id: 108878
accession number: 1926.549
share license status: CC0
url: https://clevelandart.org/art/1926.549
updated: 2024-03-26 01:57:07.880000
Red-Figure Column Krater (Mixing Vessel): Komos (Revel), c. 470–460 BCE. Attributed to Pig Painter (Greek, Attic, active c. 480–460 BCE). Ceramic; diameter: 40.6 cm (16 in.); overall: 42.5 cm (16 3/4 in.). The Cleveland Museum of Art, The A. W. Ellenberger, Sr., Endowment Fund 1926.549
title: Red-Figure Column Krater (Mixing Vessel): Komos (Revel)
title in original language:
series:
series in original language:
creation date: c. 470–460 BCE
creation date earliest: -475
creation date latest: -455
current location: 102B Greek
creditline: The A. W. Ellenberger, Sr., Endowment Fund
copyright:
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culture: Greek, Attic
technique: ceramic
department: Greek and Roman Art
collection: GR - Greek
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
* Pig Painter (Greek, Attic, active c. 480–460 BCE) - artist
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measurements: Diameter: 40.6 cm (16 in.); Overall: 42.5 cm (16 3/4 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Greek and Roman Art
opening date: 1965-02-15T05:00:00
Greek and Roman Art. The Ohio State University, Columbus, OH (organizer) (February 15-March 12, 1965).
title: Die Griechische Klassik: Idee oder Wirklichkeit
opening date: 2002-03-01T00:00:00
Die Griechische Klassik: Idee oder Wirklichkeit. Martin Gropius Bau, Berlin, Germany (March 1-June 2, 2002).
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LEGACY EXHIBITIONS
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PROVENANCE
Mr. Mario de Ciccio, Naples, Italy, sold to the Cleveland Museum of Art
date: ?-1926
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1926-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Beazley Archive. n.d. Beazley Archive Pottery Database. Oxford: Beazley Archive.
page number: BAPD 206434
url: http://www.beazley.ox.ac.uk/record/5E64621B-F05C-4442-993A-718AD277C8A6
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 1928.
page number: Reproduced: p. 74
url: https://archive.org/details/CMAHandbook1928/page/n78
Beazley, J. D. Attic Red-Figure Vase-Painters, First Edition. Oxford: The Clarendon Press, 1942.
page number: P. 379, no. 30 (Agrigento Painter).
url:
Beazley, J. D. Attic Red-Figure Vase-Painters. Oxford: Clarendon Press, 1963.
page number: p. 563, No. 9
url:
Boulter, C. G., Jenifer Neils, and Gisela Walberg. Corpus Vasorum Antiquorum. Princeton, N.J.: Princeton University Press, 1971.
page number: p. 16, Plates 25-26
url:
Burn, Lucilla, Ruth Glynn, and J. D. Beazley. Beazley Addenda: Additional References to ABV, ARV² & Paralipomena. Oxford [Oxfordshire]: Published for the British Academy by Oxford University Press, 1982.
page number: p. 127
url:
J. Paul Getty Museum. Greek vases in the J. Paul Getty Museum. Malibu, Calif: The Museum, 1983.
page number: p. 62, Fig. 25
url:
Bérard, Claude, Christiane Bron, and Alessandra Pomari. Images Et Société En Grèce Ancienne: L'iconographie Comme Méthode D'analyse : Actes Du Colloque International, Lausanne 8-11 Février 1984. [Lausanne]: Institut d'archéologie et d'histoire ancienne, Université de Lausanne, 1987.
page number: p. 107, Fig.10
url:
Carpenter, Thomas H., J. D. Beazley, Thomas Mannack, Melanie Mendonça, and Lucilla Burn. Beazley Addenda: Additional References to ABV, ARV² & Paralipomena. Oxford: Published for the British Academy by Oxford University Press, 1989.
page number: p. 260
url:
Maas, Martha, and Jane McIntosh Snyder. Stringed Instruments of Ancient Greece. New Haven: Yale University Press, 1989.
page number: p. 135, Fig. 13
url:
Lissarrague, F. The aesthetics of the Greek banquet: images of wine and ritual. Princeton, N.J.: Princeton University Press, 1990.
page number: p. 12, fig. 2
url:
Driscoll, Ann. "The Pig Painter: Parties, Poets, and Pollaiuolo." The Bulletin of the Cleveland Museum of Art 80, no. 3 (1993): 83-111.
page number: Reproduced: p. 89-90, 101; Mentioned: p. 83-111
url: https://www.jstor.org/stable/25161392
Delavaud-Roux, Marie-Hélène. "L'Énigme Des Danseurs Barbus au Parasol et Les Vases « Des Leneennes »." Revue Archéologique, no. 2 (1995)
page number: p. 234, fig. 10
url: https://www.jstor.org/stable/41737823
Zanker, Paul. Die Maske des Sokrates: Das Bild des Intellektuellen in der antiken Kunst. München: C.H. Beck, 1995.
page number: p. 32, Fig. 13
url:
Boardman, John. The History of Greek Vases: Potters, Painters, and Pictures. New York, N.Y.: Thames & Hudson, 2001.
page number: p. 222, Fig. 240
url:
Martin-Gropius-Bau (Berlin, Germany), Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, and Staatliche Museen Preussischer Kulturbesitz. Die griechische Klassik: Idee oder Wirklichkeit : eine Ausstellung im Martin-Gropius-Bau, Berlin, 1. März - 2. Juni 2002 und in der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 5. Juli - 6. Oktober 2002 [i.e. 12. Juli - 13. Oktober 2002]. Mainz: Zabern, 2002.
page number: cat. no. 171, p. 282
url:
Bundrick, Sheramy D. Music and Image in Classical Athens. Cambridge: Cambridge University Press, 2005.
page number: p. 86, Fig. 53
url:
Pantò, Gabriella, Valentina Barberis, Angela Deodato, Gian Battista Garbarino, Patrizia Petitti, Maria Cristina Preacco, and Anna Maria Riccomini. I modi dell'Eros: reperti archeologici a tema erotico del Museo di Antichità di Torino. Torino: Edizioni Nautilius, 2011.
page number: p. 13
url:
Bierl, Anton, Nils Büttner, Kordelia Knoll, Bernhard Maaz, Sebastian Oesinghaus, Ernst Osterkamp, Michael Philipp, Stephan F. Schröder, and Saskia Wetzig. Dionysos: Rausch und Ekstase. 2013.
page number: p. 29, fig. 5
url:
Heinemann, Alexander. Der Gott des Gelages: Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. Berlin: De Gruyter, 2016.
page number: p. 89, Fig. 35
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1926.549/1926.549_web.jpg
print: https://openaccess-cdn.clevelandart.org/1926.549/1926.549_print.jpg
full: https://openaccess-cdn.clevelandart.org/1926.549/1926.549_full.tif