id: 111590 accession number: 1930.157 share license status: Copyrighted url: https://clevelandart.org/art/1930.157 updated: 2023-03-04 09:29:45.404000 Landscape, 1929. Jolán Gross-Bettelheim (American, 1900–1972). Drypoint; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1930.157 title: Landscape title in original language: series: series in original language: creation date: 1929 creation date earliest: 1929 creation date latest: 1929 current location: creditline: Gift of The Print Club of Cleveland copyright: --- culture: America, 20th century technique: drypoint department: Prints collection: PR - Drypoint type: Print find spot: catalogue raisonne: --- CREATORS * Jolán Gross-Bettelheim (American, 1900–1972) - artist Jolán Gross-Bettelheim, a Hungarian artist, lived in the United States between 1925 and 1956. Although details about her life remain sketchy, she is best known for her social and political prints of industrial urban life. Born in 1900 in Nitra, then in the Austro-Hungarian empire but now in the Slovak Republic, she began her art studies in 1919 at the Budapest School of Fine Art, where she studied painting with Róbert Berény. In 1920 she studied with Emil Orlik at the Kunstgewerbeschule in Vienna and within a year went to Berlin and enrolled at the Akademie der Bildenden Künst. Between 1922 and 1924 she lived in Paris and studied at the Académie de Grande Chaumière. By 1925 she was living in Cleveland, married to Frigyes Bettelheim, a Hungarian-born radiologist. She exhibited in annual May Shows at the Cleveland Museum of Art (1927–37) and had her first solo exhibition at the Kokoon Klub (1932). In 1936, while on the Works Progress Administration graphic arts project in Cleveland, she made her first lithographs. In 1938 she moved to Jackson Heights, New York, with her husband, who opened a practice in Manhattan. A committed communist, Gross-Bettelheim was a contributor to the New Masses and the Daily Worker as well as a member of the John Reed Club and the American Artists’ Congress. During the 1930s and 1940s her works were exhibited extensively in Ohio, Chicago, Philadelphia, New York, Seattle, and Washington, D.C. She was included in the exhibitions America Today, shown simultaneously in 30 cities (1936), Artists for Victory at the Metropolitan Museum of Art in New York (1942), and America in the War, shown simultaneously in 26 locations (1943). Following the death of her husband, she returned to Hungary after 1956. Gross-Bettelheim died in Budapest.
Transformations in Cleveland Art. (CMA, 1996), p. 230 --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The May Show: 12th Annual Exhibition of Works by Cleveland Artists and Craftsmen opening date: 1930-04-22T05:00:00 The May Show: 12th Annual Exhibition of Works by Cleveland Artists and Craftsmen. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 22-June 1, 1930). title: Prints by Cleveland Artists opening date: 1935-07-10T04:00:00 Prints by Cleveland Artists. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 10-October 9, 1935). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Jolán Gross-Bettelheim Entry Card to 1930 May Show. Cleveland Museum of Art May Show Records, Cleveland Museum of Art Archives. page number: url: https://archive.org/details/CMAMS01841 --- IMAGES