id:			95371
accession number:	1916.1128
share license status:	CC0
url:			https://clevelandart.org/art/1916.1128
updated:		

Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor, c. early or mid 1730s. Torii Kiyonobu I (Japanese, 1664–1729). Color woodblock print; sheet: 29.8 x 15.2 cm (11 3/4 x 6 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. J. H. Wade 1916.1128

title:				Sanjo Kantaro as a Young Woman Standing in a Wisteria Arbor
title in original language:	
series:				
series in original language:	
creation date:			c. early or mid 1730s
creation date earliest:		1730
creation date latest:		1738
current location:		
creditline:			Gift of Mr. and Mrs. J. H. Wade
copyright:			

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culture:	Japan, Edo period (1615-1868)
technique:	color woodblock print
department:	Japanese Art
collection:	Japanese Art
type:		Print
find spot:	
catalogue raisonne: 

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CREATORS

* Torii Kiyonobu I (Japanese, 1664–1729)  - artist

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measurements: Sheet: 29.8 x 15.2 cm (11 3/4 x 6 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Signature: Gako Torii Kiyonobu hitsu
Publisher: Omiya (Yokoyamacho Omiya han, emblem)
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Japanese Prints from the Museum Collection
	opening date:   1934-09-05T04:00:00
	<i>Japanese Prints from the Museum Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 5-October 28, 1934).

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LEGACY EXHIBITIONS

* Cleveland, Ohio:  The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections".

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PROVENANCE

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fun fact:


digital description:


wall description:
This rare, hand-colored print incorporates a technique called urushi-e, literally "lacquer picture," in which the artist paints deer glue over areas of black pigment, producing a lustrous effect reminiscent of lacquer. Metal filings were sometimes sprinkled onto the pigment for decorative effect. Kiyonobu’s prints are characteristically hand-colored and outlined in black. Inspired by a family tradition of painters of Kabuki posters, Kiyonobu created prints mainly of actors and scenes from plays.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1916.1128/1916.1128_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1916.1128/1916.1128_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1916.1128/1916.1128_full.tif