id:			107012
accession number:	1925.1009
share license status:	CC0
url:			https://clevelandart.org/art/1925.1009
updated:		2025-02-08 23:35:30.017000

The Bohemians of Paris: The Collector of Cigar Stubs, 1841. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23.9 x 19.3 cm (9 7/16 x 7 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1925.1009

title:				The Collector of Cigar Stubs
title in original language:	
series:				The Bohemians of Paris
series in original language:	
creation date:			1841
creation date earliest:		1841
creation date latest:		1841
current location:		
creditline:			Gift of The Print Club of Cleveland
copyright:			

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culture:	France, 19th century
technique:	lithograph
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Daumier Register / Delteil 825 ; Hazard-Delteil 829

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CREATORS

* Honoré Daumier (French, 1808–1879)  - artist
Honoré Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Académie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Zépherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honoré de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879.
* Aubert  - publisher

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measurements: Sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); Image: 23.9 x 19.3 cm (9 7/16 x 7 5/8 in.)
state of the work:	I/III
edition of the work: 	

support materials:

	description:	cream wove paper
	watermarks:	

inscriptions:

	inscription:	Upper margin, pencil: 829 / I / DRR ; 
Lower margin, pencil: Bohémiens de Paris (Pl. 4)
	translation:	
	remark:		

	inscription:	Verso, pencil: Le ramasseur de bouts de cigares. / Ils n'en finiront pas ces oiseaux là! c'est des clercs d'huissiers / ça fume jusqu'à la cendre, et pas moyens de leur tirer des carottes. / 5772
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Maurice Le Garrec, sold to the Print Club of Cleveland, Cleveland, OH
	date: ?-1925
	footnotes: 	
	citations: 	


	Print Club of Cleveland, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH
	date: 1925
	footnotes: 	
	citations: 	


	Cleveland Museum of Art, Cleveland, OH
	date: 1925-
	footnotes: 	
	citations: 	


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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1925.1009/1925.1009_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1925.1009/1925.1009_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1925.1009/1925.1009_full.tif