{
    "data": {
        "id": 106350,
        "accession_number": "1924.432",
        "share_license_status": "CC0",
        "tombstone": "Tarocchi, before 1467. Master of the E-Series Tarocchi (Italian, active 1400s). Engraving hand-colored with gold. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.432",
        "current_location": null,
        "title": "Tarocchi",
        "creation_date": "before 1467",
        "creation_date_earliest": 1457,
        "creation_date_latest": 1467,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, Ferrara, 15th century"
        ],
        "technique": "engraving hand-colored with gold",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Engraving",
        "type": "Print",
        "dimensions": {},
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 312341,
                    "title": "The Silver Jubilee Exhibition",
                    "description": "<i>The Silver Jubilee Exhibition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).",
                    "opening_date": "1941-06-23T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The Italian word <em>tarocchi </em>(tarot) refers to a gambling game; though once thought to describe the function of this set of engravings, today it is understood to be a misnomer.",
        "description": "Scholars generally agree that this set of 50 engravings was an educational tool, perhaps devised by a humanist scholar to visually describe a fifteenth-century philosophical model of the cosmos. It was believed that the universe was a ladder-like structure that began with the beggar and rose through the ranks of humankind, the muses, the liberal arts, the virtues, and the planets, until it finally reached the pinnacle, the dwelling place of God. Reflecting this order, the engravings can be divided into five groups distinguished by the letters E, D, C, B, A, respectively marking the Conditions of Man (five serfs and five aristocrats); Apollo and the nine Muses; the seven Liberal Arts (with three added disciplines\u2014Poetry, Philosophy, and Theology); the seven Virtues (with three personifications of cosmic principles called \"Genii\"); and the Firmaments of the Universe (eight cosmic spheres and two prime movers\u2014<em>Primo Mobile</em> and <em>Prima Causa</em>). Each unit in the Tarocchi set is thus structured around the number ten which\u2014according to the Greek Philosopher Aristotle\u2014was a perfect expression of Divine unity.<br><br>Designed, engraved, and hand-colored in gold by artists and craftsmen in Northern Italy whose names are unknown to us today, the series exists in two versions. The museum's set, known as the \"E\" series (named for the letter in the lower left corner of the prints in the first group of ten), is believed to be the first version.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60750129"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1924.432-tarocchi"
            ]
        },
        "citations": [
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1925.",
                "page_number": "Reproduced: p. 40",
                "url": "https://archive.org/details/CMAHandbook_80839/page/n42"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1928.",
                "page_number": "Reproduced: p. 48",
                "url": "https://archive.org/details/CMAHandbook1928/page/n52"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 618",
                "url": "https://archive.org/details/CMAHandbook1958/page/n115"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 88",
                "url": "https://archive.org/details/CMAHandbook1966/page/n112"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 88",
                "url": "https://archive.org/details/CMAHandbook1969/page/n112"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 100",
                "url": "https://archive.org/details/CMAHandbook1978/page/n120"
            },
            {
                "citation": "Lecoq, Anne-Marie, and Alain Me\u0301rot. <em>L\u2019Atelier de La Gr\u00e2ce</em>. Paris: Le Passage, 2025.",
                "page_number": "Mentioned and reproduced: p. 230, fig. 168",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1924.432",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1924.432/1924.432_web.jpg",
                "width": "678",
                "height": "900",
                "filesize": "228419",
                "filename": "1924.432_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1924.432/1924.432_print.jpg",
                "width": "2562",
                "height": "3400",
                "filesize": "2345038",
                "filename": "1924.432_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1924.432/1924.432_full.tif",
                "width": "4096",
                "height": "5436",
                "filesize": "66823240",
                "filename": "1924.432_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Dudley P. Allen Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 106350,
        "creators": [
            {
                "id": 40800,
                "description": "Master of the E-Series Tarocchi (Italian, active 1400s)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "death_year": "1499",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1914-03-13T00:00:00",
        "sortable_date": 1457,
        "date_added_to_oa": null,
        "date_text": "before 1467",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "cover",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:05:48.509000"
    }
}