{
"data": {
"id": 117670,
"accession_number": "1938.301.187.b",
"share_license_status": "CC0",
"tombstone": "End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra\u2019s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.187.b",
"current_location": null,
"title": "End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra\u2019s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)",
"creation_date": "Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)",
"creation_date_earliest": 1119,
"creation_date_latest": 1119,
"artists_tags": [],
"culture": [
"Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu"
],
"technique": "Gum tempera and ink on palm leaf",
"support_materials": [],
"department": "Indian and Southeast Asian Art",
"collection": "Nepalese Art",
"type": "Painting",
"measurements": "Leaf: 5.3 x 54.3 cm (2 1/16 x 21 3/8 in.)",
"dimensions": {
"leaf": {
"height": 0.053,
"height_inch": 2,
"height_inch_fraction": 0.0625,
"width": 0.543,
"width_inch": 21,
"width_inch_fraction": 0.375
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [
{
"inscription": "[[beginning of line 1 to the second half of line 6]] [t\u0101vattath\u0101gatasti\u1e63\u1e6dha]t\u012bti veditavyam / t\u0101vattath\u0101gato dharma\u1e43 de\u015bayat\u012bti veditavyam / avirahit\u0101ste \u0101nanda sattv\u0101 buddhadar\u015banena dharma\u015brava\u1e47ena sa\u1e43ghopasth\u0101nena ca veditavyam / tath\u0101gat\u0101ntik\u0101vacar\u0101ste \u0101nanda sattv\u0101 veditavy\u0101\u1e25, ya en\u0101\u1e43 praj\u00f1\u0101p\u0101ramita \u015bro\u1e63yantyudgrah\u012b\u1e63yanti dh\u0101rayi\u1e63yanti v\u0101cayi\u1e63yanti paryav\u0101psyanti pravartayi\u1e63yanti de\u015bayi\u1e63yantyupadek\u1e63yantyuddek\u1e63yanti sv\u0101dhy\u0101syanti likhi\u1e63yanti satkari\u1e63yanti gurukari\u1e63yanti m\u0101nayi\u1e63yanti p\u016bjayi\u1e63yantyarcayi\u1e63yantyapac\u0101yi\u1e63yanti pu\u1e63padh\u016bpagandham\u0101lyavilepanac\u016br\u1e47ac\u012bvaracchatradhvajagha\u1e47\u1e6d\u0101pat\u0101k\u0101bhi\u1e25, samant\u0101cca d\u012bpam\u0101l\u0101bhi\u1e25, bahuvidh\u0101bhi\u015b ca p\u016bj\u0101bhiriti //\n\n\nidamavocadbhagav\u0101n \u0101ttaman\u0101\u1e25 / te ca maitreyapramukh\u0101 bodhisattv\u0101 mah\u0101sattv\u0101\u1e25 \u0101yu\u1e63m\u0101\u1e43\u015b ca subh\u016btir\u0101yu\u1e63m\u0101\u1e43\u015b ca \u015b\u0101riputra\u1e25 \u0101yu\u1e63m\u0101\u1e43\u015bc\u0101nanda\u1e25 \u015bakra\u015b ca dev\u0101n\u0101mindra\u1e25 sadevam\u0101nu\u1e63\u0101suragaru\u1e0dagandharva\u015b ca loko bhagavato bh\u0101\u1e63itamabhyanandanniti //\n\n\n\u0101ry\u0101\u1e63\u1e6das\u0101hasrik\u0101y\u0101\u1e43 praj\u00f1\u0101p\u0101ramit\u0101y\u0101\u1e43 par\u012bndan\u0101parivarto n\u0101ma dv\u0101tri\u1e43\u015battama\u1e25 //\n\n\nsam\u0101pt\u0101 ceya\u1e43 bhagavaty\u0101 \u0101ry\u0101\u1e63\u1e6das\u0101hasrik\u0101y\u0101\u1e25 praj\u00f1\u0101p\u0101ramit\u0101 sarvatath\u0101gatajanan\u012b bodhisattvapratyekajina\u015br\u0101vak\u0101\u1e47\u0101\u1e43 m\u0101t\u0101, dharmamudr\u0101 dharmolk\u0101 dharman\u0101bhirdharmabher\u012b dharmanetr\u012b dharmaratnanidh\u0101nam ak\u1e63ayo dharma\u1e25 acinty\u0101dbhutadar\u015bananak\u1e63atram\u0101l\u0101 sadevam\u0101nu\u1e63\u0101suragandharvalokavandit\u0101 sarvasukhaheturiti //\n\n\npraj\u00f1\u0101p\u0101ramit\u0101\u1e43 samyagudg\u1e5bhya paryav\u0101pya ca dh\u0101rayitv\u0101 pravartya en\u0101\u1e43 viharantu sad\u0101rthina iti // [[end of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)]]",
"inscription_translation": null,
"inscription_remark": "This inscription is copied from the standardized edition of the Ashtasahasrika Prajnaparamita-sutra and does not reflect this specific leaf. Link: https://gretil.sub.uni-goettingen.de/gretil.html#orgba4abd8",
"sortorder": null
},
{
"inscription": "[[line 6, after \u201chyat\u0101m //\u201d, the beginning of the concluding remarks and the colophon]] ye dharm\u0101 hetuprabh\u0101v\u0101 hetuste\u1e63\u0101\u1e43 tath\u0101gato hyavadat /\n\n\nte\u1e63\u0101\u1e43 ca yo nirodha eva\u1e43v\u0101d\u012b mah\u0101\u015brama\u1e47a\u1e25 // [[continues onto folio 188r]]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [],
"legacy": []
},
"provenance": [
{
"description": "(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131938",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1938\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The left corner of this page was repaired using yellow-colored Nepalese paper, indicating the importance of keeping the manuscript whole.",
"early_education_description": null,
"artlens_description": null,
"description": "Haribhadra lived in the 800s, and the final remarks to his commentary on the Ratnagunasamcaya-gatha were copied at the end of this manuscript. The Ratnagunasamcaya-gatha distills the teaching of the Sanskrit Perfection of Wisdom into Prakrit verses.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q116415318"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1938.301.187.b-text-folio-187-verso",
"https://archive.org/details/clevelandart-1938.301.187.b-haribhadras-final-re",
"https://archive.org/details/clevelandart-1938.301.187.b-end-of-the-perfectio"
]
},
"citations": [
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned: cat. no. 754",
"url": "https://archive.org/details/CMAHandbook1958/page/n136"
}
],
"url": "https://clevelandart.org/art/1938.301.187.b",
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"creditline": "Purchase from the J. H. Wade Fund",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 117670,
"creators": [],
"legal_status": "accessioned",
"accession_date": null,
"sortable_date": 1119,
"date_added_to_oa": null,
"date_text": "Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)",
"collapse_artists": false,
"on_loan": false,
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"record_type": "part",
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"cover_accession_number": "1938.301",
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"impression": null,
"alternate_titles": [
"Book of Transcendental Wisdom: Astasahasrika Prajnaparamita: Decorated Leaf (verso)",
"Perfection of Wisdom in Eight Thousand Lines: Ashtasahasrika Prajnaparamita: Decorated Leaf (verso)",
"Haribhadra\u2019s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)"
],
"is_highlight": false,
"updated_at": "2026-05-29 06:05:46.680000"
}
}