{
    "data": {
        "id": 107448,
        "accession_number": "1925.15",
        "share_license_status": "CC0",
        "tombstone": "News of the Day: Trust me! Take my arm..., 1866. Honor\u00e9 Daumier (French, 1808\u20131879), Destouches, Arnaud de Vresse. Lithograph; sheet: 31.2 x 25.4 cm (12 5/16 x 10 in.); image: 26 x 21.4 cm (10 1/4 x 8 7/16 in.); secondary support: 33.6 x 28 cm (13 1/4 x 11 in.). The Cleveland Museum of Art, Gift of Philip Hofer, 1925.15",
        "current_location": null,
        "title": "Trust me! Take my arm...",
        "series": "News of the Day",
        "creation_date": "1866",
        "creation_date_earliest": 1866,
        "creation_date_latest": 1866,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "lithograph",
        "support_materials": [
            {
                "description": "cream wove paper",
                "watermarks": []
            }
        ],
        "department": "Prints",
        "collection": "PR - Lithograph",
        "type": "Print",
        "measurements": "Sheet: 31.2 x 25.4 cm (12 5/16 x 10 in.); Image: 26 x 21.4 cm (10 1/4 x 8 7/16 in.); Secondary Support: 33.6 x 28 cm (13 1/4 x 11 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.312,
                "height_inch": 12,
                "height_inch_fraction": 0.3125,
                "width": 0.254,
                "width_inch": 10,
                "width_inch_fraction": 0.0
            },
            "image": {
                "height": 0.26,
                "height_inch": 10,
                "height_inch_fraction": 0.25,
                "width": 0.214,
                "width_inch": 8,
                "width_inch_fraction": 0.4375
            },
            "secondary support": {
                "height": 0.336,
                "height_inch": 13,
                "height_inch_fraction": 0.25,
                "width": 0.28,
                "width_inch": 11,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": "II/III",
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Lower margin, in brown ink: - Croyez moi! prenez mon bras. Apr\u00e8s avoir \u00e9t\u00e9 enchain\u00e9e si longtemps, vous / asuirez? [crossed out] ne seriez pas assez forte pour marcher seule. ; \nLower left corner, red stamp ; in ink: E ; in pencil: 2398/sea/300 / 3279 RRR",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Above image, printed: ACTUALIT\u00c9S. / 181. ; \nLower margin, printed: A. de Vresse, R. Rivoli, 55. / Lith. Destouches, R. Paradis. Pre. 28",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 357204,
                    "title": "Humor in Prints",
                    "description": "<i>Humor in Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 13-October 28, 1934).",
                    "opening_date": "1934-09-13T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "A Maroni, Paris (Lugt 1506)",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "This print was published in <em>Le Charivari </em>(September 22, 1866) as plate 181 from the series <em>News of the Day.</em>",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79895270"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1925.15-actualities-plate-18",
                "https://archive.org/details/clevelandart-1925.15-trust-me-take-my-arm"
            ]
        },
        "citations": [
            {
                "citation": "\"In Memoriam: Ralph Thrall King.\" <em>The Bulletin of the Cleveland Museum of Art </em>13, no. 5, part 1 (May, 1926): 95-98, 101-104, 111",
                "page_number": "Reproduced: p. 104, titled \"Political Actualities: Italy and Venice\"",
                "url": "https://www.jstor.org/stable/25136926"
            }
        ],
        "catalogue_raisonne": "Daumier Register 3960 ; Hazard-Delteil 3279 ; Provost Delteil 3522bis",
        "url": "https://clevelandart.org/art/1925.15",
        "images": {
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            "print": {
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        ],
        "creditline": "Gift of Philip Hofer",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 107448,
        "creators": [
            {
                "id": 1638,
                "description": "Honor\u00e9 Daumier (French, 1808\u20131879)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Honor\u00e9 Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Acad\u00e9mie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Z\u00e9pherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honor\u00e9 de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879.",
                "name_in_original_language": null,
                "birth_year": "1808",
                "death_year": "1879",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 457161,
                "description": "Destouches",
                "extent": "printed by",
                "qualifier": null,
                "role": "printer",
                "biography": null,
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            },
            {
                "id": 457164,
                "description": "Arnaud de Vresse",
                "extent": "published by",
                "qualifier": null,
                "role": "publisher",
                "biography": null,
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 3
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1924-11-25T00:00:00",
        "sortable_date": 1866,
        "date_added_to_oa": null,
        "date_text": "1866",
        "collapse_artists": true,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [
            "Actualities, plate 181: What do you take me for! Take my arm"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 05:46:32.647000"
    }
}