{
"data": {
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"accession_number": "1915.526",
"share_license_status": "CC0",
"tombstone": "Upper Paneling from a Sacristy Armoire, c. 1460\u201375. Attributed to Giuliano da Maiano (Italian, 1432\u20131490). Walnut, inlaid with holly and ebony; overall: 160 x 476 x 69.2 cm (63 x 187 3/8 x 27 1/4 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.526",
"current_location": null,
"title": "Upper Paneling from a Sacristy Armoire",
"creation_date": "c. 1460\u201375",
"creation_date_earliest": 1455,
"creation_date_latest": 1480,
"artists_tags": [
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"technique": "walnut, inlaid with holly and ebony",
"support_materials": [],
"department": "Medieval Art",
"collection": "MED - Renaissance",
"type": "Furniture and woodwork",
"measurements": "Overall: 160 x 476 x 69.2 cm (63 x 187 3/8 x 27 1/4 in.)",
"dimensions": {
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"height": 1.6,
"height_inch": 63,
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"depth": 0.692,
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"inscriptions": [
{
"inscription": "in four of the five panels is the Medici badge of a jeweled ring wound with a ribbon or bannerole, on which is inscribed the motto \"Semper.\" The frieze in the cornice contains part of a quotation from the Vulgate, Paul's epistle to the Romans, Chapter XI.",
"inscription_translation": null,
"inscription_remark": null,
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{
"id": 317001,
"title": "Inaugural Exhibition",
"description": "Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916).",
"opening_date": "1916-06-06T05:00:00"
},
{
"id": 301412,
"title": "Florence and the Arts: Five Centuries of Patronage",
"description": "Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).",
"opening_date": "1971-07-13T04:00:00"
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"description": "(Sangiorgi Galerie, Rome through Henry W. Kent, sold to the Cleveland Museum of Art).",
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"footnotes": null,
"date": "?-1915",
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"description": "The imagery on the inset panels is the result of a technique known as intarsia, the skilled inlaying of woods of different colors to create a type of mosaic, popular during the 15th and 16th centuries in Italy for the decoration of paneling and furniture for studies, small rooms, and church sacristies. This large set of five intarsia panels comes from an unknown Florentine church. In its original setting the panels rested upon a row of similarly decorated cupboards (a sacristy armoire) which were used for the storage of liturgical vestments and books. This panel would have therefore been seen at eye level. The central panel depicts the Resurrection of Christ. The two outside panels depict the emblem of Lorenzo de Medici-three plumes encircled by a jeweled ring above a scrolling ribbon containing the Latin word SEMPER (Always). Lorenzo de Medici (1449-92) was the ruler of Florence when this sacristy armoire was constructed and was the likely patron. It seems to be the work of Giuliano da Maiano, an architect and intarsia-maker also responsible for the intarsia in the sacristy of Florence Cathedral.",
"external_resources": {
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"citations": [
{
"citation": "Baccheschi, Edi. Mobili intarsiati: del sei e settecento in Italia. Milano: Go\u0308rlich, 1964.",
"page_number": "p. 33",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 82",
"url": "https://archive.org/details/CMAHandbook1969/page/n106"
},
{
"citation": "Pillsbury, Edmund P. Florence and the Arts; Five Centuries of Patronage. 1971.",
"page_number": "Cat. No. 83",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced (detail): p. 94",
"url": "https://archive.org/details/CMAHandbook1978/page/n114"
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