{
"data": {
"id": 94676,
"accession_number": "1915.334.1",
"share_license_status": "CC0",
"tombstone": "Seated Amitayus Buddha, c. 570s. China, Northern Qi dynasty (550\u2013577). Marble; overall: 110 x 66.1 cm (43 5/16 x 26 in.). The Cleveland Museum of Art, Worcester R. Warner Collection, 1915.334.1",
"current_location": "241B Arts of Ancient China",
"title": "Seated Amitayus Buddha",
"creation_date": "c. 570s",
"creation_date_earliest": 550,
"creation_date_latest": 590,
"artists_tags": [],
"culture": [
"China, Northern Qi dynasty (550\u2013577)"
],
"technique": "marble",
"support_materials": [],
"department": "Chinese Art",
"collection": "China - Southern Dynasties",
"type": "Sculpture",
"measurements": "Overall: 110 x 66.1 cm (43 5/16 x 26 in.)",
"dimensions": {
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"height": 1.1,
"height_inch": 43,
"height_inch_fraction": 0.3125,
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"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 317001,
"title": "Inaugural Exhibition",
"description": "Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916).",
"opening_date": "1916-06-06T05:00:00"
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"description": "Worcester R. Warner [1846\u20131929], Cleveland, OH, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "?\u20131915",
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"footnotes": null,
"date": "1915\u2013",
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"did_you_know": "The stringlike folds of the Buddha's draperies emphasize his monumental, rigidly erect torso and tubular limbs.",
"early_education_description": null,
"artlens_description": null,
"description": "Amitayus, the Buddha of Infinite Life, is seated in meditation on a double lotus pedestal. The pedestal was not made with the statue but the combination is faithful to the original artistic conception. The statue is an extremely rare example of a major type of Northern Qi Buddhist sculpture. The heavy, massive front highlights the sense of monumentality and the spiritual essence of the Buddha.
Today the sculpture is united with a pedestal that exhibits the rich, ornate style of early Tang sculpture. It was commissioned by the Duke of Liang, Fang Xuanling (578\u2013648), for the blessing of his second son and daughter-in-law, the Tang imperial princess of Gaoyang. The iconography and inscription suggest that it originally went with a statue, now missing, of Shakyamuni, the historical Buddha, instead of Amitayus.",
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"citations": [
{
"citation": "Sizer, Theodore. \u201cA Note on Two Pieces of Chinese Sculpture in the Worcester R. Warner Collection.\u201d The Bulletin of the Cleveland Museum of Art 12, no. 2 (February 1925): 23\u201326.",
"page_number": "Mentioned: p. 25; Reproduced: Cover",
"url": "http://www.jstor.org/stable/25136823"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1925.",
"page_number": "Mentioned and Reproduced: 50",
"url": "https://archive.org/details/CMAHandbook_80839/page/n52"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1928.",
"page_number": "Reproduced: p. 63",
"url": "https://archive.org/details/CMAHandbook1928/page/n67"
},
{
"citation": "\u201cAnnual Report of the Year 1958.\u201d The Bulletin of the Cleveland Museum of Art 46, no. 6 (June 1959): 111\u2013158.",
"page_number": "Reproduced: p. 114",
"url": ""
},
{
"citation": "Ho, Wai-Kam. \u201cThree Seated Stone Buddhas.\u201d The Bulletin of the Cleveland Museum of Art 53, no. 4 (April 1966): 83\u2013102.",
"page_number": "Mentioned: pp. 85\u201385a; Reproduced: p. 83",
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