{
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"accession_number": "1918.347",
"share_license_status": "CC0",
"tombstone": "Tanb\u016br, late 1800s. Syria or Turkey, Ottoman period (1299\u20131922). Wood, bone, mother-of-pearl, and wire; overall: 58.4 x 10.5 cm (23 x 4 1/8 in.). The Cleveland Museum of Art, The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr., 1918.347",
"current_location": "116 Islamic",
"title": "Tanb\u016br",
"creation_date": "late 1800s",
"creation_date_earliest": 1875,
"creation_date_latest": 1899,
"artists_tags": [],
"culture": [
"Syria or Turkey, Ottoman period (1299\u20131922)"
],
"technique": "Wood, bone, mother-of-pearl, and wire",
"support_materials": [],
"department": "Islamic Art",
"collection": "Islamic Art",
"type": "Musical Instrument",
"measurements": "Overall: 58.4 x 10.5 cm (23 x 4 1/8 in.)",
"dimensions": {
"overall": {
"height": 0.584,
"height_inch": 23,
"height_inch_fraction": 0.0,
"width": 0.105,
"width_inch": 4,
"width_inch_fraction": 0.125
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},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 396857,
"title": "Art of the Islamic World (Islamic art rotation)",
"description": "Art of the Islamic World (Islamic art rotation). The Cleveland Museum of Art (organizer) (May 21, 2021-May 31, 2022).",
"opening_date": "2021-05-21T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Ralph King [1855-1926], Cleveland, OH, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": [],
"date": "?-1918",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"date": "1918-",
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"did_you_know": "The two pairs of wire strings would be played with a quill plectrum.",
"description": "This long-necked lute collected in Ottoman Syria possesses traits that are Syrian, Turkish, and Iranian and provides an example of the musical interaction between cultures. It is an ancient instrument and resembles lutes used in Pharaonic Egypt and Mesopotamia. In its many forms, the tanb\u016br was a common instrument throughout the Islamic world. It is often used as a solo instrument in both sacred and secular contexts. Burn marks decorate the pear-shaped body along with inlaid dots of mother-of-pearl, which may also have helped with navigation of the fret board by the player.",
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"internet_archive": [
"https://archive.org/details/clevelandart-1918.347-tanbur"
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"citations": [
{
"citation": "\"Accessions.\" The Bulletin of the Cleveland Museum of Art 5, no. 8/9 (1918): 82-85.",
"page_number": "Mentioned: p. 82",
"url": "http://www.jstor.org/stable/25136230"
},
{
"citation": "D. S. M. \"Exhibition of Musical Instruments.\" The Bulletin of the Cleveland Museum of Art 8, no. 9 (1921): 134-43.",
"page_number": "Mentioned: pp. 134-137",
"url": "http://www.jstor.org/stable/25136517"
}
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"creditline": "The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.",
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"legal_status": "accessioned",
"accession_date": "1918-06-24T00:00:00",
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"alternate_titles": [
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"updated_at": "2026-05-01 06:46:22.799000"
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