id: 93014 accession number: 1917.1335 share license status: CC0 url: https://clevelandart.org/art/1917.1335 updated: 2023-12-05 03:01:26.044000 View of Schroon Mountain, Essex County, New York, After a Storm, 1838. Thomas Cole (American, 1801–1848). Oil on canvas; framed: 132.5 x 193.5 x 13 cm (52 3/16 x 76 3/16 x 5 1/8 in.); unframed: 99.8 x 160.6 cm (39 5/16 x 63 1/4 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection 1917.1335 title: View of Schroon Mountain, Essex County, New York, After a Storm title in original language: series: series in original language: creation date: 1838 creation date earliest: 1838 creation date latest: 1838 current location: 206 American Landscape creditline: Hinman B. Hurlbut Collection copyright: --- culture: America, 19th century technique: oil on canvas department: American Painting and Sculpture collection: American - Painting type: Painting find spot: catalogue raisonne: --- CREATORS * Thomas Cole (American, 1801–1848) - artist --- measurements: Framed: 132.5 x 193.5 x 13 cm (52 3/16 x 76 3/16 x 5 1/8 in.); Unframed: 99.8 x 160.6 cm (39 5/16 x 63 1/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: signed lower left: T. Cole / Catskill 1838. translation: remark: --- CURRENT EXHIBITIONS title: A Century of American Landscape Painting 1800-1900 opening date: 1938-01-19T05:00:00 A Century of American Landscape Painting 1800-1900. Whitney Museum of American Art, New York, NY (organizer) (co-organizer) (January 19-February 25, 1938). title: A Souvenir of Romanticism in America; or An Elegant Exposition of Taste and Fashion from 1812-to 1865 opening date: 1940-05-10T04:00:00 A Souvenir of Romanticism in America; or An Elegant Exposition of Taste and Fashion from 1812-to 1865. The Baltimore Museum of Art, Baltimore, MD (organizer) (co-organizer) (May 10-June 10, 1940). title: Survey of American Painting opening date: 1940-10-24T05:00:00 Survey of American Painting. Carnegie Museum of Art, Pittsburgh, PA (co-organizer) (October 24-December 15, 1940). title: The Works of Thomas Cole, 1801-1848 opening date: 1941-11-01T05:00:00 The Works of Thomas Cole, 1801-1848. Albany Institute of History and Art, Albany, NY (organizer) (co-organizer) (November 1-December 15, 1941). title: The Hudson River School and the Early American Landscape Tradition opening date: 1945-02-15T04:00:00 The Hudson River School and the Early American Landscape Tradition. The Art Institute of Chicago, Chicago, IL (organizer) (co-organizer) (February 15-March 25, 1945); Whitney Museum of American Art, New York, NY (April 17-May 18, 1945). title: Thomas Cole 1801-1848 One Hundred Years Later: A Loan Exhibition opening date: 1948-11-12T05:00:00 Thomas Cole 1801-1848 One Hundred Years Later: A Loan Exhibition. Wadsworth Atheneum Museum of Art, Hartford, CT (organizer) (co-organizer) (November 12, 1948-January 2, 1949); Whitney Museum of American Art, New York, NY (January 8-30, 1949). title: Exhibition of the Month: The Romantic Spirit opening date: 1952-03-29T05:00:00 Exhibition of the Month: The Romantic Spirit. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 29-May 5, 1952). title: Arts of the Young Republic: The Age of William Dunlap opening date: 1968-11-02T05:00:00 Arts of the Young Republic: The Age of William Dunlap. Ackland Art Museum, University of North Carolina, Chapel Hill, NC, Chapel Hill, NC (organizer) (co-organizer) (November 2-December 1, 1968). title: Thomas Cole opening date: 1969-02-14T05:00:00 Thomas Cole. Memorial Art Gallery of the University of Rochester, NY (organizer) (co-organizer) (February 14-March 23, 1969); Munson-Williams-Proctor Institute, Utica, NY (April 5-May 4, 1969); Albany Institute of History and Art, Albany, NY (May 9-June 20, 1969); Whitney Museum of American Art, New York, NY (June 30-September 1, 1969). title: Heritage and Horizon: American Painting 1776 - 1976 opening date: 1976-03-07T05:00:00 Heritage and Horizon: American Painting 1776 - 1976. Albright-Knox Art Gallery, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). title: