{
"data": {
"id": 108545,
"accession_number": "1926.250",
"share_license_status": "CC0",
"tombstone": "Study for The War, 1861. Pierre Puvis de Chavannes (French, 1824\u20131898). Charcoal. The Cleveland Museum of Art, Dudley P. Allen Fund, 1926.250",
"current_location": null,
"title": "Study for The War",
"creation_date": "1861",
"creation_date_earliest": 1861,
"creation_date_latest": 1861,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "charcoal",
"support_materials": [],
"department": "Drawings",
"collection": "DR - French",
"type": "Drawing",
"dimensions": {},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 348134,
"title": "Drawings from the Museum Collection",
"description": "Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-April 28, 1937).",
"opening_date": "1937-02-10T05:00:00"
},
{
"id": 347233,
"title": "Drawings from the Museum Collection",
"description": "Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 11-October 3, 1940).",
"opening_date": "1940-07-11T04:00:00"
},
{
"id": 312333,
"title": "French Drawings and Watercolors from French Public and Private Collections",
"description": "French Drawings and Watercolors from French Public and Private Collections. The Cleveland Museum of Art, Cleveland, OH (January 6-February 15, 1942).",
"opening_date": "1942-01-06T05:00:00"
},
{
"id": 312176,
"title": "19th and 20th Century French Art and Leonard C. Hanna, Jr. Loans",
"description": "19th and 20th Century French Art and Leonard C. Hanna, Jr. Loans. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-September 1, 1943).",
"opening_date": "1943-06-22T04:00:00"
},
{
"id": 355313,
"title": "Exhibition of the Month: Ways of Drawing Nudes",
"description": "Exhibition of the Month: Ways of Drawing Nudes. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-June 6, 1945).",
"opening_date": "1945-01-30T04:00:00"
},
{
"id": 309655,
"title": "National Schools of Style",
"description": "National Schools of Style. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 14-September 18, 1983).",
"opening_date": "1983-06-14T04:00:00"
},
{
"id": 311467,
"title": "Directions in Drawing II: The Human Figure",
"description": "Directions in Drawing II: The Human Figure. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5, 1991-January 12, 1992).",
"opening_date": "1991-11-05T05:00:00"
},
{
"id": 311635,
"title": "French Drawings from the Collection",
"description": "French Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 13, 1994-March 12, 1995).",
"opening_date": "1994-12-13T05:00:00"
},
{
"id": 193792,
"title": "Drawn to the Body: The Human Figure and the Graphic Arts, 1500-1900",
"description": "Drawn to the Body: The Human Figure and the Graphic Arts, 1500-1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 14-May 23, 1999).",
"opening_date": "1999-03-14T00:00:00"
}
],
"legacy": [
{
"description": "Cleveland, Ohio: The Cleveland Museum of Art; March 14 - May 23, 1999. \"Drawn to the Body: The Human Figure and the Graphic Arts, 1500 - 1900.\"",
"opening_date": "1999-03-14T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80057048"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1926.250-study-for-the-war"
]
},
"citations": [],
"url": "https://clevelandart.org/art/1926.250",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1926.250/1926.250_web.jpg",
"width": "1263",
"height": "804",
"filesize": "731374",
"filename": "1926.250_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1926.250/1926.250_print.jpg",
"width": "3400",
"height": "2164",
"filesize": "5676828",
"filename": "1926.250_print.jpg"
},
"full": {
"url": "https://openaccess-cdn.clevelandart.org/1926.250/1926.250_full.tif",
"width": "4457",
"height": "2838",
"filesize": "37982816",
"filename": "1926.250_full.tif"
}
},
"alternate_images": [],
"creditline": "Dudley P. Allen Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 108545,
"creators": [
{
"id": 1649,
"description": "Pierre Puvis de Chavannes (French, 1824\u20131898)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Pierre Puvis de Chavannes was born into a bourgeois family. His father intended his son to enroll at the \u00c9cole Polytechnique in Paris. After a prolonged illness, however, Puvis instead entered the Facult\u00e9 de Droit. He became interested in art during a trip to Italy in 1846, and the following year he began studying with Henri Scheffer (1798-1862). Puvis returned to Italy in 1848 with Louis Bauderon de Vermeron (1809-1870), where he became interested in the art of mural painting. He entered the atelier of Delacroix (q.v.) for only two weeks, and later that of Couture (q.v.) for three months. Yet, Puvis's chief method of study was to work independently after live models. He was accepted in the Salon of 1850, but his submissions from 1852 through 1859 were rejected. In 1854-55 he decorated the dining room at his brother's country house, Le Brouchy, near Cuiseaux. He won a second-class medal at the Salon of 1861 for Concordia (Mus\u00e9e de Picardie, Amiens), which was purchased by the state. Inspired by the frescoes of Pompeii and by Piero della Francesca's Legend of the True Cross in Arezzo, Puvis pursued his interest in mural painting with great success. He received commissions to create works for the Palais des Arts in Lyons, the Pantheon and the H\u00f4tel de Ville in Paris, the Boston Public Library, and many others. The artist strove to integrate his mural paintings with the surrounding architecture and to maintain the integrity of the flat wall surface by using broad areas of subdued color. In 1890, together with Meissonier (q.v.) and Rodin (1840-1917), Puvis founded the Soci\u00e9t\u00e9 Nationale des Beaux-Arts, as a more progressive alternative for the regular Salon. Puvis's art had a significant impact on later artists, particularly the symbolists.",
"name_in_original_language": null,
"birth_year": "1824",
"death_year": "1898",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1926-06-09T00:00:00",
"sortable_date": 1861,
"date_added_to_oa": null,
"date_text": "1861",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 05:48:44.882000"
}
}