{
    "data": {
        "id": 113164,
        "accession_number": "1932.179",
        "share_license_status": "CC0",
        "tombstone": "A Bridal Couple, c. 1470. Southern Germany, 15th century. Oil on panel; framed: 77.5 x 51 x 8.1 cm (30 1/2 x 20 1/16 x 3 3/16 in.); unframed: 62.3 x 36.5 cm (24 1/2 x 14 3/8 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds, 1932.179",
        "current_location": null,
        "title": "A Bridal Couple",
        "creation_date": "c. 1470",
        "creation_date_earliest": 1465,
        "creation_date_latest": 1475,
        "artists_tags": [],
        "culture": [
            "Southern Germany, 15th century"
        ],
        "technique": "oil on panel",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Medieval Art",
        "type": "Painting",
        "measurements": "Framed: 77.5 x 51 x 8.1 cm (30 1/2 x 20 1/16 x 3 3/16 in.); Unframed: 62.3 x 36.5 cm (24 1/2 x 14 3/8 in.)",
        "dimensions": {
            "framed": {
                "height": 0.775,
                "height_inch": 30,
                "height_inch_fraction": 0.5,
                "width": 0.51,
                "width_inch": 20,
                "width_inch_fraction": 0.0625,
                "depth": 0.081,
                "depth_inch": 3,
                "depth_inch_fraction": 0.1875
            },
            "unframed": {
                "height": 0.623,
                "height_inch": 24,
                "height_inch_fraction": 0.5,
                "width": 0.365,
                "width_inch": 14,
                "width_inch_fraction": 0.375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 312517,
                    "title": "The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition",
                    "description": "<i>The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).",
                    "opening_date": "1936-06-26T04:00:00"
                },
                {
                    "id": 312374,
                    "title": "Masterpieces of Art from the New York and San Francisco World's Fairs",
                    "description": "<i>Masterpieces of Art from the New York and San Francisco World's Fairs</i>. The Cleveland Museum of Art, Cleveland, OH (February 7-March 7, 1940).",
                    "opening_date": "1940-02-07T05:00:00"
                },
                {
                    "id": 312341,
                    "title": "The Silver Jubilee Exhibition",
                    "description": "<i>The Silver Jubilee Exhibition</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).",
                    "opening_date": "1941-06-23T04:00:00"
                },
                {
                    "id": 213494,
                    "title": "Jahreszeiten der Gef\u00fchle - Das Gothaer Liebespaar und die Kunst der Hohen Minne im Sp\u00e4tmittelalter",
                    "description": "<i>Jahreszeiten der Gef\u00fchle - Das Gothaer Liebespaar und die Kunst der Hohen Minne im Sp\u00e4tmittelalter</i>. Schlossmuseum, Gotha (organizer) (May 2-June 28, 1998).",
                    "opening_date": "1998-05-02T00:00:00"
                },
                {
                    "id": 184466,
                    "title": "Object in Focus:  A Bridal Couple",
                    "description": "<i>Object in Focus:  A Bridal Couple</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 12-May 12, 2002).",
                    "opening_date": "2002-03-12T00:00:00"
                },
                {
                    "id": 180667,
                    "title": "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art",
                    "description": "<i>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art</i>. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).",
                    "opening_date": "2007-05-10T00:00:00"
                },
                {
                    "id": 681998,
                    "title": "Spectrum of Desire: Love Sex and Gender in the Middle Ages",
                    "description": "<i>Spectrum of Desire: Love Sex and Gender in the Middle Ages</i>. The Metropolitan Museum of Art, New York, NY (organizer) (October 16, 2025-March 29, 2026) https://www.metmuseum.org/exhibitions/spectrum-of-desire-love-sex-and-gender-in-the-middle-ages.",
                    "opening_date": "2025-10-16T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>European Art 1450-1500</em>, Brooklyn Museum, New York, NY, (May 8- June 8,1936).",
                    "opening_date": "1936-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "L. Schutzenberger, Strasbourg, France",
                "citations": [],
                "footnotes": [],
                "date": "1825-1903",
                "sortorder": 1
            },
            {
                "description": "Andr\u00e9 Weil, Paris, France",
                "citations": [],
                "footnotes": [],
                "date": "1903-?",
                "sortorder": 2
            },
            {
                "description": "(Wildenstein & Co., NY, New York), sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "?-1932",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1932-",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This painting inspired internationally renowned Finnish composer Kaija Saariaho to write a piece of music titled \"Orion\" after she visited the museum.",