Visions of Landscape: East and West opening date: 1982-02-17T05:00:00 Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). title: A New World: Masterpieces of American Painting, 1760 - 1910 opening date: 1983-09-07T04:00:00 A New World: Masterpieces of American Painting, 1760 - 1910. Museum of Fine Arts, Boston, Boston, MA (organizer) (co-organizer) (September 7-November 13, 1983); Corcoran Gallery of Art, Washington, DC (December 7, 1983-February 12, 1984). title: American Paradise: The World of the Hudson River School opening date: 1987-10-04T04:00:00 American Paradise: The World of the Hudson River School. The Metropolitan Museum of Art, New York, NY (organizer) (co-organizer) (October 4, 1987-January 3, 1988). title: A Nation's Legacy: 150 Years of American Art from Ohio Collections opening date: 1992-01-19T05:00:00 A Nation's Legacy: 150 Years of American Art from Ohio Collections. Columbus Museum of Art, Columbus, OH (organizer) (co-organizer) (January 19-March 15, 1992). title: Landscape Into History opening date: 1994-03-18T05:00:00 Landscape Into History. National Museum of American Art, Washington, DC (organizer) (co-organizer) (March 18-August 7, 1994); Wadsworth Atheneum Museum of Art, Hartford, CT (September 11-December 4, 1994); The Brooklyn Museum, Brooklyn, NY (January 8-March 25, 1995). --- LEGACY EXHIBITIONS * Thirteenth Annual Exhibition of the National Academy of Design. National Academy of Design, New York, NY (April 23, 1838-?). * Dunlap Benefit Exhibition. Stuyvesant Institute, New York, NY (November 19-December 1838). * January Exhibition of the Apollo Association for the Promotion of the Fine Arts in the United States. Apollo Gallery, New York, NY (1839). * Exhibition of the Paintings of the Late Thomas Cole, At the Gallery of the American Art-Union. Gallery of the American Art-Union. New York, NY (March 27 1848-?). * Maryland Historical Society, Second Annual Exhibition. The Picture Gallery, Baltimore, MD (1849). Lent by J.S. Chapman. * The Inaugural Exhibition. Cleveland Museum of Art, Cleveland, OH (June 6-September 20, 1916). Lent by the Holland Galleries. --- PROVENANCE Dr. George Ackerly [d. 1842], New York, NY, to his daughter, Emma Ackerly1 date: 1838 footnotes: *
1Ackerly was Cole's brother-in-law.

citations: Emma Ackerly date: By `839 - `847 footnotes: *
1 Although the painting is listed as for sale in the 1839 Apollo Association exhibition catalogue, it may not have sold, because in the 1848 Thomas Cole exhibition at the Gallery of the American Art Union, the owner is given as “Mrs. J. J. [sic] Chapman,” the married name of Emma Ackerly.
* citations: Jonathan G. and Emma Ackerly Chapman, sold to Nicholas Matthews1 date: 1847- footnotes: *
1Chapman and Emma Ackerly married on April 20, 1847.11
citations: Nicholas M. Matthews [1858-1930], Baltimore, MD date: Until 1914 footnotes: citations: (American Art Association, Matthews collection sale, Feb. 17, 1914, no. 61, possibly sold to T. Austin) date: 1914 footnotes: citations: Possibly T. Austin date: 1914-1916 footnotes: *
According to American Art Annual (1914, vol. 11), the painting was purchased by T. Austin at the 1914 American Art Association sale of Matthews' collection. The painting then appears again in 1916 in the second Matthews collection sale, this time at Anderson Galleries, with no mention of any ownership by Austin.  It is possible that it failed to sell in 1914, and was simply put up for sale again in 1916. That both the 1914 and 1916 sales situate the painting in the collection of Matthews calls into question the supposed purchase by Austin, as does the fact that the 1916 sale notes that the painting was purchased by Matthews "from Mrs. J.G. Chapman, granddaughter of Mr. Cole," who appears prior to Matthews in the provenance.
* citations: (Anderson Galleries, New York, NY, Matthews collection sale, Jan. 17, 1916, no. 55, sold to Holland Galleries) date: 1916 footnotes: *
1In the sale catalogue the painting is titled "Catskill Mountains.
