{
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        "tombstone": "Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, shortly after 1484. Workshop of Benedetto Briosco (Italian, c. 1460\u2013after 1514), and Tomaso Cazzaniga (Italian). Marble with gilding; overall: 61 x 61 x 13.1 cm (24 x 24 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1928.863",
        "current_location": "117A Italian Renaissance",
        "title": "Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child",
        "creation_date": "shortly after 1484",
        "creation_date_earliest": 1484,
        "creation_date_latest": 1489,
        "artists_tags": [
            "male"
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        "culture": [
            "Italy, Milan"
        ],
        "technique": "marble with gilding",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "Sculpture",
        "type": "Sculpture",
        "measurements": "Overall: 61 x 61 x 13.1 cm (24 x 24 x 5 3/16 in.)",
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            "overall": {
                "height": 0.61,
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                "height_inch_fraction": 0.0,
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                "width_inch": 24,
                "width_inch_fraction": 0.0,
                "depth": 0.131,
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            {
                "description": "S. Maria del Carmine (Milan, Italy)",
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                "footnotes": [],
                "date": null,
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            {
                "description": "Vercellino Visconti",
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            {
                "description": "Prince Belgioiso (Milan, Italy)",
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                "footnotes": [],
                "date": null,
                "sortorder": null
            },
            {
                "description": "Prince Trivulzio (Milan, Italy)",
                "citations": [],
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                "date": null,
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            },
            {
                "description": "Jacob Hirsch (New York, New York), sold through Harold W. Parsons to the Cleveland Museum of Art, 1928.",
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        "description": "This relief formed part of a public funerary monument in the church of Santa Maria del Carmine in Milan. The military leader and diplomat humbly kneels in profile before the infant Christ in a naturalistic setting, drawing attention to the Holy Family\u2019s humanity and the deceased man\u2019s reverence.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60760746"
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            "internet_archive": [
                "https://archive.org/details/clevelandart-1928.863-pier-francesco-visco"
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        "citations": [
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 84",
                "url": "https://archive.org/details/CMAHandbook1966/page/n108"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 84",
                "url": "https://archive.org/details/CMAHandbook1969/page/n108"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 97",
                "url": "https://archive.org/details/CMAHandbook1978/page/n117"
            },
            {
                "citation": "Zirpolo, Lilian H. \u201cBy the Hand That Obeys the Intellect\u201d : Death and Remembrance in Late Medieval and Early Modern Sculpture. Ramsey, New Jersey: Zephyrus Scholarly Publications LLC, 2022.",
                "page_number": "Mentioned: p. 96; reproduced: pp. 94-95, fig. 6 & 7.",
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