{
    "data": {
        "id": 112117,
        "accession_number": "1930.583.8",
        "share_license_status": "CC0",
        "tombstone": "The Triumph of Julius Caesar:  Procession of Men, Women and Children, 1593\u201399. Andrea Andreani (Italian, about 1558\u20131610), after Andrea Mantegna (Italian, about 1431\u20131506). Chiaroscuro woodcut; image: 36.7 x 37.1 cm (14 7/16 x 14 5/8 in.); sheet: 38.9 x 37.8 cm (15 5/16 x 14 7/8 in.); matted: 58.4 x 57.1 cm (23 x 22 1/2 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1930.583.8",
        "current_location": null,
        "title": "The Triumph of Julius Caesar:  Procession of Men, Women and Children",
        "creation_date": "1593\u201399",
        "creation_date_earliest": 1593,
        "creation_date_latest": 1599,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, 16th century"
        ],
        "technique": "chiaroscuro woodcut",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Chiaroscuro",
        "type": "Print",
        "measurements": "Image: 36.7 x 37.1 cm (14 7/16 x 14 5/8 in.); Sheet: 38.9 x 37.8 cm (15 5/16 x 14 7/8 in.); Matted: 58.4 x 57.1 cm (23 x 22 1/2 in.)",
        "dimensions": {
            "image": {
                "height": 0.367,
                "height_inch": 14,
                "height_inch_fraction": 0.4375,
                "width": 0.371,
                "width_inch": 14,
                "width_inch_fraction": 0.625
            },
            "sheet": {
                "height": 0.389,
                "height_inch": 15,
                "height_inch_fraction": 0.3125,
                "width": 0.378,
                "width_inch": 14,
                "width_inch_fraction": 0.875
            },
            "matted": {
                "height": 0.584,
                "height_inch": 23,
                "height_inch_fraction": 0.0,
                "width": 0.571,
                "width_inch": 22,
                "width_inch_fraction": 0.5
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 288386,
                    "title": "Gods and Heroes: Ancient Legends in Renaissance Art",
                    "description": "<i>Gods and Heroes: Ancient Legends in Renaissance Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-December 31, 2017).",
                    "opening_date": "2017-08-26T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [
            "1930.590"
        ],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegna\u2019s <em>Triumph of Julius Caesar</em>, painted a century earlier. The scenes imaginatively portray the triumphal procession of the renowned Roman general and consul Julius Caesar following his successful defeat of Gaul in 52 BC. Each section of the continuous frieze shows elements typical of these parades, sanctioned by the Roman Senate and described in ancient texts. The printed suite\u2019s frontispiece features a portrait bust of Mantegna, and the text below boasts that the famous paintings attracted many viewers. People who owned sets of these woodcuts often tacked them up to create a decorative frieze. Andreani issued the prints with a sheet of classical columns that could be cut out and placed between the scenes. Two fragments of these columns, colored orange, still flank the fourth scene.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q80004692"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1930.583.8-the-triumph-of-juliu"
            ]
        },
        "citations": [],
        "catalogue_raisonne": "Bartsch XII.101.11 # 7 of a set of 9 (p. 102)",
        "url": "https://clevelandart.org/art/1930.583.8",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1930.583.8/1930.583.8_web.jpg",
                "width": "867",
                "height": "900",
                "filesize": "444951",
                "filename": "1930.583.8_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1930.583.8/1930.583.8_print.jpg",
                "width": "3277",
                "height": "3400",
                "filesize": "4732269",
                "filename": "1930.583.8_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1930.583.8/1930.583.8_full.tif",
                "width": "5297",
                "height": "5496",
                "filesize": "87372736",
                "filename": "1930.583.8_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Dudley P. Allen Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 112117,
        "creators": [
            {
                "id": 4656,
                "description": "Andrea Andreani (Italian, about 1558\u20131610)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Born in Mantua in ca. 1559, Andrea Andreani was the most accomplished practitioner of chiaroscuro technique in late sixteenth-century Italy. Little is known about his initial training. He began as a blockcutter. Around 1583, he started to copy early line woodcuts into new chiaroscuro versions. He also reproduced intarsia pavements, sculptures, and bronze reliefs with the same method. Andreani was active in Rome (ca. 1580), Florence (1583-86), and Siena (1586-1593), before returning permanently to his native city and setting up a workshop. He died in Manuta in 1629. Andreani's oeuvre includes large prints comprising several sheets, such as his copy of <em>Triumph of Christ</em> after Titian, and copies of drawings based on Mantegna's cartoons for the <em>Triumph of Caesar</em>. Between 1602 and 1610, Andreani reprinted and recut earlier chiaroscuro woodblocks by Ugo da Carpi, Antonio da Trento and Niccol\u00f2 Vicentino, bringing them to new levels of technical and visual refinement.",
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 8173,
                "description": "Andrea Mantegna (Italian, about 1431\u20131506)",
                "extent": null,
                "qualifier": "after",
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1431",
                "death_year": "1506",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1930-10-27T00:00:00",
        "sortable_date": 1593,
        "date_added_to_oa": null,
        "date_text": "1593\u201399",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "component",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": "1930.583",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 05:55:42.766000"
    }
}