{
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"accession_number": "1919.589",
"share_license_status": "CC0",
"tombstone": "Bacchante and Infant Faun, 1894. Frederick William MacMonnies (American, 1863\u20131937). Bronze; overall: 86.4 x 25.4 cm (34 x 10 in.). The Cleveland Museum of Art, Anonymous Gift, 1919.589",
"current_location": null,
"title": "Bacchante and Infant Faun",
"creation_date": "1894",
"creation_date_earliest": 1894,
"creation_date_latest": 1894,
"artists_tags": [
"male"
],
"culture": [
"America"
],
"technique": "bronze",
"support_materials": [],
"department": "American Painting and Sculpture",
"collection": "American - Sculpture",
"type": "Sculpture",
"measurements": "Overall: 86.4 x 25.4 cm (34 x 10 in.)",
"dimensions": {
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"height_inch": 34,
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"width": 0.254,
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},
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{
"inscription": "Signed on base: F. Macmonnies, 1894.",
"inscription_translation": null,
"inscription_remark": null,
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}
],
"exhibitions": {
"current": [
{
"id": 444411,
"title": "Three Centuries of the American Nude",
"description": "Three Centuries of the American Nude. The New York Cultural Center, New York, NY (organizer) (May 9-July 13, 1975); Minneapolis Institute of Art, Minneapolis, MN (August 6-September 21, 1975); University of Houston Fine Art Center, Houston, TX (October 3-November 16, 1975).",
"opening_date": "1975-05-09T04:00:00"
},
{
"id": 309866,
"title": "Sculpture in Public Places",
"description": "Sculpture in Public Places. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 9-September 15, 1985).",
"opening_date": "1985-05-09T04:00:00"
},
{
"id": 309906,
"title": "The American Way in Sculpture 1890-1930",
"description": "The American Way in Sculpture 1890-1930. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 12-October 19, 1986).",
"opening_date": "1986-08-12T04:00:00"
}
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"description": "This sculpture is a smaller version of a three-quarter life-size bronze given by the artist to Charles McKim, the architect for the Boston Public Library who placed the statue in the fountain of the library's courtyard. Although the vast majority of Bostonians supported the statue, a small but powerful group denounced it as \"debauched,\" \"vice-ridden,\" and \"treason to purity and sobriety and virtue, and Almighty God.\" The opponents included the Boston Brahmins\u2014a group of Anglo-Saxon, Protestant elite\u2014and various religious, temperance, and antivice organizations. Feeling threatened by the swell of immigrants and by the changing roles of women, these groups hoped that the library would offer an alternative to the saloons frequented by Boston's lower classes. But a statue of a nude woman reveling under the effects of wine from the Roman god Bacchus only devalued this bastion of civilization. Consequently, the Boston Art Commission rejected the statue in 1897. However, in 1992 Boston's Art and Humanities commissioner and the library trustees returned a version of the original to the courtyard without public protest.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q79490330"
],
"internet_archive": [
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},
"citations": [
{
"citation": "Solender, Katherine. The American Way in Sculpture, 1890-1930. Cleveland, OH: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1986.",
"page_number": "cat. #10, p. 19, repr.",
"url": null
},
{
"citation": "\"Accessions.\" The Bulletin of the Cleveland Museum of Art 6, no. 7/8 (1919): 132-34.",
"page_number": "Mentioned: p. 132",
"url": "www.jstor.org/stable/25136315"
},
{
"citation": "W. M. M. \"Contemporary American Bronzes.\" The Bulletin of the Cleveland Museum of Art 6, no. 10 (1919): 151-63.",
"page_number": "Reproduced: p. 163; Mentioned: p. 152",
"url": "www.jstor.org/stable/25136326"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1925.",
"page_number": "Reproduced: p. 37",
"url": "https://archive.org/details/CMAHandbook_80839/page/n39"
}
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