id:			108394
accession number:	1926.126
share license status:	Copyrighted
url:			https://clevelandart.org/art/1926.126
updated:		2023-03-25 11:14:20.605000

The Repose of the Model, 1922. Henri Matisse (French, 1869–1954). Lithograph; The Cleveland Museum of Art, Gift of Ralph King 1926.126 © Succession H. Matisse / Artists Rights Society (ARS), New York

title:				The Repose of the Model
title in original language:	
series:				
series in original language:	
creation date:			1922
creation date earliest:		1922
creation date latest:		1922
current location:		
creditline:			Gift of Ralph King
copyright:			© Succession H. Matisse / Artists Rights Society (ARS), New York

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culture:	France, 20th century
technique:	lithograph
department:	Prints
collection:	PR - Lithograph
type:		Print
find spot:	
catalogue raisonne: Duthuit Vol.II, Matisse 416

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CREATORS

* Henri Matisse (French, 1869–1954)  - artist

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inscriptions:

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CURRENT EXHIBITIONS

	title:		French Art Since Eighteen Hundred
	opening date:   1929-11-08T05:00:00
	<i>French Art Since Eighteen Hundred</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 8-December 8, 1929).

	title:		Contemporary European Prints from the Museum Collection
	opening date:   1939-07-18T04:00:00
	<i>Contemporary European Prints from the Museum Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 18-September 6, 1939).

	title:		Changing Dimensions: Works on Paper by Sculptors
	opening date:   1995-11-22T05:00:00
	<i>Changing Dimensions: Works on Paper by Sculptors</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1995-January 24, 1996).

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LEGACY EXHIBITIONS

* Cleveland Museum of Art, 1995-1996: Changing Dimensions:  Works on Paper by Sculptors:  November 22, 1995-January 24, 1996, no cat.

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PROVENANCE

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wall description:
Matisse on his work: "I have always tried to hide my own efforts and wished my works to have the lightness and joyousness of a springtime which never lets anyone suspect the labors it has cost. So I am afraid that the young, seeing in my work only the apparent facility and negligence in the drawing, will use this as an excuse for dispensing with certain efforts which I believe necessary. . . ."
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RELATED WORKS

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