id: 117905 accession number: 1938.6 share license status: CC0 url: https://clevelandart.org/art/1938.6 updated: 2024-03-26 01:57:35.478000 Ancestral Commemorative Head (uhunmwun-elao), possibly mid-1500s or early 1600s. Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild. Copper alloy and iron; overall: 29.9 x 21.6 x 20.4 cm (11 3/4 x 8 1/2 x 8 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1938.6 title: Ancestral Commemorative Head (uhunmwun-elao) title in original language: series: series in original language: creation date: possibly mid-1500s or early 1600s creation date earliest: 1550 creation date latest: 1625 current location: 108A Sub-Saharan creditline: Dudley P. Allen Fund copyright: --- culture: Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild technique: Copper alloy and iron department: African Art collection: African Art type: Sculpture find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 29.9 x 21.6 x 20.4 cm (11 3/4 x 8 1/2 x 8 1/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Treasure of Ivories and Bronzes from the Ancient Kingdom of Benin opening date: 1937-03-10T05:00:00 Treasure of Ivories and Bronzes from the Ancient Kingdom of Benin. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 10-April 11, 1937). title: The Silver Jubilee Exhibition opening date: 1941-06-23T04:00:00 The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). title: Exhibition of the Month: Texture in Art opening date: 1947-10-06T05:00:00 Exhibition of the Month: Texture in Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 6-December 8, 1947). --- LEGACY EXHIBITIONS * {'description': 'African Negro Art. Howard University, Founders Library Art Gallery, Washington, DC (May 6– 31, 1953) .', 'opening_date': '1953-05-06T04:00:00Z'} * {'description': 'Seaway Luncheons.. East Ohio Gas Company Building, Cleveland, OH (week of June 8, 1959).', 'opening_date': '1959-06-08T04:00:00Z'} --- PROVENANCE Commissioned from the Igun Eronmwon date: Possibly mid-1500s or early 1600s. footnotes: citations: By descent to Ọba Ovọnramwẹn (Ovọnramwẹn Nogbaisi [c. 1857–1914; r. 1888–1897], Royal Palace, Benin City date: c.1857–1897 footnotes: citations: Brought to Europe following the Siege of Benin date: 1897 footnotes: citations: (Fosters & Co., London or France, probably sold to Louis Carré and/or Charles Ratton) date: c. 1929–1932 footnotes: *
Savoy, Bénédicte, Charlotte Guichard, and Christine Howald. 2018. Acquiring cultures: histories of
world art on Western markets
. P. 274 

citations: (Louis Carré, Paris, sold to the Cleveland Museum of Art, Cleveland, OH January 17, 1938) date: by at least 1937 footnotes: *
• Illustrated in Milliken, William M. "Treasure of Ivories and Bronzes from the Ancient Kingdom of
Benin." The Bulletin of the Cleveland Museum of Art 24, no. 3 (1937): 35-36 
• Illustrated in Negatives 963447 and 963448, Cleveland Museum of Art Archives
citations: The Cleveland Museum of Art, Cleveland, OH date: 1938– footnotes: *
Purchase/Carré provenance publicized in CMA Bulletin March 1938 (Helen S. Foote, “Two Bronzes 
from Benin, pp. 49-50, 48)
citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Milliken, William M. "Treasure of Ivories and Bronzes from the Ancient Kingdom of Benin." The Bulletin of the Cleveland Museum of Art 24, no. 3 (1937): 35-36. page number: illustrated, unnumbered plate url: https://www.jstor.org/stable/25137830 Foote, Helen S. 1938. "Two Bronzes from Benin". Bulletin of the Cleveland Museum of Art. 25: 48-50. page number: mentioned p. 49; illustrated p. 48 url: https://www.jstor.org/stable/25137915 "Au Cleveland Museum of Art." Mouseion. (April 1938) 13-14. page number: Mentioned: p. 13 url: Washington Howard University Gallery of Art. Exhibition of African Negro Art. Washington: Howard University Gallery of Art, 1953. page number: cat no. 33 url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 386 url: https://archive.org/details/CMAHandbook1958/page/n72 Burton, Richard. "In Cleveland: The Idea of a Museum." Museums Journal 63, no. 4 (1964): 263-73. page number: p. 266, fig.70 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 303 url: https://archive.org/details/CMAHandbook1966/page/n327 Fagg, William. African Tribal Images; the Katherine White Reswick Collection. [Cleveland]: Cleveland Museum of Art, 1968. page number: no. 144 url: Moore, Janet Gaylord. The Many Ways of Seeing: An Introduction to the Pleasures of Art. 1968. page number: url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 303 url: https://archive.org/details/CMAHandbook1969/page/n327 Cleveland Museum of Art, and Berthold Fricke. The Cleveland Museum of Art. Hannover: Knorr & Hirth, 1970. page number: p. 102 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 411 url: https://archive.org/details/CMAHandbook1978/page/n431 Anderson, Ross, and Barbara Perry. The Diversions of Keramos: American Clay Sculpture, 1925-1950. 1983. page number: p. 79, repr. p. 79, fig. 6:5. url: Cleveland Museum of Art, and Henry John Drewal. African Art: A Brief Guide to the Collection : the Cleveland Museum of Art. [Cleveland]: The Museum, 1989. page number: fig.5. url: Cleveland Museum of Art. Interpretations: Sixty-Five Works from the Cleveland Museum of Art. 1991. page number: no. 41 url: Perani, Judith, and Fred. T. Smith. The Visual Arts of Africa: Gender, Power, and Life Cycle Rituals. Upper Saddle River, NJ: Prentice Hall, 1998. page number: fig. 6.7, pp. 175-176 url: May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland: Cleveland Museum of Art, 2001. page number: no. 69, p. 67, 118 url: Petridis, Constantijn. South of the Sahara: selected works of African art. Cleveland: Cleveland Museum of Art, 2003. page number: Reproduced: cat. 25, p. 80 - 81 url: Binder, Lisa, "Mr. Aitken, I Presume", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 44 no. 05, May 2004 page number: Mentioned & reproduced: p. 12 url: https://archive.org/details/CMAMM2004-05/page/12 Petridis, Constantine. "A World of Great Art for Everyone." In Representing Africa in American Art Museums: A Century of Collecting and Display. Kathleen Bickford Berzock and Christa Clarke, 104-121. Seattle: University of Washington Press, 2011. page number: Mentioned: p. 113, 119 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 31; Reproduced: P. 26-27 url: Windmuller-Luna, Kristen. “Art from the Benin Kingdom.” Cleveland Art: Cleveland Museum of Art Members Magazine 61, no. 1 (Winter 2021): 34-35. page number: Reproduced: P. 34; Mentioned: P. 35. url: Digital Benin, Markk Museum Am Rothenbaum Kulturen und Kunste der Welt, (Last Updated: 2021-02-13) page number: ID 117905 url: https://digitalbenin.org/catalogue/8_117905 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1938.6/1938.6_web.jpg print: https://openaccess-cdn.clevelandart.org/1938.6/1938.6_print.jpg full: https://openaccess-cdn.clevelandart.org/1938.6/1938.6_full.tif