* citations: (Holland Galleries, New York, NY, sold to the Cleveland Museum of Art) date: 1916-1917 footnotes: *
1Several copies of the catalogue of the 1916 Matthews collection sale have handwritten notations indicating that Holland Galleries was the buyer.  Additionally, shortly prior to CMA's acquisition of the painting, Holland Galleries lent it to the museum's inaugural exhibition in 1916.
citations: The Cleveland Museum of Art, Cleveland, Ohio date: 1917- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS American Art Association. Illustrated Catalogue of the Valuable Paintings by the Great and Little Masters of the Old and Modern Schools Formed by Mr. Nicholas M. Matthews of Baltimore. New York: The Association, 1914. page number: url: American Federation of Arts. American Art Annual. New York: MacMillan Co, 1898. page number: url: American Art Annual 11 (1914): 481. page number: url: Anderson Galleries, Inc. Paintings by Old and Modern Masters. 1916. page number: url: Cleveland Museum of Art. Catalogue of the Inaugural Exhibition June 6-September 20, 1916. Cleveland: The Cleveland Museum of Art, 1916. page number: url: Hoffman, Charles Fenno. New-York Mirror, June 1838. page number: Mentioned: p. 367, 390 url: American Art-Union. Exhibition of the Paintings of the Late Thomas Cole: At the Gallery of the American Art-Union. New York, NY: Snowden & Prall, 1848. page number: Reproduced: no. 75 url: Catalogue of Paintings, Engravings, &c. &c. at Picture Gallery of the Maryland Historical Society: Second Annual Exhibition, 1849. Baltimore, MD: Printed by J.D. Toy, 1849. page number: Reproduced: no. 199 url: "The Matthews Sale." American Art News. 12:20 (February 21, 1914). page number: Mentioned: p. 8 url: Cleveland Museum of Art. Catalogue of the Inaugural Exhibition, June 6-September 20, 1916. Cleveland, OH: Cleveland Museum of Art, 1916. page number: Reproduced: p. 125 url: "Matthews Pictures Sold." American Art News. 14:16 (January 22, 1916). page number: Mentioned: p. 3, no. 55 url: "Accessions." The Bulletin of the Cleveland Museum of Art. 4:4 (April-May 1917). page number: Mentioned: p. 64-67 url: http://www.jstor.org/stable/25136092 Downes, William Howe. "American Painters of Mountains." The American Magazine of Art. 25:4 (October, 1932). page number: Reproduced: p. 194 url: Francis, Henry S. "Thomas Cole: Painter of the Catskill Mountains." The Bulletin of The Cleveland Museum of Art. 24:7 (July, 1937). page number: Reproduced: front cover; Mentioned: p. 113-116 url: http://www.jstor.org/stable/25137862 Kellner, Sydney. "The Beginnings of Landscape Painting in America." Art in America and Elsewhere: An Illustrated Quarterly Magazine. 25 (October, 1938). p. 158-168. page number: Reproduced url: Carnegie Institute, and Lloyd Goodrich. A Century of American Landscape Painting, 1800 to 1900. Pittsburgh, PA: Carnegie Institute, Department of Fine Arts 1939. page number: Mentioned: p. 33, cat. no. 59 url: Nathan, Walter L. "Thomas Cole and the Romantic Landscape." Romanticism in America: Papers Contributed to a Symposium Held at The Baltimore Museum of Art. Edited by George Boas, p. 24-63. Baltimore: Johns Hopkins Press, 1940. page number: Mentioned: p. 45 url: Watson, Jane. "News and Comment." Magazine of Art. 33 (May, 1940). page number: Reproduced: p. 310 url: Lane, James W. "This Year the Carnegie National: Pittsburgh's Brilliant Survey of 160 Years of U.S. Painting." The Art News. 39:4 (26 October 1940). p. 7-18. page number: Reproduced: p. 11 url: Ault, George. "Thomas Cole Exhibition at Albany Institute." Ulster County News (Kingston, NY), November 27, 1941. page number: Mentioned: p. 14 url: Lesley, Parker. "Thomas Cole and the Romantic Sensibility." The Art Quarterly. 