin in memory of Fred Schmidt, 2002.106", "current_location": null, "title": "Division-Work No. 100", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["Japan"], "technique": "mezzotint with gold leaf", "support_materials": [], "department": "Prints", "collection": "PR - Mezzotint", "type": "Print", "measurements": "Center: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); Left: 74.2 x 49.8 cm (29 3/16 x 19 5/8 in.); Right: 74.2 x 50 cm (29 3/16 x 19 11/16 in.)", "dimensions": {"center": {"height": 0.742, "width": 0.498}, "left": {"height": 0.742, "width": 0.498}, "right": {"height": 0.742, "width": 0.5}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed lower right, in graphite:  K. Hamanishi '02; Center: Division-Work No. 100; Left: 37/50\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although mezzotint is primarily a European technique,\r\nHamanishi\u2019s work is traditionally Japanese in many respects.\r\nThe use of gold, which emphasizes the flatness of the scene\r\nand adds a wonderful decorative element, began in Japanese\r\nprintmaking in the late 17th century. One hundred years\r\nearlier, gold paper served as a background for folding screens\r\n(see examples in gallery 121), also referenced in the tripartite\r\narrangement of Division-Work No. 100.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986009"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.106", "images": {}, "alternate_images": [], "creditline": "Gift of Gloria and Leon Plevin in memory of Fred Schmidt", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162200, "creators": [{"id": 34416, "description": "Hamanishi Katsunori (Japanese, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ed2\u7530\u8302\u6a39", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-12-02T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:56.117000"}, {"id": 162277, "accession_number": "2002.16", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2001. Till Freiwald (German, b. 1963). Watercolor over graphite; sheet: 228.4 x 154.8 cm (89 15/16 x 60 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2002.16", "current_location": null, "title": "Untitled", "creation_date": "2001", "creation_date_earliest": 2001, "creation_date_latest": 2001, "artists_tags": ["male"], "culture": ["Germany, 21st century"], "technique": "watercolor over graphite", "support_materials": [{"description": "white wove paper", "watermarks": []}], "department": "Drawings", "collection": "DR - German", "type": "Drawing", "measurements": "Sheet: 228.4 x 154.8 cm (89 15/16 x 60 15/16 in.)", "dimensions": {"sheet": {"height": 2.284, "width": 1.548}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Till Freiwald has taken a unique approach to painting the portrait. Working as other artists have for centuries, Freiwald paints small-scale sketches and studies of his subject using a live model. But he then breaks from tradition and sets those studies aside, dispenses with the model, and completes his monumental watercolors solely from memory. In this way, the artist creates a work that is at once eerily realistic but completely abstract. \r\n\r\nUntitled is reminiscent of a passport picture, but Freiwald used a successive series of watercolor washes to impart an otherworldly glow to the girl's simplified features. A contemplative portrait, Untitled is also an image depicting the mind of the artist, which encourages reflection on the history of portraiture and the nature of identity and personal memory. \r\n", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79986222"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2002.16", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 162277, "creators": [{"id": 42100, "description": "Till Freiwald (German, b. 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2002-03-04T00:00:00", "sortable_date": 2001, "date_added_to_oa": null, "date_text": "2001", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:30.099000"}, {"id": 164441, "accession_number": "2005.63", "share_license_status": "Copyrighted", "tombstone": "Cleveland Mural Drawing # 1, November 14, 2003, 2003. Martin Kline (American, b. 1961). Black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.); sheet: 104.3 x 66.2 cm (41 1/16 x 26 1/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2005.63", "current_location": null, "title": "Cleveland Mural Drawing # 1, November 14, 2003", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male"], "culture": ["America"], "technique": "black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.)", "support_materials": [{"description": "Arches wove paper with watermark Aquarelle Arches", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 104.3 x 66.2 cm (41 1/16 x 26 1/16 in.)", "dimensions": {"sheet": {"height": 1.043, "width": 0.662}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, lower right, In graphite: Cleveland Mural drg # 1, Nov 14, 2003 M Kline", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Watermark: Aquarelle Arches", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Verso, lower right in graphite: \"Cleveland Mural drg #1 Nov 14, 2003 M Kline\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Lower left: fingerprint and blind-stamp, Aquarelle Arches", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Martin Kline (the artist) [1961-], Rhinebeck, NY", "citations": [], "footnotes": null, "date": "2003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2005", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This drawing was one of three created during a weekend-long demonstration by the artist in support of the exhibition <em>Drawing Modern: Works from the Agnes Gund Collection.</em>", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79992040"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2005.63", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164441, "creators": [{"id": 51836, "description": "Martin Kline (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-06-06T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:00.952000"}, {"id": 164442, "accession_number": "2005.64", "share_license_status": "Copyrighted", "tombstone": "Cleveland Mural Drawing # 2, November 15, 2003, 2003. Martin Kline (American, b. 1961). Black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.); sheet: 104.4 x 66 cm (41 1/8 x 26 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2005.64", "current_location": null, "title": "Cleveland Mural Drawing # 2, November 15, 2003", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male"], "culture": ["America"], "technique": "black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.)", "support_materials": [{"description": "Arches wove paper with watermark: Aquarelle Arches", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 104.4 x 66 cm (41 1/8 x 26 in.)", "dimensions": {"sheet": {"height": 1.044, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, lower right, in graphite: Cleveland Mural drg # 2, Day 2 Nov 15, 2003 M Kline", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Lower left: fingerprint and blind-stamp: Aquarelle Arches", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Watermark: Aquarelle Arches", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Martin Kline (the artist) [1961-], Rhinebeck, NY", "citations": [], "footnotes": null, "date": "2003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2005", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This drawing was one of three created during a weekend-long demonstration by the artist at the museum in support of the exhibition <em>Drawing Modern: Works from the Agnes Gund Collection.</em>", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79992043"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2005.64", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164442, "creators": [{"id": 51836, "description": "Martin Kline (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-06-06T00:00:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:07.603000"}, {"id": 164443, "accession_number": "2005.65", "share_license_status": "Copyrighted", "tombstone": "Cleveland Mural Drawing # 3, November 16-17, 2003, 2003. Martin Kline (American, b. 1961). Black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.); sheet: 104 x 66 cm (40 15/16 x 26 in.). The Cleveland Museum of Art, Gift of Agnes Gund and Daniel Shapiro, 2005.65", "current_location": null, "title": "Cleveland Mural Drawing # 3, November 16-17, 2003", "creation_date": "2003", "creation_date_earliest": 2003, "creation_date_latest": 2003, "artists_tags": ["male"], "culture": ["America"], "technique": "black paintstick (Intense Carbon Black Series 2 Pigment Stick, linseed oil and natural waxes, R&F Handmade Paints Mfg.)", "support_materials": [{"description": "Arches wove paper with watermark: Aquarelle Arches", "watermarks": []}], "department": "Drawings", "collection": "DR - American 21st Century", "type": "Drawing", "measurements": "Sheet: 104 x 66 cm (40 15/16 x 26 in.)", "dimensions": {"sheet": {"height": 1.04, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, lower right, in graphite: Cleveland Mural drg # 3, Nov 16-17, 2003 M Kline", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Lower left: fingerprint and blindstamp: \"Aquarelle Arches\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Watermark: Aquarelle Arches", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Martin Kline (the artist) [1961-], Rhinebeck, NY", "citations": [], "footnotes": null, "date": "2003", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "June 6, 2005", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": "This drawing was one of three created during a weekend-long demonstration by the artist at the museum in support of the exhibition <em>Drawing Modern: Works from the Agnes Gund Collection. </em>", "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79992045"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2005.65", "images": {}, "alternate_images": [], "creditline": "Gift of Agnes Gund and Daniel Shapiro", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164443, "creators": [{"id": 51836, "description": "Martin Kline (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": null, "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:45.429000"}, {"id": 164978, "accession_number": "2006.70", "share_license_status": "Copyrighted", "tombstone": "Suite #2: Faithful Manipulation, 2005. Clarence Morgan (American, b. 1950). Lithograph, spitbite etching, and aquatint with chine coll\u00e9; sheet: 39.5 x 39.5 cm (15 9/16 x 15 9/16 in.); image: 25.4 x 25.4 cm (10 x 10 in.). The Cleveland Museum of Art, Gift of Deborah G. and Kenneth S. Cohen, 2006.70", "current_location": null, "title": "Suite #2: Faithful Manipulation", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "lithograph, spitbite etching, and aquatint with chine coll\u00e9", "support_materials": [], "department": "Prints", "collection": "PR - Lithograph", "type": "Print", "measurements": "Sheet: 39.5 x 39.5 cm (15 9/16 x 15 9/16 in.); Image: 25.4 x 25.4 cm (10 x 10 in.)", "dimensions": {"sheet": {"height": 0.395, "width": 0.395}, "image": {"height": 0.254, "width": 0.254}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "below image, in graphite: 5/20 Faithful Manipulation Clarence Morgan 2005", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Although Morgan began working on Suite #2 with a general idea of the outcome, each composition is largely the product of intuitive decisions. The prints were made at Highpoint Editions, a printmaking workshop in Minneapolis where Morgan found that \"working in the environment of a print studio and having access to a Master Printer and print assistants allowed me to bounce ideas around . . . and make known my thoughts no matter how wacky.\" A free-flowing approach may seem risky, but Morgan found it thoroughly rewarding: \"My artistic actions and choices are based on conceptual assumptions, which remained best slippery, elusive, and forever mutable,\" he said. \"Despite everything, out of this mode of working come moments of absolute clarity and sublimity.