id: 112932 accession number: 1931.50 share license status: CC0 url: https://clevelandart.org/art/1931.50 updated: 2024-08-08 15:13:10.917000 Beatrice, 1897. Odilon Redon (French, 1840–1916), printed by Auguste Clot (French, 1858–1936), published by Ambroise Vollard (French, 1867–1939). Color lithograph on China paper laid on wove paper; image: 33.6 x 29.6 cm (13 1/4 x 11 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1931.50 title: Beatrice title in original language: series: series in original language: creation date: 1897 creation date earliest: 1897 creation date latest: 1897 current location: creditline: Gift of The Print Club of Cleveland copyright: --- culture: France, late 19th Century technique: color lithograph on China paper laid on wove paper department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Mellerio 168 --- CREATORS * Odilon Redon (French, 1840–1916) - artist A leader of the symbolist movement in France, Odilon Redon was born in Bordeaux in 1840 and grew up in the surrounding region. During his early years he studied drawing, architecture, and the violin. A friendship with Armand Clavaud, a local botanist and philosopher, stimulated Redon's passion for romantic art and literature. In 1864, after a brief and discouraging period of instruction with Gérôme in Paris, Redon returned to Bordeaux, where he studied printmaking with Rodolphe Bresdin (1825-1885). Deploring the emphasis on rational, phenomenal experience in academic and naturalist art, Redon turned for inspiration to the imaginative paintings of Delacroix, the prints of Francisco José de Goya (1746-1828), and the poetry of Charles Baudelaire. In 1870, after military service in the Franco-Prussian War, Redon settled in Paris and produced his first Noirs. These visionary images, featuring floating eyes and severed heads born aloft on wings, reflect Redon's belief in the superiority of the imagination and fantasy, which he considered "the messenger of the unconscious." After producing his initial Noirs in charcoal, Redon discovered a method of transferring his drawings to lithography in 1876. Throughout the 1880s he continued to use charcoal, etching, and lithography as his primary media, and he produced twelve lithography albums before abandoning the genre in the late 1890s. During the 1880s Redon emerged as a leader of the symbolist reaction against impressionism. The publication in 1879 of his first lithographic album, Dans le rêve, followed by his first solo exhibition in 1881, attracted the admiration of J. K. Huysmans, who included illustrations by Redon in his novel À rebours (1884). Around the same time, Redon developed a personal and artistic relationship with poet Stéphane Mallarmé. Increasingly drawn into the public arena, Redon helped organize the Société des Artistes Indépendants in 1884. In 1886 he participated in the last impressionist exhibition and began showing with Les XX in Brussels. Redon's antinaturalist, visionary, art inspired many symbolist and Nabi artists, including Gauguin and Vuillard. Maurice Denis praised Redon as "our Mallarmé," and in 1892 critic Albert Aurier described Redon as a leader of the new "idealistic" tendency in art. After 1890 the focus of Redon's activity shifted from monochromatic drawings and prints toward exploring color in richly worked pastels. His innovations in luminous color, as seen in the pastel and oil paintings he exhibited at the Galeries Durand-Ruel in 1900 were greatly admired by Henri Matisse (1869-1954) and the Fauves. Awarded the Legion of Honor in 1903, Redon continued his leadership role in the avant-garde and in 1904 became a founding member of the Salon d'Automne. In 1913 forty of his works were selected for exhibition in the Armory Show, the most by any artist. Redon died at his home in Paris in the summer of 1916. * Auguste Clot (French, 1858–1936) - printer * Ambroise Vollard (French, 1867–1939) - publisher French art dealer and publisher, 1867-1939 --- measurements: Image: 33.6 x 29.6 cm (13 1/4 x 11 5/8 in.) state of the work: I/I edition of the work: edition of 100 support materials: description: China paper watermarks: description: wove paper watermarks: inscriptions: inscription: Signed, lower right of image, in graphite: ODILON REDON; initialed on stone, upper right corner: OR translation: remark: --- CURRENT EXHIBITIONS title: 40th Anniversary Exhibition of the Print Club of Cleveland opening date: 1959-12-03T05:00:00 40th Anniversary Exhibition of the Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (December 3, 1959-January 20, 1960). title: Charles Meryon, Odilon Redon, and Rodolphe Bresdin opening date: 1978-10-01T04:00:00 Charles Meryon, Odilon Redon, and Rodolphe Bresdin. The Cleveland Museum of Art, Cleveland, OH (October 1, 1978-April 1, 1979). title: Odilon Redon: Dream Creatures and Anemones opening date: 1984-08-21T04:00:00 Odilon Redon: Dream Creatures and Anemones. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 21-October 14, 1984). title: Printing in Color opening date: 1985-09-10T04:00:00 Printing in Color. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-November 17, 1985). title: Generous Donors: A Tribute to The Print Club of Cleveland opening date: 1991-04-02T05:00:00 Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991). title: Drawn on Stone: 19th-Century Lithography opening date: 1993-09-25T04:00:00 Drawn on Stone: 19th-Century Lithography. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 25, 1993-February 20, 1994). title: Collecting Dreams: Odilon Redon opening date: 2021-09-19T04:00:00 Collecting Dreams: Odilon Redon. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19, 2021-January 23, 2022). --- LEGACY EXHIBITIONS * {'description': 'Nabi Prints: Ritual and Reality. Spencer Museum of Art, University of Kansas, Lawrence, KS (March 1 - April 8, 1979).', 'opening_date': '1979-03-01T00:00:00'} --- PROVENANCE (Yvonne Conter, Geneva, sold to the Print Club of Cleveland, Cleveland, OH) date: ?-1931 footnotes: citations: The Print Club of Cleveland, given to the Cleveland Museum of Art, Cleveland, OH date: 1931 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1931- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Catalogue of an exhibition of the art of lithography: commemorating the sesquicentennial of its invention, 1798-1948. [Cleveland]: The Cleveland Museum of Art, November 11, 1948-January 2, 1949. Published as: Béatrice. page number: Mentioned: p. 58 url: https://archive.org/details/Lithography/page/n65 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1931.50/1931.50_web.jpg print: https://openaccess-cdn.clevelandart.org/1931.50/1931.50_print.jpg full: https://openaccess-cdn.clevelandart.org/1931.50/1931.50_full.tif