        "description": "This painting depicting a recently married aristocratic couple is filled with symbolism. The various floral elements represent love and fertility, while the colors of their clothes suggest not only their relationship but also chastity, love, and modesty. What details might you choose to symbolize a young couple in love?",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q27214233"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1932.179-a-bridal-couple"
            ]
        },
        "citations": [
            {
                "citation": "Burger, Fritz, Hermann Schmitz, and Ignaz Beth.<em> Die deutsche Malerei vom ausgehenden Mittelalter bis zum Fnde der Renaissance. </em>Berlin-Neubabelsberg: Akademische Verlagsgesellschaft Athenaion m.b.h, 1913.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "<em>Art Digest</em> (November. 1, 1932).",
                "page_number": "p. 6",
                "url": null
            },
            {
                "citation": "\"Two New Paintings\u2014Cleveland.\" <em>The American Magazine of Art</em> 25, no. 6 (1932).",
                "page_number": "p. 357",
                "url": "https://www.jstor.org/stable/23954776"
            },
            {
                "citation": "<em>Illustrated London News</em> (Nov. 5, 1932).",
                "page_number": "p. 708",
                "url": null
            },
            {
                "citation": "<em>Art News</em> (October 22, 1932).",
                "page_number": "p. 4",
                "url": null
            },
            {
                "citation": "H. S. F. \"A German Primitive of the Swabian School.\" <em>The Bulletin of the Cleveland Museum of Art</em> 19, no. 8 (1932)",
                "page_number": "pp. 127-131",
                "url": "https://www.jstor.org/stable/25137494"
            },
            {
                "citation": "<em>Magazine of Art </em>(October 1932).",
                "page_number": "p. 4",
                "url": null
            },
            {
                "citation": "<em>Creative Art</em> (November 1932).",
                "page_number": "p. 72, cover",
                "url": null
            },
            {
                "citation": "<em>Gazette des Beaux-Arts</em> (December 1932).",
                "page_number": "p. 328",
                "url": null
            },
            {
                "citation": "<em>Pantheon</em> (April 1933).",
                "page_number": "p. 132",
                "url": null
            },
            {
                "citation": "<em>Beaux-Arts</em> (January 6, 1933).",
                "page_number": "p. 4",
                "url": null
            },
            {
                "citation": "Tietze, Hans. <em>Meisterwerke europa\u0308ischer Malerei in Amerika, mit u\u0308ber 300 Kupfertiefdrucktafeln.</em> Wien: Phaidon-Verlag, 1935.",
                "page_number": "p. 198",
                "url": null
            },
            {
                "citation": "Naumann, Hans Heinrich \"Le premier \u00e9l\u00e8ve de Martin Schongauer: Mathias Nithart,\" <em>Archives alsaciennes</em>, XIV (1935).",
                "page_number": "pp. 7, 61-64, 145",
                "url": null
            },
            {
                "citation": "<em>Art News</em> (May 16, 1936).",
                "page_number": "p. 6",
                "url": null
            },
            {
                "citation": "<em>Art News</em> (June 13, 1936).",
                "page_number": "p. 11",
                "url": null
            },
            {
                "citation": "<em>Brooklyn Museum Quarterly</em> (1936).",
                "page_number": "pp. 124-5, 134, 136",
                "url": null
            },
            {
                "citation": "Kuhn, Charles Louis, and Arthur Burkhard. <em>A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections</em>. Cambridge, Mass: Harvard University Press, 1936.",
                "page_number": "no. 244",
                "url": null
            },
            {
                "citation": "Thieme, Ulrich, and Hans Vollmer.<em> Allgemeines Lexikon der bildenden K\u00fcnstler von der Antike bis zur Gegenwart 29/30 29/30</em>. Leipzig: Seemann, 1999.",
                "page_number": "p. 251",
                "url": null
            },
            {
                "citation": "Brooklyn Museum. <em>An Exhibition of European Art, 1450-1500.</em> 1936.",
                "page_number": "cat. no. 38",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition : June Twenty-Sixth to October Fourth 1936.</em> [Cleveland, Ohio]: [Cleveland Museum of Art], 1936.",
                "page_number": "cat. no. 190, pl. XLII",
                "url": ""
            },
            {
                "citation": "\"Les Amants Tr\u00e9pass\u00e9s, Peinture de Gr\u00fcnewald,\" <em>Aesculape</em>, XXVI (1937).",
                "page_number": "p. 192",
                "url": null
            },
            {
                "citation": "Muse\u0301e des beaux arts de Strasbourg. <em>Catalogue des peintures anciennes</em>. Strasbourg: E\u0301dition des Muse\u0301es de la Ville, 1938.",