\"", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79993312"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2006.70", "images": {}, "alternate_images": [], "creditline": "Gift of Deborah G. and Kenneth S. Cohen", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 164978, "creators": [{"id": 53630, "description": "Clarence Morgan (American, b. 1950)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1950", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2006-02-27T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:01:17.133000"}, {"id": 166820, "accession_number": "2009.10", "share_license_status": "Copyrighted", "tombstone": "Mistelpartition, 2006. Su-Mei Tse (Luxembourg, b. 1973). Video projection, high definition with sound, 6 minutes 49 seconds, looped musical score:  Cello Concerto #1 in E Flat Major by Dimitri Shostakovich. The Cleveland Museum of Art, Gift of the Contemporary Art Society of the Cleveland Museum of Art in memory of Rosalie Cohen, 2009.10. \u00a9 Su-Mei Tse", "current_location": null, "title": "Mistelpartition", "creation_date": "2006", "creation_date_earliest": 2006, "creation_date_latest": 2006, "artists_tags": ["female"], "culture": ["Luxembourg, 21st century"], "technique": "Video projection, high definition with sound, 6 minutes 49 seconds, looped musical score:  Cello Concerto #1 in E Flat Major by Dimitri Shostakovich", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Installation Media", "type": "Time-based Media", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Su-Mei Tse", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Tse works in a variety of media including video, sculpture, and photography. Her background as a classical cellist and her upbringing in both Western and Eastern cultures are at the foundation of her work. Here, music becomes both a subject matter and a medium. Mistelpartition is structured as a sequence of images and sound that repeats in an infinite loop so that the viewer\u2019s experience may transcend the immediate action recorded on video. Gift of the Contemporary Art Society of the Cleveland Museum of Art in memory of Rosalie Cohen 2009.10", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79997605"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.10", "images": {}, "alternate_images": [], "creditline": "Gift of the Contemporary Art Society of the Cleveland Museum of Art in memory of Rosalie Cohen", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166820, "creators": [{"id": 58212, "description": "Su-Mei Tse (Luxembourg, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-03-02T00:00:00", "sortable_date": 2006, "date_added_to_oa": null, "date_text": "2006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:19.182000"}, {"id": 169223, "accession_number": "2011.13", "share_license_status": "Copyrighted", "tombstone": "Railroad Landscape #33, Newburgh, Dutchess & Connecticut Right-of-Way, Abandoned 1938, MP 16, View South, Winter, Pine Plains, New York\r\n, 2009, printed 2010. Jeff Brouws (American, b. 1955). Inkjet print; image: 83.7 x 101.6 cm (32 15/16 x 40 in.); paper: 93.9 x 111.7 cm (36 15/16 x 44 in.); mounted: 93.9 x 111.7 cm (36 15/16 x 44 in.). The Cleveland Museum of Art, Gift of Katherine Solender and William E. Katzin in honor of Tom Hinson, 2011.13", "current_location": null, "title": "Railroad Landscape #33, Newburgh, Dutchess & Connecticut Right-of-Way, Abandoned 1938, MP 16, View South, Winter, Pine Plains, New York\r\n", "creation_date": "2009, printed 2010", "creation_date_earliest": 2009, "creation_date_latest": 2009, "artists_tags": ["male"], "culture": ["America"], "technique": "inkjet print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 83.7 x 101.6 cm (32 15/16 x 40 in.); Paper: 93.9 x 111.7 cm (36 15/16 x 44 in.); Mounted: 93.9 x 111.7 cm (36 15/16 x 44 in.)", "dimensions": {"image": {"height": 0.837, "width": 1.016}, "paper": {"height": 0.939, "width": 1.117}, "mounted": {"height": 0.939, "width": 1.117}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Printed in label adhered to verso near  bottom edge: \u201cRailroad Landscape #33, Newburgh, Dutchess & Connecticut/right-of-way, abandoned 1938, MP 16.5, view south, winter/Pine Plains, New York 2009/2010 3/7/Jeff Brouws (signed in blue ink)\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Commercially imprinted throughout verso: \u201cEPSON/EPSON/PROFESSIONAL PAPER\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Jeff Brouws (the artist) [1955-]", "citations": [], "footnotes": [], "date": "2009", "sortorder": 1}, {"description": "(Robert Mann Gallery, New York, NY)", "citations": [], "footnotes": [], "date": null, "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "March 7, 2011", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This stunning large-scale color photograph is from a recent series examining long-abandoned railroad right-of-ways in Dutchess County, New York, near where Brouws lives. It is a continuation of his interest in documenting the sociological, cultural, and historical aspects of a place within the contemporary everyday landscape. Relying on topographic maps from 1909, official texts, and up-to-the-minute Google Earth satellite imagery, he has investigated remnants of railroads constructed more than 120 years ago. In 1938 the physical presence of the railroad was removed; however, melting snow in this picturesque winter scene suggests a trace of the former tracks. Two converging lines propel the viewer\u2019s attention through an open field into a dense wooded landscape that ends at a glowing orange sunset.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076196"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.13", "images": {}, "alternate_images": [], "creditline": "Gift of Katherine Solender and William E. Katzin in honor of Tom Hinson", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169223, "creators": [{"id": 38701, "description": "Jeff Brouws (American, b. 1955)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1955", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2009, "date_added_to_oa": null, "date_text": "2009, printed 2010", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:30.071000"}, {"id": 169796, "accession_number": "2012.1", "share_license_status": "Copyrighted", "tombstone": "Spiritualized, 2011. Jim Lambie (Scottish, b. 1964). Galvanized steel, cement, powder-coated paint, glass, cotton, and automotive paint; overall: 179.1 x 274.3 x 248.9 cm (70 1/2 x 108 x 98 in.). The Cleveland Museum of Art, John L. Severance Fund, 2012.1", "current_location": null, "title": "Spiritualized", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["Scotland, 21st century"], "technique": "galvanized steel, cement, powder-coated paint, glass, cotton, and automotive paint", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "Overall: 179.1 x 274.3 x 248.9 cm (70 1/2 x 108 x 98 in.)", "dimensions": {"overall": {"height": 1.791, "width": 2.743, "depth": 2.489}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Anton Kern Gallery, NY", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Spiritualized takes its title from the name of a British band formed in 1990 whose psychedelic ambient music has been categorized under the general label of \"space rock.\" The white and blue colors used in the sculpture derive from the cover design of the band\u2019s album entitled Ladies and Gentleman We Are Floating in Space (1997), as does the imagery of a looping scribble, which Lambie renders through the unexpected juxtaposition of a very large oversized belt balancing on the top of seven chairs. Belts are staple accessories of rock performers, and they recur often in Lambie\u2019s work. This one curls, looping several times on itself, generating the idea of a continuous scribble representing thought process and creativity.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80077538"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.1", "images": {}, "alternate_images": [], "creditline": "John L. Severance Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169796, "creators": [{"id": 62039, "description": "Jim Lambie (Scottish, b. 1964)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-03-05T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:03.329000"}, {"id": 170531, "accession_number": "2013.103", "share_license_status": "Copyrighted", "tombstone": " History Images: Moganshan Lu, Putuo District, Shanghai, 2004. Sze Tsung Leong (American, b. 1970). Digital chromogenic color print mounted on aluminum; framed: 101.6 x 121.9 cm (40 x 48 in.). The Cleveland Museum of Art, Gift of David Prince, 2013.103", "current_location": null, "title": "Moganshan Lu, Putuo District, Shanghai", "series": " History Images", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["Asian American", "male"], "culture": ["America"], "technique": "digital chromogenic color print mounted on aluminum", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 101.6 x 121.9 cm (40 x 48 in.)", "dimensions": {"framed": {"height": 1.016, "width": 1.219}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "signed, numbered, titled, and dated on verso", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "(Yossi Milo Gallery, New York, NY)", "citations": [], "footnotes": [], "date": null, "sortorder": 1}, {"description": "David Prince, New York, NY, given to the Cleveland Museum of Art", "citations": [], "footnotes": [], "date": "2013", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "December 2, 2013\u2013", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Sze Leong received a BA from University of California at Berkeley in 1993, and an MA from Harvard University in 1998. In 2005, he was awarded a Guggenheim Fellowship. An ethnic Chinese who grew up in Mexico, Britain, and the United States, he turned to China for his series <em>History Images</em> because it offered \"histories recorded in urban form, all simultaneously occurring, all in the midst of change.\" The <em>History Images</em> \"are records of cities in time, in the process of perishing, disappearing, or starting anew.\" Leong has noted that \"ironically, China's current economic revolution is facilitating the physical destruction of history that was called for during the Cultural Revolution.\" <br> <br>The foreground in Moganshan Lu, Putuo District, Shanghai, occupied by industrial and warehouse buildings, represents a relatively recent, if unglorious, past. We look across the broad, somewhat decrepit roofs toward a new luxury housing development still under construction, its upper floors still girded by cloth-wrapped bamboo scaffolding. Although the boxy towers offer a view of the river, just barely visible at the left of the photograph, they are crowded together and offer little evidence of gracious living. The gray haze that hangs over the city, air pollution endemic to Chinese cities, further contributes to the sense that this urban renewal may not be an improvement.