id: 115258
accession number: 1935.5
share license status: CC0
url: https://clevelandart.org/art/1935.5
updated: 2024-03-26 01:57:27.497000
Woman with a Cape, 1889. Albert Besnard (French, 1849–1934). Etching, drypoint and roulette; sheet: 32.9 x 25.6 cm (12 15/16 x 10 1/16 in.); plate: 23.6 x 16 cm (9 5/16 x 6 5/16 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna, Jr. 1935.5
title: Woman with a Cape
title in original language:
series:
series in original language:
creation date: 1889
creation date earliest: 1889
creation date latest: 1889
current location:
creditline: Gift of Leonard C. Hanna, Jr.
copyright:
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culture: France, 19th century
technique: etching, drypoint and roulette
department: Prints
collection: PR - Etching
type: Print
find spot:
catalogue raisonne: Coppier 73
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CREATORS
* Albert Besnard (French, 1849–1934) - artist
Albert Besnard's parents-his father an amateur painter who studied with Ingres (q.v.) and his mother a miniaturist-influenced his early artistic career. In 1866 he entered the École des Beaux-Arts where he studied in the ateliers of Jean- François Brémond (1807-1868), who taught the young Besnard fresco painting, and Alexandre Cabanel (1823-1889), one of the foremost Second Empire academic painters. Besnard first exhibited at the Salon of 1868, which proved to be the beginning of his official success and in 1874 he won the Prix de Rome, an honor that gave him the opportunity to spend four years at the Villa Medici. Besnard's success as a portraitist began in London, where he stayed from 1879 until 1881. He studied seventeenth-century British portrait painters and emulated the British colorists, Turner (q.v.) in particular. Besnard's reputation as a portrait painter followed him back to Paris where he received numerous commissions from prominent figures of the Third Republic (1870-1940). In addition to portrait painting, Besnard was commissioned by the state to paint mural decorations for various public buildings in Paris. He also experimented with different media such as pastel and etching and designed decorations for stained glass. Besnard received numerous awards and was re-cognized by his contemporaries, including the symbolists. He held the directorships of the École de Rome in 1913 and of the École Supérieure Nationale des Beaux-Arts from 1923 to 1934.
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measurements: Sheet: 32.9 x 25.6 cm (12 15/16 x 10 1/16 in.); Plate: 23.6 x 16 cm (9 5/16 x 6 5/16 in.)
state of the work: vi/vi
edition of the work:
support materials:
description: cream (3) laid paper
watermarks:
inscriptions:
inscription: lower left, in pencil: Tire à 75 No 29
lower right, in pencil: A Besnard
lower left, in plate AB
translation:
remark:
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CURRENT EXHIBITIONS
title: Prints Accessioned in 1935
opening date: 1936-10-14T05:00:00
Prints Accessioned in 1935. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 14-November 8, 1936).
title: Contemporary European Prints from the Museum Collection
opening date: 1939-07-18T04:00:00
Contemporary European Prints from the Museum Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 18-September 6, 1939).
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LEGACY EXHIBITIONS
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PROVENANCE
Leonard C. Hanna, Jr.
date:
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1935.5/1935.5_web.jpg
print: https://openaccess-cdn.clevelandart.org/1935.5/1935.5_print.jpg
full: https://openaccess-cdn.clevelandart.org/1935.5/1935.5_full.tif