id:			104156
accession number:	1922.312
share license status:	CC0
url:			https://clevelandart.org/art/1922.312
updated:		2024-03-26 01:56:49.297000

Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross, c. 1350–1400. Spain, Catalonia?, 14th century. Translucent enamel (basse-taille) on silver; overall: 8.3 x 8.3 cm (3 1/4 x 3 1/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. John L. Severance 1922.312

title:				Quatrilobed Plaque (pair): The Annunciation and The Descent from the Cross
title in original language:	
series:				
series in original language:	
creation date:			c. 1350–1400
creation date earliest:		1345
creation date latest:		1405
current location:		110B Late Gothic
creditline:			Gift of Mr. and Mrs. John L. Severance
copyright:			

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culture:	Spain, Catalonia?, 14th century
technique:	translucent enamel (basse-taille) on silver
department:	Medieval Art
collection:	MED - Gothic
type:		Enamel
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 8.3 x 8.3 cm (3 1/4 x 3 1/4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		The Silver Jubilee Exhibition
	opening date:   1941-06-23T04:00:00
	<i>The Silver Jubilee Exhibition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).

	title:		Gothic Art 1360-1440
	opening date:   1963-08-06T04:00:00
	<i>Gothic Art 1360-1440</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963).

	title:		When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story
	opening date:   1981-12-01T05:00:00
	<i>When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 1, 1981-January 17, 1982).

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LEGACY EXHIBITIONS

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PROVENANCE

	Mr. and Mrs. John L. Severance, Cleveland, Ohio.
	date: 
	footnotes: 	
	citations: 	


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wall description:

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RELATED WORKS

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CITATIONS

	Richter, Rainer. "Between Original and Imitation: Four Technical Studies in Basse-Taille Enameling and Re-Enameling of the Historicism Period." <em>The Bulletin of the Cleveland Museum of Art</em> 81, no. 7 (1994): 222-51.
	page number: 	Reproduced: p. 224, 235-37; Mentioned: p. 222-51
	url:		https://www.jstor.org/stable/25161461

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1922.312/1922.312_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1922.312/1922.312_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1922.312/1922.312_full.tif