{
    "data": {
        "id": 117017,
        "accession_number": "1937.563",
        "share_license_status": "CC0",
        "tombstone": "Massacre of the Innocents (With the Fir Tree), c. 1511\u201312. Marcantonio Raimondi (Italian, 1470/82\u20131527/34), after Raphael (Italian, 1483\u20131520). Engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1937.563",
        "current_location": null,
        "title": "Massacre of the Innocents (With the Fir Tree)",
        "creation_date": "c. 1511\u201312",
        "creation_date_earliest": 1511,
        "creation_date_latest": 1512,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, 16th century"
        ],
        "technique": "engraving",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Engraving",
        "type": "Print",
        "dimensions": {},
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 311953,
                    "title": "Classic to Baroque: A Style Change in the Arts",
                    "description": "<i>Classic to Baroque: A Style Change in the Arts</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949).",
                    "opening_date": "1949-09-30T04:00:00"
                },
                {
                    "id": 301184,
                    "title": "Department of Prints and Drawings Opening Exhibition",
                    "description": "<i>Department of Prints and Drawings Opening Exhibition</i>. The Cleveland Museum of Art (organizer) (March 3, 1958-October 11, 1959).",
                    "opening_date": "1958-03-03T05:00:00"
                },
                {
                    "id": 302205,
                    "title": "Art and Humanism in the Renaissance",
                    "description": "<i>Art and Humanism in the Renaissance</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).",
                    "opening_date": "1962-01-23T05:00:00"
                },
                {
                    "id": 185234,
                    "title": "Early Italian Engraving: 1460's - 1530's",
                    "description": "<i>Early Italian Engraving: 1460's - 1530's</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 25-October 27, 2002).",
                    "opening_date": "2002-08-25T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q47534062"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1937.563-massacre-of-the-inno"
            ]
        },
        "citations": [
            {
                "citation": "Francis, Henry. \"Two Versions of the 'Massacre of the Innocents' by Marcantonio Raimondi.\" <em>The Bulletin of the Cleveland Museum of Art </em>25, no. 9 (November 1938): 165-167.",
                "page_number": "Mentioned: p. 166; Reproduced: p. 171",
                "url": "https://www.jstor.org/stable/25137963"
            }
        ],
        "catalogue_raisonne": "Bartsch XIV.19.18 ; Delaborde 90.8",
        "url": "https://clevelandart.org/art/1937.563",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1937.563/1937.563_web.jpg",
                "width": "1263",
                "height": "822",
                "filesize": "920288",
                "filename": "1937.563_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1937.563/1937.563_print.jpg",
                "width": "3400",
                "height": "2212",
                "filesize": "6848656",
                "filename": "1937.563_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1937.563/1937.563_full.tif",
                "width": "6668",
                "height": "4338",
                "filesize": "86813736",
                "filename": "1937.563_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Dudley P. Allen Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 117017,
        "creators": [
            {
                "id": 4579,
                "description": "Marcantonio Raimondi (Italian, 1470/82\u20131527/34)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1470",
                "death_year": "1534",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 4584,
                "description": "Raphael (Italian, 1483\u20131520)",
                "extent": null,
                "qualifier": "after",
                "role": "artist",
                "biography": "Raffaello Sanzio (Urbino, April 6, 1483-Rome, April 6, 1520), commonly known as Raphael, was one of the most admired Italian painters and architects on the High Renaissance. He was trained in his native city Urbino, a center of art and culture during the rule of the Duke Federico da Montefeltro. Around 1495, Raphael moved to Perugia and joined the master Pietro Perugino's workshop. He later sojourned to Siena, and then resided in Florence by the autumn of 1504. There, Raphael studied the works by Renaissance masters such as Leonardo da Vinci, Michelangelo, Fra Bartolomeo, and Masaccio. Raphael is best known for his paintings of Madonnas (from 1504 through 1507), and the frescoes that Pope Julio II commissioned to him in the Vatican Palace in Rome in 1514. The same year architect Donato Bramante died, and the pope appointed Raphael chief architect. Raphael's style was based on clarity of forms and harmonious compositions; after his death, his works were highly admired by both Mannerist and Baroque artists.",
                "name_in_original_language": null,
                "birth_year": "1483",
                "death_year": "1520",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1937-12-20T00:00:00",
        "sortable_date": 1511,
        "date_added_to_oa": null,
        "date_text": "c. 1511\u201312",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 06:04:48.657000"
    }
}