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"current_location": "117A Italian Renaissance",
"title": "Virgin and Child",
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"department": "European Painting and Sculpture",
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"measurements": "Overall: 54.6 x 37.2 x 9.5 cm (21 1/2 x 14 5/8 x 3 3/4 in.)",
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"id": 302145,
"title": "Traditions and Revisions: Themes from the History of Sculpture",
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"description": "In the later 1400s, artists increasingly infused sacred subject matter with a classical vocabulary. The shallow relief and simplified forms ultimately stemmed from ancient sculpture, bringing gravity as well as novelty to a conventional theme. Yet naturalistic elements such as the baby\u2019s bulging navel, chubby wrists, and shirt pulled up to reveal his genitals all humanize Christ, a critical principle of Christian dogma.",
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"page_number": "Mentioned: p. 123",
"url": "http://www.jstor.org/stable/25136412"
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"citation": "Milliken, William. \"Italian Renaissance Bronzes.\" The Bulletin of the Cleveland Museum of Art 34, no. 4 (April 1947): 64-68.",
"page_number": "Mentioned: p. 65",
"url": "https://www.jstor.org/stable/25141360"
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"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
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{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 85",
"url": "https://archive.org/details/CMAHandbook1969/page/n109"
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"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
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"url": "https://archive.org/details/CMAHandbook1978/page/n118"
},
{
"citation": "Schulz, Anne Markham. The History of Venetian Renaissance Sculpture, Ca. 1400-1530. London: Harvey Miller Publishers, 2017.",
"page_number": "Mentioned: p. 191",
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}
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