id:			98029
accession number:	1917.656
share license status:	CC0
url:			https://clevelandart.org/art/1917.656
updated:		2023-03-23 11:10:03.758000

Mirror with Pair of Cranes in Chrysanthemum Pattern, 1392–1573. Japan, Muromachi period (1392–1573). Bronze; diameter: 11.8 cm (4 5/8 in.). The Cleveland Museum of Art, Gift of D. Z. Norton 1917.656

title:				Mirror with Pair of Cranes in Chrysanthemum Pattern
title in original language:	
series:				
series in original language:	
creation date:			1392–1573
creation date earliest:		1392
creation date latest:		1573
current location:		
creditline:			Gift of D. Z. Norton
copyright:			

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culture:	Japan, Muromachi period (1392–1573)
technique:	bronze
department:	Japanese Art
collection:	Japanese Art
type:		Metalwork
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Diameter: 11.8 cm (4 5/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art
	opening date:   2011-03-27T00:00:00
	<i>The Lure of Painted Poetry: Cross-cultural Text and Image in Korean and Japanese Art</i>. The Cleveland Museum of Art (organizer) (April 15-August 21, 2011).

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LEGACY EXHIBITIONS

* Cleveland Museum of Art, (3/27-8/28/11); "The Lure of Painted Poetry"  cat. no. 38.

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PROVENANCE

	(Yamanaka and Co.)
	date: 
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:
The Japanese used chrysanthemums as decorative elements on mirrors. In the Heian period, a chrysanthemum with cranes or long-tailed birds was a common motif. Later, in the Kamakura and Muromachi periods, chrysanthemum designs were divided into three patterns with different symbolic associations: Chrysanthemum with Cranes represented longevity; Water Flowing suggested longevity as well as the Noh drama Kikujido, or Chrysanthemum Boy; and East Fence alluded to the poem "Drinking Wine" by Tao Yuanming (AD 365-427). Here, the mirror featuring Buddhist iconography (<em>kyojo</em>) and a chrysanthemum design on the back shows that the flower was also appreciated in the context of Buddhism in the Kamakura period.
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RELATED WORKS

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CITATIONS

	"Accessions." <em>The Bulletin of the Cleveland Museum of Art</em> 4, no. 4 (1917): 64-67.
	page number: 	Mentioned: p. 65
	url:		http://www.jstor.org/stable/25136092

	Cleveland Museum of Art, and Sŏn Sŭng-hye. <em>The Lure of Painted Poetry: Japanese and Korean Art</em>. Cleveland: Cleveland Museum of Art, 2011.
	page number: 	Mentioned and reproduced: P. 57-58, no. 38
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1917.656/1917.656_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1917.656/1917.656_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1917.656/1917.656_full.tif