                "page_number": "p. 11, cat. no. 10",
                "url": null
            },
            {
                "citation": "<em>Life Magazine</em> (February 7, 1938).",
                "page_number": "p. 30",
                "url": null
            },
            {
                "citation": "Marquand, Eleanor C. \"Plant Symbolism in the Unicorn Tapestries.\" <em>Parnassus</em> 10, no. 5 (1938).",
                "page_number": "p. 3",
                "url": "https://www.jstor.org/stable/771669"
            },
            {
                "citation": "<em>Bulletin of the Cleveland Museum of Art</em> (July 1939).",
                "page_number": "p. 127",
                "url": null
            },
            {
                "citation": "Tietze, Hans. M<em>asterpieces of European Painting in America</em>. New York: Oxford University Press, 1939.",
                "page_number": "p. 198",
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            },
            {
                "citation": "<em>Masterpieces of Art</em> (official souvenir, guide, and picture book of exhibition at World Fair (publ. By Art News, New York, 1939).",
                "page_number": "pl. 52",
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            },
            {
                "citation": "Francis, Henry. \"Loans to Important Exhibitions.\" <em>The Bulletin of the Cleveland Museum of Art </em>26, no. 7 (July 1939): 123",
                "page_number": "Mentioned: p. 123; Reproduced: p. 127",
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            },
            {
                "citation": "Janson, Horst W. \"A \"Memento Mori\" among Early Italian Prints.\" <em>Journal of the Warburg and Courtauld Institutes</em> 3, no. 3/4 (1940).",
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            },
            {
                "citation": "Cleveland Museum of Art, and William Mathewson Milliken.<em> Masterpieces of Art from the New York and San Francisco World's Fairs; The Cleveland Museum of Art, February 7 Through March 7, 1940.</em> 1940.",
                "page_number": "cat. no. 140",
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            },
            {
                "citation": "Milliken, William. \"Silver Jubilee Exhibition.\" <em>The Bulletin of the Cleveland Museum of Art </em>28, no.6 (June 1941): 88-108",
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            },
            {
                "citation": "Gibson, Katharine. <em>Pictures to Grow Up With.</em> New York: Studio Publications, 1942.",
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            {
                "citation": "Shoolman, Regina, and Charles E. Slatkin. <em>The Enjoyment of Art in America, A Survey of the Permanent Collections of Painting, Sculpture, Ceramics &amp; Decorative Arts in American and Canadian Museums: Being an Introduction to the Masterpieces of Art from Prehistoric to Modern Times.</em> Philadelphia: Lippincott, 1942.",
                "page_number": "pl. 41",
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            },
            {
                "citation": "Francis, Henry S. \"The Lovers: A Swabian Gothic Picture of Secular Life in the Fifteenth Century,\" <em>Gazette des Beaux-Arts</em> XXIV (1943).",
                "page_number": "pp. 343-354",
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            },
            {
                "citation": "Kertesz, M. Wagner de. <em>Historia universal de las joyas. </em>Buenos Aires: Ediciones Centurion, 1945.",
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            {
                "citation": "<em>Paintings in the Cleveland Museum of Art.</em> [Cleveland]: The Cleveland Museum of Art, 1945.",
                "page_number": "Reproduced: p. 42",
                "url": "https://archive.org/details/CMAPaintings1945/page/n50"
            },
            {
                "citation": "Musper, Heinrich Theodor \"Ein Ulmer Verl\u00f6bnisbild,\" <em>Die Kunst und das Sch\u00f6ne Heim</em> XLVII (1949).",
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            {
                "citation": "Lewis, L. \"Pictures of Germany in New York,\" <em>Staats-Zeiting und Herold</em> (Oct. 11, 1949).",
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            },
            {
                "citation": "Wentzel, Hans. <em>Form und Inhalt; kunstgeschichtliche Studien, Otto Schmitt zum 60. Geburtstag am 13. Dezember 1950 dargebracht von seinen Freunden.</em> Stuttgart: W. Kohlhammer, 1950.",
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            },
            {
                "citation": "Syndicus, Eduard \"Hochzeit und Tod - ein wiederentdecktes Bild,\" <em>Zeitschrift f\u00fcr Kunstwissenschaft</em> VI (1952).",
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            },
            {
                "citation": "Francis, Henry S. \"Early German Painting in the Cleveland Museum of Art,\" <em>American-German Review </em>XXI/2 (1954-55).",
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            },
            {
                "citation": "Bergstr\u00f6m, Ingvar \"Disguised Symbolism in Madonna Pictures and Still Life Part II\u201d, <em>Burlington Magazine</em> XCVII (1955).",
