{
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"tombstone": "The Rainbow, Ach\u00e8res la For\u00eat, 1883. Jean-Charles Cazin (French, 1841\u20131901). Oil on fabric; framed: 122 x 141.5 x 17 cm (48 1/16 x 55 11/16 x 6 11/16 in.); unframed: 82 x 100.5 cm (32 5/16 x 39 9/16 in.). The Cleveland Museum of Art, Bequest of Mary Cowles Chisholm, 1922.328",
"current_location": null,
"title": "The Rainbow, Ach\u00e8res la For\u00eat",
"creation_date": "1883",
"creation_date_earliest": 1883,
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"artists_tags": [
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"culture": [
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"technique": "oil on fabric",
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"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 122 x 141.5 x 17 cm (48 1/16 x 55 11/16 x 6 11/16 in.); Unframed: 82 x 100.5 cm (32 5/16 x 39 9/16 in.)",
"dimensions": {
"framed": {
"height": 1.22,
"height_inch": 48,
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"width": 1.415,
"width_inch": 55,
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"inscriptions": [
{
"inscription": "Signed lower right in brown paint: J. C. Cazin .83\r\n",
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],
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{
"description": "Cleveland, Hickcox Building. Cleveland Art Loan Exhibition (1894), no. 60, Country Scene in France, lent by William Chisholm Sr.",
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}
]
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{
"description": "William Chisholm Sr., Cleveland. Mary Cowles Chisholm, Cleveland. Bequeathed to the CMA in 1922.",
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"external_resources": {
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"internet_archive": [
"https://archive.org/details/clevelandart-1922.328-the-rainbow-acheres"
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"citations": [
{
"citation": "Weisberg, Gabriel P. \u201cJean Charles Cazin: Memory Painting and Observation in \u2018The Boatyard.\u2019\u201d The Bulletin of the Cleveland Museum of Art 68, no. 1 (January 1981): 2\u201316.",
"page_number": "Mentioned and reproduced: p. 14, fig. 22",
"url": "http://www.jstor.org/stable/25159706"
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 115-116, Vol. I, no. 43",
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}
],
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"creditline": "Bequest of Mary Cowles Chisholm",
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"description": "Jean-Charles Cazin (French, 1841\u20131901)",
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"biography": "Jean Charles Cazin was educated in Boulogne-sur-Mer and England before completing his high-school degree in Lille. He had always shown artistic promise and by 1863 was living in Paris and submitting a landscape painting to the Salon des Refus\u00e9s. He enrolled at the \u00c9cole Gratuite de Dessin, where he studied drawing under Horace Lecoq de Boisbaudran (1802-1897), an innovative and unorthodox instructor who had developed his own teaching method based on drawing from memory. Many other young artists were attracted to his teaching style, including Fantin-Latour (q.v.), Alphonse Legros (1837-1911), and Auguste Rodin (1840-1917). Cazin's friendship with his mentor led to a teaching position at the \u00c9cole Sp\u00e9ciale d'Architecture in Paris, and he later became the director of the \u00c9cole de Dessin and curator of the museum in Tours. In 1871, after the devastation caused by the Franco-Prussian War (1870-71), Cazin and his wife, Marie Guillet, an artist who had studied under Bonheur (q.v.), left for England. During this period he turned to the decorative arts and created ceramics influenced by Japonism. Cazin's pottery served to support his family during this time of postwar economic depression; he would eventually hire his own staff to produce the ceramics that he would then decorate. After the traditional tour of Italy and a short stay in Antwerp, he returned to France in 1875 and settled near Boulogne-sur-Mer. There he painted landscapes and the beaches of this coastal town. Cazin received the L\u00e9gion d'Honneur in 1882, a gold medal at the Universal Exposition of 1889, and a Grand Prix in 1900.",
"name_in_original_language": null,
"birth_year": "1841",
"death_year": "1901",
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"legal_status": "accessioned",
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"sortable_date": 1883,
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"updated_at": "2026-08-03 14:07:07.777000"
}
}