{
"data": {
"id": 109137,
"accession_number": "1927.298",
"share_license_status": "CC0",
"tombstone": "The Mender, c. 1881. Camille Pissarro (French, 1830\u20131903). Pen and black ink and gray wash over graphite heightened with white gouache; sheet: 15.1 x 10.2 cm (5 15/16 x 4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.298",
"current_location": null,
"title": "The Mender",
"creation_date": "c. 1881",
"creation_date_earliest": 1876,
"creation_date_latest": 1886,
"artists_tags": [
"Jewish artists",
"male"
],
"culture": [
"France, 19th century"
],
"technique": "pen and black ink and gray wash over graphite heightened with white gouache",
"support_materials": [],
"department": "Drawings",
"collection": "DR - French",
"type": "Drawing",
"measurements": "Sheet: 15.1 x 10.2 cm (5 15/16 x 4 in.)",
"dimensions": {
"sheet": {
"height": 0.151,
"height_inch": 5,
"height_inch_fraction": 0.9375,
"width": 0.102,
"width_inch": 4,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "signed, lower right, in graphite: C Pissarro; by artist, upper left, in graphite: lumi\u00e8re; by artist, upper right, in graphite: gris; by artist, upper right, in graphite: jaun; VERSO, by artist?, upper right, in graphite: CP81 / a - [illegible][crossed out]; lower left, in graphite: 21952; lower right, in graphite: N\u00ba 13 [underlined]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 348134,
"title": "Drawings from the Museum Collection",
"description": "Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-April 28, 1937).",
"opening_date": "1937-02-10T05:00:00"
},
{
"id": 347233,
"title": "Drawings from the Museum Collection",
"description": "Drawings from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 11-October 3, 1940).",
"opening_date": "1940-07-11T04:00:00"
},
{
"id": 310038,
"title": "The Graphic Art of the Barbizon School",
"description": "The Graphic Art of the Barbizon School. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-May 17, 1987).",
"opening_date": "1987-03-17T05:00:00"
},
{
"id": 182153,
"title": "Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art",
"description": "Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art. Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007).",
"opening_date": "2006-05-27T00:00:00"
},
{
"id": 200460,
"title": "Mary Cassatt and the Feminine Ideal in 19th-Century Paris",
"description": "Mary Cassatt and the Feminine Ideal in 19th-Century Paris. The Cleveland Museum of Art (organizer) (October 14, 2012-January 20, 2013).",
"opening_date": "2012-10-04T00:00:00"
}
],
"legacy": [
{
"description": "Exhibition of Modern French Paintings, Water Colors and Drawings. C.W. Kraushaar Art Galleries, New York (October 8-22, 1927).",
"opening_date": "1927-10-08T05:00:00Z"
},
{
"description": "Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (June 16, 1945-April 21, 1946).",
"opening_date": "1945-06-16T00:00:00"
},
{
"description": "Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (June 12, 1946-April 20, 1947).",
"opening_date": "1946-06-12T00:00:00"
},
{
"description": "Drawings from the Collection. The Cleveland Museum of Art, Cleveland, OH (June 10, 1947-April 26, 1948).",
"opening_date": "1947-06-10T00:00:00"
},
{
"description": "Drawings from the Collection, Gallery VIII. The Cleveland Museum of Art, Cleveland, OH (July 3-November 7, 1948).",
"opening_date": "1948-07-03T00:00:00"
},
{
"description": "Drawings from the Collection, Gallery VIII. The Cleveland Museum of Art, Cleveland, OH (June 15, 1949-April 24, 1950).",
"opening_date": "1949-06-15T00:00:00"
},
{
"description": "Drawings from the Collection, Gallery VIII. The Cleveland Museum of Art, Cleveland, OH (June 14-December 5, 1950).",
"opening_date": "1950-06-14T00:00:00"
},
{
"description": "French Drawings from the Collection, Gallery VIII. The Cleveland Museum of Art, Cleveland, OH (January 14-April 26, 1953).",
"opening_date": "1953-01-14T00:00:00"
},
{
"description": "French Drawings from the Collection, Gallery XVI. The Cleveland Museum of Art, Cleveland, OH (April 30-June 16, 1954).",
"opening_date": "1954-04-30T00:00:00"
},
{
"description": "Drawings from the Collection, Gallery VIII. The Cleveland Museum of Art, Cleveland, OH (June 16-August 10, 1954).",
"opening_date": "1954-06-16T00:00:00"
}
]
},
"provenance": [
{
