id: 112088 accession number: 1930.565 share license status: CC0 url: https://clevelandart.org/art/1930.565 updated: 2024-03-26 01:57:17.801000 Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, 1604–1682). Etching and mezzotint; The Cleveland Museum of Art, Charles W. Harkness Endowment Fund 1930.565 title: Liber Veritatis: No. 50, A River Scene with Tobias and the Angel title in original language: series: series in original language: creation date: 1774 creation date earliest: 1774 creation date latest: 1774 current location: creditline: Charles W. Harkness Endowment Fund copyright: --- culture: England, 18th century technique: etching and mezzotint department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: --- CREATORS * Richard Earlom (British, 1743–1822) - artist * Claude Lorrain (French, 1604–1682) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Birth and Flowering of British Romantic Art opening date: 1990-05-01T04:00:00 The Birth and Flowering of British Romantic Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 1-July 22, 1990). --- LEGACY EXHIBITIONS --- PROVENANCE (Holman's Print Shop, Boston, MA) date: ?-1930 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: October 27, 1930 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1930.565/1930.565_web.jpg print: https://openaccess-cdn.clevelandart.org/1930.565/1930.565_print.jpg full: https://openaccess-cdn.clevelandart.org/1930.565/1930.565_full.tif