5:3 (Summer, 1942). p. 199-221. page number: Mentioned: p. 199-221 url: Frankenstein, Alfred. "Thomas Cole: The Story of a New Local Purchase." San Francisco Chronicle, January, 1947. page number: Mentioned: p. 21 url: Devree, Howard. "Baroque to Modern: A Wide Range of Styles in the New Shows." The New York Times, January 16, 1949. page number: Reproduced: p. X9 url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 533 url: https://archive.org/details/CMAHandbook1958/page/n98 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 184 url: https://archive.org/details/CMAHandbook1966/page/n208 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 184 url: https://archive.org/details/CMAHandbook1969/page/n208 Hamilton, George Heard. 19th and 20th Century Art: Painting, Sculpture, Architecture. New York: H.N. Abrams, 1970. page number: Mentioned: p. 70-77; Reproduced: p. 76, fig. 60 url: Celeste, Adam, Rita Myers, and Adele Z. Silver. An Introduction to American Art in The Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1972. page number: Mentioned: p. 7-10; Reproduced: p. 7 url: Cleveland Museum of Art. "A Check List: American Paintings and Water Colors of the Eighteenth, Nineteenth, and Early Twentieth Centuries in The Cleveland Museum of Art." The Bulletin of the Cleveland Museum of Art. 60:1 (January, 1973). pp. 1-36. page number: Mentioned: p. 24, no. 39 url: http://www.jstor.org/stable/25152465 Talbot, William S. "American Landscape Paintings in The Cleveland Museum of Art." Antiques. 104:5 (November, 1973). pp. 906-917. page number: Reproduced: p. 906, fig. 1 url: Barnett, Lincoln. The Ancient Adirondacks. New York: Time-Life Books, 1974. page number: Reproduced url: Albright-Knox Art Gallery, Detroit Institute of Arts, and Toledo Museum of Art. Heritage and Horizon: American Painting, 1776-1976. Toledo, OH: Toledo Museum of Art, 1976. page number: Mentioned: p. [16]; Reproduced url: Field, Marta. "Kindred Spirits: George Arms and American Studies Since 1944." New America. 3:2 (Summer/Fall, 1977). page number: Reproduced: p. 44 url: Johnson, Mark M. "American Landscapes." Arts and Activities. 82:4 (December, 1977). pp. 8-33. page number: Reproduced: p. 28, fig. 1 url: Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1978. page number: Reproduced: p. 228 url: Millhouse, Barbara Babcock. American Wilderness: The Hudson River School of Painting. Garden City, NY: Doubleday, 1978. page number: Reproduced: p. 46; Mentioned: pp. 41-47 url: Zakon, Ronnie L. "The Romantic Vision." The Romantic Vision: 19th Century American Landscape Painting in the Walker Art Center Permanent Collection. Minneapolis, MN: Walker Art Center 1978. pp. 6-21. page number: Reproduced: p. 8, fig. 3 url: Powell, Earl A., III. "Thomas Cole and the American Landscape Tradition: The Picturesque." Arts Magazine. 52 (March, 1978). pp. 110-117. page number: Reproduced: p. 113 url: Meservey, Anne Farmer. "The Role of Art in American Life: Critics' Views of Native Art and Literature, 1830-1865." The American Art Journal. 10:1 (May, 1978). pp. 72-89. page number: Reproduced: p. 84, fig. 10 url: Craven, Wayne. "Thomas Cole and Italy." The Magazine Antiques. 114:5 (November, 1978). pp. 1014-1027. page number: Mentioned: p. 1014-1027 url: Moore, Janet Gaylord. The Eastern Gate: An Invitation to the Arts of China and Japan. Cleveland: Collins, 1979. page number: Mentioned: p. 19-26; Reproduced: p. 23 url: Cikovsky, Nicolai, Jr. "'The Ravages of the Axe': The Meaning of the Tree Stump in Nineteenth-Century American Art." The Art Bulletin. 61:4 (December, 1979). pp. 611-626. page number: Mentioned: p. 624; Reproduced: p. 624, fig. 22 url: www.jstor.org/stable/3049941 Wilmerding, John, and Lisa Fellows Andrus. American Light: The Luminist Movement, 1850-1875: Paintings, Drawings, Photographs. Washington, D.C.: National Gallery of Art, 1980. page number: Mentioned: p. 162-170, 181-183; Reproduced: illus. p. 164, fig. 200 url: Hobbs, Robert Carleton. Robert Smithson: Sculpture. Ithaca, NY: Cornell University Press, 1981. page number: Mentioned: p. 27-30; Reproduced: p. 28 url: Baigell, Matthew. Thomas Cole. New York: Watson-Guptill