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"tombstone": "Oud, late 1800s\u2013early 1900s. West Asia. Wood, gut, and metal; overall: 81.3 x 33.7 cm (32 x 13 1/4 in.). The Cleveland Museum of Art, The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr., 1918.350",
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"title": "Oud",
"creation_date": "late 1800s\u2013early 1900s",
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"department": "Islamic Art",
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"type": "Musical Instrument",
"measurements": "Overall: 81.3 x 33.7 cm (32 x 13 1/4 in.)",
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"height_inch": 32,
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"inscription": "Work of Alexander, going to New York 1892",
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"inscription_remark": "Arabic text on the interior label.",
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"description": "Ralph King [1855\u20131926], Cleveland, OH, given to the Cleveland Museum of Art",
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"date": "?\u20131918",
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"did_you_know": "The oud has influenced music traditions throughout the world by becoming the European lute, the Chinese pipa, and the Indonesian qanb\u016bs.",
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"description": "A member of the lute family, there is perhaps no more emblematic instrument of the Islamic world than the oud. It provided music for banquets and gatherings, accompanied poets, punctuated celebrations and festivals, and is still prominent today. The oud is included in the medieval philosopher al-Farabi\u2019s (872\u2013950/951) Great Book of Music (Kitab al-Musiqa al-Kabir) in which he discusses the modal system of Arabic music. The defining characteristics of an oud are evident here: a pear-shaped body with a fretless fingerboard and a peg box set at a 45-to-90-degree angle to the neck.",
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"citation": "\"Accessions.\" The Bulletin of the Cleveland Museum of Art 5, no. 8/9 (1918): 82-85.",
"page_number": "Mentioned: p. 82",
"url": "http://www.jstor.org/stable/25136230"
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"citation": "D. S. M. \"Exhibition of Musical Instruments.\" The Bulletin of the Cleveland Museum of Art 8, no. 9 (1921): 134-43.",
"page_number": "Mentioned: pp. 134-137",
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