{
"data": {
"id": 109289,
"accession_number": "1927.431",
"share_license_status": "CC0",
"tombstone": "Fragment of Copperplate Printed Cotton with Hunting Scene Design, c. 1815. Horace Vernet (French, 1789\u20131863). Copperplate printed cotton; overall: 58.4 x 80.1 cm (23 x 31 9/16 in.). The Cleveland Museum of Art, The A. W. Ellenberger, Sr., Endowment Fund, 1927.431",
"current_location": null,
"title": "Fragment of Copperplate Printed Cotton with Hunting Scene Design",
"creation_date": "c. 1815",
"creation_date_earliest": 1810,
"creation_date_latest": 1820,
"artists_tags": [
"male"
],
"culture": [
"France, Jouy"
],
"technique": "copperplate printed cotton",
"support_materials": [],
"department": "Textiles",
"collection": "Textiles",
"type": "Textile",
"measurements": "Overall: 58.4 x 80.1 cm (23 x 31 9/16 in.)",
"dimensions": {
"overall": {
"height": 0.584,
"height_inch": 23,
"height_inch_fraction": 0.0,
"width": 0.801,
"width_inch": 31,
"width_inch_fraction": 0.5625
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "signed: \"Delmes Sculpsit.\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 312048,
"title": "Techniques of Textile Printing",
"description": "Techniques of Textile Printing. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 11, 1948-May 29, 1949).",
"opening_date": "1948-10-11T04:00:00"
},
{
"id": 301474,
"title": "An Approach to Museum Objects",
"description": "An Approach to Museum Objects. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 3-June 30, 1958).",
"opening_date": "1958-03-04T05:00:00"
}
],
"legacy": [
{
"description": "Prints and Drawing Gallery, Cleveland Museum of Art, Cleveland, OH (1981).",
"opening_date": "1981-01-01T00:00:00"
}
]
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80001600"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1927.431-fragment-of-copperpl"
]
},
"citations": [],
"url": "https://clevelandart.org/art/1927.431",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1927.431/1927.431_web.jpg",
"width": "1242",
"height": "893",
"filesize": "1032495",
"filename": "1927.431_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1927.431/1927.431_print.jpg",
"width": "3400",
"height": "2444",
"filesize": "8022316",
"filename": "1927.431_print.jpg"
},
"full": {
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"width": "5382",
"height": "3869",
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"filename": "1927.431_full.tif"
}
},
"alternate_images": [],
"creditline": "The A. W. Ellenberger, Sr., Endowment Fund",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 109289,
"creators": [
{
"id": 1612,
"description": "Horace Vernet (French, 1789\u20131863)",
"extent": null,
"qualifier": null,
"role": "designed by",
"biography": "Born into a family of artists, Horace Vernet's profession seems to have been inevitable. His father, Carle Vernet (1758-1836), was a painter and lithographer; his grandfathers were Joseph Vernet (1714-1789) and Jean-Michel Moreau the younger (1741-1814), and his uncle the architect Jean-Fran\u00e7ois Chalgrin (1739-1811). While his earliest lessons were given by his father, Vernet also worked in the studio of Fran\u00e7ois-Andr\u00e9 Vincent (1746-1814) until 1810. The following year Vernet created caricatures for the Journal des dames et des modes, an activity he would continue until 1815. He was first accepted at the Salon in 1812, and his talent so impressed J\u00e9r\u00f4me Bonaparte that he commissioned an equestrian portrait from Vernet. Throughout his life, he would receive many official commissions for contemporary history paintings. Vernet kept a busy studio that, during the first years of the Restoration, was used as a meeting place for liberals. When some of his paintings were rejected from the 1822 Salon because of their supposed antiroyalist subject matter, Vernet displayed them at his studio, attracting large crowds. Despite the Salon rejection, Vernet was elected to the Institut de France in 1826 and became the director of the Acad\u00e9mie de France in Rome two years later, a position he would occupy until 1835. After his return to Paris, Vernet became a professor at the \u00c9cole des Beaux-Arts.",
"name_in_original_language": null,
"birth_year": "1789",
"death_year": "1863",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1927-12-20T00:00:00",
"sortable_date": 1810,
"date_added_to_oa": null,
"date_text": "c. 1815",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-03 14:09:07.671000"
}
}