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            },
            {
                "citation": "Swarzenski, Hanns. \"A Painting of the Man of Sorrows.\" <em>Bulletin of the Museum of Fine Arts</em> 54, no. 298 (1956).",
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            {
                "citation": "Behling, Lottlisa. <em>Die Pflanze in der mittelalterlichen Tafelmalerei. </em>Weimar: H. Bo\u0308hlaus Nachfolger, 1957.",
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            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.",
                "page_number": "Mentioned and Reproduced: cat. no. 457",
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            },
            {
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            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
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            {
                "citation": "Wolfgang Beeh, \"Eine sp\u00e4tgotische mittelrheinische Handschrift \u00dcber die Liebe zu erwerben und die Liebe zu verschm\u00e4hen,\" <em>Kunst in Hessen und am Mittelrhein</em> VI (1966).",
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            },
            {
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            {
                "citation": "<em>Storia Della Musica</em> CXLV (Milano, 1967).",
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            },
            {
                "citation": "Moore, Janet Gaylord. <em>The Many Ways of Seeing: An Introduction to the Pleasures of Art</em>. 1968.",
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            },
            {
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                "page_number": "Reproduced: p. 67",
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            },
            {
                "citation": "Unesco. <em>Catalogue de reproductions de peintures, 1860 a\u0300 1969 </em>= Catalogue of reproductions of paintings, 1860 to 1969 = Cata\u0301logo de reproducciones de pinturas, 1860-1969. Paris: Unesco, 1969.",
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            },
            {
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            },
            {
                "citation": "Sch\u00e4dler, Alfred \"Beitr\u00e4ge zum Werk Hans Multschers,\" <em>Anzeiger des Germanischen Nationalmuseums </em>(1969).",
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            },
            {
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            {
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            },
            {
                "citation": "Ursula Binder-Hagelstange, \"Tod in Strassburg. Drei Begegnungen<em>,\" Frankfurter Allgemeine Zeitung </em>(January 1, 1972).",
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            },
            {
                "citation": "New York Garphic Society. <em>Fine Art Reproductions of Old &amp; Modern Masters: A Comprehensive Illustrated Catalog of Art Through the Ages</em>. New York: New York Graphic Society, 1972.",
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            },
            {
                "citation": "\"At the Turn of the Year\" <em>International Scala</em> (Frankfurt, January 1972).",
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            },
            {
                "citation": "Harksen, Sibylle.<em> Die Frau im Mittelalter. </em>Leipzig: Edition Leipzig, 1974.",
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            },
            {
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            {
                "citation": "Mann, Thomas, Hans Wysling, and Yvonne Schmidlin. <em>Bild und Text bei Thomas Mann: eine Dokumentation</em>. 1975.",
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                "page_number": "Reproduced: p. 77",
                "url": "https://archive.org/details/CMAHandbook1978/page/n97"
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            {
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                "page_number": "pp. 35-6, n. 7, fig. 13",
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            {
                "citation": "Wirth, Jean. <em>La Jeune fille et la mort: recherches sur les the\u0300mes macabres dans l'art germanique de la Renaissance. </em>Gene\u0300ve: Droz, 1979.",
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                "page_number": "p. 79, fig. 3.29",
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            {
                "citation": "Lawrence, Mary. <em>Lovers, 100 Works of Art Celebrating Romantic Love, with Commentaries by the Distinguished and the Great</em>. New York: A &amp; W Publishers, 1982.",
                "page_number": "pp. 42-3",
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            {
                "citation": "Russell, Douglas A. <em>Costume History and Style.</em> Englewood Cliffs, N.J.: Prentice-Hall, 1983.",
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            {
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            {
