{
"data": {
"id": 97052,
"accession_number": "1916.706",
"share_license_status": "CC0",
"tombstone": "Cup-Hilted Rapier, c.1610\u201330. Italy, possibly Milan. Steel, pierced, chased and chiseled; wire ferrules on leather-covered wood grip; overall: 123.2 cm (48 1/2 in.); blade: 100.9 cm (39 3/4 in.); quillions: 25.2 cm (9 15/16 in.); grip: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. John L. Severance, 1916.706",
"current_location": "210A Armor Court",
"title": "Cup-Hilted Rapier",
"creation_date": "c.1610\u201330",
"creation_date_earliest": 1605,
"creation_date_latest": 1635,
"artists_tags": [],
"culture": [
"Italy, possibly Milan"
],
"technique": "steel, pierced, chased and chiseled; wire ferrules on leather-covered wood grip",
"support_materials": [
{
"description": "pierced and chased cup",
"watermarks": []
}
],
"department": "Medieval Art",
"collection": "MED - Arms & Armor",
"type": "Arms and Armor",
"measurements": "Overall: 123.2 cm (48 1/2 in.); Blade: 100.9 cm (39 3/4 in.); Quillions: 25.2 cm (9 15/16 in.); Grip: 11.8 cm (4 5/8 in.)",
"dimensions": {
"overall": {
"length": 1.232,
"length_inch": 48,
"length_inch_fraction": 0.5
},
"blade": {
"length": 1.009,
"length_inch": 39,
"length_inch_fraction": 0.75
},
"quillions": {
"width": 0.252,
"width_inch": 9,
"width_inch_fraction": 0.9375
},
"grip": {
"length": 0.118,
"length_inch": 4,
"length_inch_fraction": 0.625
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "inscribed on blade: FPNDRITH (on one face) RDFTPHNI (on the other)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 190103,
"title": "Armor Court Reinstallation",
"description": "Armor Court Reinstallation. The Cleveland Museum of Art (organizer).",
"opening_date": "1998-09-10T00:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Ralph Bernal (1784-1854), London, England",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "(Sale: Christie, Manson & Woods, London. Works of art, from the Byzantine period to that of Louis Seize. Mar 5-Apr 30, 1855.)",
"citations": [],
"footnotes": null,
"date": "1855",
"sortorder": 2
},
{
"description": "George Francis William Henry Denison, Earl of Londesborough (1892-1920)",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 3
},
{
"description": "Edwin J. Brett (1828-1895), London, England",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 4
},
{
"description": "Frank Gair Macomber (1849-1941), Boston, MA, sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "?-1916",
"sortorder": 5
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1916-",
"sortorder": 6
}
],
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"did_you_know": "Over time the blade of a rapier became longer, based on a belief that a longer blade made it easier to hit one's adversary and, at the same time stay beyond the reach of his weapon.",
"early_education_description": null,
"artlens_description": null,
"description": "The rapier was a sword worn with civilian dress and used in duels. The term rapier derives from a 16th-century French word rapi\u00e8re, which in turn derived from the Spanish espada ropera, or \u201cdress sword.\u201d The rapier was a light weapon with a straight double-edged and pointed blade that, with the development of the art of fencing in the 1500s and 1600s, gradually became narrower and lighter, and thus suitable for thrusts only. With the new technique of swordplay emphasizing the point of the blade, sword guards became more complex to protect the duelist\u2019s unarmored hand. These elaborate guards were frequently decorated by various techniques\u2014chiseling, bluing, russeting, and damascening.",
"external_resources": {
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"citations": [
{
"citation": "Christie, Manson & Woods, London. Works of art, from the Byzantine period to that of Louis Seize. Mar 5-Apr 30, 1855.",
"page_number": "Mentioned: p. 213, lot 2453",
"url": "https://archive.org/details/Byzantine/page/n261"
},
{
"citation": "Catalogue of Arms and Armour. Vol. 2, 16th century. [Boston, Massachusetts]: [Frank Gair Macomber], [1900-1915].",
"page_number": "Mentioned and Reproduced: No. (90) 92",
"url": "https://archive.org/details/CatArmsArmour2_201602/page/n381"
},
{
"citation": "Gilchrist, Helen Ives. A Catalogue of the Collection of Arms & Armor Presented to the Cleveland Museum of Art by Mr. and Mrs. John Long Severance; 1916-1923. Cleveland: The Cleveland Museum of Art, 1924.",
"page_number": "Mentioned: p. 117-118, E72; Reproduced: Plate XXXI, E72",
"url": "https://archive.org/details/SeveranceCollection1924/page/n179"
},
{
"citation": "Fliegel, Stephen N. Arms and Armor: The Cleveland Museum of Art. [Cleveland, Ohio]: The Museum, 1998.",
"page_number": "pp. 113, 169; cat. no. 137",
"url": null
},
{
"citation": "Fliegel, Stephen N. Arms & Armor: The Cleveland Museum of Art. [Cleveland, Ohio]: Cleveland Museum of Art, 2007.",
"page_number": "cat. no. 180, p. 191",
"url": null
}
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"updated_at": "2026-08-22 11:53:09.996000"
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