id: 107021 accession number: 1925.1018 share license status: CC0 url: https://clevelandart.org/art/1925.1018 updated: 2024-03-26 01:57:01.024000 Parisian Emotions: I Have Three Sous!, 1839. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; image: 25 x 17.5 cm (9 13/16 x 6 7/8 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1925.1018 title: I Have Three Sous! title in original language: series: Parisian Emotions series in original language: creation date: 1839 creation date earliest: 1839 creation date latest: 1839 current location: creditline: Dudley P. Allen Fund copyright: --- culture: France, 19th century technique: lithograph department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Daumier Register / Delteil 686 ; Hazard-Delteil 1631 --- CREATORS * Honoré Daumier (French, 1808–1879) - artist Honoré Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Académie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Zépherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honoré de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879. * Aubert - publisher --- measurements: Image: 25 x 17.5 cm (9 13/16 x 6 7/8 in.) state of the work: II/II edition of the work: support materials: description: cream wove paper watermarks: inscriptions: inscription: Above image, printed: ÉMOTIONS PARISIENNES. / 3 ; Below image, printed: J'ai trois sous! translation: remark: inscription: Upper margin, pencil: HD 1631 ; lower margin, printed: Imp. d'Aubert & Cie. / Au Bureau du Charivari, R. du Croissant, 16 ; Verso, pencil: TR 1080/12 translation: remark: --- CURRENT EXHIBITIONS title: Urban Vicissitudes opening date: 1985-07-02T04:00:00 Urban Vicissitudes. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 2-September 29, 1985). --- LEGACY EXHIBITIONS --- PROVENANCE Maurice Le Garrec, sold to the Cleveland Museum of Art, Cleveland, OH date: ?-1925 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1925- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1925.1018/1925.1018_web.jpg print: https://openaccess-cdn.clevelandart.org/1925.1018/1925.1018_print.jpg full: https://openaccess-cdn.clevelandart.org/1925.1018/1925.1018_full.tif