Publications, 1981. page number: Mentioned: p. 34-35, 58-59, 68-69, 76-77; Reproduced: p. 59, plate 20 url: Silver, Adele Z. Guide to the Galleries: The Cleveland Museum of Art. 2nd ed., revised. Cleveland, OH: Cleveland Museum of Art, 1981. page number: Mentioned: p. 80-82; Reproduced: p. 82, fig. 75 url: Czestochowski, Joseph S. The American Landscape Tradition: A Study and Gallery of Paintings. New York, NY: E.P. Dutton, 1982. page number: Mentioned: p. 7-11, 13-17, 49, 68-69, 154-168; Reproduced: pp. 68-69, fig. no. 53 url: Morse, Samuel Finley Breese. Lectures on the Affinity of Painting with the Other Fine Arts, edited by Nicolai Cikovsky. Columbia, MO: University of Missouri Press, 1983. page number: Mentioned: p. 19-33; Reproduced: fig. 13 url: Talbot, William S. "Visions of Landscape: East and West." The Bulletin of the Cleveland Museum of Art. 70:3 (March, 1983). pp. 112-135. page number: Mentioned: p. 115-117; Reproduced: p. 115, fig. 4 url: http://www.jstor.org/stable/25159808 Creese, Walter L. The Crowning of the American Landscape: Eight Great Spaces and Their Buildings. Princeton, N.J.: Princeton University Press, 1985. page number: Mentioned: p. 71-76; Reproduced: p. 76, fig. 20 url: Kelly, Franklin. Frederic Edwin Church and the North American Landscape, 1845-60. Ph.D. dissertation, University of Delaware, 1985. page number: Mentioned: p. 9 url: Avery, Kevin J., Oswaldo Rodriguez Roque, John K. Howat, Doreen Bolger Burke, and Catherine Hoover Voorsanger. American Paradise: The World of the Hudson River School. New York, NY : Metropolitan Museum of Art : H.N. Abrams, 1987. page number: Mentioned: p. 134-136 url: Rodrigues Roque, Oswaldo. "Realism and Idealism in Hudson River School Painting." Antiques 132:5 (November, 1987). pp. 1096-1109. page number: Mentioned: p. 1100 url: Parry, Ellwood C, III. The Art of Thomas Cole: Ambition and Imagination. Newark, NJ: University of Delaware Press, 1988. page number: Mentioned: p. 188-225, 389-391; Reproduced: p. 202, fig. 165 url: Roque, Oswaldo Rodriguez. "The Exaltation of American Landscape Painting." Nature Rightly Observed: Hudson River School Landscape Paintings from The Metropolitan Museum of Art. Shizuoka-shi: Metoroporitan Bijutsukan Meisaku Nihon Jikkō Iinkaii, 1988. page number: Mentioned: p. 18, 36-55, 182, 209-210; Reproduced: p. 18, fig. 11 url: Cikovsky, Nicolai, Jr. "Thomas Cole (1801-1848) Schroon Lake." American Paintings from the Manoogian Collection. Washington, D.C.: National Gallery of Art, 1989. page number: Mentioned: p. 16-17 url: Vance, William L. America's Rome. New Haven, CT: Yale University Press, 1989. page number: Mentioned: p. 90-105; Reproduced: p. 104, fig. 35 url: Minks, Louise. The Hudson River School. New York: Crescent Books, 1989. page number: Mentioned: p. 6-18, 20; Reproduced: p. 25 url: Powell, Earl A. Thomas Cole. New York: H.N. Abrams, 1990. page number: Mentioned: p. 20-47, 72-83, 139; Reproduced: p. 72 url: Wilkins, David G., and Bernard Schultz. Art Past/Art Present. New York: Abrams, 1990. page number: Mentioned: p. 388-389; Reproduced: p. 388, fig. 421 url: Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1991. page number: Reproduced: p. 126 url: Parry, Ellwood C., III. "Les Montagnes dans L'Imaginaire de Thomas Cole." La montagne et ses images du peintre d'Askrésilas à Thomas Cole. Paris: Éditions du CTHS, 1991. page number: Mentioned: p. 383-415; Reproduced: p. 411, fig. 7 url: Clément, Jean-Paul. Chateaubriand et le sentiment de la nature. Châtenay-Malabry: La Vallée aux loups, Maison de Chateaubriand, 1991. page number: Mentioned: p. 13-21; Reproduced: p. 16 url: Robertson, Bruce. "Frederic A. Whiting: Founding the Museum with Art and Craft." Object Lessons: Cleveland Creates an Art Museum. Cleveland, OH: Cleveland Museum of Art, 1991. page number: Mentioned: p. 32-59; Reproduced: p. 47 url: Maciejunes, Nannette V., and Norma J. Roberts. A Nation's Legacy: 150 Years of