id: 97613
accession number: 1917.26
share license status: CC0
url: https://clevelandart.org/art/1917.26
updated: 2022-01-11 10:00:09.028000
Sarong, mid-1800s. Indonesia, Java, North Coast, mid-19th century. Cotton: plain weave, wax-resist dyed (batik); overall: 106 x 192.4 cm (41 3/4 x 75 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. James J. Tracy 1917.26
title: Sarong
title in original language:
series:
series in original language:
creation date: mid-1800s
creation date earliest: 1840
creation date latest: 1860
current location:
creditline: Gift of Mrs. James J. Tracy
copyright:
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culture: Indonesia, Java, North Coast, mid-19th century
technique: Cotton: plain weave, wax-resist dyed (batik)
department: Textiles
collection: Textiles
type: Textile
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CREATORS
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measurements: Overall: 106 x 192.4 cm (41 3/4 x 75 3/4 in.)
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CURRENT EXHIBITIONS
title: Techniques of Textile Printing
opening date: 1948-10-11T04:00:00
Techniques of Textile Printing. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 11, 1948-May 29, 1949).
title: Design in Printed Textiles
opening date: 1961-04-04T04:00:00
Design in Printed Textiles. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 4-September 3, 1961).
title: Fiberworks: Tradition and Technique
opening date: 1977-10-05T04:00:00
Fiberworks: Tradition and Technique. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 5-November 11, 1977).
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LEGACY EXHIBITIONS
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PROVENANCE
Mrs. James J. [Jane Allyn Foote] Tracy [1857–1944], Cleveland, OH, OH, given to the Cleveland Museum of Art
date: ?–1917
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citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1917–
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fun fact:
digital description:
Batiks made in the North Coast region of Java, specifically in Pekalongan, were influenced by both Indian and European motifs due to the Dutch presence in Indonesia. In this sarong we see a mixture of Indian and European flowers including jasmine, lilac, and daffodil. Batik is a wax-resist dyeing technique used throughout Java. Hot wax is applied with a tool known as a canting and a design is hand drawn with incredible skill. This sarong was then dyed with indigo, a well sought after and culturally important natural dye. Areas on the fabric with wax will not accept the indigo dye, hence the term wax-resist.
wall description:
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RELATED WORKS
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CITATIONS
Larsen, Jack Lenor, and Bob Hanson. The Dyer's Art: Ikat, Batik, Plangi. New York: Van Nostrand Reinhold, 1976.
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Wessing, Robert. 1986. "Wearing the Cosmos: Symbolism in Batik Design". Crossroads : an Interdiscliplinary Journal of Southeast Asian Studies. 2, no. 3: 40-82.
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Maxwell, Robyn J. Sari to Sarong: Five Hundred Years of Indian and Indonesian Textile Exchange. [Canberra?]: National Gallery of Australia, 2003.
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Khan Majlis, Brigitte. The Art of Indonesian Textiles: The E.M. Bakwin Collection at the Art Institute of Chicago. [Chicago]: Art Institute of Chicago, 2007.
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Kumar, Prakash. Indigo Plantations and Science in Colonial India. New Delhi: Cambridge University Press, 2013.
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Adam, Tassilo. The Art of Batik: Weaving and Dyeing in Java. [United States]: Read Books Ltd, 2016.
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1917.26/1917.26_web.jpg
print: https://openaccess-cdn.clevelandart.org/1917.26/1917.26_print.jpg
full: https://openaccess-cdn.clevelandart.org/1917.26/1917.26_full.tif