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"tombstone": "Figure of Europe and America from the Four Continents, c. 1760. Chelsea Porcelain Factory (Britain, London, 1745\u201384). Soft-paste porcelain; overall: 24.6 x 18.9 x 16.9 cm (9 11/16 x 7 7/16 x 6 5/8 in.). The Cleveland Museum of Art, Bequest of Mary Warden Harkness, 1917.601.1",
"current_location": null,
"title": "Figure of Europe and America from the Four Continents",
"creation_date": "c. 1760",
"creation_date_earliest": 1755,
"creation_date_latest": 1765,
"artists_tags": [
"gender unknown"
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"culture": [
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"technique": "soft-paste porcelain",
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"department": "Decorative Art and Design",
"collection": "Decorative Arts",
"type": "Ceramic",
"measurements": "Overall: 24.6 x 18.9 x 16.9 cm (9 11/16 x 7 7/16 x 6 5/8 in.)",
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"id": 346817,
"title": "Art of the Seventeenth and Eighteenth Centuries",
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"description": "Mary Warden Harkness [1864-1916], New York, NY, bequest to the Cleveland Museum of Art",
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"date": "?-1916",
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"did_you_know": "Figural representations of the four continents date back to the 1500s, but such imagery became even more popular in the 1700s as European empires expanded.",
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"description": "Often collected by wealthy British merchants who were beneficiaries of colonial expansion, figural groups were frequently part of elaborate table decorations meant to signify wealth and global dominance. Here, Europe is seen holding an orb and wearing a crown as queen of the world, suggesting Europe\u2019s supremacy over the other continents. She is entangled with America, who is wearing feathers with a bow and arrow at her feet. This depiction of America reveals a purely imagined understanding of faraway places.",
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{
"citation": "F. A. W. \"The Bequests of Mary Warden Harkness: A Tribute and an Accounting.\" The Bulletin of the Cleveland Museum of Art 15, no. 2 (February 1928): 43-50.",
"page_number": "Mentioned: p. 43",
"url": "www.jstor.org/stable/25137106"
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"description": "Chelsea Porcelain Factory (Britain, London, 1745\u201384)",
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"updated_at": "2026-07-24 11:49:00.865000"
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