id: 103294
accession number: 1921.360.b
share license status: CC0
url: https://clevelandart.org/art/1921.360.b
updated: 2022-06-28 09:00:06.325000
Courtesans of the Ōgiya on a Spring Outing, mid- or late 1790s. Utagawa Toyokuni (Japanese, 1769–1825). One of a triptych of woodblock prints; sheet: 36.9 x 23.8 cm (14 1/2 x 9 3/8 in.). The Cleveland Museum of Art, Gift from J. H. Wade 1921.360.b
title: Courtesans of the Ōgiya on a Spring Outing
title in original language:
series:
series in original language:
creation date: mid- or late 1790s
creation date earliest: 1794
creation date latest: 1799
current location:
creditline: Gift from J. H. Wade
copyright:
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culture: Japan, Edo period (1615-1868)
technique: One of a triptych of woodblock prints
department: Japanese Art
collection: Japanese Art
type: Print
find spot:
catalogue raisonne:
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CREATORS
* Utagawa Toyokuni (Japanese, 1769–1825) - artist
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measurements: Sheet: 36.9 x 23.8 cm (14 1/2 x 9 3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Signature: Toyokuni ga
Publisher: Izumiya Ichibei (Senichi han)
Censorship Seal: kiwame
translation:
remark:
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CURRENT EXHIBITIONS
title: Japanese Hair Ornaments, Pouches and Toilet Articles
opening date: 1936-10-16T04:00:00
Japanese Hair Ornaments, Pouches and Toilet Articles. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 16-November 1, 1936).
title: Japanese Gallery 235 Rotation
opening date: 2017-03-27T04:00:00
Japanese Gallery 235 Rotation. The Cleveland Museum of Art (March 27-July 10, 2017).
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LEGACY EXHIBITIONS
* Ukiyo-e: The Floating World Revisited. The Cleveland Museum of Art, Cleveland, OH (1994).
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PROVENANCE
Jacquin Collection
date:
footnotes:
citations:
(Walpole Galleries, New York, NY, January 20, 1921 sale, lot 158)
date: January 20, 1921
footnotes:
citations:
(Yamanaka & Co., sold to the Cleveland Museum of Art)
date: 1921
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1921–
footnotes:
citations:
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fun fact:
digital description:
wall description:
In these prints, two courtesans of the Ōgiya brothel are entering an open pavilion, while another group gathers around a Japanese hibachi inside. Hanaōgi, the most celebrated courtesan of Ōgiya in the late 1700s, is depicted at a desk. Holding a brush in her hand, she turns her head to one side as if gathering her thoughts before writing in the book before her. Both her position and her loosened hair separate Hanaōgi from her courtesan companions who wear elaborate coiffures. This depiction of her captures both her knowledge of poetry and her skill as a calligrapher.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1921.360.b/1921.360.b_web.jpg
print: https://openaccess-cdn.clevelandart.org/1921.360.b/1921.360.b_print.jpg
full: https://openaccess-cdn.clevelandart.org/1921.360.b/1921.360.b_full.tif