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                "page_number": "pp. 48-51, fig. 35, no. 27-29",
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            {
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            {
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                "page_number": "p. 62, no. 98",
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            },
            {
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                "page_number": "p. 254",
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            {
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                "page_number": "p. 250, no. 213, Tafel 126, no. 266-7",
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                "page_number": "p. 6",
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            {
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                "page_number": "p. 207, tafel 185 (#2)",
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                "page_number": "p. 239, fig. 10-4",
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            {
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                "page_number": "p. 10",
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            },
            {
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                "page_number": "pp. 248, 252, fig. 10-4",
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                "page_number": "p. 107, fig. 50",
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                "page_number": "Vol. 2, pl. I.50",
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            },
            {
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                "page_number": "pp. 106-7, fig. 50",
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            {
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                "page_number": "p. 268",
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            },
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                "citation": "Mackrell, Alice. <em>An Illustrated History of Fashion: 500 Years of Fashion Illustration</em>. London: B.T. Batsford, 1997.",
                "page_number": "p. 10",
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                "page_number": "p. 160, no. 146",
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            {
                "citation": "Schuttwolf, Allmuth, and Angelica Du\u0308lberg.<em> Jahreszeiten der Gefu\u0308hle: das Gothaer Liebespaar und die Minne im Spa\u0308tmittelalter.</em> Ostfildern bei Stuttgart: G. Hatje, 1998.",
                "page_number": "pp. 168-9, cat. no. 83",
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                "page_number": "Vol. 19, No. 1, p. 63, 126",
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art, and Holger A. Klein. <em>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.",
                "page_number": "p. 240, cat. no. 89",
                "url": null
            },
            {
                "citation": "Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. <em>The Cleveland Museum of Art: Meisterwerke von 300 bis 1550</em>. Mu\u0308nchen: Hirmer, 2007.",
                "page_number": "pp. 260-261, no. 97",
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            {
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                "page_number": null,
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            {
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            {
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                "url": null
            },
            {
                "citation": "Gertsman, Elina and Barbara H. Rosenwein. <em>The Middle Ages in 50 Objects</em>. Cambridge: Cambridge University Press, 2018.",
                "page_number": "Mentioned: p. 200-203; Reproduced: p. 201",
                "url": null
            },
            {
                "citation": "Mikolic, Amanda. <em>CMA Collection Highlight: A Bridal Couple and the Enduring Legend of the Forget-Me-Not. </em>The Cleveland Museum of Art CMA Thinker Blog. (2018)",
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                "url": "https://medium.com/cma-thinker/cma-collection-highlight-a-bridal-couple-and-the-enduring-legend-of-the-forget-me-not-cd0d89cb7539"
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            {
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            },
            {
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            },
            {
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                "page_number": "Mentioned and reproduced: p. 23, fig. 11",
                "url": ""
            },
            {
                "citation": "Miller, Scott D. \"Love in Mortal Time.\" In <em>Spectrum of Desire: Love, Sex, and Gender in the Middle Ages, </em>edited by Melanie Holcomb and Nancy Thebaut<em>, </em>118-120. New York: The Metropolitan Museum of Art, 2025.",
                "page_number": "Mentioned and reproduced: p. 118-120, pl. 48, fig. 36",
                "url": ""
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