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079389"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.103", "images": {}, "alternate_images": [], "creditline": "Gift of David Prince", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170531, "creators": [{"id": 64234, "description": "Sze Tsung Leong (American, b. 1970)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1970", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-12-02T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "1", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:30.639000"}, {"id": 301058, "accession_number": "2017.110", "share_license_status": "Copyrighted", "tombstone": "Stateless 2014-2015, 2014\u201315. Gohar Dashti (Iranian, b. 1980). Portfolio of eight archival pigment prints; overall: 61.5 x 44.5 cm (24 3/16 x 17 1/2 in.). The Cleveland Museum of Art, Purchased with funds donated by Amy and Neil Viny, 2017.110. \u00a9 Gohar Dashti", "current_location": null, "title": "Stateless 2014-2015", "creation_date": "2014\u201315", "creation_date_earliest": 2014, "creation_date_latest": 2015, "artists_tags": ["female", "gender unknown"], "culture": ["Iran"], "technique": "Portfolio of eight archival pigment prints", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 21st Century", "type": "Photograph", "measurements": "Overall: 61.5 x 44.5 cm (24 3/16 x 17 1/2 in.)", "dimensions": {"overall": {"height": 0.615, "width": 0.445}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 20", "copyright": "\u00a9 Gohar Dashti", "inscriptions": [{"inscription": "Embossed in gold print on cover: \u201cSTATELESS/2014-2015/PHOTOGRAPHS BY/GOHAR DASHTI\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted in black type on white paper: \u201cSTATELESS/2014-2015/PHOTOGRAPHS BY/GOHAR DASHTI/BOSTON-MILANO-TEHRAN/2016\u201d", "inscription_translation": null, "inscription_remark": "Cover sheet #1", "sortorder": null}, {"inscription": "Imprinted in black type on white paper: \u201cSTATELESS 2014-2015/is published in a signed limited edition of twenty copies by Ars Libri Ltd./Photographs \u00a9 2016 by Gohar Dashti/Portfolio number 5 (written in black ink) of 20/BOSTON/ROBERT KLEIN GALLERY IN ASSOCIATION WITH AZITA BINA-SEIBLE & ARTS LIBRI LTD./MILANO/OFFICINE DELL\u2019IMMAGINE GALLERIA/TEHRAN/MOHSEN GALLERY\u201d", "inscription_translation": null, "inscription_remark": "Cover sheet #2", "sortorder": null}, {"inscription": "Imprinted in black type on white paper: \u201cSTATELESS/2014-2015/In every corner of the world, devestations of war, massacres, oppress-/sion, disease, and death are the causes of widespread human disorders/with no imaginable ending. When disasters force people to migrate,/where will they be welcomed with open arms? Hoping for a better/life, they struggle in a never-ending limbo, an in-between space that/strips them of their known identity. Maybe at this point, Nature is the/sole safe haven for these refugees. The sky becomes the ceiling and the/mountains become the walls of their new homes, because Nature is/the only place that promises shelter, an eternal and everlasting refuge./GOHAR DASHTI\u201d", "inscription_translation": null, "inscription_remark": "Cover sheet #3", "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Gohar Dashti\u2019s <em>Stateless </em>series comprises eight metaphorical tableaux that evoke the purgatory experienced by refugees throughout the world today. \u201cHoping for a better life,\u201d writes Dashti, \u201cthey struggle in a never-ending limbo. . . . The sky becomes the ceiling and the mountains become the walls of their new homes, because Nature is the only place that promises shelter, an eternal and everlasting refuge.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872901"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.110", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Amy and Neil Viny", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301058, "creators": [{"id": 300889, "description": "Gohar Dashti (Iranian, b. 1980)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": true, "weight": 1}, {"id": 4367, "description": "Robert Klein Gallery", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014\u201315", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:41.275000"}, {"id": 301060, "accession_number": "2017.110.1", "share_license_status": "Copyrighted", "tombstone": "Stateless 2014-2015: Untitled #1, 2014\u201315. Gohar Dashti (Iranian, b. 1980). Archival pigment print; image: 37 x 55.4 cm (14 9/16 x 21 13/16 in.); paper: 40.9 x 57.3 cm (16 1/8 x 22 9/16 in.). 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The sky becomes the ceiling and the mountains become the walls of their new homes, because Nature is the only place that promises shelter, an eternal and everlasting refuge.\u201d", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872903"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.110.1", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by Amy and Neil Viny", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 301060, "creators": [{"id": 300889, "description": "Gohar Dashti (Iranian, b. 1980)", "extent": null, "qualifier": null, "role": null, "biography": null, "name_in_original_language": null, "birth_year": "1980", "use_in_caption": true, "include_extent": true, "weight": 1}, {"id": 4367, "description": "Robert Klein Gallery", "extent": "published by", "qualifier": null, "role": "publisher", "biography": null, "name_in_original_language": null, "use_in_caption": false, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2014, "date_added_to_oa": null, "date_text": "2014\u201315", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2017.110", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:34.716000"}, {"id": 304342, "accession_number": "2017.120", "share_license_status": "Copyrighted", "tombstone": "Weekend picnic in the dunes in Mozahemia near Riyadh, Saudi Arabia, 2002 (printed c. 2013\u20132014). Samer Mohdad (Lebanese, b. 1964). Gelatin silver print; 80 x 120 cm (31 1/2 x 47 1/4 in.). The Cleveland Museum of Art, The Julius L. Greenfield Photography Acquisition Fund, 2017.120. \u00a9 Samer Mohdad", "current_location": null, "title": "Weekend picnic in the dunes in Mozahemia near Riyadh, Saudi Arabia", "creation_date": "2002 (printed c. 2013\u20132014)", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["male"], "culture": ["Lebanon"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - Misc. 20th Century", "type": "Photograph", "measurements": "80 x 120 cm (31 1/2 x 47 1/4 in.)", "dimensions": {"No Extent Specified": {"height": 0.8, "width": 1.2}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Samer Mohdad", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "\u201cSeen from outside, the Arab world looks like a powder keg, ready to explode at any moment, and Islam seems to be the dominating power. Seen from inside, everything is different,\u201d writes Lebanese photographer Samer Mohdad. This photojournalist\u2019s desire to present the view from inside led him to focus on long-term projects that document the everyday lives of people rather than more sensational, saleable images of the violence raging in the region.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873096"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.120", "images": {}, "alternate_images": [], "creditline": "The Julius L. Greenfield Photography Acquisition Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 304342, "creators": [{"id": 304296, "description": "Samer Mohdad (Lebanese, b. 1964)", "extent": null, "qualifier": null, "role": "artist", "biography": "Samer Mohdad was born in 1964 at Bzebdine, Lebanon, to a father who was an engineer and a mother who was a poet. After almost eight years of childhood, the Lebanese civil war broke out and his adolescence was marked by bombs, exile, fighting, and the death of close friends and acquaintances. After finishing studies in photography at St-Luc in Li\u00e8ge, Belgium, In 1988, he began working for Paris-based photojournalism agency Vu, notably producing features on the other side of the Lebanese civil war (1988 \u2013 1990), the Beirut prison (1988), and the children of the civil war (1991). In 1990, he was commissioned by the Mus\u00e9e de l\u2019Elys\u00e9e in Lausanne to take a series of photographs of the Swiss army for a book and exhibition entitled \u2018Voir la Suisse Autrement\u2019, on the occasion of Switzerland\u2019s 700 years of existence. From 1992 to 1996, he was in charge of the relations with the Arab world at the Mus\u00e9e de l\u2019Elys\u00e9e in Lausanne. During this time, his photography concentrated on the Arab world. In 1993, he published War Children, Lebanon 1985 \u2013 1992, a book on the children of the Lebanese civil war. These photographs had been exhibited at Visa pour l\u2019Image in P\u00e9rpignan in 1992, and were shown again after the book\u2019s publication at the Beirut Exhibition Center in 1993 and and at the Mus\u00e9e de l\u2019Elys\u00e9e in 1994. In 1992, he photographed 415 Palestinians expelled from Israel to no man\u2019s land in the south of Lebanon, and then portrayed the same men a few years later in 1995 after they had returned to Gaza. Those photos were published in a book called Return to Gaza in 1996. For Du, a cultural magazine published in Zurich, he in 1994 completed a special double feature on Islam and another two years later on Iran, a joint project with fellow photographers Thomas Kern and Daniel Schwartz. In 1996, he was a jury member at the World Press Photo in Amsterdam and the same year he started up the Arab Images Foundation in Beirut, Lebanon. From 1997 to 1999, he was curator of exhibitions and head of workshops at the Rencontres Internationales de la Photographie in Arles, France. In 1999, he won the Mother Jones Award in San Francisco for his book Mes Arabies published by Actes Sud in France, Braus in Germany and Dar an-Nahar for the Arab countries. The exhibition of Mes Arabies started in Geneva, and was then shown in the Beiteddine Palace and at Espace SD in Lebanon. In 2000, Mes Arabies was shown at the Institut du Monde Arabe in Paris, during the Rencontres Internationales de la Photographie in Arles, and finally at the King Abdulaziz Pubic Library in Riyadh, Saudi Arabia. Mohdad also gave a lecture entitled \u201cArab photographs and their place in the modern history\u201d during a conference at the University of Aix-en-Provence, South France. In 2001, Mes Arabies was exhibited in Germany at the IFA galleries in Stuttgart, Bonn, and Berlin. From 2001 to 2003, Mohdad installed the Center for Images at the King Abdulaziz Public Library in Riyadh, Saudi Arabia. In 2003, he published a double feature entitled \u201cSaudi Arabia in the eye of the typhus\u201d in Zurich-based magazine Du. In 2004, he produced a special feature on Lebanon for GEO magazine, in France. In 2005, he produced and published the book Assaoudia, the second part to The Arabs trilogy, in co-edition with Actes-Sud, and exhibited his work at the Rencontres Internationales de la Photographie in Arles, France. The same year he elaborated the project Mes Ententes as part of the EU and government-sponsored AFKAR program to strengthen Lebanese civil society and promote dialogue between Lebanese youth. The project assessed the return of displaced families to Mount Lebanon, for which he produced a 7-minute film and a book of photographs. In 2006, Mohdad worked on a special history issue of GEO magazine about the crusader routes in Lebanon, and started teaching photography at the Notre Dame University in Lebanon and at the Visual Merchandising School in Vevey, Switzerland. In 2007, he started up www.menassat.com, a website focusing on news, trends and events in the media in the 22 member states of the Arab League from Middle East and North Africa (MENA). In 2008, he started cinema production and worked as executive producer for the movie \u201cTattooed Eye\u201d by the Lebanese film director, Youmna Itani. This project involved a workshop in photographic arts and acting for young participants. Mohdad also conducted a workshop for Bahraini photographers by invitation of the Bahraini Journalists Association. In 2009, Mohdad showed his photographic works at the Doha Festival for Arts and Free Expression organized by the Arab Democracy Foundation in Qatar. In 2010, his photographs of Saudi Arabia were published as a preface to the Decouvertes Gallimard book on Arabia. He also gave a lecture entitles \u201cArab Images: Collecting History, Facts and Forecast,\u201d at the Sunny Art Fair in Amman, Jordan. In 2011 he exhibited his photographic works under the title \u201cAccomplished Visions; The Arabs\u201d at the gallery Mark Hachem in Beirut and showed \u201cAssaoudia\u201d at Menas Art Fair in Beirut. He received the 2011 Pioneer Photographer Award from the National Geographic Society All Roads Photography program. Samer Mohdad currently lives in Lebanon, he recently published a book \u201cBeirut Mutations\u201d with Actes Sud in France, it was launched first in Lebanon at the French Book Fair of Beirut and the exhibition was started at the French Institute of Lebanon last fall 2012. His works were exhibited during springtime 2013 at the submarine base in Bordeaux in its cycle \u201cPhotographers for the History\u201d and during summer of the same year at \u201cRencontres d\u2019Arles in Black\u201d. Samer Mohdad was one of the Arabs leading artists invited by FotoFest Biennial 2014 in Houstaon, USA. His photographs are part of the touring exhibition VIEW FROM INSIDE Contemporary Arab Video, Photography and Mixed Media Art, that was showed during Abu Dhabi Festival 2015. In 2015 he exhibited his works at Blue Sky, center of photographic art in Portland. The same year a selection of his works has been exhibited at Foto Istanbul, in Turkey. In 2016, Samer Mohdad, new work in progress, \u201cViews from my window here and elsewhere\u201d has been exhibited at Hotel Dieu Museum in Tonnerre, France. The show was accompanied by a retrospective of his past works. The same year, he exhibited \u201cThe Arabs: accomplished visions\u201d at the Sol Mednick Gallery, at the university of arts, in Philadelphia, Pennsylvania USA. He is actually accomplishing an artistic residency in France, working on his new project \u201cviews from my window here and elsewhere\u201d.", "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002 (printed c. 2013\u20132014)", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:10.317000"}, {"id": 304345, "accession_number": "2017.121", "share_license_status": "Copyrighted", "tombstone": "Shopping mall in Jeddah, Saudi Arabia, 2003 (printed c. 2013\u20132014). Samer Mohdad (Lebanese, b. 1964). 