id:			114192
accession number:	1933.440.b
share license status:	CC0
url:			https://clevelandart.org/art/1933.440.b
updated:		2023-01-10 20:32:44.876000

Qur'an Manuscript Folio (verso), 1200s-1300s. Southern Spain. Ink, gold, and color on parchment; sheet: 52.7 x 55.4 cm (20 3/4 x 21 13/16 in.); text area: 46.5 x 44 cm (18 5/16 x 17 5/16 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund 1933.440.b

title:				Qur'an Manuscript Folio (verso)
title in original language:	
series:				
series in original language:	
creation date:			1200s-1300s
creation date earliest:		1200
creation date latest:		1399
current location:		
creditline:			Edward L. Whittemore Fund
copyright:			

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culture:	Southern Spain
technique:	ink, gold, and color on parchment
department:	Islamic Art
collection:	Islamic Art
type:		Manuscript
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Sheet: 52.7 x 55.4 cm (20 3/4 x 21 13/16 in.); Text area: 46.5 x 44 cm (18 5/16 x 17 5/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Sura-al Nur [Chapter:The Light] 24:part 61-part 61 (Arabic)
Script: Maghribi (seven lines to a page)
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Art: The International Language
	opening date:   1956-10-02T04:00:00
	<i>Art: The International Language</i>. The Cleveland Museum of Art (October 2-November 4, 1956).

	title:		Al-Andalus: Art from Islamic Spain (Islamic art rotation)
	opening date:   2019-10-29T04:00:00
	<i>Al-Andalus: Art from Islamic Spain (Islamic art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 29, 2019-October 25, 2020).

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LEGACY EXHIBITIONS

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PROVENANCE

	(Mehmet Aga-Oglu [1896–1949], Ann Arbor, MI, sold to the Cleveland Museum of Art)
	date: ?-1933
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1933-
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:
This page from the “Chapter of Light” (24:59–61) in the Qur'an is written in the monumental script of Islamic Spain and North Africa, known as Maghribi Kufic. Words flow rhythmically with curving flourishes toward the left margin where letters end in almost perfect semicircles, an elegant hallmark that contrasts with the upright shafts. Distinctive markings—vowels in red and diacritics in blue—identify the vocalization of the text, which would have been read or recited aloud to an assembly.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1933.440.b/1933.440.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1933.440.b/1933.440.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1933.440.b/1933.440.b_full.tif