{
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        "id": 110232,
        "accession_number": "1928.856",
        "share_license_status": "CC0",
        "tombstone": "Sarcophagus, c. 100\u2013125 CE. Italy, Rome, Roman Empire. Greek marble; overall: 210 cm (82 11/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1928.856",
        "current_location": "103 Roman",
        "title": "Sarcophagus",
        "creation_date": "c. 100\u2013125 CE",
        "creation_date_earliest": 100,
        "creation_date_latest": 125,
        "artists_tags": [],
        "culture": [
            "Italy, Rome, Roman Empire"
        ],
        "technique": "Greek marble",
        "support_materials": [],
        "department": "Greek and Roman Art",
        "collection": "GR - Roman",
        "type": "Sculpture",
        "measurements": "Overall: 210 cm (82 11/16 in.)",
        "dimensions": {
            "overall": {
                "length": 2.1,
                "length_inch": 82,
                "length_inch_fraction": 0.6875
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
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            "current": [],
            "legacy": []
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        "former_accession_numbers": [],
        "did_you_know": "From the Greek word for \u201cflesh-eating,\u201d <em>sarcophagus </em>is now used generically for \u201ccoffin.\u201d",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The tragic figure Orestes appears three times on the front of this sarcophagus, always wielding a short sword. In the center he stands over the body of his mother Clytemnestra, and at center left over the body of her lover Aegisthus. Orestes has killed them both to avenge their murder of his father Agamemnon, upon his return from years of fighting at Troy. At the far left, three Furies (avenging spirits) rest upon Agamemnon's tomb, while at the far right, Orestes atones for the murders at the Delphian shrine of Apollo, marked by a tripod and rock. On the lid, four reclining women symbolize the seasons, arranged in right-to-left order: Winter, Spring, Summer, Autumn, as indicated by their dress and the contents of their baskets.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60778254"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1928.856-sarcophagus"
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        },
        "citations": [
            {
                "citation": "R. H. \"Orestes Sarcophagus and Greek Accessions.\" <em>The Bulletin of the Cleveland Museum of Art</em> 15, no. 4 (1928): 90-87.",
                "page_number": "",
                "url": "http://www.jstor.org/stable/25137120"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 43",
                "url": "https://archive.org/details/CMAHandbook1958/page/n22"
            },
            {
                "citation": "Carter, Martha L. <em>Classical Art.</em> Cleveland: Cleveland Museum of Art, 1961.",
                "page_number": "Mentioned: p. 13-14; Reproduced: Plate 21",
                "url": "https://archive.org/details/ClassicalArt/page/n17/"
            },
            {
                "citation": "Hollendonner, Frederick L. \"A Technical Note on the Orestes Sarcophagus.\" <em>The Bulletin of the Cleveland Museum of Art</em> 71, no. 4 (1984): 114-15.",
                "page_number": "",
                "url": "http://www.jstor.org/stable/25159857"
            },
            {
                "citation": "Neils, Jenifer. \"The Orestes Sarcophagus and Other Classical Marbles.\" <em>The Bulletin of the Cleveland Museum of Art</em> 71, no. 4 (1984): 102-13.",
                "page_number": "",
                "url": "http://www.jstor.org/stable/25159856"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1991.",
                "page_number": "Reproduced: p. 14",
                "url": "https://archive.org/details/CMAHandbook1991/page/n29"
            },
            {
                "citation": "Gardner, Helen, Richard G. Tansey and Fred S. Kleiner. <em>Gardner's Art Through the Ages.</em> Fort Worth: Harcourt Brace College Publishers, 1996",
                "page_number": "Mentioned: p. 240-241; Reproduced: p. 241, fig. 7-68",
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 86; Reproduced: P. 64-65",
                "url": ""
            },
            {
                "citation": "Hernando Garrido, Jose Luis. \" Sobre el \u00eddolo de Carazo Conservado en el museo del Monasterio de Santo Domingo de Silos (Burgos),\" <em>Codex Aquilaresis </em>40 (2024): 77-92",
                "page_number": "Mentioned p. 85, reproduced p. 87, fig. 4",
                "url": ""
            }
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        "gallery_donor_text": "David and Inez Myers Foundation Gallery",
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}