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Seen from inside, everything is different,\u201d writes Lebanese photographer Samer Mohdad. This photojournalist\u2019s desire to present the view from inside led him to focus on long-term projects that document the everyday lives of people rather than more sensational, saleable images of the violence raging in the region.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873099"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.121", "images": {}, "alternate_images": [], "creditline": "The Julius L. Greenfield Photography Acquisition Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 304345, "creators": [{"id": 304296, "description": "Samer Mohdad (Lebanese, b. 1964)", "extent": null, "qualifier": null, "role": "artist", "biography": "Samer Mohdad was born in 1964 at Bzebdine, Lebanon, to a father who was an engineer and a mother who was a poet. After almost eight years of childhood, the Lebanese civil war broke out and his adolescence was marked by bombs, exile, fighting, and the death of close friends and acquaintances. After finishing studies in photography at St-Luc in Li\u00e8ge, Belgium, In 1988, he began working for Paris-based photojournalism agency Vu, notably producing features on the other side of the Lebanese civil war (1988 \u2013 1990), the Beirut prison (1988), and the children of the civil war (1991). In 1990, he was commissioned by the Mus\u00e9e de l\u2019Elys\u00e9e in Lausanne to take a series of photographs of the Swiss army for a book and exhibition entitled \u2018Voir la Suisse Autrement\u2019, on the occasion of Switzerland\u2019s 700 years of existence. From 1992 to 1996, he was in charge of the relations with the Arab world at the Mus\u00e9e de l\u2019Elys\u00e9e in Lausanne. During this time, his photography concentrated on the Arab world. In 1993, he published War Children, Lebanon 1985 \u2013 1992, a book on the children of the Lebanese civil war. These photographs had been exhibited at Visa pour l\u2019Image in P\u00e9rpignan in 1992, and were shown again after the book\u2019s publication at the Beirut Exhibition Center in 1993 and and at the Mus\u00e9e de l\u2019Elys\u00e9e in 1994. In 1992, he photographed 415 Palestinians expelled from Israel to no man\u2019s land in the south of Lebanon, and then portrayed the same men a few years later in 1995 after they had returned to Gaza. Those photos were published in a book called Return to Gaza in 1996. For Du, a cultural magazine published in Zurich, he in 1994 completed a special double feature on Islam and another two years later on Iran, a joint project with fellow photographers Thomas Kern and Daniel Schwartz. In 1996, he was a jury member at the World Press Photo in Amsterdam and the same year he started up the Arab Images Foundation in Beirut, Lebanon. From 1997 to 1999, he was curator of exhibitions and head of workshops at the Rencontres Internationales de la Photographie in Arles, France. In 1999, he won the Mother Jones Award in San Francisco for his book Mes Arabies published by Actes Sud in France, Braus in Germany and Dar an-Nahar for the Arab countries. The exhibition of Mes Arabies started in Geneva, and was then shown in the Beiteddine Palace and at Espace SD in Lebanon. In 2000, Mes Arabies was shown at the Institut du Monde Arabe in Paris, during the Rencontres Internationales de la Photographie in Arles, and finally at the King Abdulaziz Pubic Library in Riyadh, Saudi Arabia. Mohdad also gave a lecture entitled \u201cArab photographs and their place in the modern history\u201d during a conference at the University of Aix-en-Provence, South France. In 2001, Mes Arabies was exhibited in Germany at the IFA galleries in Stuttgart, Bonn, and Berlin. From 2001 to 2003, Mohdad installed the Center for Images at the King Abdulaziz Public Library in Riyadh, Saudi Arabia. In 2003, he published a double feature entitled \u201cSaudi Arabia in the eye of the typhus\u201d in Zurich-based magazine Du. In 2004, he produced a special feature on Lebanon for GEO magazine, in France. In 2005, he produced and published the book Assaoudia, the second part to The Arabs trilogy, in co-edition with Actes-Sud, and exhibited his work at the Rencontres Internationales de la Photographie in Arles, France. The same year he elaborated the project Mes Ententes as part of the EU and government-sponsored AFKAR program to strengthen Lebanese civil society and promote dialogue between Lebanese youth. The project assessed the return of displaced families to Mount Lebanon, for which he produced a 7-minute film and a book of photographs. In 2006, Mohdad worked on a special history issue of GEO magazine about the crusader routes in Lebanon, and started teaching photography at the Notre Dame University in Lebanon and at the Visual Merchandising School in Vevey, Switzerland. In 2007, he started up www.menassat.com, a website focusing on news, trends and events in the media in the 22 member states of the Arab League from Middle East and North Africa (MENA). In 2008, he started cinema production and worked as executive producer for the movie \u201cTattooed Eye\u201d by the Lebanese film director, Youmna Itani. This project involved a workshop in photographic arts and acting for young participants. Mohdad also conducted a workshop for Bahraini photographers by invitation of the Bahraini Journalists Association. In 2009, Mohdad showed his photographic works at the Doha Festival for Arts and Free Expression organized by the Arab Democracy Foundation in Qatar. In 2010, his photographs of Saudi Arabia were published as a preface to the Decouvertes Gallimard book on Arabia. He also gave a lecture entitles \u201cArab Images: Collecting History, Facts and Forecast,\u201d at the Sunny Art Fair in Amman, Jordan. In 2011 he exhibited his photographic works under the title \u201cAccomplished Visions; The Arabs\u201d at the gallery Mark Hachem in Beirut and showed \u201cAssaoudia\u201d at Menas Art Fair in Beirut. He received the 2011 Pioneer Photographer Award from the National Geographic Society All Roads Photography program. Samer Mohdad currently lives in Lebanon, he recently published a book \u201cBeirut Mutations\u201d with Actes Sud in France, it was launched first in Lebanon at the French Book Fair of Beirut and the exhibition was started at the French Institute of Lebanon last fall 2012. His works were exhibited during springtime 2013 at the submarine base in Bordeaux in its cycle \u201cPhotographers for the History\u201d and during summer of the same year at \u201cRencontres d\u2019Arles in Black\u201d. Samer Mohdad was one of the Arabs leading artists invited by FotoFest Biennial 2014 in Houstaon, USA. His photographs are part of the touring exhibition VIEW FROM INSIDE Contemporary Arab Video, Photography and Mixed Media Art, that was showed during Abu Dhabi Festival 2015. In 2015 he exhibited his works at Blue Sky, center of photographic art in Portland. The same year a selection of his works has been exhibited at Foto Istanbul, in Turkey. In 2016, Samer Mohdad, new work in progress, \u201cViews from my window here and elsewhere\u201d has been exhibited at Hotel Dieu Museum in Tonnerre, France. The show was accompanied by a retrospective of his past works. The same year, he exhibited \u201cThe Arabs: accomplished visions\u201d at the Sol Mednick Gallery, at the university of arts, in Philadelphia, Pennsylvania USA. He is actually accomplishing an artistic residency in France, working on his new project \u201cviews from my window here and elsewhere\u201d.", "name_in_original_language": null, "birth_year": "1964", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2017-09-11T00:00:00-04:00", "sortable_date": 2003, "date_added_to_oa": null, "date_text": "2003 (printed c. 2013\u20132014)", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:18.834000"}, {"id": 85867, "accession_number": "2017.222", "share_license_status": "Copyrighted", "tombstone": "Going Waiting Leaving: A Book of Wander/Naplis-Merrlan, c. 2007. Robert Clarke-Davis (American, b. 1951). 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Tittle, 2017.222", "current_location": null, "title": "Going Waiting Leaving: A Book of Wander/Naplis-Merrlan", "creation_date": "c. 2007", "creation_date_earliest": 2002, "creation_date_latest": 2012, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "artist book/portfolio with 17 gelatin silver prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Overall: 11 x 13.6 cm (4 5/16 x 5 3/8 in.)", "dimensions": {"overall": {"height": 0.11, "width": 0.136}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Paper folder imprinted with map", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted on interior of folder: \u201ca book of wander/naplis-merrlan\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted in black type on interior of folder: \u201cgoing waiting leaving\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Tom E. 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Robert Clarke-Davis (American, b. 1951). Artist book/portfolio with 18 gelatin silver prints; overall: 11 x 14 cm (4 5/16 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Tom E. Hinson and Diana S. Tittle, 2017.224", "current_location": null, "title": "The Domain\u2026The Lure of Holgas led me South", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["Black American Artists", "male"], "culture": ["America"], "technique": "artist book/portfolio with 18 gelatin silver prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Overall: 11 x 14 cm (4 5/16 x 5 1/2 in.)", "dimensions": {"overall": {"height": 0.11, "width": 0.14}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Imprinted in black type on white paper: \u201cThe Domain\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}, {"inscription": "Imprinted in black type on white paper: \u201cThe lure of Holgas/led me south\u201d", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Tom E. 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Robert Clarke-Davis (American, b. 1951). Artist book/portfolio with 17 gelatin silver prints; overall: 11.5 x 14 cm (4 1/2 x 5 1/2 in.). The Cleveland Museum of Art, Gift of Tom E. Hinson and Diana S. 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Andrea Modica (American, b. 1960). Gelatin silver print; image: 25.2 x 20.3 cm (9 15/16 x 8 in.); paper: 25.2 x 20.3 cm (9 15/16 x 8 in.). 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Andrea Modica (American, b. 1960). Gelatin silver print; image: 25.2 x 20.3 cm (9 15/16 x 8 in.); paper: 25.2 x 20.3 cm (9 15/16 x 8 in.). 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Simen Johan (Norwegian, b. 1973). Chromogenic print; image and paper: 160 x 204.5 cm (63 x 80 1/2 in.). 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This image sets a tar pit in an Icelandic volcano and populates it with Peruvian yellow-headed blackbirds.