id: 112230 accession number: 1930.661.21.b share license status: CC0 url: https://clevelandart.org/art/1930.661.21.b updated: 2023-08-23 19:31:57.881000 Antiphonary: Initial, angel, c. 1470–1480. Follower of Girolamo da Cremona (Italian). Ink, tempera, and gold on parchment; codex: 55.9 x 43.2 x 10.2 cm (22 x 17 x 4 in.). The Cleveland Museum of Art, Gift of the Right Reverend William A. Leonard 1930.661.21.b title: Antiphonary: Initial, angel title in original language: series: series in original language: creation date: c. 1470–1480 creation date earliest: 1470 creation date latest: 1480 current location: creditline: Gift of the Right Reverend William A. Leonard copyright: --- culture: Italy, Siena, 15th century technique: ink, tempera, and gold on parchment department: Medieval Art collection: MED - Manuscript Illuminations type: Manuscript find spot: catalogue raisonne: --- CREATORS * Girolamo da Cremona (Italian) - artist --- measurements: Codex: 55.9 x 43.2 x 10.2 cm (22 x 17 x 4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Rev. Dr. Nevin, Rome date: footnotes: citations: Right Rev. Wm. A. Leonard date: 1899 footnotes: citations: Rev. Dr. Nevin, Rome; Right Rev. Wm. A. Leonard (1899) date: footnotes: citations: --- fun fact: digital description: wall description: The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona, who was likely working in Siena using the master's designs. Girolamo was intermittently active until 1474 in Siena, where he decorated choir books for the cathedral in collaboration with other North Italian illuminators. Antiphonaries like this one were usually made in several volumes for use by a clerical congregation. They were applied to the singing of the Daily Office, the cycle of daily devotions throughout the year. The chant introduced by this initial reads: Angelus Domini descendit de celo... (An angel of the Lord descended...). It is the First Matins Response for Easter. --- RELATED WORKS --- CITATIONS The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 84 url: https://archive.org/details/CMAHandbook1966/page/n108 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 84 url: https://archive.org/details/CMAHandbook1969/page/n108 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 96 url: https://archive.org/details/CMAHandbook1978/page/n116 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1930.661.21.b/1930.661.21.b_web.jpg print: https://openaccess-cdn.clevelandart.org/1930.661.21.b/1930.661.21.b_print.jpg full: https://openaccess-cdn.clevelandart.org/1930.661.21.b/1930.661.21.b_full.tif