American Art from Ohio Collections. Columbus, OH: Columbus Museum of Art, 1992. page number: Reproduced: p. 30, 174; Mentioned: p. 22 url: Truettner, William H., Alan Wallach, and Christine Stansell. Thomas Cole: Landscape into History. New Haven, CT: Yale University Press, 1994. page number: Reproduced: p. 69, fig. 84; Mentioned: p. 171 url: Marchetti, Francesca Castria, ed. American Painting. New York: Watson-Guptill Publications, 2002. page number: Mentioned: p. 44 url: Grabenhorst, T.N. "A River Runs Through It: Master Artists of the Hudson." The Compass: The Magazine of the Sea. 2 (2004). page number: Mentioned: p. 30-35; Reproduced: p. 34 url: Grabenhorst, T.N. "A River Runs Through It: Master Artists of the Hudson," The Compass: A Magazine of the Sea, no. 2 (2004):30-35. page number: Reproduced: p. 34 url: Adams, Henry. What's American about American art?: a gallery tour in the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2008. page number: Reproduced: p. 62 - 65 url: Cole, Mark. "New Spaces in the Cleveland Museum of Art." American Art 24 no. 2 (Summer 2010) page number: Reproduced: p. 16 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 46 url: Shepard, Paul, Jr. "Paintings of the New England Landscape: A Scientist Looks at Their Geomorphology." College Art Journal. 17:1 (Fall, 1957). pp. 30-43. page number: Reproduced: p. 36, fig. 5 url: Eliot, Alexander. Three Hundred Years of American Painting. New York: Time Inc, 1957. page number: Mentioned: pp. 70-74; Reproduced: p. 70 url: Goodrich, Lloyd. "What is American in American Art?" Art in America. 46 (Fall, 1958). pp. 19-33. page number: Reproduced: p. 23 url: "Special Exhibitions." The Bulletin of The Cleveland Museum of Art. 45:1 (January 1962). pp. 3-12. page number: Reproduced url: http://www.jstor.org/stable/25142482 McCoubrey, John W. American Tradition in Painting. New York: G. Braziller, 1963. page number: Reproduced: plate 22; Mentioned: pp. 22-31, 113-126 url: American Literature. eds. Andrew J. Porter and Henry L. Terrie, Jr. New York: Ginn and Company, 1964. page number: Reproduced: p. 204 url: The Beauty of America in Great American Art: With Selections from the Writings of Renowned American Authors. Waukesha, WI: Country Beautiful Foundation; New York: In association with W. Morrow, 1965. page number: Reproduced: pp. 38-39; Mentioned: pp. 37-39 url: Huntington, David Carew. The Landscapes of Frederic Edwin Church: Vision of an American Era. New York: G. Braziller, 1966. page number: Mentioned: p. 24-34, 200; Reproduced: fig. 4 url: Merritt, Howard S. "'A Wild Scene' Genesis of a Painting." The Baltimore Museum of Art Annual II: Studies on Thomas Cole, An American Romanticist. Baltimore, MD: The Baltimore Museum of Art, 1967. page number: Mentioned: p. 7-40; Reproduced: p. 23, fig. 7 url: "I Don't Know Art, But I Know What I Like." The Ohio Bell Voice, January, 1967. page number: Mentioned: p. 12-15; Reproduced: p. 13 url: Moore, Janet Gaylord. The Many Ways of Seeing: An Introduction to the Pleasures of Art. Cleveland, OH: World Pub. Co, 1968. page number: Mentioned: p. 117-120; Reproduced: p. 118 url: Talbot, William S. "American Visions of Wilderness." The Bulletin of the Cleveland Museum of Art. 56:4 (April, 1969). p. 151-166. page number: Mentioned: p. 154-156; Reproduced: p. 154, fig. 3 url: http://www.jstor.org/stable/25152270 Talbot, William S. "American Visions of Wilderness." The Living Wilderness. 33:108 (Winter, 1969). pp. 14-25. page number: Reproduced: p. 17, fig. 3 url: Prown, Jules David. American Painting: From Its Beginnings to the Armory Show, vol. 1. Geneva: Skira, distributed by World Publishing Company, 1969. page number: Mentioned: p. 64-75; Reproduced: p. 67 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1917.1335/1917.1335_web.jpg print: https://openaccess-cdn.clevelandart.org/1917.1335/1917.1335_print.jpg full: https://openaccess-cdn.clevelandart.org/1917.1335/1917.1335_full.tif