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79872549"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2017.76", "images": {}, "alternate_images": [], "creditline": "Gift of the artist and Yossi Milo Gallery", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 296798, "creators": [{"id": 51190, "description": "Simen Johan (Norwegian, b. 1973)", "extent": null, "qualifier": null, "role": "artist", "biography": "Has lived in NYC since 1992", "name_in_original_language": null, "birth_year": "1973", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2017-06-05T00:00:00-04:00", "sortable_date": 2012, "date_added_to_oa": null, "date_text": "2012", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:15.344000"}, {"id": 312342, "accession_number": "2018.23", "share_license_status": "Copyrighted", "tombstone": "#16A/B \u201c\u2019N.A.F.T.A...\u2019 Returns to Tijuana,\u201d/\u201c\u2019T.L.C...\u2019 Regresa a Tijuana\u201d, 2005. Fred Lonidier (American, b. 1942). Digital inkjet prints mounted on Sintex panel; each panel: 91.4 x 304.8 cm (36 x 120 in.). The Cleveland Museum of Art, Purchased with funds donated by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors, 2018.23. \u00a9 Fred Lonidier", "current_location": null, "title": "#16A/B \u201c\u2019N.A.F.T.A...\u2019 Returns to Tijuana,\u201d/\u201c\u2019T.L.C...\u2019 Regresa a Tijuana\u201d", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["United States"], "technique": "Digital inkjet prints mounted on Sintex panel", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Each panel: 91.4 x 304.8 cm (36 x 120 in.)", "dimensions": {"each panel": {"height": 0.914, "width": 3.048}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Fred Lonidier", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This work combines Photo Tex panels representing the working conditions in Mexican &lt;em&gt;maquiladoras&lt;/em&gt;, a kind of manufacturing plant in which duty-free imported elements are assembled for export, with documentation of the display of the photomontages on the inside and outside of a cargo van that the artist drove through politically charged regions of Tijuana and college campuses in San Diego.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873800"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.23", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 312342, "creators": [{"id": 308565, "description": "Fred Lonidier (American, b. 1942)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1942", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2018-02-26T00:00:00-05:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:42.861000"}, {"id": 308567, "accession_number": "2018.23.a", "share_license_status": "Copyrighted", "tombstone": "#16A/B \u201c\u2019N.A.F.T.A...\u2019 Returns to Tijuana,\u201d/\u201c\u2019T.L.C...\u2019 Regresa a Tijuana\u201d, 2005. Fred Lonidier (American, b. 1942). Digital inkjet print mounted on Sintex panel; each panel: 91.4 x 304.8 cm (36 x 120 in.). The Cleveland Museum of Art, Purchased with funds donated by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors, 2018.23.a. \u00a9 Fred Lonidier", "current_location": null, "title": "#16A/B \u201c\u2019N.A.F.T.A...\u2019 Returns to Tijuana,\u201d/\u201c\u2019T.L.C...\u2019 Regresa a Tijuana\u201d", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["male"], "culture": ["United States"], "technique": "Digital inkjet print mounted on Sintex panel", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Each panel: 91.4 x 304.8 cm (36 x 120 in.)", "dimensions": {"each panel": {"height": 0.914, "width": 3.048}}, "state_of_the_work": null, "edition_of_the_work": "Edition 1/3", "copyright": "\u00a9 Fred Lonidier", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "This work combines Photo Tex panels representing the working conditions in Mexican &lt;em&gt;maquiladoras&lt;/em&gt;, a kind of manufacturing plant in which duty-free imported elements are assembled for export, with documentation of the display of the photomontages on the inside and outside of a cargo van that the artist drove through politically charged regions of Tijuana and college campuses in San Diego.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79869464"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.23.a", "images": {}, "alternate_images": [], "creditline": "Purchased with funds donated by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 308567, "creators": [{"id": 308565, "description": "Fred Lonidier (American, b. 1942)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1942", "use_in_caption": true, "include_extent": false, "weight": 0}], "legal_status": "accessioned", "accession_date": "2018-02-26T00:00:00-05:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.23", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:00:25.910000"}, {"id": 310201, "accession_number": "2018.33.20", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: B There or B Square! A Lecture by Carl Pope, Nov 12th, at Columbia College, Chicago, Illinois, 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by Tribune Showprint. Letterpress poster; sheet: 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.20", "current_location": null, "title": "The Bad Air Smelled of Roses: B There or B Square! 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Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873590"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.20", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. 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Black is Me!, 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by Hatch Show Print, Nashville, TN. Letterpress poster; 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.23", "current_location": null, "title": "The Bad Air Smelled of Roses: Black is Beauty, Pride, Power. Black is Me!", "creation_date": "2004-ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "55.9 x 35.6 cm (22 x 14 in.)", "dimensions": {"No Extent Specified": {"height": 0.559, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. 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Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 310259, "creators": [{"id": 310168, "description": "Carl Pope Jr. (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 310203, "description": "Hatch Show Print, Nashville, TN", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004-ongoing", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.33", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:11.126000"}, {"id": 310261, "accession_number": "2018.33.24", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: Black Makes Me Feel Thin., 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by Hatch Show Print, Nashville, TN. Letterpress poster; 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.24", "current_location": null, "title": "The Bad Air Smelled of Roses: Black Makes Me Feel Thin.", "creation_date": "2004-ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "55.9 x 35.6 cm (22 x 14 in.)", "dimensions": {"No Extent Specified": {"height": 0.559, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. 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Stapled to the wall like notices on the street, the posters confront the exclusivity of the fine art gallery as they vacillate between art and public discourse.", "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79873600"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2018.33.24", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 310261, "creators": [{"id": 310168, "description": "Carl Pope Jr. (American, b. 1961)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 310203, "description": "Hatch Show Print, Nashville, TN", "extent": "printed by", "qualifier": null, "role": "printer", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": true, "weight": 2}], "legal_status": "accessioned", "accession_date": "2018-06-04T00:00:00-04:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004-ongoing", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2018.33", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:09.651000"}, {"id": 310269, "accession_number": "2018.33.30", "share_license_status": "Copyrighted", "tombstone": "The Bad Air Smelled of Roses: The Absence of a Color is Still a Color., 2004-ongoing. Carl Pope Jr. (American, b. 1961), printed by Hatch Show Print, Nashville, TN. Letterpress poster; 55.9 x 35.6 cm (22 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. 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Carl Pope Jr. (American, b. 1961), printed by the artist at York Show Print, York, Alabama. Letterpress poster; sheet: 48.3 x 35.6 cm (19 x 14 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund and gift of David Lusenhop in honor of the artist, 2018.33.41", "current_location": null, "title": "The Bad Air Smelled of Roses: Just Enough Salvation Under Slavery", "creation_date": "2004-ongoing", "creation_date_earliest": 2004, "creation_date_latest": null, "artists_tags": ["male", "Black American Artists", "LGBTQ+ (after 1900)"], "culture": ["America"], "technique": "letterpress poster", "support_materials": [], "department": "Prints", "collection": "Prints", "type": "Print", "measurements": "Sheet: 48.3 x 35.6 cm (19 x 14 in.)", "dimensions": {"sheet": {"height": 0.483, "width": 0.356}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "Carl Pope describes <em>The Bad Air Smelled of Roses </em>as an ongoing essay about the presence and function of Blackness in society. 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Erik Desmazi\u00e8res (French, born Morocco, 1948-). Suite of five etchings with aquatint and roulette, with an etched cartouche on the title page, in a blue cloth portfolio. The Cleveland Museum of Art, Gift of Carole W. and Charles B. Rosenblatt, 2018.57", "current_location": null, "title": "Views of Amsterdam", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["male"], "culture": ["France, 20th century"], "technique": "Suite of five etchings with aquatint and roulette, with an etched cartouche on the title page, in a blue cloth portfolio", "support_materials": [], "department": "Prints", "collection": "PR - Etching", "type": "Print", "dimensions": {}, "state_of_the_work": null, "edition_of_the_work": "Museum Het Rembrandthuis, Amsterdam", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [{"description": "Carole W. and Charles B. 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Kris Graves (American, b. 1982). Inkjet print; image: 36.5 x 45.7 cm (14 3/8 x 18 in.); paper: 40.7 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Julius L. 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Kris Graves (American, b. 1982). Inkjet print; image: 36.6 x 45.7 cm (14 7/16 x 18 in.); paper: 40.7 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, The Julius L. 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James Mazurkewicz (American, 1943-). Gold and lapis lazuli; overall (display): 20 x 3.1 x 2.3 cm (7 7/8 x 1 1/4 x 7/8 in.). The Cleveland Museum of Art, Gift of Barbara S. 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Zoe Leonard (American, b. 1961). 