id: 109612 accession number: 1928.235.2 share license status: Copyrighted url: https://clevelandart.org/art/1928.235.2 updated: 2023-08-23 19:24:33.170000 Eve, 1928. Cowan Pottery Studio (American, Ohio, Rocky River, 1912–1931), R. Guy Cowan (American, 1884–1957). Glazed ceramic; overall: 35 x 26.7 x 8.2 cm (13 3/4 x 10 1/2 x 3 1/4 in.). The Cleveland Museum of Art, Educational Purchase Fund 1928.235.2 title: Eve title in original language: series: series in original language: creation date: 1928 creation date earliest: 1928 creation date latest: 1928 current location: creditline: Educational Purchase Fund copyright: --- culture: America, Ohio, Cleveland technique: glazed ceramic department: Decorative Art and Design collection: Decorative Arts type: Ceramic find spot: catalogue raisonne: --- CREATORS * Cowan Pottery Studio (American, Ohio, Rocky River, 1912–1931) - made at The Cowan Pottery Studio was founded by R. Guy Cowan in Lakewood, Ohio, United States in 1912. It moved to Rocky River, Ohio in 1920, and operated until 1931, when the financial stress of the Great Depression resulted in its bankruptcy. Cowan Pottery produced both artistic and commercial work in a variety of styles influenced by the Arts and Crafts Movement, Art Deco, Chinese ceramics, and modern sculpture.

During its two decades of operation, a number of well-known Cleveland School artists worked with Cowan at the studio: Elizabeth Anderson, Arthur Eugene Baggs, Alexander Blazys, Paul Bogatay, Edris Eckhardt, Waylande Gregory, A. Drexler Jacobson, Raoul Josset, Paul Manship, José Martin, Herman Matzen, F. Luis Mora, Elmer L. Novotny, Margaret Postgate, Stephen Rebeck, Guy L. Rixford, Viktor Schreckengost, Elsa Vick Shaw, Walter Sinz, Frank N. Wilcox, H. Edward Winter, and Thelma Frazier Winter. With the exception of Guy Cowan, himself, Waylande Gregory designed more pieces for the pottery than anyone else. Among Cowan's finest pieces were three limited edition figures relating to dance, including "Salome" (1928), "The Nautch Dancer," (1930), and "The Burlesque Dancer," (1930). For the last two, Gregory made sketches from the side of the stage of the well-known Ziegfeld Follies star, Gilda Grey, when she was performing in Cleveland. * R. Guy Cowan (American, 1884–1957) - artist R. Guy Cowan was born into a family of potters of British origin living in East Liverpool, then the center of Ohio’ s thriving ceramic industry. Around 1900 he moved with his family to Syracuse, New York, where his father was the head decorator for the Onondaga Pottery Company. Shortly there after he was apprenticed at the company. He studied with Charles Binns at the New York State School of Clayworking and Ceramics, 1902–7. Cowan moved to Cleveland to teach ceramics at East Technical High School in 1908 and became acquainted with Horace Potter, who collaborated with him on early projects. In 1913 Cowan abandoned teaching to establish a commercial firm, the Cleveland Pottery and Tile Company, which was later incorporated as the Cowan Pottery Studio. His first significant recognition came when he was awarded a ceramics prize at the Art Institute of Chicago’s Annual Exhibition of Applied Art (1917). He exhibited in the annual May Shows at the Cleveland Museum of Art (1919–32) and began teaching ceramics at the Cleveland School of Art in 1923. Under encouragement from Alexander Blazys, Cowan started producing ceramic sculpture in the mid-1920s, launching the studio’s most fertile creative period. Many artists worked on collaborative projects at Cowan Pottery, including Waylande Gregory, Elmer Novotny, Viktor Schreckengost, Walter Sinz, Frank Wilcox, and Thelma Frazier Winter. After a period of commercial success, the Depression forced the studio into bankruptcy and it closed in 1931. Cowan subsequently worked for the Ferro Enamel Company in Cleveland as a research engineer. In the mid-1930s, he relocated to Syracuse, where he became art director of the Onondaga Pottery.
"Transformations in Cleveland Art" (CMA, 1996), p. 226 --- measurements: Overall: 35 x 26.7 x 8.2 cm (13 3/4 x 10 1/2 x 3 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Burchfield to Schreckengost: Cleveland Art of the Jazz Age opening date: 2004-03-28T00:00:00 Burchfield to Schreckengost: Cleveland Art of the Jazz Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 28-July 18, 2004). --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; March 28 - July 18, 2004. "Burchfield to Schreckengost: Cleveland Art of the Jazz Age", no exhibition catalogue. --- PROVENANCE --- fun fact: digital description: wall description: In a remarkable departure from tradition, this ceramic sculpture depicts Adam tempting Eve with the forbidden fruit from the Tree of Knowledge. According to the Bible, it was Eve who offered Adam the apple which led to mankind's downfall, ushering sin and death into the world. Adam's loincloth indicates that he has become ashamed of his nudity, a sign of his fall from grace. This startling role reversal reflects Cowan's belief that men are more prone to moral temptation than women. In addition to its innovative iconography, the sculpture's rich color and elegant, rhythmic forms establish it as Cowan's finest work and a masterpiece of the American Art Deco aesthetic. Born to a family of potters in East Liverpool, Ohio, Cowan directed the Cowan Pottery studios in Lakewood (1912-17) and Rocky River (1919-32), Ohio. Cowan Pottery was among the foremost producers of American Art Deco pottery and ceramic sculpture. Cowan recruited many talented artists to work in his studios, including Thelma Frazier Winter, Edward Winter, Walter Sinz, Waylande Gregory, and Viktor Schreckengost. --- RELATED WORKS --- CITATIONS Robinson, William H., et. al. Transformations in Cleveland Art, 1796-1946: Community and Diversity in Early Modern America. Cleveland, Ohio: Cleveland Museum of Art, 1996. page number: Reproduced and Mentioned: p. 98 url: Channing, Laurence, "Before Neo: The May Show", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 45 no. 07, September 2005 page number: Mentioned & reproduced: p. 5 url: https://archive.org/details/CMAMM2005-07/page/4 --- IMAGES