id: 112009
accession number: 1930.49
share license status: CC0
url: https://clevelandart.org/art/1930.49
updated: 2023-08-23 19:31:07.141000
Bowl with Fish, c. 1000–1150. Southwest, Mogollon, Mimbres, Pre-Contact Period, 11th-12th century. Pottery; overall: 10.5 x 24.5 cm (4 1/8 x 9 5/8 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund 1930.49
title: Bowl with Fish
title in original language:
series:
series in original language:
creation date: c. 1000–1150
creation date earliest: 995
creation date latest: 1205
current location:
creditline: Charles W. Harkness Endowment Fund
copyright:
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culture: Southwest, Mogollon, Mimbres, Pre-Contact Period, 11th-12th century
technique: pottery
department: Art of the Americas
collection: AA - Native North America
type: Ceramic
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 10.5 x 24.5 cm (4 1/8 x 9 5/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Conserving the Past for the Future
opening date: 2001-03-04T00:00:00
Conserving the Past for the Future. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-May 6, 2001).
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LEGACY EXHIBITIONS
* Art of the First Nations. Mansfield Arts Center, Mansfield, OH (March 7-April 4, 1993).
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PROVENANCE
Museum of New Mexico, Santa Fe, NM, 1930, sold to the Cleveland Museum of Art
date: 1920s-1930
footnotes:
citations:
The Cleveland Museum of Art
date: 1930-
footnotes:
citations:
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fun fact:
Southwest freshwater garfish or coastal Pacific swordfish? Ancient motifs traveled via trade and cultural exchange.
digital description:
wall description:
The Mogollon of New Mexico's Mimbres region produced thousands of bowls painted with black-and-white designs on their interiors. The designs range from elegant geometric motifs to abstract humans and animals. Meaning may have dwelled in part in the domed shape of the bowls, which often were ritually punctured before they were placed over the heads of the deceased in graves. Perhaps, like modern Pueblo peoples, the Mimbres believed that the sky was a dome pierced to allow for passage between worlds, as from the realm of the living to the dead.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1930.49/1930.49_web.jpg
print: https://openaccess-cdn.clevelandart.org/1930.49/1930.49_print.jpg
full: https://openaccess-cdn.clevelandart.org/1930.49/1930.49_full.tif