id: 98102 accession number: 1917.722 share license status: CC0 url: https://clevelandart.org/art/1917.722 updated: 2022-04-05 13:46:43.835000 Heroic Head of Pierre de Wissant, One of the Burghers of Calais, 1886. Auguste Rodin (French, 1840-1917). Plaster; overall: 85.1 x 61 x 50.8 cm (33 1/2 x 24 x 20 in.). The Cleveland Museum of Art, Gift of Loïe Fuller 1917.722 title: Heroic Head of Pierre de Wissant, One of the Burghers of Calais title in original language: series: series in original language: creation date: 1886 creation date earliest: 1886 creation date latest: 1886 current location: 218 European Sculpture creditline: Gift of Loïe Fuller copyright: --- culture: France, late 19th-early 20th Century technique: plaster department: Modern European Painting and Sculpture collection: Mod Euro - Sculpture 1800-1960 type: Sculpture find spot: catalogue raisonne: --- CREATORS * Auguste Rodin (French, 1840-1917) - artist --- measurements: Overall: 85.1 x 61 x 50.8 cm (33 1/2 x 24 x 20 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Loïe Fuller opening date: 1984-04-10T04:00:00 Loïe Fuller. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 10-June 3, 1984). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008). title: Rodin-100 Years opening date: 2017-09-01T04:00:00 Rodin-100 Years. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 1, 2017-May 13, 2018). --- LEGACY EXHIBITIONS --- PROVENANCE Loïe Fuller, Paris, France. date: footnotes: citations: --- fun fact: digital description: wall description: This sculpture depicts one of the figures in Rodin’s large public monument The Burghers of Calais (1884–89), featuring six French men who volunteered to be taken prisoner by the English in exchange for lifting the siege of Calais during the Hundred Years War (1337–1453). Pierre de Wissant’s anguished expression suggests extreme mental suffering as he contemplates his expected execution. Rodin exhibited a life-size version of the figure as an independent work before completing the monument. He later made multiple versions in various sizes and media. This plaster features a highly expressive, hand-worked surface inscribed in places with graphite and covered with delicate, tinted washes. --- RELATED WORKS --- CITATIONS "Modern Sculpture at the Museum." The Bulletin of the Cleveland Museum of Art 4, no. 6 (1917): 108-09. page number: Mentioned: pp. 108-109 url: http://www.jstor.org/stable/25136110 "Rodin Memorial Exhibition." The Bulletin of the Cleveland Museum of Art 4, no. 9 (1917): 162-63. page number: Mentioned: pp. 162-163 url: http://www.jstor.org/stable/25136150 "Report of the Museum's Second Year." The Bulletin of the Cleveland Museum of Art 5, no. 6/7 (1918): 69-79. page number: Mentioned: p. 70 url: www.jstor.org/stable/25136208 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1917.722/1917.722_web.jpg print: https://openaccess-cdn.clevelandart.org/1917.722/1917.722_print.jpg full: https://openaccess-cdn.clevelandart.org/1917.722/1917.722_full.tif