id:			112105
accession number:	1930.580
share license status:	CC0
url:			https://clevelandart.org/art/1930.580
updated:		2024-03-26 01:57:17.884000

Neptune Calming the Tempest That Aeolus Raised Against Aeneas's Fleet, c. 1515–16. Marcantonio Raimondi (Italian, 1470/82–1527/34), after Raphael (Italian, 1483–1520). Engraving; sheet: 22.5 x 15.1 cm (8 7/8 x 5 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1930.580

title:				Neptune Calming the Tempest That Aeolus Raised Against Aeneas's Fleet
title in original language:	
series:				
series in original language:	
creation date:			c. 1515–16
creation date earliest:		1510
creation date latest:		1521
current location:		
creditline:			Dudley P. Allen Fund
copyright:			

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culture:	Italy, 16th century
technique:	engraving
department:	Prints
collection:	PR - Engraving
type:		Print
find spot:	
catalogue raisonne: Bartsch 352 (XIV.264); Delaborde 146.102

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CREATORS

* Marcantonio Raimondi (Italian, 1470/82–1527/34)  - artist

* Raphael (Italian, 1483–1520)  - artist
Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists.
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measurements: Sheet: 22.5 x 15.1 cm (8 7/8 x 5 15/16 in.)
state of the work:	
edition of the work: 	

support materials:

	description:	laid paper
	watermarks:	

inscriptions:

	inscription:	verso, lower left, in graphite: [MK?] 30941
	translation:	
	remark:		

	inscription:	lower center, in graphite: [illegible word] / Marcantonio Raimondi / N° 352 [followed by three partially erased, illegible words]
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		The Sea
	opening date:   1950-09-23T04:00:00
	<i>The Sea</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 23-October 25, 1950).

	title:		Mannerism: Italian, French, and Netherlandish Prints, 1520-1620
	opening date:   1997-08-03T00:00:00
	<i>Mannerism: Italian, French, and Netherlandish Prints, 1520-1620</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 3-October 26, 1997).

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LEGACY EXHIBITIONS

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PROVENANCE

	(M. Knoedler & Co., Inc., New York, NY)
	date: ?-1930
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: October 27, 1930
	footnotes: 	
	citations: 	


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wall description:

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1930.580/1930.580_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1930.580/1930.580_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1930.580/1930.580_full.tif