34 gelatin silver prints; each: 35.6 x 50.5 cm (14 x 19 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2025.197. \u00a9 Zoe Leonard", "current_location": "229B Contemporary", "title": "From the Los Ebanos Crossing", "creation_date": "2019/2021", "creation_date_earliest": 2019, "creation_date_latest": 2021, "artists_tags": ["female"], "culture": ["America"], "technique": "34 gelatin silver prints", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Each: 35.6 x 50.5 cm (14 x 19 7/8 in.)", "dimensions": {"each": {"height": 0.356, "width": 0.505}}, "state_of_the_work": null, "edition_of_the_work": "Edition of 3 + 1 AP", "copyright": "\u00a9 Zoe Leonard", "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.197", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": "Paula and Eugene Stevens Gallery", "athena_id": 696626, "creators": [{"id": 696624, "description": "Zoe Leonard (American, b. 1961)", "extent": null, "qualifier": null, "role": "photographer", "biography": null, "name_in_original_language": null, "birth_year": "1961", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2019, "date_added_to_oa": null, "date_text": "2019/2021", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:44.271000"}, {"id": 91846, "accession_number": "2016.31", "share_license_status": "Copyrighted", "tombstone": "White Head Eagle (trial proof), 2013. Hamanishi Katsunori (Japanese, b. 1949). Color mezzotint; platemark: 49.7 x 36 cm (19 9/16 x 14 3/16 in.); sheet: 59.4 x 45.2 cm (23 3/8 x 17 13/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2016.31", "current_location": null, "title": "White Head Eagle (trial proof)", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["male"], "culture": ["Japan"], "technique": "color mezzotint", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Mezzotint", "type": "Print", "measurements": "Platemark: 49.7 x 36 cm (19 9/16 x 14 3/16 in.); Sheet: 59.4 x 45.2 cm (23 3/8 x 17 13/16 in.)", "dimensions": {"platemark": {"height": 0.497, "width": 0.36}, "sheet": {"height": 0.594, "width": 0.452}}, "state_of_the_work": null, "edition_of_the_work": "Trial proof for the edition of the Print Club of Cleveland Publication No. 94, 2016", "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [{"id": 91847, "description": "White Head Eagle, 2013. Hamanishi Katsunori (Japanese, b. 1949). Drawing; sheet: 60.4 x 44.7 cm (23 3/4 x 17 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2016.30", "relationship": null}, {"id": 92393, "description": "White Head Eagle (Edition), 2014. Hamanishi Katsunori (Japanese, b. 1949). Color mezzotint, Edition; platemark: 49.7 x 36 cm (19 9/16 x 14 3/16 in.); sheet: 59.8 x 44.7 cm (23 9/16 x 17 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2016.28", "relationship": null}, {"id": 92394, "description": "White Head Eagle (B.A.T.), 2014. Hamanishi Katsunori (Japanese, b. 1949). Color mezzotint, B.A.T.; platemark: 49.6 x 35.7 cm (19 1/2 x 14 1/16 in.); sheet: 59.6 x 44.5 cm (23 7/16 x 17 1/2 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2016.29", "relationship": null}], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79473200"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2016.31", "images": {}, "alternate_images": [], "creditline": "Gift of The Print Club of Cleveland", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 91846, "creators": [{"id": 34416, "description": "Hamanishi Katsunori (Japanese, b. 1949)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u9ed2\u7530\u8302\u6a39", "birth_year": "1949", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2016-03-07T00:00:00-05:00", "sortable_date": 2013, "date_added_to_oa": null, "date_text": "2013", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:02:15.824000"}, {"id": 169199, "accession_number": "2011.12", "share_license_status": "Copyrighted", "tombstone": "Crown Imperial Suite, 2007. Matthew Barney (American, b. 1967). Gelatin silver print; framed: 47.6 x 47.6 x 2.5 cm (18 3/4 x 18 3/4 x 1 in.); paper: 37.5 x 37.5 cm (14 3/4 x 14 3/4 in.). The Cleveland Museum of Art, Gift of Scott Cutler and Sundry Art-Contemporary Fund, 2011.12", "current_location": null, "title": "Crown Imperial Suite", "creation_date": "2007", "creation_date_earliest": 2007, "creation_date_latest": 2007, "artists_tags": ["male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Framed: 47.6 x 47.6 x 2.5 cm (18 3/4 x 18 3/4 x 1 in.); Paper: 37.5 x 37.5 cm (14 3/4 x 14 3/4 in.)", "dimensions": {"framed": {"height": 0.476, "width": 0.476, "depth": 0.025}, "paper": {"height": 0.375, "width": 0.375}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [], "legacy": [{"description": "Main gallery rotation (gallery 229): April 14, 2014 - October 28, 2014 (2011.12.1 &amp; 2)", "opening_date": "2014-04-14T00:00:00"}, {"description": "Main gallery rotation (gallery 229): October 28, 2014 - April 20, 2015. (2011.12.5)", "opening_date": "2014-10-28T00:00:00"}, {"description": "Main gallery rotation (gallery 229): April 20, 2015 - October 19, 2015 (2011.12.3)", "opening_date": "2015-04-20T00:00:00"}, {"description": "Main gallery rotation (gallery 229A): October 19, 2015 - April 11, 2016 (2011.12.4).", "opening_date": "2015-10-19T00:00:00"}]}, "provenance": [{"description": "Regen Projects Gallery, Los Angeles; Scott Cutler, Los Angeles; The Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076154"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.12", "images": {}, "alternate_images": [], "creditline": "Gift of Scott Cutler and Sundry Art-Contemporary Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169199, "creators": [{"id": 41815, "description": "Matthew Barney (American, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-03-07T00:00:00", "sortable_date": 2007, "date_added_to_oa": null, "date_text": "2007", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "cover", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:05:39.422000"}, {"id": 695895, "accession_number": "2025.158", "share_license_status": "Copyrighted", "tombstone": "Prince Sh\u014dtoku at Age Two (Sh\u014dtoku Taishi), 2025. Takashi Murakami. Photopolymer resin, stainless steel frame, water-based urethane paint, polyester putty, epoxy adhesive, weathering pigment; 68.6 x 33.7 x 31.1 cm (27 x 13 1/4 x 12 1/4 in.). The Cleveland Museum of Art, Gift of Takashi Murakami/Kaikai Kiki Co., Ltd., 2025.158. \u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "current_location": null, "title": "Prince Sh\u014dtoku at Age Two (Sh\u014dtoku Taishi)", "creation_date": "2025", "creation_date_earliest": 2025, "creation_date_latest": 2025, "artists_tags": ["male", "Asian (from 1900 to present)"], "culture": ["Japan"], "technique": "photopolymer resin, stainless steel frame, water-based urethane paint, polyester putty, epoxy adhesive, weathering pigment", "support_materials": [], "department": "Contemporary Art", "collection": "CONTEMP - Sculpture", "type": "Sculpture", "measurements": "68.6 x 33.7 x 31.1 cm (27 x 13 1/4 x 12 1/4 in.)", "dimensions": {"No Extent Specified": {"height": 0.686, "width": 0.337, "depth": 0.311}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 2025 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.", "inscriptions": [], "exhibitions": {"current": [{"id": 671920, "title": "Takashi Murakami: Stepping on the Tail of a Rainbow", "description": "<i>Takashi Murakami: Stepping on the Tail of a Rainbow</i>. The Cleveland Museum of Art, Cleveland, OH (May 16-September 7, 2025).", "opening_date": "2025-05-16T04:00:00"}], "legacy": []}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": "At the Cleveland Museum of Art, the exhibition <em>Takashi Murakami: Stepping on the Tail of a Rainbow</em> (2025) began with the artist\u2019s recreation of the Yumedono, or Dream Hall, from the H\u014dry\u016bji Temple complex near Nara, Japan. The Yumedono is thought to reside in the location of the home of Prince Sh\u014dtoku Taishi (c. 573\u2013622), who played a significant role in introducing Buddhism to Japan. When Murakami discovered a sculpture of Sh\u014dtoku at age two in the CMA\u2019s Japanese collection, the artist decided to recreate it in the form of this homage work.", "external_resources": {"wikidata": [], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2025.158", "images": {}, "alternate_images": [], "creditline": "Gift of Takashi Murakami/Kaikai Kiki Co., Ltd.", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 695895, "creators": [{"id": 65167, "description": "Takashi Murakami", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1962", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2025-09-08T04:00:00Z", "sortable_date": 2025, "date_added_to_oa": null, "date_text": "2025", "collapse_artists": false, "on_loan": false, "recently_acquired": true, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-04-03 13:35:11.091000"}, {"id": 163672, "accession_number": "2005.146", "share_license_status": "Copyrighted", "tombstone": "Sand Storm, 2005. Hildur \u00c1sgeirsd\u00f3ttir J\u00f3nsson (American, b. Iceland, 1963). Warp-faced plain weave; painted with dye before weaving; silk; unframed: 197.2 x 102 cm (77 5/8 x 40 3/16 in.); mounted: 201.3 x 106.5 cm (79 1/4 x 41 15/16 in.). The Cleveland Museum of Art, Robert A. Mann Fund, 2005.146. \u00a9 Hildur \u00c1sgeirsd\u00f3ttir J\u00f3nsson", "current_location": null, "title": "Sand Storm", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female"], "culture": ["America, Ohio, Cleveland"], "technique": "warp-faced plain weave; painted with dye before weaving; silk", "support_materials": [], "department": "Textiles", "collection": "T - Contemporary Fiber Art", "type": "Textile", "measurements": "Unframed: 197.2 x 102 cm (77 5/8 x 40 3/16 in.); Mounted: 201.3 x 106.5 cm (79 1/4 x 41 15/16 in.)", "dimensions": {"unframed": {"height": 1.972, "width": 1.02}, "mounted": {"height": 2.013, "width": 1.065}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Hildur \u00c1sgeirsd\u00f3ttir J\u00f3nsson", "inscriptions": [], "exhibitions": {"current": [{"id": 198152, "title": "In Honor of The Cleveland Arts Prize", "description": "<i>In Honor of The Cleveland Arts Prize</i>. The Cleveland Museum of Art (organizer) (June 13, 2010-March 13, 2011).", "opening_date": "2010-06-13T00:00:00"}], "legacy": [{"description": "The NEO Show. The Cleveland Museum of Art, Cleveland, OH (December 12, 2004-April 11, 2005).", "opening_date": "2004-12-12T00:00:00"}, {"description": "Main Gallery Rotation (Gallery 228), The Cleveland Museum of Art, Cleveland, OH. August 12, 2013-August 4, 2014.", "opening_date": "2013-08-12T00:00:00"}]}, "provenance": [{"description": "(Northeast Ohio Artists exhibition, sold to the Cleveland Museum of Art)", "citations": [], "footnotes": null, "date": "2005", "sortorder": 1}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": null, "date": "2005\u2013", "sortorder": 2}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79990110"], "internet_archive": []}, "citations": [{"citation": "Farver, Jane, Louis Grachos, and Jeffrey D. Grove. The NEO Show: A Juried Exhibition of Artists of Northeast Ohio. [Cleveland, Ohio]: Cleveland Museum of Art, 2005.", "page_number": "no. 46, p. 106-7, 178", "url": null}], "url": "https://clevelandart.org/art/2005.146", "images": {}, "alternate_images": [], "creditline": "Robert A. Mann Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 163672, "creators": [{"id": 36998, "description": "Hildur \u00c1sgeirsd\u00f3ttir J\u00f3nsson (American, b. Iceland, 1963)", "extent": null, "qualifier": null, "role": "artist", "biography": "A native of Iceland, Hildur J\u00f3nsson has held solo shows in Reykjavik, the Museum of Contemporary Art, Cleveland, and FAVA (Firelands Association for the Visual Arts) Gallery in Oberlin. She has been invited to exhibit her drawings and weavings in Barcelona, Paris, and Rouen. She has received three awards from the Ohio Arts Council and her work is represented in private collections and the collections of the National City Bank, Progressive Corporation, and University Hospitals, Cleveland. Most recently, the Ohio Arts Council commissioned her to design the Governor's Annual Awards in the Arts, and her embroideries were presented to winners of the 2004 awards. J\u00f3nsson studied architecture at Kent State University, attended the Cleveland Institute of Art, and received a BFA and MFA from Kent State.", "name_in_original_language": null, "birth_year": "1963", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2005-09-06T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:36.168000"}, {"id": 170426, "accession_number": "2012.49.7", "share_license_status": "Copyrighted", "tombstone": "Escargots (7), 2003\u20134. Sheila Hicks (American, b. 1934). Industrial-weight linen, dyed, wrapped around flat strips of cork; coiled: 10.5 x 61 x 61.6 cm (4 1/8 x 24 x 24 1/4 in.); uncoiled: 10.5 x 2311.4 x 0.6 cm (4 1/8 x 910 x 1/4 in.). 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Thomas Nozkowski (American, 1944-). Color aquatint; sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2008.160.2", "current_location": null, "title": "Untitled 2", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "color aquatint", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); Image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.)", "dimensions": {"sheet": {"height": 0.274, "width": 0.35}, "image": {"height": 0.274, "width": 0.35}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, in pencil: \"Thomas Nozkowski 2008 9/35 #2\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. 