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"title": "Diana and Her Nymphs",
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"department": "Modern European Painting and Sculpture",
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"measurements": "Unframed: 25 x 35.1 cm (9 13/16 x 13 13/16 in.)",
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"inscription": "Signed lower left: C. Mark\u00f3 p. Ap. 1853\r\n",
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"title": "Conserving the Past for the Future",
"description": "Conserving the Past for the Future. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-May 6, 2001).",
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"citation": "\"The Wade Collection.\" The Bulletin of the Cleveland Museum of Art 4, no. 1 (1917): 3-12.",
"page_number": "Mentioned: p. 4",
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"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
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"creditline": "Gift of Mr. and Mrs. J. H. Wade",
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"description": "K\u00e1roly Mark\u00f3 (Hungarian, 1791\u20131860)",
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"biography": "After an initial education in engineering, K\u00e1roly Mark\u00f3 began his artistic studies in 1818 in Pest and four years later entered the academy in Vienna. In addition to the realistic Hungarian landscapes he painted, the artist supported himself with portraits and miniatures on porcelain. From 1830 until 1832, he worked in Kismarton. The Viennese banker Geym\u00fcller was instrumental in making possible Mark\u00f3's move to Rome in 1832. There he started painting idyllic landscapes with mythological or biblical subjects and peasant scenes. In 1838 he moved to Pisa and two years later left for Florence to teach at the academy. From 1847 on he lived in Count Gherardesca's Villa Appeggi near Florence, where, for example, he painted the Cleveland painting. In 1853 Mark\u00f3 visited Vienna and received a warm welcome in Budapest. Even while living in Italy, Mark\u00f3 stayed in touch with the artistic community in Hungary and was an important figure in the development of Hungarian painting. He regularly sent paintings to exhibitions there, had Hungarian pupils in Italy, and, in 1845, submitted a design for the new parliament building in Budapest. During his lifetime, he was well known. In 1861 most of his estate went to the National Museum in Budapest. Mark\u00f3 had three sons who also became painters: K\u00e1roly (1822-1891), Andr\u00e1s (1824-1895), and Ferenc (1832-1874).",
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"birth_year": "1791",
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"legal_status": "accessioned",
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"sortable_date": 1853,
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"alternate_titles": [
"Figures at the Edge of a Pond",
"Landscape with Figures at the Edge of a Pool"
],
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"updated_at": "2026-08-03 14:04:34.216000"
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