{
"data": {
"id": 98012,
"accession_number": "1917.640",
"share_license_status": "CC0",
"tombstone": "Mirror, 1200s\u20131300s. Japan, Kamakura period (1185\u20131333). Bronze; diameter: 10.7 cm (4 3/16 in.). The Cleveland Museum of Art, Gift of D. Z. Norton, 1917.640",
"current_location": null,
"title": "Mirror",
"creation_date": "1200s\u20131300s",
"creation_date_earliest": 1200,
"creation_date_latest": 1399,
"artists_tags": [],
"culture": [
"Japan, Kamakura period (1185\u20131333)"
],
"technique": "bronze",
"support_materials": [],
"department": "Japanese Art",
"collection": "Japanese Art",
"type": "Metalwork",
"measurements": "Diameter: 10.7 cm (4 3/16 in.)",
"dimensions": {
"diameter": {
"height": 0.107,
"height_inch": 4,
"height_inch_fraction": 0.1875
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 197104,
"title": "The Lure of Painted Poetry: Japanese and Korean Art",
"description": "The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).",
"opening_date": "2011-03-27T00:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(Yamanaka and Co.)",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "D. Z. Norton [1851\u20131928], Cleveland, OH, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "?\u20131917",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1917\u2013",
"sortorder": 3
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"309.1917"
],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem \"Drinking Wine\" by Tao Yuanming (365\u2013427 CE). Here, the mirror featuring Buddhist iconography (kyojo) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79482997"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1917.640-mirror"
]
},
"citations": [
{
"citation": "\"Accessions.\" The Bulletin of the Cleveland Museum of Art 4, no. 4 (1917): 64-67.",
"page_number": "Mentioned: p. 65",
"url": "http://www.jstor.org/stable/25136092"
},
{
"citation": "So\u0306n, Su\u0306ng-hye. The Lure of Painted Poetry: Japanese and Korean Art. Cleveland, OH: The Cleveland Museum of Art, 2011.",
"page_number": "Mentioned and Reproduced: pp. 57\u201358, no. 33",
"url": ""
}
],
"url": "https://clevelandart.org/art/1917.640",
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"creditline": "Gift of D. Z. Norton",
"image_credit": null,
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"athena_id": 98012,
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"legal_status": "accessioned",
"accession_date": "1917-04-27T00:00:00",
"sortable_date": 1200,
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"date_text": "1200s\u20131300s",
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"updated_at": "2026-07-18 11:14:34.835000"
}
}