"description": "(Kraushaar Galleries, New York, sold to the Cleveland Museum of Art, Cleveland, OH)",
"citations": [],
"footnotes": null,
"date": "?-1927",
"sortorder": null
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1927-",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "At the time this drawing was made, Camille Pissarro lived in the small village of Pontoise. He remained there for over a decade to immerse himself in the type of rural life that he depicted in his art.",
"description": "Camille Pissarro used the French countryside and its inhabitants as the subject of his art throughout his career. He frequently depicted women sewing, often outdoors or seated beside a window, as seen in this drawing. He indicated the effects of natural light illuminating his subject with the notation \"lumi\u00e8re\" at the left margin of the drawing.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80001259"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1927.298-the-mender"
]
},
"citations": [
{
"citation": "C.W. Kraushaar Art Galleries. Exhibition of Modern French Paintings, Water Colors and Drawings. Exh. Cat. New York: C.W. Kraushaar Art Galleries, 1927.",
"page_number": "Mentioned: no. 49",
"url": null
}
],
"url": "https://clevelandart.org/art/1927.298",
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"alternate_images": [
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"date_created": "2006-05-18T14:09:46",
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"creditline": "Gift of The Print Club of Cleveland",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 109137,
"creators": [
{
"id": 1836,
"description": "Camille Pissarro (French, 1830\u20131903)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Camille Pissarro's parents ran a general merchandise business on St. Thomas. After attending boarding school in Paris, Pissarro returned to the West Indies to work for his father from 1847 until 1852. As an artist he was largely self-taught, receiving some instruction from Fritz Melbye (1826-1896), a Danish artist with whom he traveled to Venezuela in 1852. When Pissarro returned to Paris in 1855, he shared a studio with Anton Melbye (1818-1875), Fritz's brother, and with David Jacobsen (1821-1871). He took classes at the \u00c9cole des Beaux-Arts in 1856 and three years later attended the Acad\u00e9mie Suisse, where he befriended artists such as C\u00e9zanne (q.v.), Monet (q.v.), and Guillaumin (q.v.). Corot (q.v.) encouraged him to paint landscapes around Paris, and he was listed as Corot's pupil in the catalogues of the Salons of 1864 and 1865. He had met Julie Vellay in 1860, with whom he would have eight children; they married in 1871. Pissarro exhibited regularly at the Salons from 1859 to 1870, although his work received little attention and he sold hardly anything. In 1866 he settled in Pontoise, often returning to Paris where he kept a studio. He frequented \u00c9mile Zola's \"Thursdays\" (weekly literary gatherings) and associated with Manet's (q.v.) artistic circle that gathered in the Caf\u00e9 Guerbois. During the Franco-Prussian War (1870-71) Pissarro fled with his family, first to Montfoucault and then to London, where he worked with Monet and Daubigny (q.v.) and was introduced to the dealer Durand-Ruel. In 1872 he returned to Pontoise, where he painted with C\u00e9zanne. Around 1869 Pissarro began painting in a purely impressionist style, and in 1874 he helped organize the first impressionist exhibition. He moved to \u00c9ragny-sur-Epte in 1884, where he came into contact with Seurat (q.v.) and Paul Signac (1863-1935) and subsequently began to work in a pointillist style. He eventually found this technique too limiting, and returned to an impressionist mode, often working in series. By the end of his career his landscapes and depictions of city life sold well, and in 1892 he was given a retrospective exhibition at Durand-Ruel. By now, the artist had developed strongly anarchist convictions. Pissarro not only painted and made drawings, he also experimented with etching and lithography.",
"name_in_original_language": null,
"birth_year": "1830",
"death_year": "1903",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1927-11-11T00:00:00",
"sortable_date": 1876,
"date_added_to_oa": null,
"date_text": "c. 1881",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-01 06:47:23.898000"
}
}