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Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166296, "creators": [{"id": 57530, "description": "Thomas Nozkowski (American, 1944-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-12-08T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2008.160", "is_nazi_era_provenance": false, "impression": "9", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:09:52.105000"}, {"id": 166298, "accession_number": "2008.160.4", "share_license_status": "Copyrighted", "tombstone": "Untitled 4, 2008. Thomas Nozkowski (American, 1944-). Color aquatint and etching; sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2008.160.4", "current_location": null, "title": "Untitled 4", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "color aquatint and etching", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); Image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.)", "dimensions": {"sheet": {"height": 0.274, "width": 0.35}, "image": {"height": 0.274, "width": 0.35}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, in pencil: \"Thomas Nozkowski 2008 9/35 #4\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. 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Thomas Nozkowski (American, 1944-). Color aquatint; sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund, 2008.160.5", "current_location": null, "title": "Untitled 5", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "color aquatint", "support_materials": [], "department": "Prints", "collection": "PR - Aquatint", "type": "Print", "measurements": "Sheet: 27.4 x 35 cm (10 13/16 x 13 3/4 in.); Image: 27.4 x 35 cm (10 13/16 x 13 3/4 in.)", "dimensions": {"sheet": {"height": 0.274, "width": 0.35}, "image": {"height": 0.274, "width": 0.35}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "verso, in pencil: \"Thomas Nozkowski 2008 9/35 #5\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79996368"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2008.160.5", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 166299, "creators": [{"id": 57530, "description": "Thomas Nozkowski (American, 1944-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1944", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2008-12-08T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2008.160", "is_nazi_era_provenance": false, "impression": "9", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:10:40.661000"}, {"id": 167163, "accession_number": "2009.158.27", "share_license_status": "Copyrighted", "tombstone": "West 17th Street, Duck Island, 2002. Andrew Borowiec (American, b. 1956). Gelatin silver print; image: 32.4 x 47.8 cm (12 3/4 x 18 13/16 in.); paper: 40.4 x 50.4 cm (15 7/8 x 19 13/16 in.). The Cleveland Museum of Art, Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett, 2009.158.27. \u00a9 Andrew Borowiec 2008", "current_location": null, "title": "West 17th Street, Duck Island", "creation_date": "2002", "creation_date_earliest": 2002, "creation_date_latest": 2002, "artists_tags": ["May Show", "male"], "culture": ["America"], "technique": "gelatin silver print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 32.4 x 47.8 cm (12 3/4 x 18 13/16 in.); Paper: 40.4 x 50.4 cm (15 7/8 x 19 13/16 in.)", "dimensions": {"image": {"height": 0.324, "width": 0.478}, "paper": {"height": 0.404, "width": 0.504}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9 Andrew Borowiec 2008", "inscriptions": [{"inscription": "Written in pencil on verso: \"WEST 17TH STREET, DUCK ISLAND, CLEVELAND, 2002  Andrew Borowiec (signed) 4/25 02207-2\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 197811, "title": "Andrew Borowiec: Cleveland Photographs", "description": "<i>Andrew Borowiec: Cleveland Photographs</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 13-October 17, 2010).", "opening_date": "2010-06-13T00:00:00"}], "legacy": [{"description": "Main Gallery Rotation (Gallery 228): February 24, 2014 - August 4, 2014.", "opening_date": "2014-02-24T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79998376"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.158.27", "images": {}, "alternate_images": [], "creditline": "Gift of Mark Schwartz and Bettina Katz in honor of James and Hanna Bartlett", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167163, "creators": [{"id": 34186, "description": "Andrew Borowiec (American, b. 1956)", "extent": null, "qualifier": null, "role": "artist", "biography": "Andrew Borowiec American, 1956- Andrew Borowiec is a photographer, educator, and arts administrator. His black-and-white photographs of factory towns in the Ohio River Valley, a series that he has worked on extensively since the early 1990s, reveal an uneasy coexistence between residential and industrial sites, and between humans and their environment. Borowiec cites as influences the geographical writings of J. B. Jackson and the philosophies of photographer Frank Gohlke, with whom he studied in the early 1980s while a graduate student at Yale University School of Art. Born in New York City, Borowiec attended high school at the \u00c9cole Internationale in Geneva, Switzerland, and moved back across the Atlantic to earn a B.A. in Russian from Haverford College (1979). That same year, he took a workshop with Garry Winogrand at the International Center of Photography, where he also worked as a staff photographer (1979-80). Borowiec received his M.F.A. from Yale (1982); in addition to Gohlke, his teachers included Richard Benson, Jan Groover, Ben Lifson, and Tod Papageorge. In 1980 Borowiec served as assistant director of the Workshop Program for the Rencontres Internationales de la Photographie in Arles, France. Throughout his career he has completed various commissions for academic periodicals as well as civic and cultural institutions. Borowiec has held faculty positions at the New School for Social Research (1982-84), Parsons School of Design (1983-84), and Oberlin College (1990). His numerous awards include fellowships from the National Endowment for the Arts (1985, 1988) and the Folk Endowment Grant (1993). Since 1984 he has taught at the University of Akron School of Art. A.W.<br>Biographical information exists in the Cleveland Museum of Art Archives.", "name_in_original_language": null, "birth_year": "1956", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2009-06-08T00:00:00", "sortable_date": 2002, "date_added_to_oa": null, "date_text": "2002", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2009.158", "is_nazi_era_provenance": false, "impression": "4", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:31.380000"}, {"id": 167540, "accession_number": "2009.281", "share_license_status": "Copyrighted", "tombstone": "Year of the Dog #10, 2008. Judy Pfaff (American, 1946-), Bruce Crownover, Andy Rubin, Joe Freye, Jason Ruhl. Color woodcut, digital and collage, with hand painting; sheet: 97.8 x 219.7 cm (38 1/2 x 86 1/2 in.); framed: 115.3 x 235.2 cm (45 3/8 x 92 5/8 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2009.281. \u00a9  Judy Pfaff / Licensed by VAGA at Artists Rights Society (ARS), NY", "current_location": null, "title": "Year of the Dog #10", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["female"], "culture": ["America"], "technique": "color woodcut, digital and collage, with hand painting", "support_materials": [{"description": "Crown Kozo paper", "watermarks": []}], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Sheet: 97.8 x 219.7 cm (38 1/2 x 86 1/2 in.); Framed: 115.3 x 235.2 cm (45 3/8 x 92 5/8 in.)", "dimensions": {"sheet": {"height": 0.978, "width": 2.197}, "framed": {"height": 1.153, "width": 2.352}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": "\u00a9  Judy Pfaff / Licensed by VAGA at Artists Rights Society (ARS), NY", "inscriptions": [{"inscription": "Lower left, in pencil: 12/20; center, in pencil: Year of the Dog #10; lower right, in pencil: J. Pfaff 2008", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q79999520"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2009.281", "images": {}, "alternate_images": [], "creditline": "Purchase from the Karl B. Goldfield Trust", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 167540, "creators": [{"id": 58668, "description": "Judy Pfaff (American, 1946-)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1946", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 67544, "description": "Bruce Crownover, Andy Rubin, Joe Freye, Jason Ruhl", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2009-09-14T00:00:00", "sortable_date": 2008, "date_added_to_oa": null, "date_text": "2008", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "12", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:16.362000"}, {"id": 168475, "accession_number": "2010.230.3", "share_license_status": "Copyrighted", "tombstone": "Untitled: Untitled, 2004. Yasuko Iba (Japanese, b. 1967), Nomart Editions. Color screenprint on vinyl; image: 49.8 x 64.8 cm (19 5/8 x 25 1/2 in.); sheet: 63.8 x 78.1 cm (25 1/8 x 30 3/4 in.); matted: 66 x 86.4 cm (26 x 34 in.). The Cleveland Museum of Art, Mr. and Mrs. William E. Ward Collection Fund, 2010.230.3", "current_location": null, "title": "Untitled: Untitled", "creation_date": "2004", "creation_date_earliest": 2004, "creation_date_latest": 2004, "artists_tags": ["female", "Asian (from 1900 to present)"], "culture": ["Japan"], "technique": "color screenprint on vinyl", "support_materials": [{"description": "Vinyl", "watermarks": []}], "department": "Prints", "collection": "PR - Screenprint", "type": "Print", "measurements": "Image: 49.8 x 64.8 cm (19 5/8 x 25 1/2 in.); Sheet: 63.8 x 78.1 cm (25 1/8 x 30 3/4 in.); Matted: 66 x 86.4 cm (26 x 34 in.)", "dimensions": {"sheet": {"height": 0.638, "width": 0.781}, "image": {"height": 0.498, "width": 0.648}, "matted": {"height": 0.66, "width": 0.864}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "lower left: 13/30; lower right: Yasuko Iba \u201804", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [{"description": "[Nomart Editions]", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80074409"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2010.230.3", "images": {}, "alternate_images": [], "creditline": "Mr. and Mrs. William E. Ward Collection Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 168475, "creators": [{"id": 60164, "description": "Yasuko Iba (Japanese, b. 1967)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": "\u4f0a\u5ead \u9756\u5b50", "birth_year": "1967", "use_in_caption": true, "include_extent": false, "weight": 1}, {"id": 68690, "description": "Nomart Editions", "extent": null, "qualifier": null, "role": "published by", "biography": null, "name_in_original_language": null, "use_in_caption": true, "include_extent": false, "weight": 2}], "legal_status": "accessioned", "accession_date": "2010-09-07T00:00:00", "sortable_date": 2004, "date_added_to_oa": null, "date_text": "2004", "collapse_artists": true, "on_loan": false, "recently_acquired": false, "record_type": "component", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2010.230", "is_nazi_era_provenance": false, "impression": "13", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:08:05.926000"}, {"id": 169329, "accession_number": "2011.199.2", "share_license_status": "Copyrighted", "tombstone": "Untitled, 2011. Steven Ford (American, b. 1964). Linocut on chine coll\u00e9 on two pieces of paper (diptych); left: 111.4 x 75 cm (43 7/8 x 29 1/2 in.); right: 111.5 x 75 cm (43 7/8 x 29 1/2 in.). The Cleveland Museum of Art, Anne Elizabeth Wilson Memorial Fund, 2011.199.2", "current_location": null, "title": "Untitled", "creation_date": "2011", "creation_date_earliest": 2011, "creation_date_latest": 2011, "artists_tags": ["male"], "culture": ["America"], "technique": "linocut on chine coll\u00e9 on two pieces of paper (diptych)", "support_materials": [], "department": "Prints", "collection": "PR - Linocut", "type": "Print", "measurements": "Left: 111.4 x 75 cm (43 7/8 x 29 1/2 in.); Right: 111.5 x 75 cm (43 7/8 x 29 1/2 in.)", "dimensions": {"left": {"height": 1.114, "width": 0.75}, "right": {"height": 1.115, "width": 0.75}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Verso in graphite: Left sheet: \"Steven Ford 2011 SF110518 A\"\r\nRight sheet: \"Steven Ford 1011 SF110518B\"", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. 