{
    "data": {
        "id": 104609,
        "accession_number": "1922.88",
        "share_license_status": "CC0",
        "tombstone": "The Passion: Christ Taken Captive, c. 1480. Martin Schongauer (German, c. 1450\u20131491). Engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.88",
        "current_location": null,
        "title": "The Passion: Christ Taken Captive",
        "creation_date": "c. 1480",
        "creation_date_earliest": 1475,
        "creation_date_latest": 1485,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Germany"
        ],
        "technique": "engraving",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Engraving",
        "type": "Print",
        "dimensions": {},
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 357426,
                    "title": "Italian and German Prints of the 15th Century",
                    "description": "<i>Italian and German Prints of the 15th Century</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29, 1933-January 3, 1934).",
                    "opening_date": "1933-11-29T05:00:00"
                },
                {
                    "id": 356411,
                    "title": "15th Century German and Netherlands Prints from the Museum Collection",
                    "description": "<i>15th Century German and Netherlands Prints from the Museum Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 11-28, 1935).",
                    "opening_date": "1935-10-11T05:00:00"
                },
                {
                    "id": 345396,
                    "title": "Inaugural Exhibition of the New Print Gallery - Prints from the Museum Collection",
                    "description": "<i>Inaugural Exhibition of the New Print Gallery - Prints from the Museum Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 10-November 13, 1938).",
                    "opening_date": "1938-08-10T04:00:00"
                },
                {
                    "id": 345558,
                    "title": "15th Century German Engravings",
                    "description": "<i>15th Century German Engravings</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 15-December 11, 1938).",
                    "opening_date": "1938-11-15T05:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Though the Roman soldier on the right holds a ball and chain weapon (or flail), such weapons are not known to have been used by the Roman military.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the compositions. Here, Christ\u2014with his hands tied\u2014is led away with a rope around his neck by one of his captors. A second soldier seizes him by his left arm, and a third one grasps a lock of his hair. In the foreground, Peter, in an attempt to save Christ, cuts the ear of the soldier Malchus with his sword. Judas, instead, flees with his bag of silver at left.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79514097"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1922.88-the-passion-christ-t"
            ]
        },
        "citations": [],
        "catalogue_raisonne": "Lehrs V.128.20",
        "url": "https://clevelandart.org/art/1922.88",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1922.88/1922.88_web.jpg",
                "width": "659",
                "height": "893",
                "filesize": "579425",
                "filename": "1922.88_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1922.88/1922.88_print.jpg",
                "width": "2509",
                "height": "3400",
                "filesize": "7432782",
                "filename": "1922.88_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1922.88/1922.88_full.tif",
                "width": "3786",
                "height": "5131",
                "filesize": "58312952",
                "filename": "1922.88_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Gift of The Print Club of Cleveland",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 104609,
        "creators": [
            {
                "id": 12292,
                "description": "Martin Schongauer (German, c. 1450\u20131491)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Martin Schongauer (ca. 1450-53, Colmar - 2 February 1491, Breisach) was one of the most skilled and influential graphic artists of Europe in the last quarter of the 15h century. Trained both as an engraver and as a painter, Schongauer started his apprenticeship under his father Caspar Schongauer, a goldsmith from Augsburg. In 1465, he matriculated at the University of Leipzig. After one year, he left his studies, and came back to Colmar. There, he was trained under the painter Caspar Isenmann, between 1466 and 1469. Schongauer later traveled down to the Rhine, Cologne, Burgundy, the Netherlands, and he likely visited Spain. In 1489, he became a citizen of Breisach, where he died probably of the plague in 1491. Only a few of Schongauer's paintings survive. Among these is the <em>Madonna in the Rose Garden</em> for the Church of Saint Martin in Colmar (1473), which betrays Schongauer's admiration for the works by the Netherlandish painter Roger Van der Weyden. The bulk of Schongauer's engravings is more conspicuous: 116 prints, none of them dated, but all marked by his monogram M+S. Characterized by exquisite cross-hatching and impeccable craftsmanship, Schongauer's engravings were widely imitated by the German printmakers Ishrael van Meckenem and Albrecht Durer, as well as by Italian artists, such as Cristoforo Robetta and Nicoletto da Modena.",
                "name_in_original_language": null,
                "birth_year": "1450",
                "death_year": "1491",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1922-05-25T00:00:00",
        "sortable_date": 1475,
        "date_added_to_oa": null,
        "date_text": "c. 1480",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 05:38:27.123000"
    }
}