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Andrea Stern (American, b. 1966). Chromogenic process color print; image: 36.5 x 48.2 cm (14 3/8 x 19 in.); paper: 40.5 x 50.8 cm (15 15/16 x 20 in.); matted: 55.9 x 66 cm (22 x 26 in.). The Cleveland Museum of Art, Gift of Joan Liftin, 2011.227", "current_location": null, "title": "Self-Portrait with Simon, New York", "creation_date": "2005", "creation_date_earliest": 2005, "creation_date_latest": 2005, "artists_tags": ["female"], "culture": ["America"], "technique": "chromogenic process color print", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Image: 36.5 x 48.2 cm (14 3/8 x 19 in.); Paper: 40.5 x 50.8 cm (15 15/16 x 20 in.); Matted: 55.9 x 66 cm (22 x 26 in.)", "dimensions": {"image": {"height": 0.365, "width": 0.482}, "paper": {"height": 0.405, "width": 0.508}, "matted": {"height": 0.559, "width": 0.66}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 441481, "title": "Gallery One 2012", "description": "<i>Gallery One 2012</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017).", "opening_date": "2012-12-12T05:00:00"}], "legacy": [{"description": "Gallery One Rotation, October 28, 2013 - April 7, 2014.", "opening_date": "2013-10-28T00:00:00"}]}, "provenance": [{"description": "Artist; Joan Liftin", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80076603"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2011.227", "images": {}, "alternate_images": [], "creditline": "Gift of Joan Liftin", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 169375, "creators": [{"id": 62959, "description": "Andrea Stern (American, b. 1966)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1966", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2011-12-05T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:03:33.864000"}, {"id": 170452, "accession_number": "2012.61", "share_license_status": "Copyrighted", "tombstone": "Strange Fruit: Strange Fruit, 2011. Hank Willis Thomas (American, 1976-). Digital chromogenic print, Lambda; paper: 152.4 x 72.4 cm (60 x 28 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. 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Transformer Station (December 14, 2013-March 8, 2014).", "opening_date": "2013-12-14T00:00:00"}, {"id": 317792, "title": "Hank Willis Thomas: All Things Being Equal...", "description": "<i>Hank Willis Thomas: All Things Being Equal...</i>. Portland Art Museum, Portland, OR (organizer) (October 5, 2019-January 12, 2020) https://portlandartmuseum.org/exhibitions/hank-willis-thomas/; Crystal Bridges Museum of American Art, Bentonville, AR (February 8-July 13, 2020); The Cincinnati Art Museum, Cincinnati, OH (September 4-November 8, 2020).", "opening_date": "2019-10-05T04:00:00"}], "legacy": []}, "provenance": [{"description": "Hank Willis Thomas (the artist) [1976-]", "citations": [], "footnotes": [], "date": "2011", "sortorder": 1}, {"description": "(Jack Shainman Gallery, New York, NY)", "citations": [], "footnotes": [], "date": "2012", "sortorder": 2}, {"description": "The Cleveland Museum of Art, Cleveland, OH", "citations": [], "footnotes": [], "date": "September 4, 2012", "sortorder": 3}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079183"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2012.61", "images": {}, "alternate_images": [], "creditline": "Purchase from the J. H. Wade Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170452, "creators": [{"id": 62427, "description": "Hank Willis Thomas (American, 1976-)", "extent": null, "qualifier": null, "role": "artist", "biography": "Born March 17, 1976", "name_in_original_language": null, "birth_year": "1976", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2012-09-04T00:00:00", "sortable_date": 2011, "date_added_to_oa": null, "date_text": "2011", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "object", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": null, "is_nazi_era_provenance": false, "impression": "3", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:07:37.255000"}, {"id": 170535, "accession_number": "2013.107", "share_license_status": "Copyrighted", "tombstone": "The Bed, 2008. Michael Huey (American, b. 1964). Chromogenic color print, Diasec-mounted on aluminum and face-mounted to Plexiglas; overall: 100 x 155 cm (39 3/8 x 61 in.). The Cleveland Museum of Art, Gift of the Artist, 2013.107", "current_location": null, "title": "The Bed", "creation_date": "2008", "creation_date_earliest": 2008, "creation_date_latest": 2008, "artists_tags": ["male"], "culture": ["America"], "technique": "chromogenic color print, Diasec-mounted on aluminum and face-mounted to Plexiglas", "support_materials": [], "department": "Photography", "collection": "PH - American 1951-Present", "type": "Photograph", "measurements": "Overall: 100 x 155 cm (39 3/8 x 61 in.)", "dimensions": {"overall": {"height": 1.0, "width": 1.55}}, "state_of_the_work": null, "edition_of_the_work": "A.P. No. 1 (edition of 5, 2 A.P.)", "copyright": null, "inscriptions": [], "exhibitions": {"current": [{"id": 198256, "title": "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection", "description": "<i>The Last Days of Pompeii: Decadence, Apocalypse, Resurrection</i>. 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Serena Perrone (American, b. 1979). Woodcut with silverpoint drawing on mylar; center: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.); right image: 122.1 x 60.6 cm (48 1/16 x 23 7/8 in.); left image: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2013.21.a", "current_location": null, "title": "In the Realm of Reverie Series III: Tristessa, Reappearance of the Vanished Filicudi", "creation_date": "2005\u20132006", "creation_date_earliest": 2005, "creation_date_latest": 2006, "artists_tags": ["female"], "culture": ["America"], "technique": "woodcut with silverpoint drawing on mylar", "support_materials": [], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Center: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.); right image: 122.1 x 60.6 cm (48 1/16 x 23 7/8 in.); left image: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.)", "dimensions": {"center": {"height": 1.222, "width": 0.606}, "right image": {"height": 1.221, "width": 0.606}, "left image": {"height": 1.222, "width": 0.606}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Verso, Left panel: signed in graphite, lower right: \"Serena Perrone\" \r\nVerso Center panel, titled in graphite, lower center: \"Tristessa, Reappearance of the Vanished Filicudi\"\r\nRight panel, lower right, numbered in graphite underneath tab: \"1/15\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [{"description": "Artist; Cade Tompkins Projects; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079691"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.21.a", "images": {}, "alternate_images": [], "creditline": "The Charlotte Ekker and Charlotte Van der Veer Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170669, "creators": [{"id": 63105, "description": "Serena Perrone (American, b. 1979)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1979", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005\u20132006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.21", "is_nazi_era_provenance": false, "impression": "2", "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-27 00:06:54.988000"}, {"id": 170671, "accession_number": "2013.21.c", "share_license_status": "Copyrighted", "tombstone": "In the Realm of Reverie Series III: Tristessa, Reappearance of the Vanished Filicudi, 2005\u20132006. Serena Perrone (American, b. 1979). Woodcut with silverpoint drawing on mylar; center: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.); right image: 122.1 x 60.6 cm (48 1/16 x 23 7/8 in.); left image: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.). The Cleveland Museum of Art, The Charlotte Ekker and Charlotte Van der Veer Memorial Fund, 2013.21.c", "current_location": null, "title": "In the Realm of Reverie Series III: Tristessa, Reappearance of the Vanished Filicudi", "creation_date": "2005\u20132006", "creation_date_earliest": 2005, "creation_date_latest": 2006, "artists_tags": ["female"], "culture": ["America"], "technique": "woodcut with silverpoint drawing on mylar", "support_materials": [], "department": "Prints", "collection": "PR - Woodcut", "type": "Print", "measurements": "Center: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.); right image: 122.1 x 60.6 cm (48 1/16 x 23 7/8 in.); left image: 122.2 x 60.6 cm (48 1/8 x 23 7/8 in.)", "dimensions": {"center": {"height": 1.222, "width": 0.606}, "right image": {"height": 1.221, "width": 0.606}, "left image": {"height": 1.222, "width": 0.606}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "Verso, Left panel: signed in graphite, lower right: \"Serena Perrone\" \r\nVerso Center panel, titled in graphite, lower center: \"Tristessa, Reappearance of the Vanished Filicudi\"\r\nRight panel, lower right, numbered in graphite underneath tab: \"1/15\"\r\n", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 22-July 26, 2015).", "opening_date": "2015-03-22T00:00:00"}], "legacy": [{"description": "The Cleveland Museum of Art (3/22/2015 - 7/26/2015); \"Fresh Prints: The Nineties to Now\"", "opening_date": "2015-03-22T00:00:00"}]}, "provenance": [{"description": "Artist; Cade Tompkins Projects; Cleveland Museum of Art", "citations": [], "footnotes": null, "date": null, "sortorder": null}], "find_spot": null, "related_works": [], "former_accession_numbers": [], "did_you_know": null, "description": null, "external_resources": {"wikidata": ["https://www.wikidata.org/wiki/Q80079696"], "internet_archive": []}, "citations": [], "url": "https://clevelandart.org/art/2013.21.c", "images": {}, "alternate_images": [], "creditline": "The Charlotte Ekker and Charlotte Van der Veer Memorial Fund", "image_credit": null, "sketchfab_id": null, "sketchfab_url": null, "gallery_donor_text": null, "athena_id": 170671, "creators": [{"id": 63105, "description": "Serena Perrone (American, b. 1979)", "extent": null, "qualifier": null, "role": "artist", "biography": null, "name_in_original_language": null, "birth_year": "1979", "use_in_caption": true, "include_extent": false, "weight": 1}], "legal_status": "accessioned", "accession_date": "2013-03-04T00:00:00", "sortable_date": 2005, "date_added_to_oa": null, "date_text": "2005\u20132006", "collapse_artists": false, "on_loan": false, "recently_acquired": false, "record_type": "part", "conservation_statement": null, "has_conservation_images": false, "cover_accession_number": "2013.21", "is_nazi_era_provenance": false, "impression": null, "alternate_titles": [], "is_highlight": false, "updated_at": "2026-03-26 23:59:43.426000"}, {"id": 171147, "accession_number": "2013.62", "share_license_status": "Copyrighted", "tombstone": "Second Shadow , 2013. Freya Payne (British, b. 1968), Flowers Gallery. Etching; sheet: 44.7 x 37.8 cm (17 5/8 x 14 7/8 in.); platemark: 30.4 x 29.9 cm (11 15/16 x 11 3/4 in.). The Cleveland Museum of Art, Jo Hershey Selden Fund, 2013.62", "current_location": null, "title": "Second Shadow ", "creation_date": "2013", "creation_date_earliest": 2013, "creation_date_latest": 2013, "artists_tags": ["female"], "culture": ["England, 21st century"], "technique": "etching", "support_materials": [{"description": "wove paper", "watermarks": []}], "department": "Prints", "collection": "PR - Etching", "type": "Print", "measurements": "Sheet: 44.7 x 37.8 cm (17 5/8 x 14 7/8 in.); Platemark: 30.4 x 29.9 cm (11 15/16 x 11 3/4 in.)", "dimensions": {"sheet": {"height": 0.447, "width": 0.378}, "platemark": {"height": 0.304, "width": 0.299}}, "state_of_the_work": null, "edition_of_the_work": null, "copyright": null, "inscriptions": [{"inscription": "lower left, in graphite: 14/15; lower center, in graphite: \"Second Shadow;\" lower right in graphite: Freya Payne", "inscription_translation": null, "inscription_remark": null, "sortorder": null}], "exhibitions": {"current": [{"id": 203895, "title": "Fresh Prints: The Nineties to Now", "description": "<i>Fresh Prints: The Nineties to Now</i>. 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